शुक्रवार 19 जून 1970 की अव्यक्त मुरली

ध्यान दें: वाक्यों का संरेखण अक्षरों की संख्या पर आधारित है और पूरी तरह विश्वसनीय नहीं है।

आप पूरी मुरली या उसके किसी भाग का वाक्य संरेखण स्वयं सुधार सकते हैं।

इस दृश्य में हिंदी पाठ से स्वतः तैयार की गई, बिना विशेष चिह्नों वाली प्रचलित रोमन वर्तनी दिखाई जाती है।

हिंग्लिश कैसे तैयार होती है?

इस साइट पर दीर्घ स्वरों के लिए आम तौर पर aa, ee और oo (शब्द के अंत में a, i और u), तथा ch, chh, sh और ri का प्रयोग होता है। शब्दकोश में पहचाने गए अंग्रेज़ी शब्दों की अंग्रेज़ी वर्तनी रखी जाती है। कुछ अंतर्निहित स्वरों को हटाने के नियम और प्रचलित शब्दों की सूची aatma, shanti, main और hoon जैसी वर्तनियाँ देते हैं।

अनौपचारिक रोमन वर्तनी मानकीकृत नहीं है। ये नियम एकरूपता रखते हैं, पर कुछ वर्तनियाँ आपकी परिचित वर्तनी से अलग हो सकती हैं। «लिप्यंतरित हिंदी» दृश्य में अनुकूलित ISO 15919 के भेद सुरक्षित रहते हैं।

प्रचलित वर्तनी के उदाहरण
हिंदीHinglish
आत्माaatma
शान्तिshanti
मैंmain
हूँhoon

0> 119-06-70 om shanti avyakt baapdaada madhuban

0> > Avyakt BapDada 19th June 1970

2“trimoorti lights ka saakshaatkaar”

1The children of the trimurti father are also trimurti.

3braahmanon ko trimoorti shiv vanshi kehte ho na।

2Have you had a vision of the three types of light?

4trimoorti baap ke bachche svayan bhi trimoorti hain।

3Do you realise that others have visions of light through you?

5baap bhi trimoorti hai। 6jaise baap trimoorti hai vaise aap bhi trimoorti ho?

4One is the vision of light through your eyes, as though there is an illuminated bulb in each eye.

7teen prakaar ki lights saakshaatkaar ki aati hai? 8woh maaloom hai kaun si hai, jo braahmanon ke teen prakaar ki lights saakshaatkaar hote rehte hain? 9aap logon se light ka saakshaatkaar hota maaloom padta hai? 10trimoortivanshi trimoorti bachchon ki teen prakaar ki lights ka saakshaatkaar hota hai।

5The second is the light on the forehead.

11woh kaun si lights hain? 12ek to light ka saakshaatkaar hota hai naynon se।

6The third is the crown of light on your head.

13kehte hain na ki naynon ki jyoti। 14nayan aise dikhaai padenge jaise naynon mein do bade bulb jal rahe hain।

7Anyone who comes in front of you should see these eyes as bulbs.

15doosri hoti hai mastak ki light। 16teesri hoti hain maathe par light ka crown।

8They should see only light everywhere, just as real diamonds sparkle in the darkness.

17abhi yeh koshish karna hai jo teenon hi lights ka saakshaatkaar ho। 18koi bhi saamne aaye to unko yeh nayan bulb dikhaai pade। 19jyoti hi jyoti dikhaai den।

9Just as a searchlight projects its beam a very long way with a lot of force, in the same way people will have a vision of the light on the forehead.

20jaise andhiyaare mein sachche heere chamakte hain na। 21jaise search light hoti hai, bahut forsa se aur achhi reeti phailaate hain– is reeti se mastak ke lights ka saakshaatkaar hoga। 22aur maathe par jo light ka crown hai woh to samajhte ho। 23aise trimoorti lights ka saakshaatkaar ek-ek se hona hai।

10And you already understand about the crown of light on the head.

24tab kahenge yeh to jaise farishta hai। 25saakaar mein nayan, mastak aur maathe ke crown ke saakshaatkaar spashta honge।

11When others have a vision of the trimurti light from each of you then it will be said that you are angels.

26naynon taraph dekhte-dekhte light dekhenge। 27tumhaari light ko dekh doosre bhi jaise light ho jaayenge।

12The vision of the eyes, forehead, and the crown on the head will be very clear even in the corporeal form.

28kitni bhi man se va sthiti mein bhaareepan ho lekin aane se hi halka ho jaae।

13Whilst looking at your eyes, people will see only light. 14Looking at your light, others will become light.

29aisi stage ab pakadni hai।

15Their heaviness will lift.

30kyonki aap logon ko dekhkar aur sabhi bhi apni sthiti aisi karenge।

16When people come in front of you, they will see nothing but light.

31abhi se hi apna gaayan sunenge।

17You have to become like this.

32dvaapar ka gaayan koi badi baat nahin hai।

18Madhuban will become a lighthouse.

33lekin aise saakshaatkaarmoorta aur saakshaat moorta banne se abhi ka gaayan apna sunenge।

19Just as you see nothing but light in the subtle region, in the same way the corporeal world will become a lighthouse.

34aap ke aage aane se light hi light dekhne mein aaye। 35aise hona hai।

20When you become living lighthouses, then Madhuban will become a lighthouse.

36madhuban hi light ka ghar ho jaayega।

21This is the last subject in the practical course.

37yeh deeve aadi dekhte bhi jaise ki nahin dekhenge। 38jaise vatan mein light hi light dekhne mein aati hai vaise yeh sthool vatan light ka house ho jaayega। 39jab aap chaitanya light house ho jaayenge to phir ya madhuban bhi light house ho jaayega। 40abhi yeh hai last padhaai ki last subject– practical mein।

22The theoretical course has now finished.

41theory ka course samaapta hua।

23Put a brake on your thoughts.

42practical,course ki last subject hain। 43is last subject mein bahut faasta purushaartha karna padega।

24Whatever you do, once it is done and whatever the result was, you should have no more thoughts about it.

44isi stage ke liye hi gaayan hai। 45baapdaada se kab vidaai nahin hoti hai।

25You have completely surrendered it to Baba, so it is no longer your responsibility.

46maaya se vidaai hoti hai। 47baapdaada se to milan hota hai।

26Keeping the avyakt form in front of you, try this out and see for yourself.

48yeh thode samay ka milan sada ka milan karne ke nimitta ban jaata hai।

27The more someone becomes co-operative with you, the more co-operation you should give to them.

49baap ke saath gun aur kartavya milna yahi milan hai।

28Give them good wishes and pure and positive thoughts.

50yahi prayatna sadaiv karte rehna hai।

29They receive a lot of help through that.

51achha। 52sankalpon ko brake lagaane ka mukhya saadhan kaun sa hai?

30The more subtle you become, the more this subtle service will increase.

53maaloom hai? 54jo bhi kaarya karte ho to karne ke pahle sochkar phir kaarya shuru karo।

31The subtle creates a lasting impact very quickly, when combined with the corporeal.

55jo kaarya karne ja raha hoon woh baapdaada ka kaarya hai, main nimitta hoon।

32BapDada is constantly giving special co-operation. 33You will experience extra help.

56jab kaarya samaapta karte ho to jaise yagya racha jaata hai to samaapti samay aahuti di jaati hai। 57is reeti jo kartavya kiya aur jo parinaam nikla। 58woh baap ko samarpan, svaaha kar diya phir koi sankalp nahin। 59nimitta ban kaarya kiya aur jab kaarya samaapta hua to svaaha kiya।

34Achcha.

60phir sankalp kya chalega? 61jaise aag mein cheez daali jaati hai to phir naam nishaan nahin rehta vaise har cheez ki samaapti mein sampoorn svaaha karna hai। 62phir aapki jimmevaari nahin।

35Do children have as much imperishable love for BapDada as BapDada has for the children? 36This love is the thread which ties a bond for twenty-one births, a bond of unbroken love.

63jiske arpan hue phir jimmevaar woh ho jaate hain।

37The stronger the thread is the longer it will last.

64phir sankalp kaahe ka। 65jaise ghar mein koi bada hota hai to jo bhi kaam kiya jaata hai to bade ko sunaakar khaali ho jaayenge।

38Each thought and action of this confluence age accumulates in the bank for twenty-one births.

66vaise hi jo kaarya kiya,samaachaar diya,bas। 67avyakt roop ko saamne rakh yeh karke dekho। 68jitna jo sahayogi banta hai unko extra sahayog dena padta hai। 69jaise apni aatma ki unnati ke liye sochte hain is reeti shuddh bhaavna, shubh chintak aur shubh chintan ke roop mein extra madad,donon roop se kisi bhi aatma ko vishesh sahayog de sakte ho।

39Not a single thought should be wasted.

70dena chaahiye। 71isse bahut madad milti hai। 72jaise koi gareeb ko achaanak bigar mehnat praapti ho jaati hai,us reeti jis bhi aatma ke prati extra sahayog diya jaata hai woh aatma bhi mahsoos karti hai hamko vishesh madad mili hai। 73saakaar roop mein bhi extra koi aatma ko sahayog dane ka saabut karke dikhaaya na।

40Achcha.

74us aatma ko svayan bhi anubhav hua। 75yes service karke dikhaani hai।

41It is remembered that the world was created through vision.

76jitna-jitna aap sookshm hote jaayenge utna yeh sookshm service bhi badhti jaaegi।

42When there is the vision of brotherhood, then the world changes.

77sthool ke saath sookshm ka prabhaav jaldi padta hai aur sada kaal ke liye।

43When you see the soul, it is only then that you see this world as an old world.

78baapdaada bhi vishesh sahayog dete hain।

44Worldly vision changes into spiritual vision.

79extra madad ka anubhav hoga।

45Then you just see spirits in the entire world.

80mehnat kam praapti adhik। 81achha।

46Do you have this naturally spiritual vision?

82baapdaada bachchon se jitna avinaashi sneh karte hain utna bachche avinaashi sneh rakhte hain?

47At the moment it is maintained only temporarily, but you have to practice to maintain it constantly.

83yeh avinaashi sneh yahi ek dhaaga hai jo 21 janmon ke bandhan ko jodta hai। 84so bhi atoot sneh।

48By changing your vision, your virtues and actions change automatically.

85jitna pakka dhaaga hota hai utna hi jyaada samay chalta hai। 86yeh sangam ka samay 21 janmon ko jodta hai। 87is sangam ke yug ka ek –ek sankalp ek-ek karma21 janma ke bank mein jama hota hai। 88itna attention rakhkar phir sankalp bhi karna।

49Create the world with spiritual vision.

89jo karoonga woh jama hoga। 90to kitna jama hoga।

50The detached observer gives sweetness.

91ek sankalp bhi vyartha na ho। 92ek sankalp bhi vyartha hua to jama kat ho jaata hai। 93to jama jab karna hota hai to ek bhi vyartha na ho।

51You have to be easy and light in your relationships with others, easy in your sanskars, and easy in the give and take of co-operation.

94kitna purushaartha karna hai!

52Remain easy in every aspect.

95sankalp bhi vyartha na jaae।

53The easier you remain, the more you attain.

96samay to chhodo। 97ab purushaartha is seema par pahunch raha hai।

54Only after you have become perfect will you have to bring the body to an end.

98jaise padhaai din pratidin oonchi hoti jaati hai to yeh bhi aise hai।

55When you are easy, you will be able to bring your body to an end according to your own will.

99bade class mein padh rahe ho na। 100achha !

56Achcha. 57* * * O M S H A N T I * * *