रविवार 16 जुलाई 1972 की अव्यक्त मुरली

⁰> ¹16-07-72om shanti avyakt baapdaadaamdhuban

⁰> > Avyakt BapDada 16th July 1972

²svachchha aur aatmik bal vaali aatma hi aakarshan moortta hai ³apne ko is shreshtha drama ke andar hero actor aur mukhyaektar samajhte ho?

¹Do you consider yourself to be a main actor, a hero actor, in this elevated drama?

⁴mukhyaektarsa ke taraph sabhi ka attention hota hai।

²Everyone’s attention is always on the main actors.

⁵to har second ki act apne ko mukhyaektar samajhte huye bajaate ho?

³So, do you act while considering yourself at every second to be a main actor?

⁶jo naameegraami actors hote hain unhon mein mukhya 3 baaten hoti hain।

⁴Famous actors have three things in particular. ⁵What are these?

⁷woh kaunsi hain?

⁶Firstly, they will beactive.

⁸ek to woh active hoga, doosra accurate hoga aur atrektiv hoga।

⁷Secondly, they will be accurate.And thirdly they will beattractive.

⁹yeh teenon baaten naami-graami actors mein avashya hoti hain।

⁸Famous actors definitely have these three things.

¹⁰to aise apne ko naameegraami va mukhya actor samajhte ho?

⁹So, do you consider yourself to be a famous or main actor in this way?

¹¹atrekta kis baat par karenge?

¹⁰Due to which aspect would you attract?

¹²har karma mein, har chalan mein roohaaniyat ki attraction ho।

¹¹Let there be theattraction of spirituality in every action, and in every activity.

¹³jaise koi shareer mein sundar hota hai to woh bhi attraction karte hain na apne taraph।

¹²Those who are physically beautiful attract others towards themselves.

¹⁴aise hi jo aatma svachchha hai, aatmik-bal vaali hai, woh bhi apne tarphaaakarshitkarte hain।

¹³In the same way, souls who are pure and have spiritual power attract others towards themselves.

¹⁵jaise aatma-gyaani mahaatmaaen aadi bhi dvaapar aadi mein apne satopradhaan sthiti vaale the to unhon mein bhi roohaani aakarshan to tha na, jo apne taraph aakarshit karke auron ko bhi is duniya se alpakaal ke liye vairaagya to dila dete the na।

¹⁴Similarly, the great souls at the beginning of the copper age had their satopradhan stage, and so they had that spiritual attraction which pulled others towards them, and inspired them to have disinterest in this world, even for a temporary period.

¹⁶jab ulte gyaan vaalon mein bhi itni attraction thi, to jo yathaartha aur shreshtha gyaan-swaroop hain unhon mein bhi roohaani aakarshan va attraction rahegi।

¹⁵Since those who had wrong knowledge had that much attraction, those who embody true and elevated knowledge will also have this spiritual attraction.

¹⁷shaareerik beauty najdeek va saamne aane se aakarshan karegi। ¹⁸roohaani aakarshan door baithe bhi kisi aatma ko apne taraph aakarshitkarti।

¹⁶Physical beauty can only attract you when someone comes close to you, or in front of you, but spiritual attraction can attract others who are sitting at a distance.

¹⁹itni attraction arthaat roohaaniyat apne aap mein anubhav karte ho?

¹⁷Do you experience this much attraction - that is, spirituality - within yourself?

²⁰aise hi phir accurate bhi ho।

¹⁸In the same way, you should also beaccurate.

²¹accurate kismen?

¹⁹Accurate in what?

²²jo mansa arthaat sankalp ke liye bhi shreemat mili hui hai - vaani ke liye bhi jo shreemat mili hui hai aur karma ke liye bhi jo shreemat mili hui hai in sabhi baaton mein accurate।

²⁰You have been given shrimat for your thoughts, shrimat for your words, and shrimat for your deeds, and you have to remain accurate in all these things. ²¹Your thoughts should not be inaccurate.

²³mansa bhi anaekyuret na ho। ²⁴jo niyam hain, maryaada hain, jo direction hain un sabhi mein accurate aur active।

²²Whatever the discipline, whatever the code of conduct, whatever the directions, you should remain accurate and active in all of these.

²⁵jo active hota hai woh jis samay jaisa apne ko banaane chaahe, chalaane chaahe woh chala sakte hain va aisa hi roop dhaaran kar sakte hain।

²³Those who areactive are able to mould themselves, in whatever way and at whatever time they want: they can adopt that form at any time.

²⁶to jo mukhya paartadhaari hai unhon mein yeh teenon hi visheshtaaen bhari hui rehti hain।

²⁴So, the main actors have these three specialities all the time.

²⁷ismen hi dekhna hai ki in mein se kaunsi visheshta kis percentage mein kam hai?

²⁵You have to see which speciality is lacking, and to what percentage.

²⁸stage ke saath-saath percentage ko bhi dekhna hai।

²⁶Together with the stage, you also have to see the percentage.

²⁹roohaaniyat hai, aakarshitkar sakte hain, lekin jitni percentage honi chaahiye woh hai?

²⁷You have spirituality, so you can attract others, but do you have the percentage that there should be?

³⁰agar percentage ki kami hai to isko sampoorn to nahin kahenge na।

²⁸If a percentage is lacking, it cannot be called full.

³¹paas to ho gaye, phir bhi marks ke aadhaar par nambarto hote hain na।

²⁹You have passed, but the numbers are based on marks.

³²third division vaale ko bhi paas to kehte hain lekin kahaan third vaala, kahaan first class - pharka to hai na।

³⁰Those of the third division are also said to have passed, but there is a vast difference between the third division and the first class.

³³to ab check karna percentage ko।

³¹So, now, check the percentage.

³⁴stage to ab natural baat ho gai। ³⁵kyonki practical act mein stage par ho na।

³²The stage has now become something natural, because you are on the stage with the practical act.

³⁶ab sirf percentage ke aadhaar par nambarhone hain।

³³Now, the number will be given on the basis of the percentage.

³⁷aaj bahut bada sangathan ho gaya hai।

³⁴The gathering has now become very large.

³⁸jaise baap ko bhi samaan bachche priy lagte hain, aap log aapas mein bhi ek samaan milte ho to yeh sitaaron ka mela bhi bahut achha lagta hai na। ³⁹sangamayugi mela to hai hi।

³⁵Just as Baba loves the children who are similar to him, so too all of you who are equals meet together. ³⁶So, this gathering of the stars is very good, is it not? ³⁷It is the mela of the confluence age, but this is a mela within that mela.

⁴⁰lekin us mele mein bhi yeh mela hai।

³⁸The special mela within a mela is enjoyed and liked more.

⁴¹mele ke andar jo vishesh mela lagta hai woh phir jyaada priy lagta hai।

³⁹Within the huge melas, a special place is created where everyone celebrates a meeting.

⁴²bade bade melon ke andar bhi phir ek vishesh sthaan banaate hain jahaan sabhi ka milan hota hai।

⁴⁰This confluence age is an unlimited mela anyway, but, within that, this is the physical space where equal souls come and meet together.

⁴³sangamayug behad ka mela to hai hi lekin uske andar bhi yeh sthool vishesh sthaan hai, jahaan samaan aatmaaen aapas mein milti hain।

⁴¹Each one enjoys meeting souls who are equals, and who are close. ⁴²In order to celebrate a mela with special souls, you yourself have to become special.

⁴⁴harek ko apne samaan va sameep aatmaon se milna- julna achha lagta hai।

⁴³If someone is special, and the others are ordinary, that cannot be called a mela.

⁴⁵vishesh aatmaon se mela banaane liye svayan ko bhi vishesh banna pade।

⁴⁴You have to imbibe the specialities of the divine virtues, like the Father.

⁴⁶koi vishesh ho, koi saadhaaran ho, woh koi mela nahin kaha jaata।

⁴⁵You have to provide the proof of the sustenance you have taken from the Father.

⁴⁷baap ke samaan divya dhaarnaaon ki visheshta dhaaran karni hai।

⁴⁶What did Baba sustain you for? ⁴⁷In order to fill you with specialities.

⁴⁸baap se jo paalna li hai iska saboot dena hai। ⁴⁹baap ne paalna kis liye ki?

⁴⁸What would you call it if you have an aim, but do not imbibe the qualifications?

⁵⁰visheshtaaen bharne liye।

⁴⁹Someone who is extra sensible?

⁵¹lakshya ho aur lakshan na aave; to isko kya kaha jaaye? ⁵²jyaada samajhdaar। ⁵³ek hote hain samajhdaar, doosre hote hain behad ke samajhdaar।

⁵⁰On one side are those who are sensible, and on the other side are those who are sensible to an unlimited extent. ⁵¹There is no limit to being unlimited.

⁵⁴behad mein koi limit nahin hoti hai। ⁵⁵achha!

⁵²Achcha. ⁵³* * * O M S H A N T I * * *