गुरुवार 28 अप्रैल 1977 की अव्यक्त मुरली

⁰> ¹28-04-77om shanti avyakt baapdaadaamdhuban

⁰> > 17/03/97 Om Shanti Avyakt BapDada Madhuban 28/04/77

²sada suhaagin ki nishaaniyaan

¹Signs of one who is constantly wed

³sada suhaag ke tilakdhaari, shreshtha bhaagyavaan, sarva praapti swaroop aatmaon prati baba bole:-

²BapDada is seeing the “suhaag” (fortune of being wed) and the fortune of the children.

⁴baapdaada bachchon ke suhaag aur bhaagya ko dekh rahe hain।

³He is seeing the tilak of “suhaag” and the crown of light of fortune.

⁵suhaag ka tilak aur bhaagya ka light ka crown (Crown Of Light;prakaash ka taaj) taaj aur tilakdhaari arthaat suhaag aur bhaagya vaale।

⁴To have the crown and the tilak applied means to be one who has “suhaag” and fortune. ⁵The sign of constantly having “suhaag” is to have the tilak of imperishable awareness.

⁶sada suhaag ki nishaani hai avinaashi smriti ka tilak। ⁷sada bhaagya ki nishaani hai pavitrata aur baap dvaara sarva praaptiyaan arthaat light ka crown।

⁶The sign of constantly having fortune is purity, and to receive all attainments from the Father means to have the crown of light.

⁸smriti kam, to tilak bhi spashta chamakta hua nahin dikhaai dega।

⁷If the awareness is lacking, then the tilak does not sparkle clearly.

⁹chamakta hua tilak sada baap ke saath rahne ke suhaag ki nishaani hai।

⁸A sparkling tilak is the sign of the “suhaag” being constantly with the Father.

¹⁰aisi suhaagin tilakdhaari va sada suhaagin hone ke kaaran sada vishwa ke aage shreshtha arthaat oonch aatma dikhaai deti hai।

⁹Such a bride, who constantly has a tilak of being wed, is constantly visible in front of the world as an elevated soul.

¹¹jaise laukik roop mein bhi suhaagin ko shreshtha nazar se dekhte hain aur har shreshtha kaarya mein suhaagin ko hi aage rakhte hain।

¹⁰In a lokik way also, a bride is seen with elevated vision and the bride is always kept ahead when an elevated task has to be carried out.

¹²agar ‘suhaag gaya to sansaar gaya’ - aise laukik mein bhi maana jaata hai।

¹¹It is believed in the lokik world that if she has lost her “suhaag” (partner), she has lost her world.

¹³isi prakaar alaukik jeevan mein bhi har aatma ek saajan ki sajni hai,arthaat suhaagin hai।

¹²In the same way, in alokik life also, every soul is a bride of the one Bridegroom, that is, they are constantly wed to Him.

¹⁴sada apne suhaag ke tilak ko dekhte ho?

¹³Do you constantly see the tilak of your “suhaag”?

¹⁵sada ek ki hi lagan mein magan rahne ki nishaani, smriti ka tilak arthaat suhaag ka tilak hai।

¹⁴The sign of being constantly lost in the love of One, of having the tilak of awareness, is the tilak of “suhaag”.

¹⁶agar tilak mit jaata hai to goya apne suhaag ko mita dete hain।

¹⁵If the tilak is rubbed off, it means you have finished your “suhaag”.

¹⁷apne aap se poochho ki main sada suhaagin hoon?

¹⁶Ask yourself: Am I constantly wed?

¹⁸sada suhaagin ek shvaas va ek pal bhi saath nahin chhodti hai।

¹⁷A bride never becomes separated for even one breath or moment.

¹⁹sada suhaagin ke man ke bol hain - ‘saath rahenge,saath jeeyenge, saath marenge। ²⁰’ sada suhaagin ke naynon mein, mukh mein saajan ki soorat aur seerat samaai hui hoti, kaanon mein unke bol hi sada sunne mein aate hain।

¹⁸The words in the mind of a bride are: We will constantly stay together, live together and die together.” The image of the bridegroom is constantly merged in the eyes, lips and face of the bride. ¹⁹She only hears his words through her ears.

²¹jaise bhakti mein anhad shabd sunne ke abhyaasi hote hain। ²²bahut prayatna ke baad ek baar bhi agar shabd sunaai dete to apni bhakti ko saphal samajhte hain।

²⁰On the path of bhakti, they have the practice of constantly hearing soundless words (un­had shabd), and if they hear this sound even once after making a lot of effort, they consider their bhakti to have been worthwhile.

²³yeh sab bhakti ki reeti-rasma is samay ke practical life (Practical Life;vyavhaarik jeevan) se kaapi ki hai।

²¹The customs and systems of bhakti have been copied from your practical life of the present time.

²⁴sada suhaagin arthaat jinke kaanon mein anaadi mahaamantra ‘manmanaabhav’ka svar goonjata rahega।

²²A bride is one who constantly hears the echo of the eternal great mantra, “manmanabhav”.

²⁵sada yeh anubhav karenge ki baap yeh mahaamantra baar-baar sunaate hue smriti dila rahe hain।

²³She would constantly experience Baba repeating these words again and again and bringing back this awareness.

²⁶chalte-phirte yahi anhad arthaat avinaashi bol baap ke sammukh sunne ka anubhav karenge aur koi bhi aatmaon ke bol sunte hue bhi nahin sunenge।

²⁴Whilst walking and moving around, she would constantly be hearing these imperishable words personally from the Father, and would not hear the words of other souls whilst hearing them.

²⁷bas ‘tumheen se boloon, tumheen se sunoon va tumhaara sunaaya hi boloon’ - aisi stage sada suhaagin ki hi hoti hai। ²⁸aise sada suhaagin sankalp mein bhi anya aatma prati ek second bhi smriti mein nahin laayegi arthaat sankalp mein bhi kisi dehdhaari ke jhukaav mein nahin aayegi।

²⁵One who is constantly wed would always have the stage of, “I speak to You, I listen to You, I only speak that which You have related.” Such a bride would not bring another soul into her awareness even through thought for even one second, that is, she would never be subservient to any bodily being.

²⁹lagaav to badi baat hain, jhukaav bhi nahin। ³⁰jaise laukik jeevan mein bhi par puroosh prati sankalp karna va svapna mein bhi aana suhaagin ke liye mahaapaap gina jaata hai,aise hi alaukik jeevan mein bhi agar sankalp maatra bhi, svapna maatra bhi koi dehdhaari aatma taraph jhukaav hua to sada suhaagin ke liye mahaapaap gina jaata hai।

²⁶Attachment is something greater, but she wouldn’t even be subservient to anyone. ²⁷In lokik life also, for a bride to have thoughts of or to dream of another man is considered to be a great sin. ²⁸In the same way, if a soul who is constantly wed is subservient to the soul of a bodily being in thoughts or dreams, then this is also considered to be a great sin for that soul.

³¹to ‘sada suhaagin arthaat ek baap doosra na koi। ³²’ aise suhaag ka tilak laga hua hai?

²⁹To constantly have the “suhaag” means to belong to the one Father and none other.

³³maaya tilak mita to nahin deti?

³⁰Do you have the tilak of such a “suhaag” applied?

³⁴sada suhaag ke saath sada bhaagya।

³¹Maya does not rub off your tilak, does she?

³⁵sirf suhaag nahin lekin bhaagya bhi arthaat - bhaagyavaan ho।

³²Together with a constant “suhaag”, there is also constant fortune.

³⁶sada bhaagyavaan ki nishaani hai light ka crown।

³³You do not just have the “suhaag”, but you are also fortunate.

³⁷jaise laukik duniya mein bhaagya ki nishaani raajya arthaat raajaai hoti hai,aur raajaai ki nishaani taaj hota hai, aise eeshvareey bhaagya ki nishaani light ka crown hai।

³⁴To be constantly fortunate means to have the crown of light. ³⁵In the lokik world, to have the kingdom is a sign of fortune and the sign of the kingdom is the crown.

³⁸us taaj ki praapti ka aadhaar hai pyooriti (Purity;pavitrata) aur sarva praapti।

³⁶So too, the sign of Godly fortune is the crown of light, and the basis of attaining this crown is to have purity and all attainments.

³⁹sampoorn pyooriti arthaat mansa mein bhi kisi ek vikaar ka ansh bhi na ho। ⁴⁰aur sarva praapti arthaat gyaan, sarva gun aur sarva shaktiyon ki praapti।

³⁷Complete purity means there shouldn’t be the slightest trace of any vice even in your mind, and all attainments means the attainment of knowledge, all virtues and all powers.

⁴¹agar koi bhi praapti ki kami hai to light ka crown spashta dikhaai nahin dega; apvitrata aur apraapti ke baadlon mein chhipa hua dikhaai dega।

³⁸If any attainment is lacking, then the crown of light will not be clearly visible; it will be unseen and hidden behind the clouds of impurity and lack of attainment.

⁴²svayan ko sada light-aatmik roop anubhav nahin karega।

³⁹You will not be able to experience yourself as constantly light or soul conscious.

⁴³karma mein bhi apne ko light (Light;halka) mahsoos nahin karega।

⁴⁰You won’t experience yourself to be light whilst performing action.

⁴⁴baar-baar mehnat ke baad va attention (Attention;dhyaan) rakhne ke abhyaas ke baad alpa samay ke liye svayan ko double light anubhav karega।

⁴¹Only after making effort, again and again and after the practice of paying a lot of attention will you be able to experience yourself as being light.

⁴⁵jaise hi sochega ki main aatma light hoon, to aatma ke bajaae shareer arthaat deh apne ko anubhav karega।

⁴²As soon as you try to think that you are a soul, instead of experiencing yourself as light, you will experience yourself to be a body. ⁴³The basis of fortune is all attainments.

⁴⁶bhaagya ka aadhaar sarva praaptiyaan hain।

⁴⁴The sign of all attainments is imperishable happiness.

⁴⁷sarva praaptiyon ki nishaani hai ‘avinaashi khushi।

⁴⁵One who is constantly fortunate would be constantly happy.

⁴⁸’ sada bhaagyavaan sada khush hoga। ⁴⁹bhaagya kam to khushi bhi kam, khushi kam arthaat sada bhaagyavaan nahin।

⁴⁶If there is not much fortune there will be less happiness, and if there is less happiness it means you are not constantly fortunate.

⁵⁰to samjha? ⁵¹sada suhaagin aur sada bhaagin arthaat bhaagyavaan ki nishaaniyaan kya hain?

⁴⁷So, do you now understand what the signs of being constantly wed and constantly fortunate are?

⁵²ab to sab baaten saamne rakhte hue svayan ko chaik karo ki main kaun hoon?

⁴⁸Now, keeping all these things in front of you, check: Who am I?

⁵³achha।

⁴⁹Achcha.

⁵⁴sada suhaag ke tilak dhaari shreshtha bhaagyavaan, sarva praapti swaroop sada baap ke saathi aisi shreshtha aatmaon ko baap-daada ka yaad-pyaar aur namaste।

⁵⁰To those who constantly have the tilak of “suhaag”; to the greatly fortunate souls, to those who are the embodiment of all attainments; to the constant companions of the Father, to such elevated souls, BapDada’s love, remembrance and namaste.

⁵⁵deedi ji ke saath:-

⁵¹BapDada meeting Didi and Dadi:

⁵⁶aise sada suhaagin aur sada bhaagayvaan aur sampoorn bhaagyavaan kitne honge?

⁵²How many souls would there be who have constant “suhaag” and are constantly and completely fortunate?

⁵⁷nirantar double light aur nirantar sarva praapti sampanna sampoorn pavitra hon,aise kitne manke honge?

⁵³How many beads who are constantly double­light, constantly complete with all attainments and completely pure would there be?

⁵⁸jo anguliyon par ginti jitne!

⁵⁴As many as can be counted on your fingers!

⁵⁹aise ratnon ki hi vishesh pooja hoti hai।

⁵⁵Only such jewels are especially worshipped.

⁶⁰vishosh nau ratnon ki pooja hoti hai na।

⁵⁶The nine jewels are especially worshipped.

⁶¹to jo achhi quality (Quality;prakaar) ka ratna hota hai,us ek ratna mein ek rang ka hote hue bhi sab rang dikhaai denge।

⁵⁷A jewel that is of very good quality would reveal many colours within itself even though the jewel itself would be of only one colour.

⁶²jaise saphed heera hota hai, jo badhiya heera hoga, chamakta hua phlaales (Flawless;daag rahit) dikhaai dega। ⁶³dhyaan se dekhenge to saphed hote hue bhi usmein sab rang dikhaai denge।

⁵⁸A beautiful sparkling white diamond would be seen as completely flawless, and if you examine it very closely, even though it is white, all the colours would be seen within it.

⁶⁴iska kaaran kya hai?

⁵⁹What is the reason for this?

⁶⁵sarva shaktiyon ke sampanna ki nishaani yeh hai।

⁶⁰This is the sign of being complete with all powers.

⁶⁶sarva shaktiyaan bhinna-bhinna rang ke roop mein dikhaai deti hain।

⁶¹All the powers are visible as different colours.

⁶⁷woh science (vigyaan) ka hisaab aur yahaan hai silence (Silence) dvaara sarva praaptiyaan।

⁶²That is in terms of science whereas here, it is all attainments through silence.

⁶⁸jaise varsha ke baad indra dhanush dikhaai deta hai, to usmein bhi sab rang dikhaai dete hain yeh bhi gyaan varsha ke baad। ⁶⁹varsha ka phal sarva praapti swaroop।

⁶³After rain, you are able to see a rainbow in which all the colours are visible. ⁶⁴Here also, after the shower of knowledge, the fruit of the rain is to become an embodiment of all attainments.

⁷⁰to aisa shreshtha heera va ratna sarva praapti swaroop hone kaaran jo shakti paane chaahe woh us ratna dvaara praapta kar sakte hain।

⁶⁵Because of being an embodiment of all attainments, an elevated diamond or jewel is able to attain any power it wants.

⁷¹to aise ratna kitne honge?

⁶⁶How many such jewels would there be?

⁷²nau ratnon ka poojan, nirvighna hone ke liye vishesh hota hai।

⁶⁷Because of being completely free from obstacles, the nine jewels are especially worshipped.

⁷³koi ke oopar vishesh vighna aata hai, to nau ratnon ka poojan karte hain।

⁶⁸When people have a particular obstacle, they especially worship the nine jewels.

⁷⁴to itne nirvighna bane ho? ⁷⁵har ratna sampanna hota hai, lekin phir bhi har ratna ki mukhya visheshta apni hoti hai।

⁶⁹So, have that many become completely free from obstacles? ⁷⁰Each jewel is complete, yet each one has its own main speciality.

⁷⁶isliye nau ratnon ki ikatthi pooja bhi hoti hai, aur alag-alag bhi vishesh koi vighna arth koi ratna gaaya hua hota hai।

⁷¹This is why the nine jewels are worshipped collectively and also individually; each jewel is specially remembered for a particular obstacle.

⁷⁷maano dhan ki samasya va vighna hai to dhan ki praapti ke liye va apraapti ka vighna mitaane ke liye vishesh ratna bhi hota hai।

⁷²For instance, if someone has a problem or obstacle regarding money, then in order to attain wealth, or in order to finish the lack of money, they have a special jewel.

⁷⁸beemaari jyaada mark li hongi to uska yaadgaar phir ab tak bhi apne haath mein ring (angoothi) banaakar pahante hain ya gale mein locket bana kar daalte hain।

⁷³If they have received a lot of marks through sickness, the memorial of that is that, even now, they wear a ring or a locket that they have specially made, which they wear all the time.

⁷⁹to yeh sab hisaab vartamaan samay ke praapti ke hain।

⁷⁴All of that is on accounts of the attainments of the present time.

⁸⁰to aise kitne honge?

⁷⁵So, how many such beads would there be?

⁸¹ginti karne mein aate hain?

⁷⁶Are you able to count them?

⁸²naam bataane ke nahin dikhaane ke hain।

⁷⁷It is not a question of giving names, but of showing these beads.

⁸³agar announce (Announce) bhi kare aur bhavishya mein woh prasiddha bhi honge lekin abhi sampoorn stage par na dekh karke question (Question;prashn)karenge yeh kyon, yeh kaise।

⁷⁸If it were to be announced and they were to become well­known in the future, because they are not seen in their perfect stage now, there would be questions, “Why this one? ⁷⁹How is this possible?” This is also why Baba cannot tell you.

⁸⁴isliye baap bhi bata nahin sakta। ⁸⁵dikha sakte hain - yeh is ginti mein hain। ⁸⁶yeh ho sakta hai।

⁸⁰He can show you, “This one is amongst this number, it is possible for this one to come.” It is not a question of telling you.

⁸⁷bataane ki baat nahin hai। ⁸⁸ab ek ka bhi naam bataaven to dekhna kitne question uthte।

⁸¹If Baba mentions the name of even one, just see how many questions would arise. “What does this one have that we do not have?

⁸⁹ismen kya hai, hamaare mein kya nahin hai।

⁸²This one has this defect.” Baba does not want anyone to waste time in questions.

⁹⁰ismen to yeh hai। ⁹¹kai question mein samay vyartha ganvaae,yeh bhi baap nahin chaahte।

⁸³But the jewels that have been revealed every kalpa will definitely be revealed exactly as they were a kalpa ago.

⁹²baaki kalpa-kalpa ke prasiddha hue ratna, kalpa pahle muvaaphik prasiddha zaroor honge। ⁹³aajkal naam nahin, kaam chaahte hain।

⁸⁴Nowadays, no one wants names; they want the task accomplished. ⁸⁵Now, each one has the aim, “Why should I not make myself move forward and become worthy?” Achcha. ⁸⁶BapDada meeting groups:

⁹⁴abhi to harek ke andar yeh lakshya hai ki main hi apne ko kyon nahin itna aage badha kar yogya banaaoon। ⁹⁵achha।

⁸⁷You have come from afar to your birthplace. ⁸⁸The birthplace of Brahmins is Madhuban. ⁸⁹Do you think that you have come to your birthplace?

⁹⁶vishesh jo mele ki seva par upasthit hain - unheen ko yaad dena।

⁹⁰People give a lot of importance to their birthplace. ⁹¹This is the alokik birthplace.

⁹⁷kyonki yeh seva dvaara baap se milna hi hai। ⁹⁸yogayukta ho suna hai, isliye baap-daada sevaadhaariyon ko sada sammukh hi dekhte hain। ⁹⁹aise sevaadhaari kabhi bhi apne ko door nahin samjhenge। ¹⁰⁰sammukh hi samjhenge।

⁹²When you come to this alokik birthplace, the lokik consciousness automatically finishes, because it is remembered, “As is the land (dharni) , so are the actions (karni – karma).” It is also remembered: “As is the company, so is the colour; as is the food, so is your mind.” In the same way, as is the land, so are the actions.

¹⁰¹achha। ¹⁰²anya daadiyon ke saath:-

⁹³If the land is impure, then the actions are also likewise.

¹⁰³door-door se apne janmabhoomi par aae hain - braahmanon ki janmabhoomi ‘madhuban’hai na।

⁹⁴The land affects your karma and sanskars. ⁹⁵When you go to a temple, the area there influences you.

¹⁰⁴aise samajhte ho ki apni janmabhoomi par aae hain। ¹⁰⁵janmabhoomi ka bahut mahatva rakhte hain।

⁹⁶If someone has an evil thought in a temple, he would consider himself to be a great sinner.

¹⁰⁶aur yeh phir alaukik janmabhoomi hai। ¹⁰⁷is alaukik janmabhoomi par aane se hi laukikpan svatah hi bhool jaata hai।

⁹⁷Therefore, this is the alokik land, and if you do not have any lokik consciousness whilst you are here, you will become a karma yogi.

¹⁰⁸kyonki‘jaise dharni vaise karni’ yeh gaayan hai। ¹⁰⁹‘jaisa sang vaisa rang,jaisa anna vesa man’ gaaya hua hai।

⁹⁸This is why BapDada constantly says, “Wherever you may be living, always consider yourself to be a resident of Paramdham or Madhuban.

¹¹⁰vaise hi, jaise dharni vaisi karni। ¹¹¹agar koi tamoguni dharni hai to karni bhi aisi ho jaati hai। ¹¹²dharni ka prabhaav karma aur sanskaar par pad jaata hai।

⁹⁹In terms of the incorporeal stage, consider yourself to be a resident of Paramdham, and in terms of your corporeal stage, consider yourself to be a resident of Madhuban.

¹¹³jaise mandir mein jaate hain to bhoomi ka hi prabhaav hota hai na।

¹⁰⁰As soon as you speak of Madhuban, both sweetness and the attitude of disinterest emerge.

¹¹⁴agar mandir ki bhoomi par kisi bura sankalp aave to woh apne ko bahut paapi samjhega। ¹¹⁵vaise agar bura sankalp aata to bura samajhte।

¹⁰¹In your stage, there should be an attitude of unlimited disinterest and when coming into contact with others, there has to be sweetness.

¹¹⁶to yeh hai alaukik bhoomi laukikta smriti mein bhi nahin aayegi। ¹¹⁷nirantar karmayogi ho jaayenge।

¹⁰²The stage is connected with the place. ¹⁰³Do all of you have unlimited disinterest or do you still have attachment somewhere?

¹¹⁸isliye baap-daada sadaiv kehte hain ki kahaan bhi rehte ho lekin apne ko sada paramdham nivaasi va madhuban nivsi samjho।

¹⁰⁴Those who have unlimited disinterest would not have any attachment or be subservient to anyone. ¹⁰⁵They would have stepped away from this old world.

¹¹⁹niraakaar sthiti ke hisaab se paramdham nivaasi, saakaar sthiti ke hisaab se madhuban nivaasi।

¹⁰⁶Only when you consider the Father to be your entire world can you become one who has unlimited disinterest.

¹²⁰madhuban kahne se hi vairaagya vritti aur madhurta donon hi aa jaati hai।

¹⁰⁷If the Father is your entire world, then when you see the world in the Father, you will experience nothing else remaining.

¹²¹sthiti mein behad ki vairaag vritti aur samparka mein madhurta donon hi chaahiye। ¹²²sthaan se sthiti ka connection (Connection;sambandh) hai।

¹⁰⁸You would automatically have disinterest. ¹⁰⁹If the Father is your world, then you would remain in that world, you would not go into another world, and so you would have stepped away from it.

¹²³sabhi behad ke vairaagi bane ho ki abhi kahaan lagaav hai?

¹¹⁰People and comforts are both included in the world.

¹²⁴behad ke vairaagi ka kahaan bhi lagaav va jhukaav nahin hoga।

¹¹¹And so, have you made the Father your world or is there another world for you?

¹²⁵uska sadaiv is puraani duniya se kinaara hoga।

¹¹²Do you have any other relationships or wealth? ¹¹³Baba’s wealth is your wealth.

¹²⁶behad ke vairaagi tab ban sakenge jab baap ko hi apna sansaar samjhenge।

¹¹⁴When you have this awareness, you will automatically have unlimited disinterest.

¹²⁷baap hi sansaar hai to jab baap mein sansaar dekhenge anubhav karenge to baaki raha hi kya?

¹¹⁵Whilst seeing others, you will not see them; they would not be visible. ¹¹⁶When you have awareness, you receive power.

¹²⁸automatic (svatah) vairaag aa jaaega na।

¹¹⁷If you have power, then no situation would make you fluctuate.

¹²⁹baap hi mera sansaar hai to sansaar mein hi rahenge;doosre mein jaaenge hi nahin to kinaara ho jaaega।

¹¹⁸You would move along whilst considering the tests to be a game. ¹¹⁹When you are watching a game or a play and see any adverse situation, would you fluctuate?

¹³⁰sansaar mein vyakti va vaibhav sab aa jaata hai to baap ko hi apna sansaar banaaya hai ki aage koi sansaar hai?

¹²⁰No matter what happens, even if someone dies, you would not fluctuate because you understand that it is a play.

¹³¹koi sambandh va koi sampatti hai kya?

¹²¹In the same way, consider adverse situations to be a role.

¹³²baap ki sampatti so apni sampatti। ¹³³to isi smriti mein rahne se automatic behad ke vairaagi ho jaayenge।

¹²²By seeing the role of an adverse situation as a detached observer, you will not wilt but will enjoy yourself.

¹³⁴koi ko dekhte hue bhi nahin dekhenge। ¹³⁵dikhaai hi nahin dekhenge।

¹²³Only when you forget the point of the drama do you wilt.

¹³⁶dikhaai hi nahin dega। ¹³⁷achha। ¹³⁸‘smriti mein rahne se samarthi aati hai। ¹³⁹’ agar samarthi hogi to koi bhi paristhiti svasthiti ko dagmag nahin karegi।

¹²⁴Blessing:May you be equal to the Father by experiencing the flying stage with gyan­yukt feelings and yoga filled with love.The yogi souls who are the embodiment of knowledge are constantly victorious through experiencing all powers.

¹⁴⁰pareekshaaon ko ek khel samajhkar chalenge। ¹⁴¹agar khel mein ya naatak mein kisi prakaar ki paristhiti dekhte to dagmag hote hain kya?

¹²⁵Those who are just loving or devotional simply say “Baba, Baba” in their mind and through their lips and so, from time to time, they receive co­operation.

¹⁴²koi mare va kuchh bhi ho lekin sthiti dagmag nahin hogi।

¹²⁶However, it is the gyani­yogi souls who are close to becoming equal to the Father.

¹⁴³kyonki samajhte hain yeh khel hai। ¹⁴⁴aise hi paristhitiyon ko ek part samjho।

¹²⁷Therefore, become an embodiment of knowledge to the same extent as you have loving feelings.

¹⁴⁵paristhiti ke part ko saakshi ho dekhne se dagmag nahin honge,murjhaayenge nahin, maja aaega।

¹²⁸The balance of feelings filled with knowledge and yoga filled with love enables you to experience the flying stage and makes you become equal to the Father.

¹⁴⁶murjhaate tab hain jab drama ki point ko bhool jaate hain।

¹²⁹Slogan:Real service is to remain constantly free from obstacles and to liberate others from obstacles also. ¹³⁰* * * O M S H A N T I * * *