गुरुवार 13 मार्च 1969 की अव्यक्त मुरली

⁰> ¹13-03-69om shanti avyakt baapdaada madhuban

⁰> > 13-03-69 Om Shanti Avyakt Bapdada Madhuban

²“prem aur shakti ke ganon ki samaanta”

¹Equality in the virtues of love and power.

³aatma-abhimaani ho yaad ki yaatra mein baithe ho?

²Are you sitting in soul consciousness whilst on the pilgrimage of remembrance?

⁴yaad ki yaatra mein bhi mukhya kis gun mein sthit ho?

³In which main virtue have you stabilised your consciousness whilst on the pilgrimage of remembrance?

⁵yaad ki yaatra mein hote hue bhi mukhya kis gun swaroop ho?

⁴Although you are on the pilgrimage of remembrance, which main virtue are you the embodiment of?

⁶is samay aap ka mukhya gun kaun sa hai?

⁵What is your main virtue at this moment?

⁷(sabhi ne apna-apna vichaar sunaaya) is samay to sabhi vishesh prem swaroop ki sthiti mein hain।

⁶(All of them gave their ideas). ⁷At present all of you are especially in the stage of being the embodiment of love.

⁸lekin prem ke saath-saath vartamaan samay ki paristhitiyon ke pramaan jitna hi prem swaroop utna hi shakti swaroop bhi hona chaahiye।

⁸But as well as being the embodiment of love, according to the situations of the present time, you also have to be the embodiment of power to the same extent.

⁹deviyon ke chitra dekhe hain - deviyon ke chitra mein mukhya kya visheshta hoti hai?

⁹Have you seen the images of the goddesses? ¹⁰What is the main speciality in the images of the goddesses?

¹⁰apne chitron ko kab dhyaan se dekha nahin hai?

¹¹Have you never examined your image with attention?

¹¹jab deviyon ke chitra banaate hain। ¹²kaali ke sivaae baaki jo bhi deviyaan hain unhon ke nayan hamesha geele dikhaate hain।

¹²When the images of the goddesses are created, apart from Kali, they are all portrayed with moist eyes.

¹³prem mein jaise doobe hue nayan dikhaate hain aur saath-saath jo unka chehra aadi banaate hain to unki soorat se hi shakti ke sanskaar dekhne mein aate hain।

¹³Their eyes are portrayed as being lost in love, and together with that, when the face is created, the sanskars of power are visible on their faces. ¹⁴Love, compassion and coolness are visible in their eyes.

¹⁴lekin naynon mein prem, daya,sheetalta dekhne mein aati hai। ¹⁵maataapan ke prem ke sanskaar in naynon se dikhaai padte hain।

¹⁵The sanskars of motherly love are visible in their eyes, and their posture or whatever vehicle they are riding and the weapons they are holding epitomize the form of power.

¹⁶unhon ke thaharne ka dhang va savaari astra-shastra dikhaate hain, woh shakti roop pragat karta hai।

¹⁶In the same way, there should be the balance of both these virtues in you shaktis.

¹⁷to aise hi aap shaktiyon mein bhi donon gun samaan hone chaahiye।

¹⁷You should be the embodiment of love just as much as you are the embodiment of power.

¹⁸jitna shakti swaroop utna hi prem swaroop।

¹⁸As yet, you do not have both.

¹⁹abhi tak donon nahin hain। ²⁰kabhi prem ki lahar mein kabhi shakti roop mein sthit rehte ho।

¹⁹Sometimes you have the waves of love and sometimes you stabilize yourself in being the embodiment of power.

²¹donon hi saath aur samaan rahe।

²⁰Both should be simultaneous and equal.

²²yeh hai shaktipan ki antim sampoornata ki nishaani।

²¹This is the sign of the final perfect stage of a shakti.

²³abhi baapdaada ko apne bachchon ke mastak mein kya dekhne mein aata hai?

²²What is visible to BapDada on the foreheads of you children now?

²⁴apne mastak mein dekha hai kya hai?

²³Have you seen what is on your forehead?

²⁵praarabdha dekhte ho va vartamaan saubhaagya ka sitaara chamakta hua dekhte ho va aur kuchh?

²⁴Are you seeing the reward, or are you seeing the sparkling star of the present fortune?

²⁶(harek ne apna-apna vichaar sunaaya) teenon sambandhon se teenon hi baaten dekhne mein aati hain।

²⁵Or, are you seeing something else? ²⁶(All gave their own ideas). ²⁷Three things are visible with all three relationships.

²⁷iseelie aapko trishool saugaat bheji thi।

²⁸This is why you were given the trident as a gift.

²⁸teenon hi sitaare dikhaai de rahe hain।

²⁹All three stars are visible.

²⁹ek to bhavishya ka, doosra vartamaan saubhaagya ka aur teesra jo param- dhaam mein aapki aatma ki sampoorn avastha honi hai, woh aatma ki sampoorn sthiti ka sitaara।

³⁰One represents the future, the second the present fortune and the third, the perfect stage of you, the soul when you are in Paramdham; it is the star of the perfect stage of the soul.

³⁰teenon hi sitaare dikhaai padte hain।

³¹All three stars are visible.

³¹in teenon sitaaron ko dekhte rehna।

³²Continue to observe these three stars.

³²kabhi -kabhi sitaaron ke beech baadal aa jaate hain। ³³kabhi-kabhi sitaare jagah bhi badli karte hain।

³³Sometimes clouds come in front of the stars, sometimes stars change their position and sometimes they even fall.

³⁴kabhi toot bhi padte hain। ³⁵yahaan bhi aise jagah bhi badli karte hain।

³⁴Here also, sometimes they change their position and sometimes they even fall.

³⁶kabhi toot bhi padte hain। ³⁷kabhi dekho to bahut oopar,kabhi dekho to beech mein, kabhi dekho to usse bhi neeche।

³⁵Sometimes, when you see them, they are very high, sometimes they are in-between, and sometimes they are even lower than that.

³⁸jagah bhi abhi badli nahin karni chaahiye।

³⁶So, do not change your position.

³⁹agar badli karo to aage bhal badho। ⁴⁰neeche nahin utro।

³⁷If you do change your position, it should be to move forward, not to come down.

⁴¹avinaashi sampoorn sthiti mein sadaiv chadhte raho।

³⁸Constantly continue to climb to the eternal, perfect and complete stage.

⁴²aisa sitaara banna hai।

³⁹Become such a star.

⁴³tootne ki to yahaan baat hi nahin।

⁴⁰Here, there is no question of anyone falling.

⁴⁴sabhi achhe purushaarthi baithe hue hain।

⁴¹All sitting here are good effort makers.

⁴⁵baaki jagah badli ki aadat ko mitaana hai।

⁴²But finish your habit of changing position.

⁴⁶kumaariyon ki result kaisi hai?

⁴³What is the result of the kumaris?

⁴⁷aap apni result kya samajhti ho?

⁴⁴What do you think your result is?

⁴⁸vishesh kis baat mein unnati samajhti ho?

⁴⁵In which special aspect do you think has there been progress for you?

⁴⁹(harek ne apna sunaaya) yaad ki yaatra mein kami hai।

⁴⁶(All gave their ideas). ⁴⁷There is weakness in the pilgrimage of remembrance.

⁵⁰isliye itni mahsoosta nahin hoti। ⁵¹amritvele yaad ka itna anubhav nahin hota hai isliye jaise saakaar mein yahaan baahar khuli hava mein sair bhi karaate the, lakshya bhi dete the,yog ka anubhav bhi karaate the। ⁵²isi reeti jo kumaariyon ke nimitta teachers hain woh unhon ko aadha ghanta ekaanta mein sair karaave।

⁴⁸This is why there is not so much realization; there is not so much experience at amrit vela. ⁴⁹Therefore, just as in sakar days, when you used to go for walks in the fresh air, and you were given the aim and experiences of yoga, in the same way, the teachers who are the instruments for the kumaris should also take them out for half an hour, for a walk in solitude.

⁵³jaise shuru mein tum alag-alag jaakar baithte the,saagar ke kinaare, koi kahaan, koi kahaan jaakar baithte the।

⁵⁰In the beginning, you used to go and sit separately. ⁵¹Some would go to the shore of the ocean, some would go and sit in one place, and some in another place.

⁵⁴aisi practice karaao।

⁵²Let them practise this.

⁵⁵chhaten to yahaan bahut badi-badi hain।

⁵³There are many big terraces here.

⁵⁶phir shaam ke samay bhi 7 se 7h30 tak yeh samay vishesh achha hota hai।

⁵⁴And from 7.00 - 7.30 in the evening is a specially good time.

⁵⁷jaise amritvele ka satoguni time hota hai vaise yeh shaam ka time bhi satoguni hai।

⁵⁵Just as the hours of amrit vela are satoguni (pure), in the same way this time of the evening is also satoguni.

⁵⁸sair par bhi isi time nikalte hain।

⁵⁶People also go out for a walk at this time.

⁵⁹usi samay sangathan mein yog karaao aur beech-beech mein avyakt roop se bolte raho,koi ka buddhiyog yahaan vahaan hoga to phir attention khaichega। ⁶⁰yog ki subject mein bahut kami hai।

⁵⁷At that time, have yoga within the gathering, and now and then someone should speak in a subtle, angelic tone so that if the yoga of the intellect of some is pulled in other directions, their attention will be drawn back again.

⁶¹bhaashan karna,pradarshani mein samjhaana yeh to aajkal ke school ki kumaariyon ko ek saptaah training de do to bahut achha samjha lengi।

⁵⁸There is a big weakness in the subject of yoga. ⁵⁹Nowadays, you can give training for one week to the kumaris in a school and they can give lectures and explain at the exhibitions.

⁶²lekin yeh to jeevan mein ateendriy sukh ka anubhav karna hai na।

⁶⁰But this is a question of experiencing supersensuous joy within your life.

⁶³usi samay aise samjho jaise ki baapdaada ke nimantran par ja rahe hain।

⁶¹At that time, think that you are going to BapDada on His invitation.

⁶⁴jaise baapdaada sair karne aate hain vaise buddhiyog bal se tum sair kar sakti ho।

⁶²Just as BapDada goes touring, in the same way, with the power of your intellect's yoga, you can also go touring.

⁶⁵jab yaad ki yaatra ka anubhav karenge to avyakt sthiti ka prabhaav aapke naynon se, chalan se pratyaksha dekhne mein aayega।

⁶³When you have the experience of the pilgrimage of remembrance, the influence of your subtle, angelic stage will be visible through your eyes and activity.

⁶⁶phir unhon se maala banvaayenge। ⁶⁷jaise shuru mein aap khud maala banaati thi na।

⁶⁴Then, create a rosary, just as you (the teachers) used to do at the beginning.

⁶⁸is group ko umang utsaah achha hai। ⁶⁹baaki ek baat khaas dhyaan mein rakhni hai - ki ek do ke saskaaron ko jaan karke, ek do ke sneh mein ek do se bilkul mil-jul kar rehna hai।

⁶⁵The zeal and enthusiasm of this group are good, but you have to pay special attention to one thing: know one another's sanskars and live in harmony with one another with a lot of love.

⁷⁰jaise koi se vishesh sneh hota hai to unse kitna mix ho jaate hain।

⁶⁶When you have special love for someone, you mix very easily with that person.

⁷¹aise hi sabhi ko ek do mein mix hona chaahiye।

⁶⁷In the same way, all of you should mix with one another.

⁷²jab kumaariyaan aisa show karke dikhaayengi tab phir aur bhi bunmaariyo service karne ke nimitta banegi।

⁶⁸When the kumaris give the practical proof of this, others will become instruments for the service of the kumaris.

⁷³aur jo nimitta banta hai unko uska phal bhi mil jaata hai।

⁶⁹And one who becomes an instrument also receives the fruit of that.

⁷⁴aap showcase ho anek kumaariyon ko umang aur utsaah,unnati mein laane ki।

⁷⁰You are the showcase to inspire zeal, enthusiasm and progress in many other kumaris.

⁷⁵jitna hi umang se saakaar - niraakaar donon ne milkar yeh programme banaaya hai utna hi iska ujoora dikhaana hai।

⁷¹The corporeal and the Incorporeal have made this programme with a lot of enthusiasm, and so show the result to the same extent.

⁷⁶kai kumaariyon ki unnati ke nimitta ban sakti ho।

⁷²You can become instruments for the progress of many kumaris.

⁷⁷apni hamjinsa ko girne se bacha sakti ho।

⁷³You can save those who are equal to you from falling.

⁷⁸bunmaariyon ke saath baapdaada ka kaaphi sneh hai।

⁷⁴BapDada has a lot of love for the kumaris.

⁷⁹kyonki baapdaada parmapvitra hai aur kumaariyaan bhi pavitra hai।

⁷⁵BapDada is supremely pure and the kumaris are pure and the purity attracts purity.

⁸⁰to pavitrata,pavitrata ko kheenchati hai। ⁸¹vartamaan samay mukhya visheshta yahi chaahiye, harek mahaarthi ka pharja hai apna gun auron mein bharna।

⁷⁶The speciality needed at the present time is that it is the duty of all the maharathis to fill others with their virtues.

⁸²jaise gyaan ka daan dena hota hai vaise gunon ka bhi daan karna chaahiye।

⁷⁷Just as the donation of knowledge is given, in the same way, there also has to be the donation of virtues.

⁸³jaise gyaan ratnon ka daan karte ho isliye mahaarthi kahlaaye jaate ho, vaise gunon ka daan bhi bahut bada daan hai।

⁷⁸You are called maharathis because you donate the jewels of knowledge. ⁷⁹In the same way, the donation of virtues is also very great.

⁸⁴gyaan dena to sahaj hai। ⁸⁵gunon ka daan dena, ismen jara mehnat hai।

⁸⁰It is easy to give knowledge, but it takes a little effort to give the donation of virtues.

⁸⁶gunon ka daan karne mein - sabhi mahaarthiyon se nambarban kaun hai?

⁸¹Who is the number one among all the maharathis in donating the virtues?

⁸⁷janak।

⁸²(Janak).

⁸⁸yeh gun usmein vishesh hai।

⁸³She has this special virtue.

⁸⁹to ek do se yeh gun uthaana chaahiye।

⁸⁴And so you should pick up this virtue from each other.

⁹⁰(aabu museum ki taiyaari ke baare mein baapdaada ne poochha)

⁸⁵(BapDada asked about the preparations for the Abu museum.)

⁹¹dooraadeshi aur vishaal buddhi ban museum taiyaar karna hai।

⁸⁶Whilst preparing the museum, be far-sighted and have a broad, unlimited intellect.

⁹²pahle hi bhavishya ko soch samay ko saphal karne ka gun dhaaran karna hai aur time par taiyaar bhi karna hai।

⁸⁷Think about the future beforehand and imbibe the virtue of using time in a worthwhile way, and also get it ready on time.

⁹³jaldi bhi ho aur sampoorn bhi ho to kamaal hai।

⁸⁸It will be a wonder if you prepare it quickly and make it perfect.

⁹⁴agar koi bhi kami rahi to us kami ki taraph sabhi ki najar jaayegi।

⁸⁹If anything is lacking or there is a defect, everyone's vision will be drawn to that defect.

⁹⁵aisi kami na ho।

⁹⁰Let there be no defects.

⁹⁶sabhi ke mukh se kamaal hai, aisa nikalna chaahiye।

⁹¹Only the words 'It is a wonder', should emerge from everyone's mouth.

⁹⁷saara daivi parivaar aapka chehra museum ke darpan mein dekhenge।

⁹²The whole divine family will see your face in the mirror of the museum. ⁹³Achcha.

⁹⁸achha !

⁹⁴* * * O M S H A N T I* * *