रविवार 8 जुलाई 1973 की अव्यक्त मुरली

⁰> ¹08-07-73 om shanti avyakt baapdaadaamdhuban

⁰> > 08/07/73 Avyakt BapDada Revised: 26/09/94

²samay ki pukaar

¹Where are all of you sitting?

³amar bhav ke vardaata, asvachchha se svachchha banaane vaale,sarvashaktivaan banaane vaale aur athak sevaadhaari banaane vaale shivbaaba bole:-

²Are all of you sitting in the mela? ³This is a mela in a practical way whereas the othersare melas as a memorial.

⁴aap sabhi kahaan baithe hain? ⁵kya sabhi mele mein baithe ho? ⁶yeh hai practical mela aur sabhi hain yaadgaar ke mele।

⁴Many melas are celebrated in many different places with many different names because ofthis mela of the sweet meeting.

⁷abhi ke is madhur milan ke mele se,anek sthaanon par aur anek naamon se mele manaate aate hain।

⁵A special meeting takes place in a mela. ⁶To have a mela means to have a meetingtake place.

⁸mele mein vishesh milan hota hai।

⁷Which mela does this meeting mean?

⁹mela arthaat milna। ¹⁰yeh milan arthaat mela kaun-sa hai? ¹¹is samay mukhya mela hai hi aatma roop se paramatma baap ke saath milne ka athva yoon kahen ki aatma aur paramatma ka mela hai।

⁸At this time, the main mela taking place is of the soul meeting theFather, that is, the soul with the Supreme Soul; not just in one relationship, but in all relationships.

¹²na sirf ek sambandh se,lekin sarva-sambandhon se, sarva sambandhi baap se milan ka mela hai athva sarva- praaptiyon ka yeh mela hai।

⁹To have arelationship with the Father in all relations means to have a mela where you have all attainments.

¹³ek second mein sarva-sambandhon se sarva-sambandhi baap se milan manaane se praapti svatah hi ho jaati hai aur anya mele to kharcha karne ke hote hain, lekin yeh mela sarva-praapti karne ka hai aur doosre mele mein agar kuchh praapti bhi karenge to kuchh dekar hi praapta karenge parantu yahaan dete kya ho?

¹⁰By celebrating ameeting with the Father in all relationships in one second, you automatically have all attainments, whereas in theother melas, you receive something by spending money. ¹¹This mela is for having all attainments whereas in the othermelas, if you have some attainment, that is only after giving something. ¹²However, what do you give here?

¹⁴jisko sambhaal nahin sakte ho, tum vahi dete ho na?

¹³You onlygive those things which you are not able to look after, do you not?

¹⁵koi yahaan achhi charja dete ho kya?

¹⁴Do you give anything good here?

¹⁶jin charjon ko aap sambhaal nahin sakte ho tum vahi to baap ko dete ho isse baap ko kya bana diya? ¹⁷sevaadhaari banaaya hai na?

¹⁵You only giveto the Father the things which you are not able to look after. ¹⁶And through doing this, what did you make the Father?You made Him into the Server, did you not?

¹⁸jaise ki apni charja ko sambhaalne ke liye koi servant ko rakha jaata hai।

¹⁷You normally keep a servant to look after your own things.

¹⁹baap ko dete bhi vahi ho jisko aap control nahin kar paate ho baaki baap ko aur kuchh diya hai kya?

¹⁸You onlygive the Father the things which you cannot control. ¹⁹Is there anything else which you have given to the Father?

²⁰kichad patti dekar agar padmon ki praapti ho jaay to usko dena kahenge ya lena?

²⁰Ifyou attain multimillions after only giving rubbish, then would you call that giving or receiving?

²¹use lena kahenge na?

²¹That would be calledreceiving, would it not?

²²to aur sabhi mele dene ke hote hain aur vahaan yadi dekar kuchh liya ho to woh kya badi baat hai।

²²All the other melas are for giving, and so, if you receive something after giving, then what isthe big deal?

²³lekin yeh mela sarva praapti lene ka mela hai।

²³However, this mela is for attaining all attainments.

²⁴jo chaaho aur jitna chaaho aap utni praapti kar sakte ho।

²⁴You can attain as much as you want of whateveryou want.

²⁵to aisa sarva-praaptiyon ka mela kabhi kahin dekha hai?

²⁵So, have you seen any such mela where you have all attainments?

²⁶aise mele par aap sabhi aaye huye ho, to mele mein ek hota hai milan aur doosra kya hota hai?

²⁶You have all come to such a mela now,and one thing in a mela is a meeting, and what is the other thing?

²⁷aur mele mein to maile bante hain aur yahaan kya bante ho?

²⁷In other melas, you become dirty, whereas what doyou become here?

²⁸-svachchha।

²⁸You become clean.

²⁹svachchha to ban gaye ho na ya aap abhi tak svachchha ban rahe ho?

²⁹You have become clean, have you not? ³⁰Or, are you even now still becomingclean?

³⁰svachchha banne ke baad kya hota hai?

³¹What happens after the cleaning?

³¹shrringaar hota hai aur tilak lagaaya jaata hai।

³²You are decorated and a tilak is applied.

³²abhi sada-smriti ka tilak svayan ko laga rahe ho aur divya gunon ke gahnon se apne aap ko saja rahe ho?

³³Now, are you applying the tilak ofconstant remembrance on yourself and decorating yourselves with the ornaments of the divine virtues?

³³to mele mein milna hua, aur manaana bhi hua।

³⁴So here, inthis mela, you meet and you also celebrate.

³⁴aur saath-saath mele mein khel-paal bhi hota hai।

³⁵Together with this, there are also fun and games in a mela.

³⁵mela aur khela saath-saath hi hote hain। ³⁶to ‘mela aur khela’ - yeh do shabd agar sada yaad rakho to aapki kaun-si stage ban jaayegi?

³⁶A fair (mela)and games (khela, khel) both take place together at the same time. ³⁷If you constantly remember the two words melaand khela, then what stage would you create?

³⁷yadi kabhi bhi sthiti dagmag hoti hai to uska kaaran hai ki mela arthaat milan usse buddhi ko kinaare kar dete ho; arthaat mele se nikal jaate ho aur use khel nahin samajhte ho।

³⁸If your stage ever fluctuates, the reason is that you keep your intellect aside from the mela, that is, from the meeting,that is, you move away from the mela and do not consider it to be a khel (game).

³⁸to mela aur khel yeh do shabd sada yaad rakho।

³⁹So, constantly remember the twowords: Mela and khel.

³⁹mele mein sabhi baaten aa jaati hain।

⁴⁰Everything is included in a mela.

⁴⁰jaise pahle sunaaya tha na ki milan kin-kin baaton ka hota hai?

⁴¹You were told previously, the things of which a meetingtakes place.

⁴¹mela shabd yaad aane se sanskaaron ka milan, baap aur bachchon ka milan aur sarva-sambandhon se sada praapti ka milan sabhi is mele mein aa jaate hain। ⁴²yeh srishti ek khel hai, yeh to mukhya baat hai। ⁴³lekin yeh maaya ki bhinna-bhinna pareekshaayen va paristhitiyaan jo aati hain yeh bhi aap logon ke liye ek khel hai।

⁴²When you remember the word mela, it means harmony of sanskars, the meeting of the Father with thechildren, and the meeting of all attainments through having all relationships with the Father; all are included in this.The main thing is that this world is a play. ⁴³However, the different tests and stages of Maya that come are also a gamefor you.

⁴⁴agar isko khel samjho to khel mein kabhi pareshaan nahin honge, hansate rahenge।

⁴⁴If you consider it to be a game, you would never be distressed by the game; you would constantly belaughing.

⁴⁵to pareekshaayen bhi ek khel hai।

⁴⁵And so, even the tests are a game.

⁴⁶teesri baat khel samajhne se jo bhi bhinna-bhinna variety sanskaaron ka part dekhte ho, un paartadhaariyon ka is behad ke khel mein yeh part arthaat khel noondha hua hai।

⁴⁶Thirdly, when you consider it to be a game, a part, then it is the play ofthe players that you see with their various sanskars and is fixed in this unlimited game.

⁴⁷yeh smriti mein aane se kabhi bhi avastha dagmag nahin hogi।

⁴⁷When you have thisawareness, your stage will never fluctuate.

⁴⁸sadaiv ek-ras avastha rahegi।

⁴⁸You will constantly have a constant stage.

⁴⁹jab smriti mein rahega ki yeh variety part drama arthaat khel hai to variety khel mein part na ho kabhi yeh ho sakta hai kya? ⁵⁰jab naam hi hai variety drama।

⁴⁹When you have the awarenessthat this is a variety part, that it is a variety part within the variety drama, a play, then, is it possible that there wouldnot be variety within the play, since it is called the variety drama?

⁵¹jaise had ke cinema mein bhinna-bhinna naam se bhinna-bhinna khel hote hain।

⁵⁰In the limited theatres, they have different playswith different names.

⁵²samjho naam hi hai-khooni naahak khel-phir usmein agar koi bhayaanak va dardanaak scene dekho to vichlit honge kya?

⁵¹For instance, if something is called unnecessary bloodshed without cause, and you see anyfearsome and painful scene, then would you be disturbed by it?

⁵³kyonki samajhte ho ki khel hi khooni naahak ka hai।

⁵²You would understand that the entire play is ofunnecessary bloodshed.

⁵⁴pahle se hi aisa samajhkar phir use dekhenge।

⁵³You would have this awareness before you see it.

⁵⁵vaise hi maanon koi ladaai, jhagde,krodhi ki storeez hain to usko dekhkar hansenge ya royenge?

⁵⁴In the same way, when there are stories offighting, battling or anger, then would you laugh or cry on seeing them?

⁵⁶zaroor hansenge na?

⁵⁵You would definitely laugh, would you not?

⁵⁷kyonki jaante ho ki yeh ek khel hai।

⁵⁶Because you know that that is a game.

⁵⁸aise hi is behad ke khel ka naam hi hai - variety drama arthaat khel।

⁵⁷In the same way, the name ofthis unlimited game is the variety drama or play.

⁵⁹to usmein variety sanskaar va variety svabhaav va variety paristhitiyaan dekhkar kabhi vichlit honge kya?

⁵⁸So, would you ever be disturbed on seeing the variety of sanskars,the variety of natures and the various situations?

⁶⁰ya use bhi saakshi ho ek-ras sthiti mein sthit ho dekhenge?

⁵⁹Or, would you be a detached observer and observe it with a constantstage?

⁶¹to agar yeh samjho va yaad rakho ki yeh ek variety khel hai to jo purooshaartha karne mein mushkil samajhte ho, kya woh sahaj nahin ho jaayega?

⁶⁰So, if you consider and remember it to be a variety play, then whatever effort you consider to be difficult tomake would not be difficult, would it?

⁶²yeh do shabd bhi bhool jaate ho, mele ko bhi aur khel ko bhi bhool jaate ho aur bhoolne se hi svayan ko pareshaan karte ho। ⁶³kyonki smriti arthaat saaksheepan ki seat chhod dete ho।

⁶¹When you forget these two words, the mela and the khel, you cause distress toyourself, because you let go of the seat of remembrance, that is, the seat of being a detached observer.

⁶⁴seat ko chhodkar agar koi drama dekhe to phir kya haal hoga uska?

⁶²What wouldbe the state of someone who watches a play after having let go of his seat?

⁶⁵to seat par sait hokar variety drama ki smriti rakhte hue, agar ek-ek paartadhaari ka har part dekho to sadaiv harshit rahenge।

⁶³So, having set yourself on the seat andhaving the awareness of the variety drama, if you observe every part of every actor, you would always remaincheerful.

⁶⁶mukh se vaah- vaah niklegi। ⁶⁷vaah! ⁶⁸meetha drama!

⁶⁴You would say "Wah! wah!" through your lips, and say: Wah! sweet drama!

⁶⁹yeh kya hua,kyon hua yeh nahin niklega balki vaah-vaah shabd mukh se niklenge arthaat sada khushi mein jhoomte rahenge।

⁶⁵You would not say, "Whathappened?" ⁶⁶"Why did this happen?", but instead, you would say, "Wah! wah!", that is, you would constantly dance inhappiness.

⁷⁰sada apne ko master sarvashaktivaan anubhav karenge।

⁶⁷You would constantly experience yourself to be a master almighty authority.

⁷¹kya aise svayan ko practical mein anubhav karte ho?

⁶⁸Do you experience yourselfto be this in a practical way?

⁷²mele se baahar nikal jaate ho to pareshaan ho jaate ho aur jab haath chhod dete hain to bhi pareshaan ho।

⁶⁹When you move away from the mela, you become distressed. ⁷⁰And when you let go ofthe hand, then also, you get distressed.

⁷³aise hi tum yahaan bhi baap ka haath chhod dete ho।

⁷¹In this way, you let go of the Father's hand.

⁷⁴‘haath chhod dena’ kya iska arth samajhte ho?

⁷²Do you understand the meaningof, "Letting go of the Father's hand"?

⁷⁵baap ka sthool haath to hai nahin।

⁷³The Father does not have any physical hands.

⁷⁶‘shreemat’ hai haath aur ‘buddhi-yog’hai saath।

⁷⁴Shrimat is the hand, and theyoga of the intellect is the company.

⁷⁷to mele mein jab haath aur saath donon hi chhod dete ho arthaat baap se kinaara kar dete ho tab bhi pareshaan hote ho।

⁷⁵So, when you let go of the hand and the company in the mela, that is, when youmove away from the Father, you get distressed.

⁷⁸haath aur saath agar na chhodo to sada khushi mein rahenge isliye ab sadaiv mela aur khela samajhkar hi apne part aur doosre ke part ko dekho।

⁷⁶If you did not let go of the hand and the company, you wouldconstantly remain in happiness. ⁷⁷Therefore, now constantly look at your own part and the part of others whilstconsidering this to be a mela and a khel (game).

⁷⁹yeh to sahaj baat hai aur common arthaat puraani baat hai।

⁷⁸This is an easy and common matter, that is, it is an old matter.

⁸⁰puraani baat ko nirantar banaaya hai ya kabhi-kabhi bhool jaate ho aur ya kabhi samay par yaad karte ho? ⁸¹yeh isliye batlaaya ki yadi woh do shabd bhi nirantar yaad rakho to nirantar khushi mein aur nirantar shakti swaroop mein rah sakte ho।

⁷⁹Haveyou made the old things constant or, at the time of need, do you sometimes forget this and sometimes remember it?You are told of this because, if you constantly remember the two words, you would constantly remain in happinessand be the embodiment of power.

⁸²abhi samay chhoti-chhoti baaton mein va saadhaaran sankalpon ke vighnon mein ganvaane ka nahin hai।

⁸⁰Now, the time is not for wasting in trivial matters or in the obstacles of ordinarythoughts.

⁸³abhi to master rachayita ban apne bhavishya ki praja aur bhakton donon ko apni praapta ki hui shaktiyon dvaara vardaan dene ka samay aa pahuncha hai।

⁸¹Now, the time has come for you to become master creators and give blessings to your future subjects andbhagats through the powers you have attained.

⁸⁴abhi dene ka samay hai, na ki svayan lene ka samay hai।

⁸²Now is the time to give, not the time for the self to be taking.

⁸⁵agar dene ke samay bhi koi lete rahe to denge kab?

⁸³If, atthe time of giving, you continue to take, then when would you give?

⁸⁶-kya satayug mein?

⁸⁴In satyug?

⁸⁷vahaan aavashyakta hogi kya? ⁸⁸to abhi hi apni rachna ko bharpoor karne ka samay hai।

⁸⁵Will there be a need for this there?So, now is the time to make your creation overflowing.

⁸⁹abhi apne prati samay ganvaana va apne prati sarva-shaktiyon ka prayog karna usi mein sarva shaktiyon ko samaapta kar dena arthaat jo kamaaya woh khaaya aisa karne ka abhi samay nahin hai।

⁸⁶Now is not the time for wasting all the powers on the self orfor experimenting with them on the self and thereby finishing them in this, that is, it is not the time to eat what youhave earnt.

⁹⁰pahle samay tha ki kamaaya aur khaaya।

⁸⁷At first, it was the time to eat what you had earnt.

⁹¹lekin abhi samay kaun-sa hai?

⁸⁸But what is the time for now?

⁹²jo jama kiya hai usko sarva-aatmaon ke prati dene ka samay hai।

⁸⁹It is now the time togive to all souls what you have accumulated.

⁹³nahin to aapki praja va bhakta in praaptiyon se vanchit rah jaayenge aur ve bhikhaari ke bhikhaari hi rah jaayenge। ⁹⁴to kya daata aur vardaata ke bachche, vardaata va daata nahin banenge?

⁹⁰Otherwise, your subjects and bhagats will be deprived of theseattainments, and they will remain as beggars. ⁹¹So, as the children of the Bestower and the Bestower of Blessings, willyou yourselves not become the bestowers and the bestowers of blessings?

⁹⁵jis samay sarva-aatmaaen aapke saamne bhikhaari ban lene aayengi to kya merciful baap ke bachche sarva aatmaon ke prati raham nahin karenge?

⁹²When all souls come to you in the form ofbeggars to receive something, will the children of the Merciful Father not have mercy for all souls?

⁹⁶kya us samay un par taras nahin aayega? ⁹⁷kya use tadapta hua dekh sakenge?

⁹³Will you not feelmercy for them, or will you be able to bear to see them distressed?

⁹⁸laukik roop mein bhi had ka rachayita apni rachna ko duhkhi va tadapta hua dekh nahin sakta।

⁹⁴In a lokik way also, a limited creator cannot bearto see his limited creation unhappy or distressed.

⁹⁹to abhi tum bhi master rachayita ho na? ¹⁰⁰athva yeh baap ka hi kaam hai ya aapka bhi kaam hai?

⁹⁵So, now, you are also master creators, that is, is this the task of justthe Father or is it also yours?

¹⁰¹jab aap log bhi sabhi master rachayita ho to master rachayita apni rachna ke duhkh ke vilaap va tadpan ko kabhi dekh nahin sakenge।

⁹⁶All of you are also master creators, and so a master creator cannot bear to see thesorrow of separation or the distress of his creation.

¹⁰²us samay unhein kuchh dena padega।

⁹⁷At that time, he has to give them something.

¹⁰³agar abhi se stock ikaththa nahin karenge aur jo kamaaya, use khaate aur khatma karte rahenge to unhein denge kya?

⁹⁸If you do notaccumulate a stock from the present time, but you continue to eat and finish what you have earnt, then what wouldyou give them?

¹⁰⁴ab apne potaamel ko dekhna hai।

⁹⁹You now have to look at your chart.

¹⁰⁵abhi ke samay pramaan master rachayita ko kaun-sa potaamel dekhna hai?

¹⁰⁰According to the present time, what register does a mastercreator need to look at?

¹⁰⁶kya-kya galti ki yeh to bachpan ka potaamel hai lekin master rachayita ko apna kaun-sa chart check karna hai?

¹⁰¹What mistakes you have made is the register of childhood. ¹⁰²However, what chart should amaster creator check now?

¹⁰⁷aap har shakti ko saamne rakhte huye yeh potaamel dekho ki aaj ke din sarva-shaktiyon mein se kaun-si shakti aur katni percentage mein shakti jama ki। ¹⁰⁸abhi jama ke khaate ka potaamel dekhna hai।

¹⁰³Whilst keeping every power in front of you, check your chart as to which power, out ofall the powers, you accumulated today and to what percentage: Now, check your chart in the account of accumulation.

¹⁰⁹kharche ko full stop dena hai।

¹⁰⁴You have to apply a full stop to the expenditure.

¹¹⁰abhi tak bhi apne prati kharcha karte rahenge kya?

¹⁰⁵Will you, even now, continue to spend for the self?

¹¹¹doosron ko dena-woh kharcha nahin।

¹⁰⁶To give to others is not expenditure.

¹¹²yeh to ek dena phir laakh paana hai।

¹⁰⁷This is like giving one and attaining a hundred thousand.

¹¹³woh kharche ke khaate mein nahin। ¹¹⁴woh jama ke khaate mein hua।

¹⁰⁸That is not counted inthe account of expenditure, but in the account of accumulation.

¹¹⁵jab apne vighnon ke prati shakti ka prayog karte ho woh hota hai kharcha।

¹⁰⁹When you use your powers for your own obstacles,that is expenditure.

¹¹⁶jab koi bhi vighna padta hai to unko samaapta karne mein jo samay kharcha karte ho ya jo gyaan dhan ko kharcha karte ho to itna sabhi kharcha abhi se bachaana pade।

¹¹⁰When an obstacle arises, the expenditure of time spent in finishing that obstacle and the wealth ofknowledge used to finish that has to be saved.

¹¹⁷jaise yeh government bhi aajkal bachat ki scheme banaati hai। ¹¹⁸to olmaaeeti government bhi ab sab bachchon ko order karti hai ki ab bachat ki scheme banaao।

¹¹¹Just as that Government creates a savings scheme, so too, theAlmighty Government is also now ordering all the children to create a savings scheme.

¹¹⁹kharche ko full stop lagaao।

¹¹²Apply a full stop to theexpenditure.

¹²⁰abhi to dete raho, abhi lene ka kuchh raha hai kya?

¹¹³At present, continue to give. ¹¹⁴Is anything still remaining in terms of receiving?

¹²¹agar raha hai to isse siddha hota hai ki baap ne poora varsa diya nahin hai।

¹¹⁵If it still remains, then itproves that you have not claimed the full inheritance from the Father.

¹²²lekin baap ne apne paas kuchh rakha hi nahin hai।

¹¹⁶However, the Father has not kept anything withHimself.

¹²³woh to ek second mein poora hi varsa de dete hain। ¹²⁴jo kuchh bhi lene ka rehta hi nahin।

¹¹⁷He will give you the full inheritance in one second, so that nothing remains to be received.

¹²⁵to abhi bachat karni aayegi, na ki kharcha karne ki aadat pad gai hai?

¹¹⁸So now, willyou know how to save or is it that you have developed the habit of spending?

¹²⁶bahut aise hote hain jisko jama karna aata hi nahin।

¹¹⁹There are many who do not know howto accumulate.

¹²⁷jama kar hi nahin sakte unhein aur hi kharcha karte-karte udhaar lene ki aadat pad jaati hai।

¹²⁰They are not able to accumulate, and, in fact, they develop the habit of spending more and incurringdebt.

¹²⁸yahaan bhi jab apni shakti kharcha kar dete ho tab kehte ho phalaani deedi,daadi va baapdaada kuchh de deven।

¹²¹Here, also, when you spend all your powers, you say that such­and­such a Didi or Dadi or BapDada should giveyou something.

¹²⁹udhaar le lete ho।

¹²²You take on credit.

¹³⁰pahle socho ki ham kiske bachche hain?

¹²³First of all, think whose children you are.

¹³¹akhut khazaane ke maalik ke baalak hain। ¹³²nasha hain na?

¹²⁴You are the children of the Master ofthe unlimited treasures.

¹³³jab akhut khajaane ke baalik so maalik ho aur aise phir doosron se shakti ka udhaar leve unko kya kaha jaaye-bahut samajhdaar?

¹²⁵Do you have this intoxication? ¹²⁶When you are the masters and so the children of unlimitedtreasures, and you then take the powers on credit from others, what would you be called?

¹³⁴aise bahut samajhdaar to kabhi nahin bante ho na?

¹²⁷Very sensible? ¹²⁸You do notbecome so over­clever, do you?

¹³⁵kya bachat karne ki yuktiyaan athva bachat ki scheme jaante ho?

¹²⁹Do you know the yuktis for saving in the savings scheme?

¹³⁶bachat karne ka bhi sabhi se sahaj aur shreshtha tareeka kaun-sa hai, jisse ki sarva shaktiyon ki bachat kar sako?

¹³⁰What is the easiest andthe most elevated method for saving through which you are able to save all powers? ¹³¹How will you create yourbudget?

¹³⁷budget bhi kaise banaavenge? ¹³⁸pahle banaavenge tab to check karenge na?

¹³²Only when you first make a budget will you then be able to check it.

¹³⁹kaise banaaven ki jisse automatically jama ho?

¹³³How can you create it so that you canautomatically accumulate?

¹⁴⁰budget banaana arthaat apni buddhi ka, vaani ka aur phir karma ka,sabhi ka apna har samay ka programme fix karo।

¹³⁴To create a budget means to fix a programme for every moment for your intellect, foryour words and for your actions.

¹⁴¹jaise budget banaate hain to usmein fix karte hain na ki itna kharcha is par karenge। ¹⁴²us phikseshan ke anusaar hi phir kharche ko chalaate hain।

¹³⁵When you create a budget, you arrange it so that you only spend a certain amount ofit, and then your expenditure is created according to that.

¹⁴³tab budget pramaan kaarya saphal ho sakta hai।

¹³⁶Only then is your task accomplished successfully accordingto the budget.

¹⁴⁴to budget banaana arthaat amritvele uthkar roz apni buddhi ke plan ka, vaani dvaara kya-kya karna hai aur karma dvaara kya-kya karna hai, un sabhi ko fix karo।

¹³⁷So, to create a budget means to awaken at amrit vela and to arrange a plan for your intellect and forwhat you have to do through words and for what you have to do through actions.

¹⁴⁵arthaat apne teenon prakaar ki roz ki diary banaao।

¹³⁸That is, you have to create a diaryfor all three for every day.

¹⁴⁶to roz diary banaane se jo buddhi ke prati karttavya fix kiya hai woh phir check karna pade ki jaise mainne budget banaaya kya usi pramaan kaarya kiya? ¹⁴⁷ya budget ek aur plan doosra to nahin?

¹³⁹After making a diary for every day, you then have to check as to whether you performedyour tasks according to whatever you arranged for the intellect. ¹⁴⁰Or, is it that the budget is one thing and the plan issomething else?

¹⁴⁸to apni sarva- shaktiyon ko jama karne ki sahaj yukti yahi hai ki roz apna plan banaao mansa, vaacha aur karmana ka।

¹⁴¹So, the easy yukti to accumulate all your powers is to create a plan for your thoughts, words andactions for every day.

¹⁴⁹buddhi ko saare din mein kis karttavya mein busy rakhna hai, yadi woh bhi amritvele fix karo to phir sabhi vyartha khatma ho jaayega।

¹⁴²If, at amrit vela, you fix what the intellect has to remain busy in throughout the day, then allwastage would be finished.

¹⁵⁰vyartha khatma kiya to samartha ban jaayenge।

¹⁴³If you finish the wastage, then it becomes something powerful.

¹⁵¹vyartha ko samaapta karne ke liye planning buddhi bano।

¹⁴⁴In order to finish thewasteful, make your intellect a planning intellect.

¹⁵²planning buddhi banne se hi apni sarva shaktiyon ko jama kar sakenge। ¹⁵³kyonki jo bhi shaktiyaan kharcha karte ho woh sabhi vyartha kharcha karte ho।

¹⁴⁵Only by making your intellect a planning intellect will you be ableto accumulate powers, because otherwise, all the powers that you use are spent wastefully.

¹⁵⁴agar vyartha ka khaata hi samaapta ho jaayega to bachat automatically ho jaayegi।

¹⁴⁶If the account of wastageis finished, you would automatically be able to save.

¹⁵⁵vyartha ko samaapta karne ke liye daily diary banaao।

¹⁴⁷In order to finish the wastage, write your daily diary.

¹⁵⁶is reeti apne samay ko bhi fix karo ki aaj ke din buddhi mein vishesh kaun-sa sankalp rakhenge ya aaj vaani dvaara kya karttavya karenge?

¹⁴⁸In thisway, fix your time as to what special thoughts you are to have in your intellect for the day and what you willaccomplish through your words for that day.

¹⁵⁷woh fix hone se saadhaaran va vyartha bol,jo energy ko vesta karti ho woh sab bach jaayegi।

¹⁴⁹By fixing this, your energy that is wasted by ordinary and wastefulwords will be saved.

¹⁵⁸jo vesta nahin karte woh baista ban jaate hain।

¹⁵⁰Whatever you do not waste becomes the best.

¹⁵⁹vesta karne vaale kabhi baista nahin ban sakte।

¹⁵¹Those who waste anything can never become thebest.

¹⁶⁰sabhi baaton ko dekho aur apni bachat ki scheme ko badhaao।

¹⁵²Look at everything and increase your savings scheme.

¹⁶¹tab hi master rachayita ban sakenge। ¹⁶²abhi master rachayita ban kar rachna ki paalna karne ki saamarthya nahin aai hai।

¹⁵³Only then will you be able to become master creators.At present, you do not have the power to become a master creator and to create a creation.

¹⁶³master rachayita nahin banenge to kya banna padega?

¹⁵⁴If you cannot become amaster creator, what would you have to become?

¹⁶⁴agar kisi ko sambhaalna nahin aata hai to kisi ke sambhaalne mein chalna pade na।

¹⁵⁵If you do not know how to look after anyone, you would have to belooked after, would you not?

¹⁶⁵to master rachayita ke badle rachna banna pade।

¹⁵⁶So, instead of being a master creator, you would have to become the creation.

¹⁶⁶banna to master rachayita hai na?

¹⁵⁷So, youhave to become a master creator, do you not?

¹⁶⁷sirf do shabd jo suna-’mela aur khela’। ¹⁶⁸sadaiv in ko smriti mein rakho to bhi bachat ki scheme ho jaayegi।

¹⁵⁸Simply keep the two words you were told, "Mela and khel" in yourawareness at all times, and you will be able to create a savings scheme.

¹⁶⁹vyartha sankalp, vyartha samay aur vyartha shakti jo kharcha kar dete ho woh bach jaayegi।

¹⁵⁹Then, you will save the thoughts, time andpower that you use wastefully.

¹⁷⁰iske liye sirf apna niyam majboot rakho।

¹⁶⁰For this, simply keep your discipline firm.

¹⁷¹sochte ho ki yeh karenge lekin niymit roop se niyam banaate nahin ho।

¹⁶¹You think that you will do something, butyou do not keep that discipline as a daily discipline.

¹⁷²ek maas josh mein rehte ho aur baad mein phir maaya ka aana shuru ho jaata hai athva maaya behosh karne ka kaam shuru kar deti hai।

¹⁶²It remains in force for one month and then Maya begins to come, that is, Maya begins her task of making youunconscious.

¹⁷³isliye kya karna pade?

¹⁶³So, what do you have to do for this?

¹⁷⁴jaise dekho jab koi hosh mein nahin aata, uske liye injection pichhaadi injection lagaate rehte hain ya jab koi operation karte hain to usko dekh kar feeling na aaye, isliye bhi injection lagaate rehte hain।

¹⁶⁴When you see that someone is not gaining consciousness, you give him injection after injection. ¹⁶⁵Or, when anoperation is being performed, then, so that the patient does not feel anything, an injection is given.

¹⁷⁵to jis samay anubhav karte ho ki ab josh behosh ke roop mein ja raha hai arthaat maaya ka josh shuru hai to kaun-sa injection lagaavenge?

¹⁶⁶When you feelthat your force is going towards making you unconscious, that is, when you feel the force of Maya beginning, whatinjection will you give then?

¹⁷⁶attention aur chaiking to hai hi।

¹⁶⁷You have attention and checking anyway.

¹⁷⁷lekin uske saath-saath amrit vele power house se full power lene ka jo niyam hai usko baar-baar check karo।

¹⁶⁸However, together with that, check thediscipline of taking full power from the Power­house at amrit vela every day.

¹⁷⁸yahi badi se badi injection hai।

¹⁶⁹This is the strongest injection of all.

¹⁷⁹amrit vele baap se connection jod liya to saara din maaya ki behoshi se bache rahenge।

¹⁷⁰Ifyou make the connection with the Father at amrit vela, then you would be saved from being made unconscious byMaya for the whole day.

¹⁸⁰is injection ki hi kami hai।

¹⁷¹This injection is missing.

¹⁸¹connection theek hona chaahiye।

¹⁷²There should be a good connection.

¹⁸²aise nahin ki sirf uthkar baith jaana hai।

¹⁷³It should not be that you justwake up and sit there.

¹⁸³uth kar to baith gaye, yeh to niyam ka paalan kiya lekin kya connection theek hai arthaat praaptiyon ka anubhav hota hai?

¹⁷⁴Of course, you observe the discipline of waking up and sitting there, but is your connectiongood, that is, do you experience having all attainments?

¹⁸⁴agar injection lagaaven lekin shakti ka anubhav na ho to samjhenge injection ne poora kaam nahin kiya।

¹⁷⁵If you take an injection but do not experience any power,then understand that the injection has not fully accomplished its task.

¹⁸⁵isi prakaar amrit vele ka connection arthaat sarva powers ka aur sarva praaptiyon ka anubhav hona,yeh bade se bada injection hai।

¹⁷⁶In this way, the connection of amrit vela meansto experience all powers and all attainments. ¹⁷⁷This is the strongest injection of all. ¹⁷⁸First of all, check if the beginning of amrit vela is good.

¹⁸⁶pahle yeh check karo ki - amrit vela aadikaal se theek hai?

¹⁷⁹If the beginning is not good, then the middle and the end willnot be good either.

¹⁸⁷agar aadikaal theek na hoga to madhya aur ant bhi theek na hoga। ¹⁸⁸aadikaal mein anubhav karne ka abhyaas nahin hai to srishti ke aadi athva aadi kaal mein sarva sukhon ka anubhav nahin kar sakega।

¹⁸⁰If you do not have the practice of experiencing anything from the beginning, then you would notbe able to experience the beginning of the world, which is all the happiness of the beginning of the world cycle.

¹⁸⁹jaise saare din ka yeh aadi kaal hai,us aadi kaal ko agar chhod kuchh samay ke baad va kuchh ghanton ke baad jaagte va baithte ho va connection jodte ho to jitna yahaan let, utna vahaan let।

¹⁸¹Thisis the beginning of the whole day, and so, if you let go of this beginning, and you then awaken and sit down or forge aconnection after some time or after a few hours, then to the extent that you are late here, so accordingly, you would belate there.

¹⁹⁰kyonki baapdaada se bachchon ke milan ka, apointamenta ka samay jo hai usmein pahla chance bachchon ka hai।

¹⁸²Because, the first chance of appointment time for meeting BapDada is given to the children.

¹⁹¹phir hai bhakton ka time।

¹⁸³Then, it is thetime for the bhagats.

¹⁹²agar bhakton ke time mein bhi connection joda to bachchon jaisa vardaan nahin pa sakenge।

¹⁸⁴If you forge a connection at the time for the bhagats, then you cannot receive the blessings thatthe children receive.

¹⁹³isliye is kaal ka us kaal se connection hai।

¹⁸⁵This is why this time has a connection with that time.

¹⁹⁴sabhi se bada budget ka pahla-pahla aaitam (Item) to yeh raha। ¹⁹⁵amrit vele arthaat aadi kaal।

¹⁸⁶The most important and first item on thebudget is this: amrit vela, that is, the beginning.

¹⁹⁶us samay apne ko check karo ki ham aadikaal mein aane vaale hain ya kuchh janma peechhe aane vaale hain?

¹⁸⁷At that time, check whether you are going to come in the beginningor after a few births.

¹⁹⁷yahaan ke ghante vahaan ke janma।

¹⁸⁸The hours here are equivalent to the births there.

¹⁹⁸jitne yahaan ghante kam utne vahaan janma kam ho jaayenge।

¹⁸⁹To the extent that you miss the hours here, soyou will miss that many births there.

¹⁹⁹kamjori isi ki hai।

¹⁹⁰This is what there is a weakness in.

²⁰⁰baith to jaate hain sabhi।

¹⁹¹Of course, everyone sits there.

²⁰¹us samay ki scene dekho to bada maza aayega। ²⁰²us samay ka drishya aisa hota hai jaise ki jaypur mein ek hi hathayogiyon ka museum hai।

¹⁹²If you wereto see the scene of that moment, you would enjoy yourself a great deal. ¹⁹³The scene at that time is such that it seemslike the museum of the hatha yogis in Jaipur.

²⁰³bhinna-bhinna prakaar ke hathayog dikhaaye hue hain।

¹⁹⁴Many different types of hatha yoga are shown.

²⁰⁴to amrit vele bhi us samay ki scene aisi hoti hai,koi hath se neend ko control karte to koi mazboori se time paas karte aur koi ulte latke hue hote hain। ²⁰⁵arthaat jis kaarya ke liye baithte hain woh unse nahin hota।

¹⁹⁵The scene of amrit velais such that some try to control their sleep with force and others pass their time in desperation and some are hangingupside down, that is, they are not able to carry out the task for which they are sitting there.

²⁰⁶jaise un hathayogiyon ko dikhaate hain ki koi ek taang par, koi ulte aur koi kaise hote hain।

¹⁹⁶Those hatha yogis areshown standing on one leg, some are hanging upside down and some are in different postures.

²⁰⁷yahaan bhi us samay ka drishya aisa hota hai।

¹⁹⁷Here also, the scene atthat time is like this.

²⁰⁸koi ek second to achha vyateet karte hain, phir doosra second dekho to ek taang par thaharte-thaharte to doosri taang,phir gir jaati।

¹⁹⁸Some pass one second very well, then if you look at them the next second, they are standing onone foot and then the other foot falls.

²⁰⁹sochte hain aaj ke din kuchh jama karenge parantu hota nahin hai।

¹⁹⁹They think that they will accumulate something today, but they are not able todo this.

²¹⁰woh scene bhi dekhne ki hoti hai।

²⁰⁰This scene is worth seeing.

²¹¹koi phir sote-sote bhi yog karte hain।

²⁰¹Some even have yoga whilst sleeping.

²¹²jaise woh hath karte hain,kaanton par sote hain। ²¹³yahaan shesh saiya (shaiya) par hote।

²⁰²Just as those people sleep on thorns withforce, here, they sleep on a bed of snakes.

²¹⁴yahaan ke us samay ka pose bhi wonder-full hota hai।

²⁰³The posture here of this time is also very wonderful.

²¹⁵isliye sunaaya ki amrit vele ke mahatva ko jaanne aur unhein jaankar jeevan mein laane se mahaan ban sakte ho।

²⁰⁴This is why you weretold that by knowing the importance of amrit vela and by putting it into your practical life, you can become great.

²¹⁶agar amritvele apna plan nahin banaavenge to practical mein kya laayenge?

²⁰⁵Ifyou do not create your plans at amrit vela, what would you put into the practical form?

²¹⁷koi laukik kaarya bhi tab saphal hota hai jab poora plan banaate hain।

²⁰⁶A lokik task is also only accomplished properly when you have a proper plan.

²¹⁸agar plan nahin banaate to saphalta nahin ho sakti।

²⁰⁷If you do not create a plan, you cannotbe successful.

²¹⁹is prakaar amrit vele apna plan fix nahin karte ho to man, vaani athva karma dvaara jo saphalta honi chaahiye woh nahin kar paate ho।

²⁰⁸If you do not fix your plan in this way at amrit vela, you are not able to attain the success that youshould from your thoughts, words and actions.

²²⁰abhi is mahatva ko jaankar mahaan bano।

²⁰⁹Now understand the importance of this and become great.

²²¹abhi to spashta sunaaya na ki ab baaki kya purooshaartha rah gaya hai।

²¹⁰Now you have clearly been told what effort still remains to be made.

²²²amrit vele ka theek karenge to sabhi theek ho jaayega।

²¹¹By making your amrit vela all right, everythingelse will become good.

²²³jaise amrit peene se amar ban jaate hain। ²²⁴to amrit vele ko saphal karne se amar bhav ka vardaan mil jaata hai।

²¹²Just as you become immortal by drinking nectar, so too, by making amrit vela successful, youwill receive the blessing of becoming immortal.

²²⁵phir saara din koi bhi vighnon mein murjhaayenge nahin।

²¹³Then, throughout the day, you will not be confused by any obstacles.

²²⁶sada harshit rahne mein aur sada shaktishaali banne mein amar rahenge।

²¹⁴You will be immortal in constantly remaining cheerful and constantly powerful.

²²⁷amritvele jo amarbhav ka vardaan milta hai woh agar na lenge to phir mehnat bahut karni padegi।

²¹⁵If you do not take the blessing thatyou receive at amrit vela of becoming immortal, then you have to labour very hard.

²²⁸mehnat aur kharcha donon karte ho।

²¹⁶You then have to labour hard andincur expenditure.

²²⁹nahin to amar bhav ke vardaanon se mehnat aur kharcha donon se chhoot jaayenge।

²¹⁷Otherwise, by taking the blessing of being immortal, you can be saved from labouring and also the expenditure.

²³⁰achha!

²¹⁸Achcha.

²³¹aise sada baap ke saath rahne vaale va sada har sankalp, har sankalp mein milan manaane vaale, ek sankalp va ek second bhi mele se alag nahin hone vaale, sadaiv saakshi aur smriti ki seat par sait ho har scene dekhne vaale khilaadi va dekhne vaale teevra purushaarthi,ek second mein sankalp aur swaroop banne vaale arthaat jo sankalp kiya aur woh swaroop bane। ²³²aise teevra purushaarthi amar bhav ke vardaani bachchon ko baapdaada ki yaad-pyaar aur namaste।

²¹⁹To such souls who stay with the Father and those who celebrate a meeting through their every thought at every second; to those who are not separated by even one thought for even one second; to the players and the intense effort­makers who constantly observe every scene whilst being set on their seat of remembrance; as detached observers; to those who become the embodiment within one second with one thought, that is, the moment they have the thought,t hey become the embodiment, to such intense effort­making souls who have received the blessing of being immortal, BapDada's love, remembrances and namaste.

²³³achha, omshaanti। ²³⁴murli ka saar ²³⁵1. mela aur khela sada yaad rakho to sthiti dagmag nahin hogi।

²²⁰Blessing: May you be those who experience being the practical embodiment of soul consciousness, that is, whilst going into the expansion, may you remain stabilised in the essence­full form.

²³⁶2. seat ko chhod kar agar koi drama dekhe to kya haal hoga?

²²¹Where there is the practical, visible form, there is no need for visions.

²³⁷to seat par sait hokar variety drama ki smriti rakhte hue agar ek-ek paartadhaari ka har part dekho to sadaiv harshit rahenge, mukh se vaah-vaah hi niklegi।

²²²Those children who have the blessing of practically experiencing the practical form of soul consciousness say, with authority and faith, that they have seen the soul and experienced it. ²²³Whilst walking and moving around, they experience the form of light.

²³⁸3. master rachayita ko apna kaun-sa part check karna hai ki aaj ke din sarvashaktiyon mein se kaun-si shakti aur kitni percentage mein shakti jama ki hai?

²²⁴For this, you have to practise stabilising yourself in the form of the essence. ²²⁵In service, whilst going into the expansion, do not forget the experience of the seed, the essence.

²³⁹abhi jama karne ke khaate ko dekhna hai। ²⁴⁰4. vesta karne vaale kabhi best nahin ban sakte।

²²⁶Slogan: To finish any name or mention of sorrow and peacelessness is to be a conqueror of attachment. ²²⁷* * * O M S H A N T I * * *