गुरुवार 13 मार्च 1969 की अव्यक्त मुरली

⁰> ¹13-03-69 ōm śhānti avyakt bāpdādā madhuban

⁰> > 13-03-69 Om Shanti Avyakt Bapdada Madhuban

²“ prēm aur śhakti K|kē gaṇō̃ key|kī samāntā ”

¹Equality in the virtues of love and power.

³Ātma-abhimānī hō yād kī yātrā mē̃ baiṭhē hō  ?

²Are you sitting in soul consciousness whilst on the pilgrimage of remembrance?

⁴Yād kī yātrā mē̃ bhī mukhya kis guṇ mē̃ sthit hō  ?

³In which main virtue have you stabilised your consciousness whilst on the pilgrimage of remembrance?

⁵Yād kī yātrā mē̃ hōtē huē bhī mukhya kis guṇ svarūp hō  ?

⁴Although you are on the pilgrimage of remembrance, which main virtue are you the embodiment of?

⁶Is samay āp kā mukhya guṇ kaun sā hai  ?

⁵What is your main virtue at this moment?

⁷ ( sabhī nē apnā-apnā vichār sunāyā ) is samay tō sabhī viśhēṣh prēm svarūp key|kī sthiti mē̃ haĩ .

⁶(All of them gave their ideas). ⁷At present all of you are especially in the stage of being the embodiment of love.

⁸Lēkin prēm K|kē sāth-sāth vartamān samay key|kī paristhitiyō̃ K|kē pramāṇ jitnā hī prēm svarūp utnā hī śhakti svarūp bhī hōnā chāhiē .

⁸But as well as being the embodiment of love, according to the situations of the present time, you also have to be the embodiment of power to the same extent.

⁹Dēviyō̃ K|kē chitra dēkhē haĩ - dēviyō̃ K|kē chitra mē̃ mukhya kyā viśhēṣhtā hōtī hai  ?

⁹Have you seen the images of the goddesses? ¹⁰What is the main speciality in the images of the goddesses?

¹⁰Apnē chitrō̃ kō kab dhyān sē dēkhā nahī̃ hai  ?

¹¹Have you never examined your image with attention?

¹¹Jab dēviyō̃ K|kē chitra banātē haĩ . ¹²Kālī K|kē sivāē bākī jō bhī dēviyā̃ haĩ unhō̃ K|kē nayan hamēśhā gīlē dikhātē haĩ .

¹²When the images of the goddesses are created, apart from Kali, they are all portrayed with moist eyes.

¹³Prēm mē̃ jaisē ḍūbē huē nayan dikhātē haĩ aur sāth-sāth jō unkā chēhrā ādi banātē haĩ tō unkī sūrat sē hī śhakti K|kē saṅskār dēkhnē mē̃ ātē haĩ .

¹³Their eyes are portrayed as being lost in love, and together with that, when the face is created, the sanskars of power are visible on their faces. ¹⁴Love, compassion and coolness are visible in their eyes.

¹⁴Lēkin nayanō̃ mē̃ prēm , dayā , śhītaltā dēkhnē mē̃ ātī hai . ¹⁵Mātāpan K|kē prēm K|kē saṅskār in nayanō̃ sē dikhāī paṛtē haĩ .

¹⁵The sanskars of motherly love are visible in their eyes, and their posture or whatever vehicle they are riding and the weapons they are holding epitomize the form of power.

¹⁶Unhō̃ K|kē ṭhaharnē kā ḍhaṅg vā savārī astra-śhastra dikhātē haĩ , vah śhakti rūp pragaṭ kartā hai .

¹⁶In the same way, there should be the balance of both these virtues in you shaktis.

¹⁷Tō aisē hī āp śhaktiyō̃ mē̃ bhī dōnō̃ guṇ samān hōnē chāhiē .

¹⁷You should be the embodiment of love just as much as you are the embodiment of power.

¹⁸Jitnā śhakti svarūp utnā hī prēm svarūp .

¹⁸As yet, you do not have both.

¹⁹Abhī tak dōnō̃ nahī̃ haĩ . ²⁰Kabhī prēm key|kī lahar mē̃ kabhī śhakti rūp mē̃ sthit rahtē hō .

¹⁹Sometimes you have the waves of love and sometimes you stabilize yourself in being the embodiment of power.

²¹Dōnō̃ hī sāth aur samān rahē .

²⁰Both should be simultaneous and equal.

²²Yah hai śaktipan key|kī antim sampūrṇtā key|kī niśhānī .

²¹This is the sign of the final perfect stage of a shakti.

²³Abhī bāpdādā kō apnē bachchō̃ K|kē mastak mē̃ kyā dēkhnē mē̃ ātā hai  ?

²²What is visible to BapDada on the foreheads of you children now?

²⁴Apnē mastak mē̃ dēkhā hai kyā hai  ?

²³Have you seen what is on your forehead?

²⁵Prārabdha dēkhtē hō vā vartamān saubhāgya kā sitārā chamaktā huā dēkhtē hō vā aur kuchh  ?

²⁴Are you seeing the reward, or are you seeing the sparkling star of the present fortune?

²⁶ ( harēk nē apnā-apnā vichār sunāyā ) tīnō̃ sambandhō̃ sē tīnō̃ hī bātē̃ dēkhnē mē̃ ātī haĩ .

²⁵Or, are you seeing something else? ²⁶(All gave their own ideas). ²⁷Three things are visible with all three relationships.

²⁷Isīliē āpkō triśhūl saugāt bhējī thī .

²⁸This is why you were given the trident as a gift.

²⁸Tīnō̃ hī sitārē dikhāī dē rahē haĩ .

²⁹All three stars are visible.

²⁹Ēk tō bhaviṣhya kā , dūsrā vartamān saubhāgya kā aur tīsrā jō param - dhām mē̃ āpkī ātmā key|kī sampūrṇ avasthā hōnī hai , vah ātmā key|kī sampūrṇ sthiti kā sitārā .

³⁰One represents the future, the second the present fortune and the third, the perfect stage of you, the soul when you are in Paramdham; it is the star of the perfect stage of the soul.

³⁰Tīnō̃ hī sitārē dikhāī paṛtē haĩ .

³¹All three stars are visible.

³¹In tīnō̃ sitārō̃ kō dēkhtē rahnā .

³²Continue to observe these three stars.

³²Kabhī - kabhī sitārō̃ K|kē bīch bādal ā jātē haĩ . ³³Kabhī-kabhī sitārē jagah bhī badlī|badalī kartē haĩ .

³³Sometimes clouds come in front of the stars, sometimes stars change their position and sometimes they even fall.

³⁴Kabhī ṭūṭ bhī paṛtē haĩ . ³⁵Yahā̃ bhī aisē jagah bhī badlī|badalī kartē haĩ .

³⁴Here also, sometimes they change their position and sometimes they even fall.

³⁶Kabhī ṭūṭ bhī paṛtē haĩ . ³⁷Kabhī dēkhō tō bahut ūpar , kabhī dēkhō tō bīch mē̃ , kabhī dēkhō tō ussē bhī nīchē .

³⁵Sometimes, when you see them, they are very high, sometimes they are in-between, and sometimes they are even lower than that.

³⁸Jagah bhī abhī badlī|badalī nahī̃ karnī chāhiē .

³⁶So, do not change your position.

³⁹Agar badalī karō tō āgē bhal baṛhō . ⁴⁰Nīchē nahī̃ utarō .

³⁷If you do change your position, it should be to move forward, not to come down.

⁴¹Avināśhī sampūrṇ sthiti mē̃ sadaiv chaṛhtē rahō .

³⁸Constantly continue to climb to the eternal, perfect and complete stage.

⁴²Aisā sitārā bannā hai .

³⁹Become such a star.

⁴³Ṭūṭnē key|kī tō yahā̃ bāt hī nahī̃ .

⁴⁰Here, there is no question of anyone falling.

⁴⁴Sabhī achchhē puruṣhārthī baiṭhē huē haĩ .

⁴¹All sitting here are good effort makers.

⁴⁵Bākī jagah badalī kī ādat kō miṭānā hai .

⁴²But finish your habit of changing position.

⁴⁶Kumāriyō̃ key|kī result kaisī hai  ?

⁴³What is the result of the kumaris?

⁴⁷Āp apnī result kyā samajhtī hō  ?

⁴⁴What do you think your result is?

⁴⁸Viśhēṣh kis bāt mē̃ unnati samajhtī hō  ?

⁴⁵In which special aspect do you think has there been progress for you?

⁴⁹ ( harēk nē apnā sunāyā ) yād kī yātrā mē̃ kamī hai .

⁴⁶(All gave their ideas). ⁴⁷There is weakness in the pilgrimage of remembrance.

⁵⁰Isliē itnī mahsūstā nahī̃ hōtī . ⁵¹Amr̥itvēlē yād kā itnā anubhav nahī̃ hōtā hai isliē jaisē sākār mē̃ yahā̃ bāhar khulī havā mē̃ sair bhī karātē thē , lakṣhya bhī dētē thē , yōg kā anubhav bhī karātē thē . ⁵²Isī rīti jō kumāriyō̃ kē nimitt teachers haĩ vah unhō̃ kō ādhā ghaṇṭā ēkānt mē̃ sair karāvē .

⁴⁸This is why there is not so much realization; there is not so much experience at amrit vela. ⁴⁹Therefore, just as in sakar days, when you used to go for walks in the fresh air, and you were given the aim and experiences of yoga, in the same way, the teachers who are the instruments for the kumaris should also take them out for half an hour, for a walk in solitude.

⁵³Jaisē śhurū mē̃ tum alag-alag jākar baiṭhtē thē , sāgar K|kē kinārē , kōī kahā̃ , kōī kahā̃ jākar baiṭhtē thē .

⁵⁰In the beginning, you used to go and sit separately. ⁵¹Some would go to the shore of the ocean, some would go and sit in one place, and some in another place.

⁵⁴Aisī practice karāō .

⁵²Let them practise this.

⁵⁵Chhatē̃ tō yahā̃ bahut baṛī-baṛī haĩ .

⁵³There are many big terraces here.

⁵⁶Phir śhām K|kē samay bhī 7 sē 7 ḥ 30 tak yah samay viśhēṣh achchhā hōtā hai .

⁵⁴And from 7.00 - 7.30 in the evening is a specially good time.

⁵⁷Jaisē amr̥itvēlē kā satōguṇī time hōtā hai vaisē yah śhām kā time bhī satōguṇī hai .

⁵⁵Just as the hours of amrit vela are satoguni (pure), in the same way this time of the evening is also satoguni.

⁵⁸Sair par bhī isī time nikaltē haĩ .

⁵⁶People also go out for a walk at this time.

⁵⁹Usī samay saṅgaṭhan mē̃ yōg karāō aur bīch-bīch mē̃ avyakt rūp sē bōltē rahō , kōī kā buddhiyōg yahā̃ vahā̃ hōgā tō phir attention khaicēgā . ⁶⁰Yōg key|kī subject mē̃ bahut kamī hai .

⁵⁷At that time, have yoga within the gathering, and now and then someone should speak in a subtle, angelic tone so that if the yoga of the intellect of some is pulled in other directions, their attention will be drawn back again.

⁶¹Bhāṣhaṇ karnā , pradarśhanī mē̃ samjhānā yah tō ājkal K|kē skūlō̃ key|kī kumāriyō̃ kō ēk saptāh training dē dō tō bahut achchhā samjhā lē̃gī .

⁵⁸There is a big weakness in the subject of yoga. ⁵⁹Nowadays, you can give training for one week to the kumaris in a school and they can give lectures and explain at the exhibitions.

⁶²Lēkin yah tō jīvan mē̃ atīndriya sukh kā anubhav karnā hai nā .

⁶⁰But this is a question of experiencing supersensuous joy within your life.

⁶³Usī samay aisē samjhō jaisē ki bāpdādā K|kē nimantraṇ par jā rahē haĩ .

⁶¹At that time, think that you are going to BapDada on His invitation.

⁶⁴Jaisē bāpdādā sair karnē ātē haĩ vaisē buddhiyōg bal sē tum sair kar saktī hō .

⁶²Just as BapDada goes touring, in the same way, with the power of your intellect's yoga, you can also go touring.

⁶⁵Jab yād kī yātrā kā anubhav karē̃gē tō avyakt sthiti kā prabhāv āpkē nayanō̃ sē , chalan sē pratyakṣha dēkhnē mē̃ āyēgā .

⁶³When you have the experience of the pilgrimage of remembrance, the influence of your subtle, angelic stage will be visible through your eyes and activity.

⁶⁶Phir unhō̃ sē mālā banavāyēṅgē . ⁶⁷Jaisē śhurū mē̃ āp khud mālā banātī thī nā .

⁶⁴Then, create a rosary, just as you (the teachers) used to do at the beginning.

⁶⁸Is group kō umaṅg utsāh achchhā hai . ⁶⁹Bākī ēk bāt khās dhyān mē̃ rakhnī hai - ki ēk dō K|kē saskārō̃ kō jān karkē , ēk dō K|kē snēh mē̃ ēk dō sē bilkul mil-jul kar rahnā hai .

⁶⁵The zeal and enthusiasm of this group are good, but you have to pay special attention to one thing: know one another's sanskars and live in harmony with one another with a lot of love.

⁷⁰Jaisē kōī sē viśhēṣh snēh hōtā hai tō unsē kitnā mix hō jātē haĩ .

⁶⁶When you have special love for someone, you mix very easily with that person.

⁷¹Aisē hī sabhī kō ēk dō mē̃ mix hōnā chāhiē .

⁶⁷In the same way, all of you should mix with one another.

⁷²Jab kumāriyā̃ aisā show karkē dikhāyēṅgī tab phir aur bhī bunamāriyô service karnē kē nimitt banēgī .

⁶⁸When the kumaris give the practical proof of this, others will become instruments for the service of the kumaris.

⁷³Aur jō nimitt bantā hai unkō uskā phal bhī mil jātā hai .

⁶⁹And one who becomes an instrument also receives the fruit of that.

⁷⁴Āp showcase hō anēk kumāriyō̃ kō umaṅg aur utsāh , unnati mē̃ lānē key|kī .

⁷⁰You are the showcase to inspire zeal, enthusiasm and progress in many other kumaris.

⁷⁵Jitnā hī umaṅg sē sākār - nirākār dōnō̃ nē milkar yah programme banāyā hai utnā hī iskā ujūrā dikhānā hai .

⁷¹The corporeal and the Incorporeal have made this programme with a lot of enthusiasm, and so show the result to the same extent.

⁷⁶Kaī kumāriyō̃ key|kī unnati kē nimitt ban saktī hō .

⁷²You can become instruments for the progress of many kumaris.

⁷⁷Apnī hamjins kō girnē sē bachā saktī hō .

⁷³You can save those who are equal to you from falling.

⁷⁸Bunamāriyō̃ kē sāth bāpdādā kā kāphī snēh hai .

⁷⁴BapDada has a lot of love for the kumaris.

⁷⁹Kyōṅki bāpdādā paramapavitra hai aur kumāriyā̃ bhī pavitra hai .

⁷⁵BapDada is supremely pure and the kumaris are pure and the purity attracts purity.

⁸⁰Tō pavitratā , pavitratā kō khīñchtī hai . ⁸¹Vartamān samay mukhya viśhēṣhtā yahī chāhiē , harēk mahārathī kā pharja hai apnā guṇ aurō̃ mē̃ bharnā .

⁷⁶The speciality needed at the present time is that it is the duty of all the maharathis to fill others with their virtues.

⁸²Jaisē gyān kā dān dēnā hōtā hai vaisē guṇō̃ kā bhī dān karnā chāhiē .

⁷⁷Just as the donation of knowledge is given, in the same way, there also has to be the donation of virtues.

⁸³Jaisē gyān ratnō̃ kā dān kartē hō isliē mahārathī kahlāyē jātē hō , vaisē guṇō̃ kā dān bhī bahut baṛā dān hai .

⁷⁸You are called maharathis because you donate the jewels of knowledge. ⁷⁹In the same way, the donation of virtues is also very great.

⁸⁴Gyān dēnā tō sahaj hai . ⁸⁵Guṇō̃ kā dān dēnā , ismē̃ jarā mēhnat hai .

⁸⁰It is easy to give knowledge, but it takes a little effort to give the donation of virtues.

⁸⁶Guṇō̃ kā dān karnē mē̃ - sabhī mahārathiyō̃ sē nambaraban kaun hai  ?

⁸¹Who is the number one among all the maharathis in donating the virtues?

⁸⁷Janak .

⁸²(Janak).

⁸⁸Yah guṇ usmē̃ viśhēṣh hai .

⁸³She has this special virtue.

⁸⁹Tō ēk dō sē yah guṇ uṭhānā chāhiē .

⁸⁴And so you should pick up this virtue from each other.

⁹⁰ ( ābū museum key|kī taiyārī kē bārē mē̃ bāpdādā nē pūchhā )

⁸⁵(BapDada asked about the preparations for the Abu museum.)

⁹¹Dūrādēśhī aur viśhāl buddhi ban museum taiyār karnā hai .

⁸⁶Whilst preparing the museum, be far-sighted and have a broad, unlimited intellect.

⁹²Pahlē hī bhaviṣhya kō sōch samay kō saphal karnē kā guṇ dhāraṇ karnā hai aur time par taiyār bhī karnā hai .

⁸⁷Think about the future beforehand and imbibe the virtue of using time in a worthwhile way, and also get it ready on time.

⁹³Jaldī bhī hō aur sampūrṇ bhī hō tō kamāl hai .

⁸⁸It will be a wonder if you prepare it quickly and make it perfect.

⁹⁴Agar kōī bhī kamī rahī tō us kamī key|kī taraph sabhī key|kī najar jāyēgī .

⁸⁹If anything is lacking or there is a defect, everyone's vision will be drawn to that defect.

⁹⁵Aisī kamī na hō .

⁹⁰Let there be no defects.

⁹⁶Sabhī K|kē mukh sē kamāl hai , aisā nikalnā chāhiē .

⁹¹Only the words 'It is a wonder', should emerge from everyone's mouth.

⁹⁷Sārā daivī parivār āpkā chēhrā museum K|kē darpaṇ mē̃ dēkhē̃gē .

⁹²The whole divine family will see your face in the mirror of the museum. ⁹³Achcha.

⁹⁸Achchhā  !

⁹⁴* * * O M S H A N T I* * *