बुधवार 6 जून 1973 की अव्यक्त मुरली

⁰> ¹06-06-73 om shanti avyakt baapdaadaamdhuban

⁰> > 06/06/73 Avyakt BapDada Revised: 29/08/94

²samaanta aur sameepta

¹Whom is BapDada is seeing today?

³jeevan ki naiya ko paar lagaane vaale, siddha swaroop, laaeetmaait roop dilaaraam baap bole- ⁴aaj baapdaada kis ko dekh rahe hain?

²Just as Baba has been remembered by many names because of His different acts, so too, the children are also remembered by many names.

⁵jaise baap ke bhinna-bhinna karttavyon ke kaaran anek naam gaaye hue hain vaise hi bachchon ke anek naam gaaye hue hain।

³Can you tell in which form Baba is seeing you today? ⁴Can you recognise Baba's thoughts? ⁵Today, BapDada is seeing His jewels.

⁶aaj kis roop mein dekh rahe hain yeh jaan sakte ho? ⁷sankalp ki parakh kar sakte ho? ⁸aaj baapdaada apni maniyon ko dekh rahe hain।

⁶Some are the jewels of the forehead, some are the jewels around the neck and some are the jewels of the heart.

⁹koi mastak mani hain,koi gale ki mani hain aur koi hriday mani hain।

⁷Baba is happy to see the three types of jewels.

¹⁰teenon prakaar ki maniyon ko dekh harshit ho rahe hain।

⁸All of you consider yourselves to be jewels, do you not?

¹¹aap sabhi bhi apne ko mani samajhte ho na?

⁹This is a gathering of the jewels.

¹²yeh maniyon ka sangathan hai। ¹³maniyon mein shreshtha mani kaun hai?

¹⁰Which is the most elevated jewel out of all the jewels?

¹⁴yeh bhi harek apne ko jaan sakte hain ki main phasta number ki mani hoon ya saikendav third number ki mani hoon।

¹¹Each of you can know yourself as to whether you are a jewel of the first number, the second number or the third number.

¹⁵first number ki visheshta kya hai usko jaante ho?

¹²Do you know what the speciality is of the first number jewel?

¹⁶first number hai mastak mani?

¹³The first number is the jewel on the forehead.

¹⁷us mastak mani ki do visheshtaayen hain।

¹⁴This jewel has two specialities.

¹⁸svayan ke svaroopon ki visheshtaayen to sahaj jaan sakte ho।

¹⁵You can easily know the specialities of your own form.

¹⁹ab sirf jaanna hi nahin hai balki yeh dekho ki un visheshtaaon ke swaroop kahaan tak bane ho?

¹⁶Now, you must not simply know them, but you have to see to what extent you have become the form of those specialities.

²⁰jinka jo swaroop hota hai unko varnan karna sahaj hota hai।

¹⁷Whatever is someone's form, he finds it easy to describe.

²¹‘‘main kaun hoon?

¹⁸Who am I?

²²kaisi hoon?

¹⁹What am I like?

²³woh bhi to varnan karna hai।

²⁰You also have to speak of this.

²⁴sirf do visheshtaayen poochh rahe hain।

²¹Baba is simply asking you of just two specialities.

²⁵hain to bahut lekin sirf do hi poochh rahe hain।

²²You have many specialities, but Baba is asking you of just two of these.

²⁶(bhinna-bhinna vichaar nikle) mastak mani ki do visheshtaayen ye hain - ek samaanta aur doosri sameepta।

²³(Many ideas were given.) ²⁴The two specialities of the jewel of the forehead are that firstly, it is equaland secondly, it is close.

²⁷baapdaada ke samaan।

²⁵Equal to BapDada.

²⁸ismen aap sabhi ki bataai hui baaten aa jaati hain।

²⁶All the things of which all of you have spoken are included in this.

²⁹baapdaada light aur might roop hain na?

²⁷BapDada is the form of light and might.

³⁰to baapasmaan arthaat light aur might swaroop ho hi gaye।

²⁸So, to be equal to the Father means to be the form of light and might.

³¹baap sarva shaktivaan hai to baap samaan sarvashaktiyaan sampanna ho hi gaye।

²⁹Babais the Almighty Authority, and so you have become complete with all the powers, the same as the Father.

³²baap sada siddhi swaroop hain arthaat siddhi ko praapta hain hi।

³⁰Baba isconstantly the embodiment of all success, that is, He always has total success.

³³aise baap-samaan mastak mani bhi sarvasiddhi roop hain।

³¹Such jewels of the forehead who areequal to the Father are also the embodiment of success.

³⁴jo baap ki mahima hai woh sarva mahima ke yogya arthaat sarvayogyataaon ka sampanna swaroop hain।

³²You are worthy of all the praise that belongs to the Father,that is, you are the complete embodiment of all the praise of the Father.

³⁵doosri baat sameepta।

³³Secondly, closeness.

³⁶baapdaada ke bhi sameep, lekin baapdaada ke saath hi sarva vishwa ki aatmaon ke sanskaar va svabhaav ke bhi sameep ho।

³⁴You are close toBapDada, but together with that, you are also close in the sanskars and nature of all the souls of the world.

³⁷kisi bhi prakaar ke sanskaar vaala ho lekin baapdaada ke sameep hone ke kaaran, parakhne ki power hone ke kaaran, chumbak ke samaan kitni bhi door vaali aatma ko baapdaada ke sameep laane vaale hain।

³⁵Becauseof being close to BapDada, because of having the power to discern, no matter what type of sanskars someone has, nomatter how far away they may be, you, like a magnet, are those who bring souls close to the Father.

³⁸baap ke gunon, baap ke karttavyon ke sameep laane vaale hain।

³⁶You are thosewho bring them close to the virtues and the task of the Father.

³⁹sameep arthaat chumbak swaroop hoga। ⁴⁰chumbak samaan aur chumbak ke sameep hone ke kaaran sarva-shaktiyon ke aadhaar se vishwa ke uddhaar karne ke nimitta bante hain।

³⁷To be close means to be the form of a magnet.Because of being like a magnet and close to the Magnet, on the basis of having all powers, you become theinstruments to uplift the whole world.

⁴¹to sameep aatmaayen vishwa ka aadhaar aur vishwa ka uddhaar karne vaali hain - woh mastakamni hain।

³⁸Close souls are the ones who are the support of the world and the ones whouplift the world; these are the jewels of the forehead.

⁴²aise mastak mani har sankalp mein,har karma mein,apne ko vishwa ka aadhaar aur uddhaarmoortta samajh kar har kadam uthaate hain arthaat abhi se hi woh taaj takhtansheen hote hain।

³⁹Such jewels of the forehead consider themselves to be an imageof upliftment and support for the world in every thought, every action and every step. ⁴⁰That is, at this time, they havethe crown and are seated on the throne.

⁴³bhavishya ka taaj aur takhta is taaj aur takhta ke aage kuchh bhi nahin hai।

⁴¹The crown and the throne of the future are nothing compared to the crownand throne of the present time.

⁴⁴aisi mahaan aatmaayen hi aise mahaan taaj aur takhta ke adhikaari hoti hain।

⁴²Only such great souls have a right to such an elevated crown and throne.

⁴⁵sada taaj aur takhtadhaari ban kar chalne vaali hoti hain।

⁴³They are theones who constantly move along whilst having the crown and the throne.

⁴⁶kabhi taaj utaar den,kabhi takhta chhod den aise nahin, har samay taaj aur takhtadhaari।

⁴⁴It is not that they sometimes take off theircrown or get off the throne. ⁴⁵They have the crown and throne at all times.

⁴⁷to taaj aur takhta ko jaante ho na? ⁴⁸vishwa ke mahaaraajan banne se bhi abhi ka taaj aur takhta sarvashreshtha hai।

⁴⁶So, do you know the crown and throne?The throne and crown of the present time are even more elevated than the crown and throne of when you become theworld emperor.

⁴⁹agar sangamayug ke raaja nahin bane to bhavishya ke bhi nahin ban sakte।

⁴⁷If you do not become the kings at the confluence age, you cannot become the kings in the future.

⁵⁰to aisa samjhen ki yeh sabhi mahaaraajaaon ki sabha lagi hui hai?

⁴⁸So,we should think that this is a gathering of great kings.

⁵¹bhavishya takhta par to nambarvaar ek baith sakega, vahaan ek ke bajaay do nahin baith sakte।

⁴⁹Only one would be able to sit on the throne of the future,numberwise; two will not be able to sit there instead of one.

⁵²yugal moortta to ek hi yugal ho gaya।

⁵⁰When it is the form of a couple, it is still only onecouple.

⁵³lekin sangam ka takhta itna bada hai jo jitne bhi chaahen baith sakte hain।

⁵¹However, the throne of the confluence age is so big that however many want to sit on the throne, they can allsit on it.

⁵⁴sthaan hai lekin sthiti chaahiye।

⁵²You have the place, but you need to have the stage.

⁵⁵bina sthiti ke takhta par sthaan nahin mil sakta।

⁵³Without having the stage, you cannot receive the placeon the throne.

⁵⁶to sabhi ne apna-apna sthaan le liya hai ki abhi booking kar rahe ho?

⁵⁴So, have all of you taken your place, or are you still booking it?

⁵⁷agar taajdhaari na honge to takhtansheen bhi nahin ban sakte।

⁵⁵If you do not have the crown, youcannot be seated on the throne.

⁵⁸is takhta ki condition bahut kadi hai।

⁵⁶There are very strong conditions attached to this throne.

⁵⁹hai bahut bada lekin takhta jitna bada hai usko utni condition bhi badi hai।

⁵⁷It is a huge throne, but theconditions are as large as the size of the throne.

⁶⁰main vishwa-kalyaankaari hoon। ⁶¹yeh jimmevaari ka taaj dhaaran kar liya hai?

⁵⁸I am a world benefactor: have you adopted this crown of responsibility?

⁶²har kaarya mein vishwa-kalyaankaari ban kaarya karte ho ya apne hi kalyaan mein lage hue ho?

⁵⁹Do you perform every task as a worldbenefactor or are you only bringing benefit to your own self?

⁶³jaise pravriti maarga vaale kehte hain - ham to apni pravriti mein hi lage hue hain vaise aap log bhi apne hi purooshaartha ki pravritti mein to nahin masta ho।

⁶⁰Just as people on the family life say that they areengaged in looking after their own family, in the same way, you are not just engaged in looking after the household ofyour effort, are you?

⁶⁴itna hi jama karte ho jo svayan ko khila sako va svayan ke liye bhi baap se aasheervaad ya ichchha rakhte ho।

⁶¹Are you accumulating enough to be able to feed yourself. ⁶²Do you still have desires and seekblessings from the Father?

⁶⁵madad karo,himmat do isi mein hi lage hue ho।

⁶³Are you still engaged in asking for courage and help?

⁶⁶jo abhi tak svayan ke prati lene mein va karne mein laga hua hai woh vishwa ko dene vaala daata kab banega?

⁶⁴When will those who are even nowengaged in receiving help just for the self become the bestowers who can give to the world?

⁶⁷kya ant mein?

⁶⁵Will they become this atthe end?

⁶⁸kya us samay high jump de sakenge?

⁶⁶Will you be able to take a high jump at that time? ⁶⁷No.

⁶⁹lekin nahin। ⁷⁰bahut samay ke sanskaar vaalon ko hi bahut samay ka raajyabhaagya praapta hoga।

⁶⁸Only those who have the sanskars for a long periodof time receive the fortune of the kingdom for a long period of time.

⁷¹yeh salogan sada yaad rakhna ki - ‘‘abhi nahin to kabhi nahin।

⁶⁹Always remember the slogan: If not now, thennever.

⁷²’’ aise nahin ant samay jab hoga tab kar lenge।

⁷⁰Do not think that you will do whatever you need to do at the end.

⁷³‘na jab na tab lekin ab।

⁷¹Not when, not then, but now!

⁷⁴’ to aise taaj va takhtadhaari banna hai।

⁷²You have tobecome the ones with such a crown and throne.

⁷⁵kaun-si takhtansheen?

⁷³Which throne?

⁷⁶takhtansheen to apne takhta ko jaante ho na?

⁷⁴You are seated on the throne, and so you know yourthrone, do you not?

⁷⁷baap ke dil-takhtansheen।

⁷⁵To be seated on Baba's heart­throne.

⁷⁸is dil-takhta ki yaadgaar nishaani dekhi hai?

⁷⁶Have you seen the memorial of this heart­throne?

⁷⁹dil hi takhta hai।

⁷⁷Theheart is the throne.

⁸⁰iski yaadgaar nishaani kaun-si hai?

⁷⁸What is the memorial of this?

⁸¹jahaan baithe ho vahi yaadgaar hai।

⁷⁹The place you are sitting in is the memorial.

⁸²dilvaala hai na।

⁸⁰There is the Dilwalatemple.

⁸³yeh dilvaala hi dil lene aur dene vaalon ka yaadgaar hai।

⁸¹Dilwala is the memorial of those who give and receive the heart.

⁸⁴dil-takhtansheen kaun ho sakta hai?

⁸²Who can be seated on the heart­throne?

⁸⁵jo dilaaraam ko dil dene vaala aur baap ka dil lene vaala hai।

⁸³Those who give their heart to the Comforter of Hearts and who claim theFather's heart.

⁸⁶sirf dena nahin, jis ko lena aur dena donon aata hai woh hai dil-takhtansheen।

⁸⁴You do not just have to give; those who know how to give and also how to win are able to be seatedon the heart­throne.

⁸⁷baap ka dil kaise lenge?

⁸⁵How will you win the Father's heart?

⁸⁸koi ki bhi dil kaise li jaati hai?

⁸⁶How can you win anyone's heart?

⁸⁹jo unke dil ka shreshtha sankalp ho, us sankalp ko poora karna arthaat dil lena।

⁸⁷Whatever is theelevated thought in someone's heart: to fulfil that thought means to win that one's heart.

⁹⁰to baap ka dil lena arthaat vishwa-kalyaankaari banna aur vishwa ke prati sarvashaktiyon ka daata banna।

⁸⁸To win the Father's heartmeans to become the world benefactors and bestow all powers to the whole world.

⁹¹phir lena bhi aata hai ya sirf dekar hi khush ho gaye?

⁸⁹Do you also know how to receive,or do you become happy just in giving?

⁹²dena sahaj hai va lena sahaj hai?

⁹⁰Is it easy to give or to receive?

⁹³kaunsa sasta sauda hai?

⁹¹Which is an easy bargain to make?

⁹⁴vaastav mein agar dena aata hai to lena automatically aa jaata hai।

⁹²In fact, ifyou know how to give, then you automatically know how to receive.

⁹⁵dil diya baapdaada ko, to jisko de diya uski dil ho gai na?

⁹³Once you have given your heart to BapDada,then it belongs to the one to whom you have given it.

⁹⁶jo cheej de dete hain to woh cheej kiski rehti hain-aapki ya jisko di unki?

⁹⁴To whom does something that is given away belong? ⁹⁵Does itbelong to you or to the one to whom you have given it?

⁹⁷de to di na?

⁹⁶You have given it, have you not?

⁹⁸phir vaapis bhi lete rehte ho।

⁹⁷Do you then take it backagain?

⁹⁹kuchh dil ka tukda rakhte rehte ho।

⁹⁸Do you still keep some pieces of your heart?

¹⁰⁰abhi tak bhi aisa hai kya?

⁹⁹Is it still like this?

¹⁰¹dil dene vaale kisi aur ko dil bech den,amaanat ko koi bech de,to woh achha nahin hota hai na। ¹⁰²to jab dil de di to dil ho gai dila-raam ki।

¹⁰⁰If someone who has already given the heartthen sells it to someone else, if someone sells something that has been given in trust to him, that is not good.

¹⁰³jo unke dil ka sankalp vahi aapke dil ka sankalp hoga ya pharka hoga?

¹⁰¹Onceyou have given the heart, it then belongs to the Comforter of Hearts.

¹⁰⁴dil lena kya hai? ¹⁰⁵jo baap ka sankalp woh apna sankalp। ¹⁰⁶jab dil hi unka ho gaya to sankalp bhi ek hi hoga, pharka nahin hoga।

¹⁰²Will the thought of your heart be the same as thethought of the other one's heart, or will there be a difference? ¹⁰³What does it mean to win someone's heart?

¹⁰⁷to dene vaale ko lena bhi aayega ya mushkil lagega?

¹⁰⁴Whateveris the Father's thought, that should be your thought.

¹⁰⁸agar mushkil lagta hai to iska arth hai ki dil hi nahin hai dil dene ki।

¹⁰⁵Since the heart belongs to Him, then the thought would be thesame; there would not be a difference.

¹⁰⁹apne paas koi tukda rakha hai। ¹¹⁰jara bhi tukda chhipa kar na rakhna।

¹⁰⁶Will those who know how to give their heart, know how to win, or will theyfind it difficult?

¹¹¹jisko dena va lena donon hi aaye woh hoshiyaar hua na।

¹⁰⁷If they find it difficult to give, it means they do not have a heart to give.

¹¹²is par ek kahaani bhi hai।

¹⁰⁸You have still kept a piecewith yourself.

¹¹³bahut prasiddha kahaani hai। ¹¹⁴apni kahaani bhool gayi hai?

¹⁰⁹Do not keep even a little piece secretly with yourself.

¹¹⁵jo apne dil ka tukda chhipa kar rakhte hain uski kahaani hai।

¹¹⁰Those who know how to give and also receiveare clever, are they not?

¹¹⁶satyanaaraayan ki katha hai jisko amoolya cheez samajh kar chhipaaya woh kakhpan ho gai।

¹¹¹There is a story about this. ¹¹²It is a very well­known story.

¹¹⁷yahaan bhi satya baap jo satyanaaraayan banaane vaala hai unse agar jara bhi dil ka tukda chhipa kar rakha to is jeevan ki naiya ka kya haal hoga।

¹¹³You have forgotten your ownstory. ¹¹⁴It is a story about those who secretly kept a piece of their heart hidden away. ¹¹⁵It is the story of the trueNarayan.

¹¹⁸kakhpan ho jaayega arthaat kuchh bhi praapti nahin hogi। ¹¹⁹haath khaali rah jaayega।

¹¹⁶That which was considered very valuable was hidden, and so that became as worthless as straws.

¹²⁰ek paise ki chori karne vaale ko bhi chor hi kahenge na? ¹²¹agar koi hajaar ki chori kare aur koi ek paise ki chori kare, kahenge to donon ko chor na?

¹¹⁷Herealso, if you hide even a little piece of your heart from the true Father who makes you into the true Narayan, then whatwould be the state of the boat of your life?

¹²²halka chor baar-baar chori karta hai,bada chor ek hi baar karta hai।

¹¹⁸It would become as worthless as straw, that is, you would have noattainment at all.

¹²³to isliye dil ko diya to diya।

¹¹⁹Your hands would remain empty.

¹²⁴aise dil dene vaale sada mastak mani ke samaan light house, might house hote hain। ¹²⁵yahaan sirf light house nahin banna hai, lekin saath-saath might house bhi banna hai।

¹²⁰Even if someone only steals one penny, he is still called a thief.If someone steals a thousand and another only steals a penny, both would still be called thieves.

¹²⁶aise ko hi mastak mani kaha jaata hai। ¹²⁷abhi bataao mastak mani ho? ¹²⁸jaise mastak smriti ka sthaan hai vaise mastak mani ki nishaani sada smriti swaroop ho।

¹²¹Someone who onlysteals little things steals again and again, whereas someone who steals a lot only steals once. ¹²²Therefore, once youhave given your heart, you have given it.

¹²⁹mastak mani bahut achha shrringaar hota hai। ¹³⁰agar mastak par mani chamvo to kitna achha shrringaar hoga?

¹²³Those who give their heart in this way are like the jewels of the forehead,constant lighthouses and might­houses.

¹³¹mastak mani sarvashreshtha shrringaar hai। ¹³²shrringaar ki taraph svatah hi sabhi ki drishti jaati hai।

¹²⁴Here, you must not just be a lighthouse, but together with that, you must alsobecome a might­house.

¹³³aise mastakamniyon ke oopar vishwa ke sarva aatmaon ki najar arthaat aakarshan svatah hi hoti hai। ¹³⁴aise mastakamni ho?

¹²⁵Only such souls are called the jewels of the forehead. ¹²⁶Now, tell Baba, are you the jewels of the forehead?

¹³⁵agar andhiyaare ke beech mani ko rakh do to kya dikhaai dega? ¹³⁶light dene ka bhi kaarya karegi। ¹³⁷to is vishwa ki andhiyaari raat mein chaaron or ke andhakaar ke beech aise mastakamni kya karttavya karengi?

¹²⁷Just as theforehead is the place of your consciousness, in the same way, the sign of being a jewel of the forehead is to be aconstant embodiment of remembrance. ¹²⁸The jewel of the forehead is a very good decoration.

¹³⁸maarga dikhaane ka, manzil par pahunchaane ka। ¹³⁹har ek ko lakshya tak pahunchaane ka।

¹²⁹If the jewel of theforehead is sparkling, it makes such a beautiful decoration.

¹⁴⁰to aise mastakamni ho,ya kabhi-kabhi khud hi bhatak jaate ho?

¹³⁰The jewel of the forehead is the most elevated decoration.

¹⁴¹jo svayan bhatka hai kya woh doosron ko manzil tak pahuncha sakega?

¹³¹Everyone's vision is automatically drawn towards the decoration.

¹⁴²aise mastak mani kabhi bhi vyartha sankalpon ke bhinna-bhinna prakaar ke anek chhoti-chhoti galiyon mein bhatkenge nahin।

¹³²The vision of all the souls of the world is drawn,that is, they are automatically attracted towards such jewels of the forehead.

¹⁴³yeh bhi anek prakaar ki galiyaan hai jismen jaane se manzil se bhatak jaate ho।

¹³³Are you such a jewel of the forehead?What would you be able to see if you kept a jewel in the dark?

¹⁴⁴to galiyon mein abhi ghoomte to nahin rehte ho?

¹³⁴It would also carry out the task of giving light.

¹⁴⁵jab ek baap ki mat aur ek hi lagan mein magna honge to kya ek ki mat par chalne vaale ek-ras nahin honge?

¹³⁵So,what task will the jewel of the forehead carry out in the dark night of the world, that is, amidst the darkness of all fourdirections?

¹⁴⁶agar ek-ras nahin hain to avashya ek mat mein doosri mat mix karte ho। ¹⁴⁷agar ek mat ho to ekras zaroor ho।

¹³⁶That of showing the path and making them reach their destination; to make each one attain his goal.

¹⁴⁸yeh puraane sanskaar bhi yadi mix karte ho to woh ek ki mat nahin।

¹³⁷Areyou such jewels of the forehead or do you sometimes stumble around?

¹⁴⁹yeh aatma ki mat,aatma ke apne karmon ke bane hue sanskaar hain,parmaatma gyaan dvaara bane hue sanskaar nahin।

¹³⁸Will those who themselves are stumbling beable to make others reach their destination?

¹⁵⁰to agar apne puraane sanskaar mix ho jaate hain to anek galiyon mein bhatak jaayenge,ekras nahin honge।

¹³⁹Such jewels of the forehead will never wander around in the alleys of themany types of wasteful thoughts.

¹⁵¹ek manzil par sada sthit nahin honge। ¹⁵²to bhatakna banda hona chaahiye,na ki abhi tak bhatakte rahenge।

¹⁴⁰There are also many types of alleys, and by going into these, you move away fromyour destination.

¹⁵³maaya ke bhinna-bhinna aakarshan mein bhatakna bhi poora hua।

¹⁴¹So, you are not still wandering in the alleys, are you?

¹⁵⁴ab phir yeh galiyaan kahaan se nikaali hai vyartha sankalpon ki? ¹⁵⁵apne hi svabhaav ki in galiyon mein bhatakna banda hona chaahiye।

¹⁴²When you follow the directions of the oneFather and are absorbed in the love of the one Father, then would those who only follow the directions of One nothave a constant stage?

¹⁵⁶jaise aap log seminar karte ho to ant mein prastaav paas karte ho na? ¹⁵⁷vaise yeh bhi prastaav paas karo ki bhatakna banda ho।

¹⁴³If you do not have a constant stage, then you are definitely mixing the directions of someoneelse with the directions of the One.

¹⁵⁸yeh bhi braahmanon ka seminar hai na। ¹⁵⁹mela arthaat seminar।

¹⁴⁴If you are only following the directions of the One, you would definitely have aconstant stage.

¹⁶⁰jaise seminar se bahut pvaaintas nikaalte ho aur paas karaane ka prayatna karte ho।

¹⁴⁵If you mix in your old sanskars, then this is also not following the directions of One.

¹⁶¹woh government to paas karti nahin lekin yeh paandav government paas kar lengi। ¹⁶²to aapas mein milkar yeh paas kar dikhaao।

¹⁴⁶Those are thedirections of the soul itself; they are the sanskars that the soul has created according to the actions it has performed;they are not the sanskars created by Godly knowledge.

¹⁶³sirf aise hi haath utha lena to sahaj hai। ¹⁶⁴is anguli se kuchh nahin hota।

¹⁴⁷So, when you mix in your old sanskars, you wander around inmany alleys and do not have a constant stage.

¹⁶⁵yeh hai dridh sankalp ki anguli।

¹⁴⁸You do not remain stable on the one destination.

¹⁶⁶jab tak yeh anguli nahin uthaayi tab tak paas nahin ho sakta। ¹⁶⁷samjha?

¹⁴⁹So your wanderingshould now have stopped; it should not be that you are still wandering.

¹⁶⁸aise ek second mein dridh sankalp roopi anguli dene vaale mahaaveer aur mahaaveerniyaan, sankalp aur karma mein samaan rahne vaali shreshtha aatmaon ho na?

¹⁵⁰Your wandering to the different attractions ofMaya has also now finished. ¹⁵¹So where have the alleys of wasteful thoughts emerged from? ¹⁵²You should now finishwandering around in the alleys of your own nature.

¹⁶⁹aise sada dil takhta nasheen aur vishwa kalyaankaari ke smriti roop,taajat- khtadhaari bachchon ko yaad-pyaar aur namaste। ¹⁷⁰is murli ka saar

¹⁵³Just as when you hold a seminar, at the end, you present aresolution, in the same way, you must now pass this resolution that your wandering should stop.

¹⁷¹mastak mani ki mukhya do visheshtaayen hai-’samaanta aur sameepta।

¹⁵⁴This is also aseminar of Brahmins. ¹⁵⁵A meeting means a seminar.

¹⁷²’samaanta arthaat baap samaan banna arthaat baap ki jo bhi yogyataayen hain woh hamaari bhi hon। ¹⁷³sameepta arthaat baapdaada ke sameep hona va vishwa ki aatmaon ke sanskaar va svabhaav ke sameep hona।

¹⁵⁶You extract many points in a seminar and try to have thempassed. ¹⁵⁷That Government does not pass that which this Pandav Government will pass, so all of you together shouldpass this. ¹⁵⁸To simply raise your hand just for the sake of it is easy.

¹⁷⁴sameep hona maana chumbak swaroop hona।

¹⁵⁹Nothing can happen with just that (physical)finger.

¹⁷⁵svayan ko taaj aur takhtadhaari banaakar chalna hai।

¹⁶⁰But this is the finger of determined thought.

¹⁷⁶aise nahin ki kab taaj utaar den, takhta chhod den।

¹⁶¹Unless you raise this finger, you cannot pass. ¹⁶²Do youunderstand?

¹⁷⁷vishwa ke mahaaraajan banne se pahle abhi ka taaj va takhta lena sarvashreshtha hai। ¹⁷⁸yadi sangamayug ke raaja nahin to bhavishya ke raaja bhi nahin ban sakte। ¹⁷⁹bhavishya takhta par to keval ek baith sakega lekin sangamayug par jitne bhi chaahe utne baith sakte hain।

¹⁶³To the mahavirs who give the finger of determined thought in one second; to the elevated souls who maintain equalityin their thoughts and actions; to those who are seated on the heart­throne and who are the embodiment of theawareness of being a world benefactor; to the children who have the crown and throne, love, remembrances andnamaste from BapDada. ¹⁶⁴* * * O M S H A N T I * * *