शुक्रवार 14 जुलाई 1972 की अव्यक्त मुरली

⁰>

⁰> > 14/07/72 Avyakt BapDada Revised: 25/10/93 ¹Just as the incognito investigators of the Government make new plans, and investigate wherever wrong activity is being carried out, in the same way, all of you are the incognito investigators of the Pandav Government. ²Do you make new plans for those who deceive souls, for those who show them the wrong path, or who corrupt everything or who are instrumental in making them fall?

¹14-07-72om shanti avyakt baapdaadaamdhuban ²antim seva ke liye ramtaayogi bano

³That Government constantly makes new plans through which the corrupt cannot escape their vision.

³jaisegvarmenta ke gupta anuchar naye-naye plans banaate hain, kahaan bhi koi ulta karttavya aadi hota hai to usko check karte hain।

⁴You have now spread the sound in all four directions. ⁵However, are you paying attention to those scholars and pundits who are instruments in giving wrong knowledge instead of the accurate knowledge?

⁴vaise aap bhi sabhi paandav government ke gupta anuchar ho।

⁶The sound can reach many through just one. ⁷Who can become the instrument for this?

⁵aatmaon ko jo dhokhe mein phansaane vaale hain va ulti raah par chalaane vaale va milaavat karne vaale hain athva giraane ke nimitta hain unhon ke liye naye-naye plans banaate ho?

⁸You relate knowledge to ordinary people all the time, and those amongst them who are to become instruments are making effort according to their capacity as they move along. ⁹However, through whom will the sound be spread? ¹⁰Is the final praise of the Shaktis a praise because of the ordinary subjects?

⁶woh gavarmet bhi sadaiv nai-nai plans banaati hai na, jisse milaavat karne vaale unhon ki nazar se bach nahin paate hain।

¹¹Will the power of the Shaktis be revealed through these ordinary people? ¹²The sound cannot spread so much through the politicians because people are aware of the weaknesses of whoever becomes a leader.

⁷abhi chaaron or aavaaz to phaila diya hai lekin yeh vidvaan, aachaarya aadi jo nimitta bane hue hain yathaartha gyaan ke badli aythaartha reeti dene, unhon ki taraph attention jaata hai?

¹³Nowadays, it is the rule of the subjects over the subjects. ¹⁴And so, there isn't any influence from the sound of the leaders. ¹⁵So, who will become an instrument to spread the sound from one to many? ¹⁶Everyone is trapped in the chains of the gurus.

⁸ek dvaara bhi anekon ko aavaaj pahunchta hai। ⁹woh kaun nimitta ban sakta hai?

¹⁷No matter what they are internally, all their disciples have the habit of saying, "It is true", to whatever the gurus say, because of blind faith.

¹⁰saadhaaran janta ko to sunaate rehte ho, unmein se jo banne vaale hain woh apna yatha shakti purooshaartha karte chal rahe hain।

¹⁸The leaders do not have followers to say that whatever they say is true. ¹⁹So, when will the praise of the Shaktis be put into a practical form? ²⁰Have you not yet prepared the ground for it?

¹¹lekin jo aavaaj phailna hai woh kinhon ke dvaara?

²¹What do the incognito investigators do? ²²They surround those who corrupt everything.

¹²shaktiyon ka jo antim gaayan hai woh kya is saadhaaran janta ke prati gaayan hai?

²³In fact, those who corrupt everything are very important people from whom the government benefits a great deal.

¹³shaktiyon ki shakti ki pratyakshata in saadhaaran janta dvaara hogi?

²⁴They do not chase after ordinary people. ²⁵They continually make new plans on how to expose their corruption.

¹⁴jo political log hain unhon ke dvaara itna aavaaj nahin phail sakta kyonki aajkal jo bhi neta bante hain, in sabhi ki buraaiyaan janta jaanti hai।

²⁶Does your intellect work in this way, or are you content with easily creating subjects? ²⁷You have to put into practice whatever is most instrumental to create that influence. ²⁸When will that happen?

¹⁵aajkal praja ka praja par raajya hai na।

²⁹When you first create plans in your intellect and have the enthusiasm of doing it today.

¹⁶to netaaon ki aavaaj ka prabhaav nahin hai।

³⁰So, do you have these thoughts now, or are your thoughts merged?

¹⁷to ek dvaara anekon tak aavaaj karne ke nimitta kaun banega?

³¹Similarly, although you continue to do service, it is just a means of creating subjects.

¹⁸in gurooon ki janjeeron mein to sabhi phanse hue hain na।

³²However, you have to find a practical means of spreading the sound through which revelation will take place.

¹⁹bhale andar mein kya bhi ho lekin unhon ke shishya andhashraddha se sat- sat karne ke aadti hain।

³³There is said to be an influence when those who divert other people actually come in front of you. ³⁴It isn't a big thing if those who are diverted come in front of you.

²⁰netaaon ke peechhe sat-sat karne vaale nahin hain।

³⁵This is why the Shaktis and the Kumaris are praised more than the Father.

²¹to shaktiyon ka jo gaayan hai woh kab practical mein aana hai?

³⁶Kumaris means Brahma Kumaris. ³⁷This does not mean that there would only be Brahma Kumaris.

²²va uske liye ab dharti nahin bani hai?

³⁸All are Brahma Kumars and Kumaris. ³⁹The arrow was shot by the kumaris.

²³jaise gupta anuchar jo hote hain woh kya karte hain?

⁴⁰The Father Himself did not personally come in front of them, but He placed the Shaktis in front of them.

²⁴milaavat vaalon ko hi gheraav daalte hain। ²⁵milaavat karne vaale bade aadmi hote hain, jisse government ko bahut praapti hoti hai।

⁴¹The Shakti Army is instrumental for this in a practical way, and so the special task that has been remembered of the Shaktis is because of this. ⁴²Do you have that zeal and enthusiasm?

²⁶saadhaaran ke peechhe nahin padte।

⁴³Or, are you happy in just having seminars?

²⁷unhon ke naye- naye plans bante rehte hain ki kis reeti milaavat ko prasiddha karen।

⁴⁴You have all the means of creating subjects numberwise. ⁴⁵Many come into connection and thereby become subjects, but now you have to move further forward than this.

²⁸to aisi buddhi chalti hai? ²⁹ki jo sahaj praja banti hai usmein hi santushta ho?

⁴⁶In order to put the final type of service into a practical form, you have to make the preparations now.

³⁰prabhaav padne ka jo mukhyasaadhan hai woh to practical mein karna pade na।

⁴⁷First of all, create a thought and then make plans for it, and then put those plans into a practical form. ⁴⁸Time is needed for that too.

³¹woh kab hoga?

⁴⁹But you have to begin now.

³²jab pahle buddhi mein plans chalenge, umang aayega ki hamko aaj yeh karna hai।

⁵⁰It is just as it was in the beginning; you had the enthusiasm of giving the message to those who made you fall.

³³to abhi woh sankalp uthte hain va sankalp hi merge hain?

⁵¹In-between, you went into the expansion of creating subjects. ⁵²However, whatever happened in the beginning has to happen at the end.

³⁴jaisesarvischalti rehti hai aise to praja banne ka saadhan hai।

⁵³Just as you make effort to liberate others from the chains of Maya, in the same way, this is also a big chain.

³⁵lekin aavaaj phailne ka saadhan, jisse pratyakshata ho, woh practical mein laana hai। ³⁶jab vimukh karne vaale sammukh aaven tab hai prabhaav।

⁵⁴Day by day, this chain will take an attractive form and attract you towards itself. ⁵⁵Or, by giving you some temporary attainment through their intellect, they trap you in their chains. ⁵⁶When will you liberate everyone from all of this?

³⁷baaki vimukh hone vaale sammukh aayen to koi badi baat nahin hai।

⁵⁷The means for the final influence is the ant that even makes an elephant fall. ⁵⁸Praise is always of something of wonder.

³⁸isliye baap se bhi jyaada shaktiyon ka, kumaariyon ka gaayan hai।

⁵⁹You relate the knowledge to the ordinary subjects, but that is not a big thing. ⁶⁰Even those who corrupt everything do this.

³⁹kanyaayen arthaat brahmaakumaariyaan।

⁶¹Even the false people attract others towards themselves.

⁴⁰iska matlab yeh nahin ki kumaari hi hogi।

⁶²However, you now have to expose the secrets of those who consider themselves to be maharathis.

⁴¹brahma- kumaar-kumaariyaan to sabhi hain।

⁶³Make them bow down; then it would be said to be a wonder.

⁴²kanyaaon dvaara baan marvaaye hain।

⁶⁴Does your intellect work towards showing such wonders?

⁴³baap khud sammukh nahin aaye, sammukh shaktiyon ko rakha।

⁶⁵Only when you prove the false to be false will there be victory for the truth. ⁶⁶Only then will there be the cries of victory.

⁴⁴to jab practical mein shakti sena nimit hai to shaktiyon ka jo vishesh karttavya gaaya hua hai woh unhon se hi gaaya hua hai।

⁶⁷Then you will not need to make so much effort. ⁶⁸You need to create plans for this and a method for this, and internally have that intoxication of being the incognito investigators. ⁶⁹It is our duty to expose their secrets.

⁴⁵woh umang-utsaah hai?

⁷⁰We are the instruments for this.

⁴⁶kya seminar karne mein hi khush ho?

⁷¹Only when you have this zeal and enthusiasm within can this task be accomplished.

⁴⁷yeh to sabhi saadhan hain nambarvaar praja banaane ke। ⁴⁸kuchh-na-kuchh connection mein aate hain aur praja ban jaati hai।

⁷²This cannot be done by arranging a programme. ⁷³If you give someone a programme to do this and this, they will not be able to do it; they will not have that much power to face anyone.

⁴⁹lekin ab to isse bhi aage badhna hai। ⁵⁰antimsarvisko practical laane mein abhi se taiyaari karo।

⁷⁴However, there should be the internal force that you have to do this; only then can it happen in a practical way. ⁷⁵By you having the thought, it will then happen practically.

⁵¹pahle to sankalp rakho, phir uska plan banaao, phir plan se practical mein aao।

⁷⁶At present, everyone's vision is looking out for a wonder. ⁷⁷However, without the Shaktis, neither the Pandavs nor anyone else can accomplish this task.

⁵²usmein bhi samay to chaahiye na।

⁷⁸The Shaktis have to be the instruments. ⁷⁹In the beginning, just like the wandering yogis, you used to go wherever you had the thought of going, and you used to move along with that force and, according to your capacity, you also attained success. ⁸⁰In the same way, you need the wandering yogis for this also. ⁸¹You have become very busy in creating subjects, and your time is spent in sustaining the creation that you have created.

⁵³shuru to abhi se karna pade।

⁸²Achcha. ⁸³Original: 16/07/72Avyakt BapDada Revised:

⁵⁴jaise shuru-shuru mein josh tha ki jinhonne hamko giraaya hai unhon ko hi sandesh dena hai।

⁸⁴25/10/93 ⁸⁵Do you consider yourself to be a main actor, a hero actor, within this elevated drama? ⁸⁶Everyone's attention is always on the main actors.

⁵⁵beech mein praja ke vistaar mein chale gaye।

⁸⁷So, do you enact the act at every second whilst considering yourself to be a main actor?

⁵⁶lekin jo aadi mein tha woh ant mein bhi aana hai।

⁸⁸Famous actors have three things in particular. ⁸⁹What are these?

⁵⁷jaise maaya ki janjeeron se chhudaane ke liye mehnat karte hain।

⁹⁰Firstly, they will be active, secondly, they will be accurate and thirdly, they will be attractive. ⁹¹Famous actors definitely have these three things.

⁵⁸vaise yeh bhi badi janjeer hai aur ab to din-pratidin yeh janjeeren mohini roop lete hue apni taraph khainchati ja rahi hain va alpakaal ki buddhi dvaara praapti karaate hue apni janjeer mein phansaate jaate hain।

⁹²So, do you consider yourself to be a famous or main actor in this way? ⁹³Due to which aspect would you attract? ⁹⁴Let there be the attraction of spirituality in every action and in every activity. ⁹⁵Those who are physically beautiful attract others towards themselves.

⁵⁹unhon se sabhi ko kab chhudaayenge?

⁹⁶In the same way, souls who are pure and have spiritual power attract others towards themselves. ⁹⁷Similarly, the great souls at the beginning of the copper age had their satopradhan stage, and so they had that spiritual attraction which attracted others towards them and inspired them to have disinterest in this world even for a temporary period. ⁹⁸Since those who had wrong knowledge had that much attraction, those who are the embodiment of true and elevated knowledge will also have this spiritual attraction. ⁹⁹Physical beauty can only attract you when someone beautiful comes close to you or in front of you, but spiritual attraction can attract others who are sitting at a distance.

⁶⁰antim prabhaav ka saadhan yahi hai jiska gaayan bhi hai ki cheenti mahaarthi ko bhi gira deti hai।

¹⁰⁰Do you experience this much attraction, that is, spirituality within yourself? ¹⁰¹In the same way, you should also be accurate. ¹⁰²Accurate in what?

⁶¹gaayan to kamaaliyat ka hota hai na। ⁶²saadhran janta ko sunaate rehte ho, woh kya badi baat hai।

¹⁰³You have been given shrimat for your thoughts, shrimat for your words and shrimat for your actions, and you have to remain accurate in all these things. ¹⁰⁴Your thoughts should not be inaccurate.

⁶³yeh to woh milaavat vaale bhi karte hain। ⁶⁴jhoothe log bhi apni tarphaaakarshitkarte hain।

¹⁰⁵Whatever is the discipline, whatever is the code of conduct, whatever are the directions, you should remain accurate and active in all of these.

⁶⁵lekin jo apne ko mahaarthi samajhte hain unhon ke pol khol do।

¹⁰⁶Those who are active will be able to mould themselves in whatever way and at whatever time they want. ¹⁰⁷They can adopt that form at any time.

⁶⁶unhon ko jhukaao tab kamaal hai।

¹⁰⁸So, the main actors have these three specialities all the time.

⁶⁷aisi kamaal dikhaane ke liye kuchh buddhi chalti hai?

¹⁰⁹You have to see which speciality is lacking and to what percentage.

⁶⁸asatya ko asatya siddha karo tab to satya ki jay ho।

¹¹⁰Together with the stage, you also have to see the percentage.

⁶⁹jay-jaykaar hogi hi tab। ⁷⁰phir itni mehnat karne ki zaroorat nahin।

¹¹¹If you have spirituality, you can attract others, but do you have the percentage that there should be?

⁷¹iske liye plans chaahiye, tareeka chaahiye aur andar mein woh nasha chaahiye ki ham gupta anuchar hain, inhon ke pol siddha karna hamaara kaam hai, ham hi iske liye nimitta hain।

¹¹²If the percentage is lacking, it cannot be called complete. ¹¹³You have passed, but the numbers are based on marks. ¹¹⁴Those of the third division are also said to have passed, but there is a vast difference between the third division and the first class. ¹¹⁵So now, check the percentage.

⁷²yeh andar se umang-utsaah aave, tab yeh kaam ho sakta hai।

¹¹⁶The stage has now become something natural, because you are on the stage with the practical act.

⁷³yeh programme se nahin ho sakta।

¹¹⁷Now, the number will be given on the basis of the percentage.

⁷⁴kisi ko aap programme do ki yeh-yeh karo, aise vo nahin kar sakenge।

¹¹⁸Now, the gathering has become very big. ¹¹⁹Just as Baba loves the children who are similar to Him, so too, all of you who are equals meet together.

⁷⁵usmein saamna karne ki itni shakti nahin aayegi।

¹²⁰So this gathering of the stars is also very good, isn't it?

⁷⁶apne dil se josh aave ki mujhe yeh karna hai, woh practical ho sakta hai।

¹²¹This is the mela of the confluence age, but this is a mela within that mela. ¹²²The special mela within a mela is enjoyed and liked more.

⁷⁷sankalp ko rachne se phir practical mein aa jaayega।

¹²³Within the huge melas, a special place is created where everyone celebrates a meeting.

⁷⁸abhi sabhi ki nazar koi kamaal dekhne ki taraph hai aur bina shaktiyon ke yeh kaarya paandav athva koi kar nahin sakta।

¹²⁴The confluence age is an unlimited mela anyway, but within that, this is the physical place where equal souls come and meet together. ¹²⁵Each one enjoys meeting souls who are equals and who are close.

⁷⁹nimitta shaktiyon ko banna hai।

¹²⁶In order to celebrate a mela with special souls, you yourself have to become special.

⁸⁰jaise shuru-shuru mein ramta yogi maaphik jahaan ke liye bhi sankalp aata tha, josh mein chal padte the aur yatha shakti saphalta bhi pa lete the।

¹²⁷If someone is special and the other person is ordinary, that cannot be called a mela. ¹²⁸You have to imbibe the specialities of the divine virtues like the Father. ¹²⁹You have to give the proof of the sustenance you have taken from the Father. ¹³⁰What did Baba sustain you for?

⁸¹aisa hi phir is baat ke liye bhi ramta yogi chaahiye।

¹³¹In order to fill you with specialities. ¹³²What would you call it, if you have an aim, but do not imbibe the qualifications?

⁸²praja banaane mein bahut busy ho gaye ho aur jo rachna rachi hai usko paalne mein hi samay beet jaata hai।

¹³³Someone who is extra sensible? ¹³⁴On one side are those who are sensible and on the other side are those who are sensible to an unlimited extent. ¹³⁵There is no limit to being unlimited. ¹³⁶Achcha.

⁸³achha।

¹³⁷* * * O M S H A N T I * * *