शुक्रवार 22 जनवरी 1971 की अव्यक्त मुरली
सहेजा जा रहा है…
अब आप यह मुरली बिना इंटरनेट पढ़ सकते हैं।
आप यह मुरली बिना इंटरनेट पढ़ सकते हैं।
बिना इंटरनेट पढ़ने के लिए ।
ध्यान दें: वाक्यों का संरेखण अक्षरों की संख्या पर आधारित है और पूरी तरह विश्वसनीय नहीं है।
आप पूरी मुरली या उसके किसी भाग का वाक्य संरेखण स्वयं सुधार सकते हैं।
हिंदी को ISO 15919 पर आधारित अनुकूलित लिप्यंतरण के साथ रोमन अक्षरों में भी दिखाया जाता है।
लिप्यंतरण कैसे पढ़ें
यह साइट ISO 15919 पर आधारित लिप्यंतरण का प्रयोग करती है। पढ़ना आसान बनाने के लिए c, ś और ṣ के बाद h तथा स्वर r̥ के बाद i जोड़ा जाता है। इन बदलावों से यह भारत में प्रयुक्त हंटरियन प्रणाली के करीब आता है, जबकि ISO 15919 के विशिष्ट चिह्न बने रहते हैं।
| ISO 15919 | इस साइट पर |
|---|---|
| c | ch |
| ś | śh |
| ṣ | ṣh |
| r̥ | r̥i |
पढ़ने के कुछ संकेत:
- ā, ī, ū: अक्षर के ऊपर की रेखा दीर्घ स्वर दर्शाती है।
- ṭ, ḍ, ṇ: नीचे का बिंदु मूर्धन्य व्यंजनों को t, d, n से अलग करता है।
- स्वर के ऊपर टिल्ड चिह्न अनुनासिक उच्चारण दर्शाता है।
0> 122-01-71 ōm śhānti avyakt bāpdādā madhuban
0> > 22/01/71 - 27/01/92 1The signs of souls seated on the heart-throne.
2Dilatakht-naśīn ātmā key|kī niśhānī
2What would you call this gathering today?
3Āj is saṅgaṭhan kō kaunsā saṅgaṭhan kahē̃gē ?
3What name would you give to this gathering?
4Is saṅgaṭhan kā kyā nām dēgē ? 5Yah saṅgaṭhan hai brahmā bāp key|kī bhujāē̃ . 6Isliē is saṅgaṭhan kō bāpdādā K|kē madadgār , vaphādār , bāpdādā K|kē dilatakht-naśīn , master sarvśhaktivān kahē̃gē .
4This is the gathering of the arms of father Brahma, and this is why this gathering is called the gathering of BapDada's faithful helpers who are seated on BapDada's heart-throne, the master almighty authority group.
7Ab samjhā , itnē anēk titles is group K|kē number-vār purūṣhārth anusār haĩ .
5So, do you now understand that this group has so many titles numberwise, according to effort?
8Jō dil K|kē takht naśhīn hōṅgē unhō̃ key|kī niśhānī kyā hōtī hai ?
6What is the sign of those who are seated on the heart-throne?
9Teachers haĩ isliē praśhna-uttar kar rahē haĩ .
7Baba is asking questions because this is a group of teachers.
10Takhtnaśhīn key|kī niśhānī kyā hai ?
8What is the sign of those who are seated on a throne?
11Jō takhtnaśhīn huē haĩ unkī niśhānī hai - ēk tō jab bhī kōī takht par baiṭhtē haĩ tō tilak aur tāj dōnō̃ takhtnaśhīn key|kī niśhānī hōtī hai .
9The sign of being seated on a throne is that they have both the tilak and the crown. 10Both these are the signs of those seated on a throne.
12Is rīti diltakhta par virājmān ātmāō̃ key|kī niśhānī yahī hōtī hai .
11This is why this is also the sign of those who are seated on the heart-throne.
13Unkē mastak par sadaiv avināśhī ātmākasthiti tilak dūr sē hī chamaktā huā nazaraāyēgā . 14Dūsrī bāt - - aur sarv ātmāō̃ K|kē kalyāṇ key|kī śhubh bhāvnā unkē nayanō̃ mē̃ vā mukh sē , mukh arthāt mukhṛā , face sē dikhāī dē .
12They always have the sign of the imperishable stage of the soul (the tilak) shining on their forehead, visible even from a distance. 13Secondly, the pure feelings of benefit for all souls will constantly be visible on their face and in their eyes.
15Mukhṛē sē yah sab spaṣhṭ dikhāī dē yah niśhānī hai .
14All these signs should be clearly visible on their face.
16Tīsrī bāt - - unkā saṅkalp , vachan aur karma bāp K|kē samān hō .
15Thirdly, their thoughts, words and actions will be the same as those of the Father.
17Chauthī bāt - jin ātmāō̃ key|kī sarvisakarē un ātmāō̃ mē̃ snēh , sahyōg aur śhakti tīnō̃ hī guṇ dhāraṇ karānē key|kī usmē̃ śhakti hō .
16Fourthly, they have the power to fill the souls they serve with the three virtues of love, power and co-operation.
18Yah chār bātē̃ unkī niśhānī hai .
17These four aspects are their sign.
19Abhī āp apanīrijalṭakō check karō ki yah chār hī niśhāniyā̃ kahā̃ tak dikhāī dētī haĩ .
18Now, you can check your own result, as to what extent these four signs are visible.
20Jaisē jō svayã hōtā hai vaisē hī samān banātā hai .
19One makes others the same as oneself.
21Āj teachers saṅgaṭhan mē̃ haĩ isliē yah sunā rahē haĩ , jinhō̃ key|kī āp sēvā kartī hō vā kar rahī hō unhō̃ mē̃ yah sab bātē̃ bharnī chāhiē .
20Today, Baba is relating all this because this is a gathering of teachers. 21You must fill all the souls you serve with all these aspects.
22Ab tak result kyā hai ?
22What is the result up to now?
23Harēk apnī rijalṭakō tō dēkhtē hī haĩ .
23Each of you can see your own result.
24Majority kyā dikhāī dētī hai ?
24What is the majority?
25Kōī mē̃ snēhīpan key|kī viśhēṣhtā hai , kōī mē̃ sahyōgīpan key|kī , lēkin śhakti rūp key|kī dhārṇā cum|kam hai .
25Some have the speciality of love, and some have the speciality of being co-operative.
26Iskī niśhānī phir kyā dikhāī dētī hai , mālūm hai ?
26But the inculcation of being the form of power is lacking.
27Śaktipan K|kē kamī key|kī niśhānī kyā hai ?
27What is visible as a sign of this? 28Do you know?
28Parakhnē key|kī śhakti cum|kam key|kī niśhānī kyā hai ?
29What is the sign of the lack of power?
29Ēk bāt tō sunāī - sarvisakī saphaltā nahī̃ .
30What is the sign of a lack of the power of discrimination?
30Unkī spaṣhṭ niśhānī dō śhabdō̃ mē̃ yah dikhāī dēgī - unkā her|har bāt kyō̃ , kyā , kaisē … ? 31Question mark bahut hōgā .
31You were told one aspect, that there will not be success in service. 32In a few words, a clear sign of this is that they will have many questions of what, how, and why in every aspect.
32Drama kā full-stop dēnā unkē liē baṛā muśhkil hōgā .
33It will be very difficult for them to apply the full stop of the drama.
33Isliē svayã hī kyō̃ , kyā kaisē key|kī uljhan mē̃ hōgā .
34This is why they themselves will be in a confusion of what, why and how.
34Dūsrī bāt - - vah kabhī bhī samīp ātmā nahī̃ banā sakēgā .
35Secondly, they will never be able to make other souls come close.
35Sambandh mē̃ lāyēṅgē lēkin samīp sambandh mē̃ nahī̃ lāyēṅgē . 36Samjhā ?
36They will bring them into a relationship, but not into a close relationship.
37Brāhmaṇ kul key|kī jō maryādāē̃ haĩ un sarv maryādāō̃ svarūp nahī̃ banā sakē̃gē .
37Do you understand? 38They will not be able to make others into the embodiment of all the maryadas of the Brahmin clan.
38Kyōṅki svayã mē̃ śhakti cum|kam hōnē K|kē kāraṇ aurō̃ mē̃ bhī itnī śhakti nahī̃ lā|law saktē jō sarv maryādāō̃ kō pālan kar sakē̃ .
39They themselves are lacking power, and so they cannot put sufficient power into other souls for them to be able to follow all the maryadas.
39Kōī na kōī maryādā kī lakīr ullaṅghan kar dētē haĩ .
40They would definitely go outside the line of one or another maryada.
40Samajhtē sabhī hōṅgē , samajhnē mē̃ kamī nahī̃ hōgī .
41They understand everything, they are not lacking in this understanding.
41Maryādāō̃ key|kī samajh pūrī hōgī . 42Parantu maryādāō̃ mē̃ chalnā yah śhakti kam hōgī .
42They will have the full understanding of the maryadas, but they will lack the power to follow those maryadas.
43Is kāraṇ jinhō̃ key|kī vah sēvā kartē haĩ unhō̃ mē̃ bhī śhakti cum|kam hōnē kāraṇ high jump nahī̃ dē saktē .
43Because of this, the souls they serve will also lack power, and so they will not be able to take a high jump.
44Saṅskārō̃ kō miṭānē mē̃ samay bahut west|waste kartē haĩ .
44They waste a lot of time in finishing their sanskars.
45Ab in bātō̃ sē apnē svarūp kō check karō .
45Now, check your form in all these aspects.
46Jaisē bahut baṛhiyā aur mīṭhā phal tab nikal saktā hai jab us vr̥ikṣha mē̃ sab bātō̃ kā dhyān diyā jātā hai .
46There can only be very good and beautiful fruit when attention is paid to the tree in all aspects.
47Dhartī ukhāṛanē kā bhī khyāl , bīj ḍālnē kā , jal kā , sabhī kā dhyān dēnā paṛtā hai .
47You must pay attention to making the land fertile, then sowing the seed and then watering it; you have to pay attention to all this.
48Aisē śhrēṣhṭh phal taiyār karnē kē liē saṅskār miṭānē key|kī śhakti , yah huī dhartī ukhāṛanē key|kī śhakti .
48In order to prepare such elevated fruit, the power of finishing sanskars, that is, the power to plough the land is essential.
49Uskē sāth jaisē sabhī chījē̃ bīch ḍālnē vālē dēkhtē haĩ , vaisē snēhī bhī banāvē̃ , sahyōgī bhī banāvē̃ aur śhakti-svarūp bhī banāvē̃ .
49Together with that, just as someone who sows seed has to pay attention to everything, in the same way, you should make souls loving, co-operative and the embodiment of power.
50Agar kōī ēk key|kī bhī kamī rah jātī hai tō kyā hōtā ?
50If even one is lacking, what happens then?
51Jō śhurū mē̃ sunāyā ki dil K|kē takht naśhīn nahī̃ ban saktē .
51You were told in the beginning that they will not be able to be seated on the heart-throne.
52Isliē teachers kō yah dhyān ēk-ēk kē ūpar dēnā chāhiē .
52This is why teachers have to pay attention to each and every one.
53Āp lōg jab aim-object sunātē hō tō kyā sunātē hō ?
53When you tell people your aim and object, what do you tell them?
54Dēvtā bannā yah tō lakṣyadētē hō .
54That you want to become deities. 55This is the aim you give them.
55Dēvtāō̃ key|kī mahimā sarv guṇ sampann . 56Tō vahalakṣyarakhanā chāhiē .
56The praise of the deities is that they are complete with all virtues, etc.
57Sarv guṇ ēk-ēk ātmā mē̃ bharnē kā prayatna karnā chāhiē .
57So you should keep this aim. 58You should make effort to fill each soul with all the virtues.
58Āp teachers kō harēk sē mēhnat itnī karnī chāhiē jō kōī ātmā bhī yah ulahnā na dē ki hamārī nimitt banī huī teacher nē hamkō is bāt kē ūpar dhyān nahī̃ khiñchvāyā .
59You teachers have to make so much effort on each and every one that not a single soul complains that their instrument teacher did not draw their attention to any particular aspect.
59Vah karē na karē , vah huī unkī takdīr . 60Parantu āp lōgō̃ kō sabhī kē ūpar mēhnat karnī hai .
60Whether they do something or not is in their fortune, but you have to make effort on everyone.
61Nahī̃ tō ab tak key|kī result mē̃ kōī ulahanē̃ abhī tak mil rahē haĩ .
61Otherwise, according to the present result, there are complaints even now.
62Yahasarvisakī kamī hai .
62This is lack of service.
63Isliē kahā ki sarv bātē̃ unhō̃ mē̃ bharnē sē vah phal bhī aisā lāyak banēgā .
63Therefore, you were told, that when you fill that soul with everything, that fruit will also be as worthy.
64Āp sōchō , jitnā kōī baṛā ādmī hōtā hai , unkē sāmnē kaunsā phal rakhē̃gē ?
64Just think about the fruit you would put in front of important people.
65Baṛā bhī hō aur baṛhiyā bhī hō .
65It would be big and beautiful.
66Sākār mē̃ bhī kōī chīz lātē thē tō kyā dēkhtē thē ?
66What did you used to see when you brought something to Baba in the corporeal form?
67Tō ab bāpdādā kē āgē bhī aisē jō phal taiyār kartē haĩ vahī sāmnē lā saktē haĩ .
67So now, those who prepare such fruits can bring them in front of BapDada.
68Isliē yah dhyān rakhnā hai .
68Therefore, pay attention to this.
69Jitnā jō svayã jitnē guṇō̃ sē sampann hōtā hai utnā aurō̃ mē̃ bhī bhar saktā hai .
69The more you yourself are full with all virtues, the more you will be able to fill others with them.
70Harēk rachayitā key|kī sūrat rachnā sē dikhāī dētī hai .
70The face of each creator is visible from his creation.
71Sarvisaāp lōgō̃ kē liē ēk darpaṇ hai , jis darpaṇ dvārā apnē andar key|kī sthiti kō dēkh saktē hō .
71Service is the mirror for all of you through which you can see your internal stage.
72Jaisē darpaṇ mē̃ apnī sūrat sahaj aur spaṣhṭ dikhāī dētī hai . 73Aisē service K|kē darpaṇ dvārā apnī phīcars-sūrat nahī̃ , sīrat kā sahaj spaṣhṭ sākṣhātkār hōtā hai .
72Just as you can see your face easily and clearly in a mirror, in the same way, through the mirror of service, you can have an easy and clear vision of your character, not your features.
74Vah hai sūrat kā āinā , yah hai sīrat kā āinā .
73That is the mirror for the face, and this is the mirror for the character.
75Harēk kō apnā sākṣhātkār spaṣhṭ hōtā hai ?
74Do each of you have a clear vision of yourself?
76Hōnā chāhiē .
75You should be able to.
77Agar ab tak spaṣhṭ sākṣhātkār nahī̃ hōgā tō apnē kō sampūrṇ kaisē banā sakē̃gē .
76If even now you do not have a clear vision, how will you be able to make yourself complete?
78Jab apnī kamzōriyō̃ kā mālūm hōgā tab tō śhakti bhar sakē̃gē .
77Only when you know about your weaknesses will you be able to fill yourself with power.
79Isliē agar svayã K|kē sākṣhātkār mē̃ kōī spaṣhṭīkaraṇ na hō tō nimitt banī huī bahanō̃ dvārā madad lē apnā spaṣhṭ sākṣhātkār karnē kā prayatnazarūrakaranā .
78Therefore, if you do not have a clear vision of your own self, you can definitely make effort 79and take help from the instrument sister to have a clear vision of yourself.
80Yah bāpdādā kā kām nahī̃ hai , bāpdādā kā karttavya hai iśhārā dēnā .
80This is not the task of BapDada. 81BapDada's task is only to give a signal.
81Teachers K|kē features kaisē hōnē chāhiē ?
82What should the features of the teachers be like?
82Teachers kō apnē phariśhtēpan K|kē features dvārāsarvisakaranī chāhiē .
83Teachers should do service through their angelic features.
83Teachers dvārā yah śhabda ab tak nahī̃ nikalanēcāhiēki yah mērī nature hai .
84The words, 'this is my nature', should not emerge through the features of the teachers.
84Yah kahnā śaktihīnatā key|kī niśhānī hai .
85To say this is a sign of a lack of power.
85 purūṣhārth śhabda , purūṣhārth śhabda sē use nahī̃ kartē haĩ . 86Parantu purūṣhārth śhabda purūṣhārth sē chhuṛānē kā sādhan banā diyā hai .
86You do not use the word 'effort' with the meaning of effort, but you have made the word 'effort' into an instrument to free yourself from making effort.
87Isliē āp lōgō̃ K|kē śhabda rachnā dvārā bhī āpkē sāmnē ātē haĩ .
87Therefore, your words come in front of you through your creation.
88Isliē sadaiv aisē samjhō jaisē kōī gumbaz mē̃ jōāvāzakiyā jātā hai vah lauṭkar apnē pās|pass ā jātā hai .
88Therefore, just as an echo always comes back to you, so you must pay as much attention even to your own thoughts.
89Itnā attention apnē saṅkalpō̃ par bhī rakhnā hai . 90Kahā̃-kahā̃ sē yah samāchār ātē haĩ , kaunsē ?
89Sometimes, Baba receives the news that students do not listen to anyone these days.
91Ki ājkal students suntē nahī̃ haĩ .
90They make effort but are not moving forward.
92Mēhnat kartē haĩ lēkin āgē nahī̃ baṛhtē haĩ , vahā̃ K|kē vahā̃ khaṛē haĩ .
91They are still standing where they were. 92Why is there this result?
93Yah rijalṭakyō̃ ? 94Yah bhī apnī sthiti kā return hai . 95Kyōṅki student bhī chaltē - chaltē nimitt banī huī teachers key|kī kamazāriyō̃ kō parakh kar uskā advantage uṭhātē haĩ .
93This is a return of your own stage, because students, whilst moving along, also recognise the weaknesses of the instrument teachers and take advantage of that. 94Achcha.
96Achchhā .
95* * * O M S H A N T I * * *