शुक्रवार 5 सितंबर 1975 की अव्यक्त मुरली

⁰> > 30/10/95 Om Shanti Avyakt BapDada Madhuban 05/09/75

¹The stage of an angel

²Do you constantly remain stable in the angelic stage?

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³Within the light of the angelic stage, other souls are also able tosee the light. ⁴When the performance of limited actors is seen, then because of the lighting, they appear to be verybeautiful. ⁵What would it look like if those same actors played their parts in their ordinary lives under ordinary light?There would be the difference of day and night. ⁶The focus of the lighting completely transforms their features.

¹05-09-75 ōm śhānti avyakt bāpadādāmadhuban

⁷In thesame way, by performing every act whilst within the light of the avyakt stage, what would all of you heroes andheroines of this unlimited drama look like? ⁸Alokik angels. ⁹Instead of corporeal beings, you would be seen asresidents of the subtle region. ¹⁰Even whilst being corporeal, you would be experienced as angelic beings.

²Phariśhtā svarūp mē̃ sthiti

¹¹Each actwould automatically attract others. ¹²Nowadays, the main attraction for iron­aged people is the limited cinema or drama, and, even though they wish tostop this and not watch the film, the acting of those limited actors pulls them. ¹³The basis of that is light. ¹⁴In the sameway, at the end, after the extreme attraction of Maya, when the finale is reached, the unlimited hero actors who areconstantly stable in the zero­stage and performing their part with the Zero­Father, those who have a divine form oflight, those whose stage is light and whose every act is performed on the stage in the light, that is, those who aredouble­light angels; such souls will naturally attract other souls towards themselves.

³Pharśavāsī manuṣhya sē arśavāsī phariśhtā banānē vālē , sadā light rūp , pramukh hero part-dhārī , zero śhiv bābā nē phariśhtā bannē K|kē puruṣhārthī bachchō̃ K|kē sammukh yah madhur mahāvākya uchchārē -

¹⁵In today's world, apart fromdramas, what else attracts people in the same way as the eyes of angels? ¹⁶T.V. ¹⁷Many are attracted to watch thevarious scenes of the world on T.V., that is, they come into the stage of descent through it. ¹⁸In the same way, the eyesof angels will work like a divine T.V.

⁴Phariśhtē svarūp key|kī sthiti mē̃ sadā sthit rahtē hō  ?

¹⁹Similarly, the sparkling jewel on the forehead of angels will give other souls avision of their form of a lighthouse and might­house and clearly show them the path to their elevated destination. ²⁰Inthe same way, the yuktiyukt words of angels, that is, the invaluable words of angels will fill the aprons of everybeggar soul with jewels. ²¹There is the memorial that even the deities were so content with the devotees that theyshowered flowers on them. ²²Just like that shower of flowers, you elevated souls will shower all the powers, all thevirtues and all blessings on all souls of the world.

⁵Phariśhtē svarūp key|kī light mē̃ anya ātmāō̃ kō bhī light hī dikhāī dēgī .

²³Only through this will everyone consider you to be the deities, thebestowers whom the devotees have been worshipping and praising from the copper age onwards. ²⁴At the end, allsouls, but especially the residents of Bharat, whose number grows by the end of the deity religion, souls who do nottake sustenance from your deity form in the golden age, but later, from the time when this religion expands till theend, will experience your deity form, your form of a bestower and your form of a bestower of blessings. ²⁵The sanskarsof attainment and the awareness of your final form of deities, bestowers, remain within all souls. ²⁶Because of this,even though they do not actually go into the golden­aged world, as soon as they come onto the world stage in thecopper age, the awareness of the attainment they received from the deity form reveals itself, and so they continue toworship and praise those deities.

⁶Had K|kē actors jab had K|kē andar apnē act kartē dikhāī dētē haĩ , tō light K|kē kāraṇ ati sundar svarūp dikhāī dētē haĩ .

²⁷Do you now understand your final angelic form? ²⁸Would such unlimited actors not automatically attract others towards themselves? ²⁹This double­light stage will revealall of you and the Father. ³⁰Both Zero and heroes will be revealed.

⁷Vahī actor , sādhāraṇ jīvan mē̃ , sādhāraṇ light K|kē andar part bajātē huē kaisē dikhāī dētē haĩ  ?

³¹Do you understand? ³²(The lights went out as Babawas speaking.) ³³Just see, even now, so much happens through electricity. ³⁴Even now, the foundation of that whichattracts all of you the most is light.

³⁵Achcha.

⁸Rāt-din kā antar dikhāī dētā hai nā  ?

³⁶To such souls who constantly play the hero part with the Zero; to those who constantly have the deity form of abestower; to those who reveal themselves and the Father to the world; to those who fulfil the desires of all souls of theworld; to such angels, love, remembrance and namaste from BapDada who live in the world of angels and beyond theworld of angels. ³⁷* * * * * ³⁸Personal Group Meeting with BapDada. ³⁹Do all of you carry out your tasks whilst stabilised in a yogyukt and yuktiyukt stage?

⁹Light kā focus unkē features kō hī parivartit kar dētā hai .

⁴⁰Because, according to thepresent time, your thoughts, words and deeds, all three, should be very yuktiyukt. ⁴¹Only then will you be able tobecome complete and perfect. ⁴²The atmosphere all around should be very yogyukt and yuktiyukt. ⁴³When soldiers on abattlefield are standing in front of their enemy, they pay so much attention to themselves and their weapons, that is, totheir powers.

¹⁰Aisē hī bēhad drama K|kē āp hero heroine actors , avyakt sthiti key|kī light K|kē andar her|har act karnē sē kyā dikhāī dēgē  ?

⁴⁴Now the time is coming close, and so consider this to be the time to come onto the battlefield. ⁴⁵At sucha time, you need to pay attention to yourself to have all the powers within you at all times.

¹¹Alaukik-phariśtē  !

⁴⁶If there is even a little lessattention, then, just as tension is increasing according to the time, in the same way, there will also be an influence ofthe atmosphere of tension on the spiritual Pandav army engaged in battle. ⁴⁷Day by day, as the time for perfectioncomes closer, the tension in the world will increase even more; it will not decrease. ⁴⁸One will experience life as beingpulled in all directions. ⁴⁹On one side, there will be the damage and tension of the calamities of nature; on the secondside, there will be tension of the strict laws of the Government; on the third side, there will be tension of somethinglacking in relationships and on the fourth side, the feeling of happiness because of love and freedom you have withlokik relatives will also finish and there will be tension because of experiencing fear.

¹²Sākārī key|kī bajāy sūkṣhma vatanvāsī najar āyēṅgē .

⁵⁰All four types of tension willincrease in people. ⁵¹Souls will cry out and be very desperate with all types of tension. ⁵²There will be tension whereverthey go.

¹³Sākārī hōtē huē bhī ākārī anubhav hōṅgē .

⁵³In the physical body also, when any muscle is pulled, it causes so much distress that the head feels pulledand under pressure. ⁵⁴In the same way, this atmosphere will also increase. ⁵⁵Because of no destination being visible, thefeeling will be of not knowing what to do. ⁵⁶If they say yes, there is a pull and if they say no, there is still a pull.

¹⁴Her|har act harēk kō svataḥhī ākarṣhit karnē vālā hōgā .

⁵⁷Therewill be difficulties when they are earning and difficulties when are not earning; difficulties if they accumulate anddifficulties if they don't. ⁵⁸Such an atmosphere will be created. ⁵⁹At such a time, there should not be the slightestinfluence of this tension on the spiritual Pandav Army. ⁶⁰There shouldn't even be any problems of the self being underany type of tension.

¹⁵Jaisē āj had kā cinema va drama kaliyugī manuṣhyō̃ K|kē ākarṣhaṇ kā mukhya kēndra hai-chōṛanā chāhtē huē aur na dēkhnā chāhtē huē bhī had K|kē actors key|kī act apnī ōr khīñch lētī hai , lēkin uskā ādhār light hai , aisē hī is antim samay mē̃ māyā K|kē ākarṣhaṇ key|kī ati kē bād ant hōnē par , bēhad K|kē hero actors , jō sadā zero svarūp mē̃ sthit hōtē huē zero bāp kē sāth her|har part bajānē vālē haĩ aur divya jyōti svarūp vālē jinkī sthiti bhī light kī hai aur stage par her|har part bhī light mē̃ haĩ - arthāt jō double light vālē phariśhtē haĩ - vē|way her|har ātmā kō svataḥhī apnī taraph ākarṣhit karē̃gē .

⁶¹However, the atmosphere can very quickly influence a weak soul. ⁶²There shouldn't be theinfluence of thoughts of fear: What will happen? ⁶³How will it happen? ⁶⁴For this, from time to time, a special,programme for staying on the pilgrimage of remembrance should officially be sent from Madhuban through whichthe fortress of souls will remain very strong.

¹⁶Ājkal kī duniyā mē̃ drama K|kē atirikta aur kaunsī vastu hai jō aisē phariśhtō̃ K|kē nayanō̃ jaisī ākarṣhaṇ karnē vālī haĩ  ?

⁶⁵Nowadays, service is to increase a great deal. ⁶⁶However, together with this expansion, you also need to be yuktiyukt.Not everyone nowadays comes to become a gyani soul. ⁶⁷One quality is of souls who will become the same as theFather and become masters.

¹⁷T . V|we . .

⁶⁸So the first quality is to become like the Father, the second quality is of those who have arelationship with the Father, and the third quality are those who stay in contact with the Father and His service.Nowadays, there are more souls who simply come into connection and relationship, and very few who actuallybecome the embodiment. ⁶⁹Not everyone who comes will be the same. ⁷⁰Day by day, the number that increases will beof weak souls, that is, of souls who are to be subjects. ⁷¹They would only like one aspect, not two.

¹⁸Jaisē T . V|we . dvārā is saṅsār key|kī kaisīkaisī scene-sīnariyā̃ dēkhtē huē kaī ākarṣhit hōtē , arthāt girtī kalā mē̃ jātē haĩ - aisē hī phariśhtō̃ K|kē nayan divya dūr-darśhan kā kām karē̃gē .

⁷²They would nothave faith in every aspect. ⁷³So you have to keep a connection with those in contact according to their needs. ⁷⁴As thetimes become more and more delicate, then according to the problems, they will find it very difficult to be regularstudents. ⁷⁵However, many, many souls will come into contact because this is the final time.

¹⁹Har ēk K|kē nayanō̃ dvārā sirph is saṅsār K|kē hī nahī̃ lēkin tīnō̃ lōkō̃ K|kē darśhan karē̃gē .

⁷⁶So what will the finalposition be? ⁷⁷Initially, there was a lot of zeal and enthusiasm; hardly any of them will have that. ⁷⁸The majority will beof those who are in connection and contact. ⁷⁹So you need to pay attention.

²⁰Aisē phariśhtō̃ K|kē mastak mē̃ chamaktī huī maṇi ātmāō̃ kō search-light va light hāūs K|kē samān svayã kā svarūp , sv-mārga aur śhrēṣhṭh mañzil kā spaṣhṭ sākṣhātkār karāyēṅgī .

⁸⁰It should not be that you are unable torecognise the souls in contact and thereby deprive them of even that contact. ⁸¹No one should return empty­handed.Even if they are unable to follow the disciplines, they wish to have that loving contact; so you definitely have to payattention to those souls also. ⁸²You should be able to understand that they are a group of third quality souls and should be handled accordingly. ⁸³So,according to the time, you need to make the atmosphere very powerful.

²¹Aisē phariśhtō̃ K|kē yukti-yukt bōl arthāt amūlya bōl , her|har bhikhārī ātmā key|kī ratnō̃ sē jhōlī bharpūr karē̃gē .

⁸⁴According to the time today, for Brahmin children, the day should not just be passed in an ordinary way, otherwisethat influence would increase. ⁸⁵Therefore, all the children's attention should be drawn especially to making theatmosphere powerful through the pilgrimage of remembrance. ⁸⁶How will you be able to save yourself from theatmosphere of that world?

²²Jō gāyan hai dēvtāē̃ bhī bhaktō̃ par prasann hō phūlō̃ key|kī varṣhā kartē haĩ - aisē āp śhrēṣhṭh ātmāō̃ dvārā viśhva key|kī ātmāō̃ kē prati sarv-śaktiyō̃ , sarvguṇō̃ tathā sarv vardānō̃ key|kī puṣp-varṣā sarv kē prati hōgī .

⁸⁷What stage would you need? ⁸⁸What stage would you call it when you are a yogi as well asa karma yogi? ⁸⁹Special attention must now be paid to such points. ⁹⁰Greater attention now has to be paid to the subjectof the pilgrimage of remembrance.

²³Tab hī āp sab kō dēvtā arthāt dēnē vālā samajh kar bhakt-gaṇ dvāpar yug sē dēvtāō̃ kā gāyan aur pūjan kartē ā rahē haĩ , kyōṅki ant samay sarv ātmāē̃ , viśēṣakar vē|way bhāratvāsī ātmāē̃ dēvtā dharm key|kī ant tak vr̥iddhi pānē vālī ātmāyē̃ jō satyug mē̃ āpkē dēvtāī rūp key|kī pālnā tō nahī̃ lē̃gī balki bād mē̃ is dharm key|kī vr̥iddhi hōnē K|kē samay sē lēkar ant tak K|kē samay mē̃ āpkā dēvtā rūp , dātā rūp athavā vardātā rūp anubhav karē̃gī .

⁹¹At every centre, there should be one or another programme so that those whocome are able to fill themselves with power. ⁹²At such times, they should also remain detached and face the problemsas detached observers. ⁹³For this, the power of remembrance is needed. ⁹⁴Create a programme of sharing points orclasses for each one's safety and for making the Brahmins clever and cautious through which everyone can feel thatthey are receiving special light from the lighthouse of Madhuban.

²⁴Āpkē antim dēvtā rūp key|kī anēk prāptiyō̃ K|kē saṅskār va smr̥itiyā̃ sarv ātmāō̃ mē̃ merge rahtī haĩ arthāt samāī huī rahtī haĩ .

⁹⁵Achcha. ⁹⁶According to the drama, all activities are being carried out very well anyway. ⁹⁷From the activities of the present time,the sanskars of ruling a kingdom are increasing, are they not? ⁹⁸That is the royal throne and this is the royal seat.

²⁵Is kāraṇ practical rūp mē̃ satyugī sr̥iṣhṭi mē̃ na ātē huē bhī dvāpar mē̃ sr̥ṣṭi-mañc par ātē hī dēvtā svarūp key|kī prāpti key|kī smr̥iti emerge hō jātī hai aur gāyan-pūjan kartē rahtē haĩ .

⁹⁹Youwill then sit on that throne as the ones who will rule. ¹⁰⁰To be one who rules means to be one who has claimed allrights. ¹⁰¹You should not be subservient to any attraction or any suffering of karma or any physical organ. ¹⁰²But youhave to become one who has all rights.

²⁶Samjhā , apnē antim phariśhtē svarūp kō  ?

¹⁰³At present, you have the royal seat. ¹⁰⁴For yoga, you have a seat on which youstabilise yourself. ¹⁰⁵A seat is for sitting on and for stabilising yourself.

²⁷Aisē bēhad K|kē actors svataḥ apnī taraph ākarṣhit nahī̃ karē̃gē  ?

¹⁰⁶To stabilise yourself in a stage means to sit onyour seat. ¹⁰⁷The more practice you have of sitting on the seat, the more practice you will have of being seated on theroyal throne.

²⁸Yah hī double light sthiti aur stage āp sabkō aur bāp kō pratyakṣha karēgī .

¹⁰⁸You are getting that practice now, are you not? ¹⁰⁹It is becoming more and more natural. ¹¹⁰You don't haveto do anything, but it just happens. ¹¹¹Your nature has become like that.

²⁹Zero aur hero dōnō̃ pratyakṣha hōṅgē .

¹¹²Just as when something has become yournature, it becomes natural to carry out that task, in the same way, this too should become your nature; the nature to beone who has all rights. ¹¹³The moment you have a thought to have yoga, you should be able to experience that instantly. ¹¹⁴As soon as you say Baba, you should experience the stage of yoga. ¹¹⁵This is the stage of closeness.

³⁰Samjhā ( light chalī gaī ) phir bābā bōlē - abhī bhī dēkhō , light sē kitnā kām hōtā hai .

¹¹⁶In fact, you arealways seated on the seat. ¹¹⁷Just as someone sitting on a throne cannot forget that he is a king, in the same way, onewho is stabilised in this stage can never forget that he has all rights. ¹¹⁸Are all of you accurate and yuktiyukt?

³¹Abhī bhī āp sabkē ākarṣhaṇ karnē key|kī vastu light K|kē ādhār par hai .

¹¹⁹Sometimes, some things happen, and they have to happen. ¹²⁰How else wouldyour final paper come? ¹²¹These are also practical papers. ¹²²These papers enable you to accumulate marks.

³²Achchhā .

¹²³Whilstaccumulating marks, you come into the list of those who pass with honour. ¹²⁴Whatever happens is to enable you toaccumulate marks. ¹²⁵You have to accumulate them in all aspects, not just in the subject of the pilgrimage ofremembrance; you have to accumulate marks in all four subjects. ¹²⁶Only then will you pass with honour.

³³Aisē sadā zero kē sāth hero part bajānē vālē , sadā dēnē vālē dēvtā svarūp , viśhva mē̃ svayã kō aur bāp kō prakhyāt karnē vālē , viśhva key|kī sarv ātmāō̃ key|kī sarv-manōkāmanāyē̃ sampann karnē vālē , aisē phariśhtō̃ kō phariśhtō̃ key|kī duniyā mē̃ rahnē vālē aur phariśhtō̃ key|kī duniyā sē pār rahnē vālē bāpdādā kā yād-pyār aur namastē  !

¹²⁷Success in every task is already guaranteed in advance; whether it is behind the curtains or in front of the curtains. ¹²⁸Insome cases, the success is behind the curtain and in other cases, the success is visible. ¹²⁹However, in both instances,there is success and revelation. ¹³⁰For some time, there will be that which is incognito.

¹³¹It takes time for that which ishidden to become visible.

¹³²Achcha.

¹³³* * * O M S H A N T I * * *