बुधवार 25 अगस्त 1971 की अव्यक्त मुरली

ध्यान दें: वाक्यों का संरेखण अक्षरों की संख्या पर आधारित है और पूरी तरह विश्वसनीय नहीं है।

आप पूरी मुरली या उसके किसी भाग का वाक्य संरेखण स्वयं सुधार सकते हैं।

हिंदी को ISO 15919 पर आधारित अनुकूलित लिप्यंतरण के साथ रोमन अक्षरों में भी दिखाया जाता है।

लिप्यंतरण कैसे पढ़ें

यह साइट ISO 15919 पर आधारित लिप्यंतरण का प्रयोग करती है। पढ़ना आसान बनाने के लिए c, ś और ṣ के बाद h तथा स्वर r̥ के बाद i जोड़ा जाता है। इन बदलावों से यह भारत में प्रयुक्त हंटरियन प्रणाली के करीब आता है, जबकि ISO 15919 के विशिष्ट चिह्न बने रहते हैं।

इस साइट पर किए गए बदलाव
ISO 15919इस साइट पर
cch
śśh
ṣṣh
r̥r̥i

पढ़ने के कुछ संकेत:

  • ā, ī, ū: अक्षर के ऊपर की रेखा दीर्घ स्वर दर्शाती है।
  • ṭ, ḍ, ṇ: नीचे का बिंदु मूर्धन्य व्यंजनों को t, d, n से अलग करता है।
  • स्वर के ऊपर टिल्ड चिह्न अनुनासिक उच्चारण दर्शाता है।

0> 125-08-71 ōm śhānti avyakt bāpdādā madhuban

0> > 25/08/71 - 01/02/93

2Mukhya 7 kamjōriyā̃ aur unkō miṭānē kē liē 7 din kā course

1The main seven weaknesses and the seven days course to end them

3Ēk second mē̃ vāṇī sē parē sthiti mē̃ sthit hō saktē hō  ?

2Are you able to stabilise yourself beyond sound in one second?

4Jaisē aur karmēndriyō̃ kō jab chāhō jaisē chāhō vaisē hilā saktē hō , aisē hī buddhi key|kī lagan kō jahā̃ chāhō , jab chāhō vaisē aur vahā̃ sthit kar saktē hō  ? 5Aisē powerful banē hō  ?

3Just as you are able to move your physical organs as and when you wish, in the same way, are you able to stabilise the love of your intellect as, when and wherever you wish?

6Yah vidhi vr̥iddhi kō pātī jā rahī hai  ?

4Have you become powerful to this extent?

7Agar vidhi yathārth hai tō vidhi sē siddhi arthāt saphaltā aur śhrēṣhṭhatā avaśhya hī din - prati-din vr̥iddhi kō pātē huē anubhav karē̃gē .

5Are you progressing in this method? 6If the method is accurate, you will definitely experience the result, that is, the success and greatness to be increasing day by day.

8Is pariṇām sē apnē purūṣhārth key|kī yathārth sthiti kō parakh saktē hō .

7According to this result, are you able to recognise how accurate the stage of your effort is?

9Yah siddhi vidhi kō parakhnē key|kī mukhya niśhānī hai .

8The success of this is the main sign of recognising the method.

10Kōī bhī bāt kō parakhnē kē liē niśhāniyā̃ hōtī haĩ .

9In order to recognise anything, there are specific signs.

11Tō is niśhānī sē apnē sampūrṇ buddhi key|kī niśhānī kō parakh saktē hō  ?

10So through this sign, are you able to recognise the signs of your perfect intellect?

12Ājkal jō purūṣhārth purūṣhārthiyō̃ kā chal rahā hai , usmē̃ mukhya kamjōriyā̃ kaunsī dikhāī dētī haĩ  ?

11Nowadays, what are the main weaknesses visible in the effort of the effort-makers?

13 ( 1 ) ēk tō smr̥iti mē̃ samarthī nahī̃ rahī hai .

12 1. There isn't power in your awareness. 13 14

14 ( 2 ) dr̥iṣhṭi mē̃ divyatā vā alaukiktā yathā śhakti number-vār I|āī|eye huī hai .

15 2. According to your capacity, you have developed numberwise divinity and spirituality in your vision. 16

15 ( 3 ) vr̥itti mē̃ will power na hōnē kā kāraṇ vr̥itti ēkras na hō , chañchal hōtī hai .

17 18 3. Due to a lack of will-power in your attitude, your attitude is not constant; it continues to be mischievious.

16 ( 4 ) nirākārī avasthā kā attention cum|kam hōnē K|kē kāraṇ mukhya vikār dēh-abhimān , kām aur krōdh - in tīnō̃ kā war|vār samay prati samay hōtā rahtā hai .

19 20 21 4. Due to a lack of attention to the incorporeal stage, the main vices of body consciousness, lust and anger repeatedly attack you from time to time. 22

17 ( 5 ) saṅgaṭhan mē̃ rahtē vā samparka mē̃ ātē vāyumaṇḍal , vibration apnā impression ḍāltā hai .

23 24 5. Whilst you are living in the gathering or coming into connection with others, the atmosphere and the vibrations create their own impression on you.

18 ( 6 ) avyakt phariśhtēpan key|kī sthiti cum|kam hōnē kāraṇ achchhī vā burī bātō̃ key|kī feeling ānē sē fail hō jātē haĩ .

25 26 27 6. Due to a lack of the avyakt, angelic stage you fail when you come into any feeling of good or bad things. 28

19 ( 7 ) apnī yād kī yātrā sē santuṣhṭ cum|kam .

29 30 7. You are not so content with your pilgrimage of remembrance.

20Yah hai purūṣhārthiyō̃ K|kē purūṣhārth key|kī number-vār result .

31 32 33This is numberwise result of the effort of the effort-makers.

21Ab in sāt bātō̃ kō miṭānē kē liē phir sē 7 din kā course karānā paṛē .

34Now, in order to finish these seven things, you have to do the seven days' course again.

22In sātō̃ bātō̃ kō sāmnē rakh sāt din kā course jō aurō̃ kō karātē hō vah apnē āp kō revise karānā .

35In order to finish these seven things, you must once again revise for yourself the seven days' course that you give to others.

23Jaisē muraliyō̃ kō revise kar rahē hō , tō revise karnē sē navīntā aur śhakti baṛhnē kā anubhav kartē hō aisē ab ēkānt mē̃ baiṭh amr̥itvēlē , jō sāt bātē̃ sunāĩr , un par ēk ēk bāt kā nivāraṇ her|har din K|kē pāṭh mē̃ kaisē samāyā huā hai , vah manan karkē makkhan arthāt sār nikālnā aur āpas mē̃ lēn-dēn karnā .

36You are revising the murlis, and by revising them, you experience newness and power increasing. 37In the same way, now sit in solitude at amrit vela, and solve each of the seven things one by one, and then churn about how they are merged in your day's activity, and then extract the butter, that is, the essence and exchange views amongst yourselves.

24Course tō kiyā hai lēkin jaisē jigyāsuō̃ kō course karānē kē bād her|har pāṭh key|kī yukti batātē hō vā attention dilātē hō , vaisē āp har ēk regular godly student ab phir sē ēk saptāh ēk pāṭh kō practice aur practical mē̃ lāō . 25Jaisē sāptāhik pāṭh kartē haĩ nā .

38You have done the course, but just as after giving the course to the students, you give them a yukti for every lesson or bring something to their attention, in the same way, each of you regular Godly students has to once again practice one part for one week and put it into a practical form.

26Āp lōg bhī service mē̃ ‘ pavitratā saptāh ’ vā ‘ śhānti saptāh ’ kā programme rakhtē hō nā . 27Vaisē hī apnī progress kē liē her|har pāṭh kā sāptāhik pāṭh practical aur practice mē̃ lāō .

39Just as you do the weekly course and, in the same way, you also have a week for purity or a week for peace, so too for your own progress, practise each lesson for a week and put it into a practical form.

28Tō revise hōnē sē kyā hōgā  ?

40So what will happen by revising it?

29Saphaltā samīp , sahaj aur spaṣhṭ dikhāī dēgī .

41Success will easily and clearly be visible closely.

30Tō śhrēṣhṭh tō ban hī jāyēṅgē .

42So you will automatically become elevated.

31Apnē āp kō her|har saṅkalp vā karma mē̃ mahān banānē kē liē sabhī sē sahaj yukti key|kī tīn bātē̃ sunāō .

43In order to make yourself great in every thought and every action, tell Baba of three things about the easiest method.

32Man , vachan , karma mē̃ mahāntā kē liē hī pūchh rahē haĩ .

44Baba is asking you to bring about greatness in your thoughts, words and actions.

33Mahān bannē kē liē ēk tō apnē kō purānī duniyā mē̃ mēhmān samjhō .

45In order to become great, first, you have to consider yourself to be a guest in the old world.

34Dūsrī bāt - jō bhī saṅkalp vā karma kartē hō , tō mahān antar kō buddhi mē̃ rakh saṅkalp aur karma karō .

46Second, whatever thoughts or actions you perform, keep the great contrast in your intellect and then have those thoughts or perform those actions.

35Tīsrī bāt ki bāp K|kē vā apnē daivī parivār key|kī her|har ātmā K|kē guṇ aur śhrēṣhṭh karttavya key|kī mahimā kartē rahō .

47Third, continue to praise the virtues and the elevated task of the Father and the divine family.

361 . mēhmān , 2 . mahān antar aur 3 . mahimā . 37Yah tīn bātē̃ chaltī rahē̃ tō jō 7 kamiyā̃ haĩ vah samāpt hō jāē̃ .

48First, a guest, second, the great contrast and third, the praise: if you continue to think about these three things, then the seven weaknesses will finish.

38Mēhmān na samajhnē K|kē kāraṇ kōī bhī rūp vā raṅgat mē̃ attraction aur attention jātā hai .

49Because of not considering yourself to be a guest, you become attracted by any form or company and your attention is drawn to it.

39Mahān antar kō sāmnē rakhnē sē kabhī bhī dēh-ahaṅkār vā krōdh kā aṅśh vā vanśh nahī̃ rah saktā .

50By keeping the great contrast in front of you, there can never be any trace or progeny of body consciousness or anger.

40Tīsrī bāt - bāp key|kī vā her|har ātmā K|kē guṇō̃ key|kī mahimā vā karttavya key|kī mahimā kartē rahnē sē kisī dvārā kisī bāt key|kī feeling nahī̃ ā saktī .

51Third, by praising the virtues and the task of the Father and each soul, you will not come into any ill feeling due to any situation or any person.

41Aur sadaiv guṇō̃ aur karttavyō̃ key|kī mahimā karnē sē yād kī yātrā , asantuṣhṭatā bhī nirantar vā sahaj yād mē̃ parivartan hō jāyēgī .

52And by constantly singing praise of the virtues and the task, the discontentment of the pilgrimage of remembrance will easily change into constant remembrance.

42In tīnō̃ śhabdō̃ kō sadā smr̥iti mē̃ rakhō tō samarthīvān hō jāyēṅgē .

53Constantly keep these three words in your awareness and you will become powerful.

43Dr̥iṣhṭi , vr̥itti , vāyumaṇḍal sabhī parivartan hō jāyēṅgē .

54Then your vision, your attitude, your awareness and the atmosphere will all be transformed.

44Dvāpar sē lēkar āj tak apnī aur apnē daivī parivār key|kī ātmāō̃ key|kī mahimā kartē āyē hō , kīrtan kartē āyē hō .

55From the copper age until now, you have been singing praise of your own self and of the souls of your divine family.

45Ab phir chaitanya parichit huī ātmāō̃ K|kē avguṇō̃ kō vā kamiyō̃ kō kyō̃ dēkhtē hō vā buddhi mē̃ dhāraṇ kyō̃ kartē hō  ?

56You have been singing their songs of praise. 57Now, why do you see or imbibe in your intellect the weaknesses of the souls whom you come into connection with in the living form?

46Abhī bhī sārē viśhva sē chunī huī śhrēṣhṭh ātmāō̃ K|kē guṇ-gān karō .

58Even now, you must sing the praise of the virtues of the elevated souls that have been selected out of the entire world.

47Buddhi dvārā grahaṇ karō aur mukh dvārā ēk-dō K|kē guṇgān karō .

59With your intellect, imbibe their virtues, and with your lips, continue to sing the praise of both.

48Phir dr̥iṣhṭi vā vr̥itti chañchal hōgī  ?

60Then, will your vision or your attitude become mischievous?

49Kiskī bhī kamī key|kī feeling hōgī  ?

61Will there be any feeling of anyone's weakness?

50Abhī anubhav kiyā hai ki kōī bhī mandir key|kī mūrti kitnī bhī aṭraikṭiv vā sundar sajī huī hō , tō kabhī bhī dr̥iṣhṭi unkī sundartā vā sajāvaṭ K|kē taraph saṅkalp mātra bhī chañchal nahī̃ hōtī hai .

62Now, you have experienced that no matter how beautiful an idol in a temple may be, how beautifully decorated it may be, your vision does not become mischievous towards its beauty and beautiful decoration even the slightest, even in your thoughts.

51Aur vahā̃ hī agar kōī cinema vā kōī aisī kitābō̃ mē̃ sē kōī attraction vā sajāvaṭ dēkhtē haĩ vā kōī board bhī dēkhtē haĩ tō vr̥itti aur dr̥iṣhṭi chañchal hō jātī hai , kyō̃  ?

63However, if you see any attractiveness or any beauty in any cinema or any such books, or if you even see a hoarding, then your vision and attitude become mischievous.

52Attraction tō mūrtiyō̃ mē̃ bhī hai .

64Why? 65Even the idols have that attraction.

53Sajāvaṭ , features aur natures key|kī beauty mūrtiyō̃ mē̃ bhī hai , phir bhī vr̥itti aur dr̥iṣhṭi chañchal kyō̃ nahī̃ hōtī  ?

66The idols also have that beauty in their decoration and in their features. 67Even then, why does your vision and attitude become mischievous?

54Dōnō̃ hī chitra sāmnē rakhō vā ēk hī kamrē mē̃ rakhō tō ēk second mē̃ us taraph jānē sē vr̥itti chañchal hōtī hai aur us taraph jānē sē vr̥itti pavitra ban jātī hai .

68Keep both these images in front of yourself and on either side of you, and in one second, 69as you go to that side, the attitude becomes mischievous, and by going to the other side, the attitude becomes pure.

55Yah pavitratā aur apavitratā kā kāraṇ kyā hōtā hai  ?

70What is the reason for this purity and impurity?

56Smr̥iti .

71Awareness.

57Smr̥iti hai ki yah dēvī hai  ; tō yah smr̥iti dr̥iṣhṭi aur vr̥itti kō pavitra banātī hai .

72You have the awareness that this one is a goddess, and so the awareness makes your vision and your attitude pure.

58Aur smr̥iti hai ki yah female hai  ; tō vah smr̥iti vr̥itti aur dr̥iṣhṭi apavitratā key|kī taraph khaiñcatī hai .

73But when you have the awareness that this one is a female, then that awareness pulls your vision and attitude towards impurity.

59Vahā̃ rūp kō dēkhē̃gē aur vahā̃ rūhāniyat kō dēkhē̃gē .

74There, you see the form, whereas on the other side, you see the spirituality.

60Aisā past kā anubhav tō hōgā nā .

75You must have had this experience in the past, have you not?

61Vartamān bhī percentage mē̃ hai .

76The present is also in a percentage.

62Lēkin iskō miṭānē kē liē kabhī bhī kahā̃ bhī dēkhtē hō , kissē bhī bōltē hō tō smr̥iti mē̃ kyā rakhō  ?

77And so, in order to finish this, whenever you see anything anywhere, whenever you are speaking to anyone, what should you have in your awareness?

63Ātmā samajhnā , vah tō huī first stage . 64Lēkin karma mē̃ ātē , samparka mē̃ ātē , sambandh mē̃ ātē yahī smr̥iti rakhō ki yah sabhī jaṛ chitrō̃ key|kī chaitanya dēvī vā dēvtāō̃ K|kē rūp haĩ .

78To consider that one to be a soul is the first stage, but whilst performing actions, whilst coming into connection and relationship, have the awareness that these living images are the living form of the images of the non-living deities.

65Tō dēvī kā rūp smr̥iti mē̃ ānē sē jaisē jaṛ chitrō̃ mē̃ kabhī saṅkalp mātra bhī apavitratā vā dēh kā attraction nahī̃ hōtā hai , aisē hī chaitanya rūp mē̃ bhī yah smr̥iti rakhnē sē saṅkalp mē̃ bhī yah complain nahī̃ rahēgī aur complete hō jāyēṅgē . 66Samjhā  ? 67Yah haĩ vartamān purūṣhārthiyō̃ key|kī complain kē ūpar complete bannē key|kī yuktiyā̃ .

79So by having the form of a deity in your awareness, just as you do not have the slightest thought of impurity or attraction for the body of the non-living images, in the same way, by having this awareness for the living images, you will not have this complaint even in your thoughts, and you will become complete. 80Do you understand?

68Achchhā bhaṭṭhīvālē apnī unnati kar rahē haĩ . 69Speed bhī tīvr hai  ? 70Aisē nahī̃ ki samāpti kē bād nīchē utartē speed kam hō jāyē .

81These are the yuktis to completely overcome the complaint of the present effort of the effort-makers. 82Achcha.

71Aisā hī purūṣhārth kar rahē hō nā . 72Achchhā .

83* * * O M S H A N T I * * *