गुरुवार 28 अप्रैल 1977 की अव्यक्त मुरली
सहेजा जा रहा है…
अब आप यह मुरली बिना इंटरनेट पढ़ सकते हैं।
आप यह मुरली बिना इंटरनेट पढ़ सकते हैं।
बिना इंटरनेट पढ़ने के लिए ।
ध्यान दें: वाक्यों का संरेखण अक्षरों की संख्या पर आधारित है और पूरी तरह विश्वसनीय नहीं है।
आप पूरी मुरली या उसके किसी भाग का वाक्य संरेखण स्वयं सुधार सकते हैं।
हिंदी को ISO 15919 पर आधारित अनुकूलित लिप्यंतरण के साथ रोमन अक्षरों में भी दिखाया जाता है।
लिप्यंतरण कैसे पढ़ें
यह साइट ISO 15919 पर आधारित लिप्यंतरण का प्रयोग करती है। पढ़ना आसान बनाने के लिए c, ś और ṣ के बाद h तथा स्वर r̥ के बाद i जोड़ा जाता है। इन बदलावों से यह भारत में प्रयुक्त हंटरियन प्रणाली के करीब आता है, जबकि ISO 15919 के विशिष्ट चिह्न बने रहते हैं।
| ISO 15919 | इस साइट पर |
|---|---|
| c | ch |
| ś | śh |
| ṣ | ṣh |
| r̥ | r̥i |
पढ़ने के कुछ संकेत:
- ā, ī, ū: अक्षर के ऊपर की रेखा दीर्घ स्वर दर्शाती है।
- ṭ, ḍ, ṇ: नीचे का बिंदु मूर्धन्य व्यंजनों को t, d, n से अलग करता है।
- स्वर के ऊपर टिल्ड चिह्न अनुनासिक उच्चारण दर्शाता है।
0> 128-04-77 ōm śhānti avyakt bāpadādāmadhuban
0> > 17/03/97 Om Shanti Avyakt BapDada Madhuban 28/04/77
2Sadā suhāgin key|kī niśhāniyā̃
1Signs of one who is constantly wed
3Sadā suhāg K|kē tilakdhārī , śhrēṣhṭh bhāgyavān , sarv prāpti svarūp ātmāō̃ prati bābā bōlē :
2BapDada is seeing the suhaag (fortune of being wed) and the fortune of the children.
4Bāpdādā bachchō̃ K|kē suhāg aur bhāgya kō dēkh rahē haĩ .
3He is seeing the tilak of suhaag and the crown of light of fortune.
5Suhāg kā tilak aur bhāgya kā light kā crown ( C r o w n O f L i g h t ; prakāśh kā tāj ) tāj aur tilakdhārī arthāt suhāg aur bhāgya vālē .
4To have the crown and the tilak applied means to be one who has suhaag and fortune. 5The sign of constantly having suhaag is to have the tilak of imperishable awareness.
6Sadā suhāg key|kī niśhānī hai avināśhī smr̥iti kā tilak . 7Sadā bhāgya key|kī niśhānī hai pavitratā aur bāp dvārā sarv prāptiyā̃ arthāt light kā crown .
6The sign of constantly having fortune is purity, and to receive all attainments from the Father means to have the crown of light.
8Smr̥iti cum|kam , tō tilak bhī spaṣhṭ chamaktā huā nahī̃ dikhāī dēgā .
7If the awareness is lacking, then the tilak does not sparkle clearly.
9Chamaktā huā tilak sadā bāp kē sāth rahnē K|kē suhāg key|kī niśhānī hai .
8A sparkling tilak is the sign of the suhaag being constantly with the Father.
10Aisī suhāgin tilakdhārī vā sadā suhāgin hōnē K|kē kāraṇ sadā viśhva kē āgē śhrēṣhṭh arthāt ū̃ch ātmā dikhāī dētī hai .
9Such a bride, who constantly has a tilak of being wed, is constantly visible in front of the world as an elevated soul.
11Jaisē laukik rūp mē̃ bhī suhāgin kō śhrēṣhṭh nazar sē dēkhtē haĩ aur her|har śhrēṣhṭh kārya mē̃ suhāgin kō hī āgē rakhtē haĩ .
10In a lokik way also, a bride is seen with elevated vision and the bride is always kept ahead when an elevated task has to be carried out.
12Agar suhāg gayā tō saṅsār gayā - aisē laukik mē̃ bhī mānā jātā hai .
11It is believed in the lokik world that if she has lost her suhaag (partner), she has lost her world.
13Isī prakār alaukik jīvan mē̃ bhī her|har ātmā ēk sājan key|kī sajnī hai , arthāt suhāgin hai .
12In the same way, in alokik life also, every soul is a bride of the one Bridegroom, that is, they are constantly wed to Him.
14Sadā apnē suhāg K|kē tilak kō dēkhtē hō ?
13Do you constantly see the tilak of your suhaag?
15Sadā ēk key|kī hī lagan mē̃ magan rahnē key|kī niśhānī , smr̥iti kā tilak arthāt suhāg kā tilak hai .
14The sign of being constantly lost in the love of One, of having the tilak of awareness, is the tilak of suhaag.
16Agar tilak miṭ jātā hai tō gōyā apnē suhāg kō miṭā dētē haĩ .
15If the tilak is rubbed off, it means you have finished your suhaag.
17Apnē āp sē pūchhō ki maĩ sadā suhāgin hū̃ ?
16Ask yourself: Am I constantly wed?
18Sadā suhāgin ēk śhvās vā ēk pal bhī sāth nahī̃ chhōṛtī hai .
17A bride never becomes separated for even one breath or moment.
19Sadā suhāgin K|kē man K|kē bōl haĩ - sāth rahē̃gē , sāth jīyēṅgē , sāth marē̃gē . 20 sadā suhāgin K|kē nayanō̃ mē̃ , mukh mē̃ sājan key|kī sūrat aur sīrat samāī huī hōtī , kānō̃ mē̃ unkē bōl hī sadā sunnē mē̃ ātē haĩ .
18The words in the mind of a bride are: We will constantly stay together, live together and die together. The image of the bridegroom is constantly merged in the eyes, lips and face of the bride. 19She only hears his words through her ears.
21Jaisē bhakti mē̃ anahad śhabda sunnē K|kē abhyāsī hōtē haĩ . 22Bahut prayatna kē bād ēk bār bhī agar śhabda sunāī dētē tō apnī bhakti kō saphal samajhtē haĩ .
20On the path of bhakti, they have the practice of constantly hearing soundless words (unhad shabd), and if they hear this sound even once after making a lot of effort, they consider their bhakti to have been worthwhile.
23Yah sab bhakti key|kī rīti-rasma is samay K|kē practical life ( P r a c t i c a l L i f e ; vyavahārik jīvan ) sē kāpī kī hai .
21The customs and systems of bhakti have been copied from your practical life of the present time.
24Sadā suhāgin arthāt jinkē kānō̃ mē̃ anādi mahāmantra manmanābhav kā svar gūñjtā rahēgā .
22A bride is one who constantly hears the echo of the eternal great mantra, manmanabhav.
25Sadā yah anubhav karē̃gē ki bāp yah mahāmantra bār-bār sunātē huē smr̥iti dilā rahē haĩ .
23She would constantly experience Baba repeating these words again and again and bringing back this awareness.
26Chaltē-phirtē yahī anahad arthāt avināśhī bōl bāp K|kē sammukh sunnē kā anubhav karē̃gē aur kōī bhī ātmāō̃ K|kē bōl suntē huē bhī nahī̃ sunē̃gē .
24Whilst walking and moving around, she would constantly be hearing these imperishable words personally from the Father, and would not hear the words of other souls whilst hearing them.
27Bas tumhī̃ sē bōlū̃ , tumhī̃ sē sunū̃ vā tumhārā sunāyā hī bōlū̃ - aisī stage sadā suhāgin key|kī hī hōtī hai . 28Aisē sadā suhāgin saṅkalp mē̃ bhī anya ātmā prati ēk second bhī smr̥iti mē̃ nahī̃ lāyēgī arthāt saṅkalp mē̃ bhī kisī dēhdhārī K|kē jhukāv mē̃ nahī̃ āyēgī .
25One who is constantly wed would always have the stage of, I speak to You, I listen to You, I only speak that which You have related. Such a bride would not bring another soul into her awareness even through thought for even one second, that is, she would never be subservient to any bodily being.
29Lagāv tō baṛī bāt haĩ , jhukāv bhī nahī̃ . 30Jaisē laukik jīvan mē̃ bhī par purūṣh prati saṅkalp karnā vā svapn mē̃ bhī ānā suhāgin kē liē mahāpāp ginā jātā hai , aisē hī alaukik jīvan mē̃ bhī agar saṅkalp mātra bhī , svapn mātra bhī kōī dēhdhārī ātmā taraph jhukāv huā tō sadā suhāgin kē liē mahāpāp ginā jātā hai .
26Attachment is something greater, but she wouldnt even be subservient to anyone. 27In lokik life also, for a bride to have thoughts of or to dream of another man is considered to be a great sin. 28In the same way, if a soul who is constantly wed is subservient to the soul of a bodily being in thoughts or dreams, then this is also considered to be a great sin for that soul.
31Tō sadā suhāgin arthāt ēk bāp dūsrā na kōī . 32 aisē suhāg kā tilak lagā huā hai ?
29To constantly have the suhaag means to belong to the one Father and none other.
33Māyā tilak miṭā tō nahī̃ dētī ?
30Do you have the tilak of such a suhaag applied?
34Sadā suhāg kē sāth sadā bhāgya .
31Maya does not rub off your tilak, does she?
35Sirph suhāg nahī̃ lēkin bhāgya bhī arthāt - bhāgyavān hō .
32Together with a constant suhaag, there is also constant fortune.
36Sadā bhāgyavān key|kī niśhānī hai light kā crown .
33You do not just have the suhaag, but you are also fortunate.
37Jaisē laukik duniyā mē̃ bhāgya key|kī niśhānī rājya arthāt rājāī hōtī hai , aur rājāī key|kī niśhānī tāj hōtā hai , aisē īśhvarīy bhāgya key|kī niśhānī light kā crown hai .
34To be constantly fortunate means to have the crown of light. 35In the lokik world, to have the kingdom is a sign of fortune and the sign of the kingdom is the crown.
38Us tāj key|kī prāpti kā ādhār hai pyūriṭī ( P u r i t y ; pavitratā ) aur sarv prāpti .
36So too, the sign of Godly fortune is the crown of light, and the basis of attaining this crown is to have purity and all attainments.
39Sampūrṇ pyūriṭī arthāt mansā mē̃ bhī kisī ēk vikār kā aṅśh bhī na hō . 40Aur sarv prāpti arthāt gyān , sarv guṇ aur sarv śhaktiyō̃ key|kī prāpti .
37Complete purity means there shouldnt be the slightest trace of any vice even in your mind, and all attainments means the attainment of knowledge, all virtues and all powers.
41Agar kōī bhī prāpti key|kī kamī hai tō light kā crown spaṣhṭ dikhāī nahī̃ dēgā ; apavitratā aur aprāpti K|kē bādalō̃ mē̃ chhipā huā dikhāī dēgā .
38If any attainment is lacking, then the crown of light will not be clearly visible; it will be unseen and hidden behind the clouds of impurity and lack of attainment.
42Svayã kō sadā lāīṭ-ātmik rūp anubhav nahī̃ karēgā .
39You will not be able to experience yourself as constantly light or soul conscious.
43Karma mē̃ bhī apnē kō light ( L i g h t ; halkā ) mahsūs nahī̃ karēgā .
40You wont experience yourself to be light whilst performing action.
44Bār-bār mēhnat kē bād vā attention ( A t t e n t i o n ; dhyān ) rakhnē K|kē abhyās kē bād alp samay kē liē svayã kō double light anubhav karēgā .
41Only after making effort, again and again and after the practice of paying a lot of attention will you be able to experience yourself as being light.
45Jaisē hī sōchēgā ki maĩ ātmā light hū̃ , tō ātmā kē bajāē śharīr arthāt dēh apnē kō anubhav karēgā .
42As soon as you try to think that you are a soul, instead of experiencing yourself as light, you will experience yourself to be a body. 43The basis of fortune is all attainments.
46Bhāgya kā ādhār sarv prāptiyā̃ haĩ .
44The sign of all attainments is imperishable happiness.
47Sarv prāptiyō̃ key|kī niśhānī hai avināśhī khuśhī .
45One who is constantly fortunate would be constantly happy.
48 sadā bhāgyavān sadā khuśh hōgā . 49Bhāgya cum|kam tō khuśhī bhī cum|kam , khuśhī cum|kam arthāt sadā bhāgyavān nahī̃ .
46If there is not much fortune there will be less happiness, and if there is less happiness it means you are not constantly fortunate.
50Tō samjhā ? 51Sadā suhāgin aur sadā bhāgin arthāt bhāgyavān key|kī niśhāniyā̃ kyā haĩ ?
47So, do you now understand what the signs of being constantly wed and constantly fortunate are?
52Ab tō sab bātē̃ sāmnē rakhtē huē svayã kō caik karō ki maĩ kaun hū̃ ?
48Now, keeping all these things in front of you, check: Who am I?
53Achchhā .
49Achcha.
54Sadā suhāg K|kē tilak dhārī śhrēṣhṭh bhāgyavān , sarv prāpti svarūp sadā bāp K|kē sāthī aisī śhrēṣhṭh ātmāō̃ kō bāp-dādā kā yād-pyār aur namastē .
50To those who constantly have the tilak of suhaag; to the greatly fortunate souls, to those who are the embodiment of all attainments; to the constant companions of the Father, to such elevated souls, BapDadas love, remembrance and namaste.
55Dīdī jī kē sāth :
51BapDada meeting Didi and Dadi:
56Aisē sadā suhāgin aur sadā bhāgayavān aur sampūrṇ bhāgyavān kitnē hōṅgē ?
52How many souls would there be who have constant suhaag and are constantly and completely fortunate?
57Nirantar double light aur nirantar sarv prāpti sampann sampūrṇ pavitra hō̃ , aisē kitnē maṇakē hōṅgē ?
53How many beads who are constantly doublelight, constantly complete with all attainments and completely pure would there be?
58Jō aṅguliyō̃ par gintī jitnē !
54As many as can be counted on your fingers!
59Aisē ratnō̃ key|kī hī viśhēṣh pūjā hōtī hai .
55Only such jewels are especially worshipped.
60Viśōṣ nau ratnō̃ key|kī pūjā hōtī hai nā .
56The nine jewels are especially worshipped.
61Tō jō achchhī quality ( Q u a l i t y ; prakār ) kā ratna hōtā hai , us ēk ratna mē̃ ēk raṅg kā hōtē huē bhī sab raṅg dikhāī dēgē .
57A jewel that is of very good quality would reveal many colours within itself even though the jewel itself would be of only one colour.
62Jaisē saphēd hīrā hōtā hai , jō baṛhiyā hīrā hōgā , chamaktā huā phlālēs ( F l a w l e s s ; dāg rahit ) dikhāī dēgā . 63Dhyān sē dēkhē̃gē tō saphēd hōtē huē bhī usmē̃ sab raṅg dikhāī dēgē .
58A beautiful sparkling white diamond would be seen as completely flawless, and if you examine it very closely, even though it is white, all the colours would be seen within it.
64Iskā kāraṇ kyā hai ?
59What is the reason for this?
65Sarv śhaktiyō̃ K|kē sampann key|kī niśhānī yah hai .
60This is the sign of being complete with all powers.
66Sarv śhaktiyā̃ bhinn-bhinn raṅg K|kē rūp mē̃ dikhāī dētī haĩ .
61All the powers are visible as different colours.
67Vah science ( vigyān ) kā hisāb aur yahā̃ hai silence ( S i l e n c e ) dvārā sarv prāptiyā̃ .
62That is in terms of science whereas here, it is all attainments through silence.
68Jaisē varṣhā kē bād indra dhanuṣh dikhāī dētā hai , tō usmē̃ bhī sab raṅg dikhāī dētē haĩ yah bhī gyān varṣhā kē bād . 69Varṣhā kā phal sarv prāpti svarūp .
63After rain, you are able to see a rainbow in which all the colours are visible. 64Here also, after the shower of knowledge, the fruit of the rain is to become an embodiment of all attainments.
70Tō aisā śhrēṣhṭh hīrā vā ratna sarv prāpti svarūp hōnē kāraṇ jō śhakti pānē chāhē vah us ratna dvārā prāpt kar saktē haĩ .
65Because of being an embodiment of all attainments, an elevated diamond or jewel is able to attain any power it wants.
71Tō aisē ratna kitnē hōṅgē ?
66How many such jewels would there be?
72Nau ratnō̃ kā pūjan , nirvighna hōnē kē liē viśhēṣh hōtā hai .
67Because of being completely free from obstacles, the nine jewels are especially worshipped.
73Kōī kē ūpar viśhēṣh vighna ātā hai , tō nau ratnō̃ kā pūjan kartē haĩ .
68When people have a particular obstacle, they especially worship the nine jewels.
74Tō itnē nirvighna banē hō ? 75Her|har ratna sampann hōtā hai , lēkin phir bhī her|har ratna key|kī mukhya viśhēṣhtā apnī hōtī hai .
69So, have that many become completely free from obstacles? 70Each jewel is complete, yet each one has its own main speciality.
76Isliē nau ratnō̃ key|kī ikaṭṭhī pūjā bhī hōtī hai , aur alag-alag bhī viśhēṣh kōī vighna arth|earth kōī ratna gāyā huā hōtā hai .
71This is why the nine jewels are worshipped collectively and also individually; each jewel is specially remembered for a particular obstacle.
77Mānō dhan key|kī samasyā vā vighna hai tō dhan key|kī prāpti kē liē vā aprāpti kā vighna miṭānē kē liē viśhēṣh ratna bhī hōtā hai .
72For instance, if someone has a problem or obstacle regarding money, then in order to attain wealth, or in order to finish the lack of money, they have a special jewel.
78Bīmārī jyādā mark lī hōṅgī tō uskā yādgār phir ab tak bhī apnē hāth mē̃ riṅg ( aṅgūṭhī ) banākar pahantē haĩ yā galē mē̃ locket banā kar ḍāltē haĩ .
73If they have received a lot of marks through sickness, the memorial of that is that, even now, they wear a ring or a locket that they have specially made, which they wear all the time.
79Tō yah sab hisāb vartamān samay K|kē prāpti K|kē haĩ .
74All of that is on accounts of the attainments of the present time.
80Tō aisē kitnē hōṅgē ?
75So, how many such beads would there be?
81Gintī karnē mē̃ ātē haĩ ?
76Are you able to count them?
82Nām batānē K|kē nahī̃ dikhānē K|kē haĩ .
77It is not a question of giving names, but of showing these beads.
83Agar announce ( A n n o u n c e ) bhī karē aur bhaviṣhya mē̃ vah prasiddh bhī hōṅgē lēkin abhī sampūrṇ stage par na dēkh karkē question ( Q u e s t i o n ; praśhna ) karē̃gē yah kyō̃ , yah kaisē .
78If it were to be announced and they were to become wellknown in the future, because they are not seen in their perfect stage now, there would be questions, Why this one? 79How is this possible? This is also why Baba cannot tell you.
84Isliē bāp bhī batā nahī̃ saktā . 85Dikhā saktē haĩ - yah is gintī mē̃ haĩ . 86Yah hō saktā hai .
80He can show you, This one is amongst this number, it is possible for this one to come. It is not a question of telling you.
87Batānē key|kī bāt nahī̃ hai . 88Ab ēk kā bhī nām batāvē̃ tō dēkhnā kitnē question uṭhtē .
81If Baba mentions the name of even one, just see how many questions would arise. What does this one have that we do not have?
89Ismē̃ kyā hai , hamārē mē̃ kyā nahī̃ hai .
82This one has this defect. Baba does not want anyone to waste time in questions.
90Ismē̃ tō yah hai . 91Kaī question mē̃ samay vyarth ganvāē , yah bhī bāp nahī̃ chāhtē .
83But the jewels that have been revealed every kalpa will definitely be revealed exactly as they were a kalpa ago.
92Bākī kalp-kalp K|kē prasiddh huē ratna , kalp pahlē muvāphik prasiddh jarūr hōṅgē . 93Ājkal nām nahī̃ , kām chāhtē haĩ .
84Nowadays, no one wants names; they want the task accomplished. 85Now, each one has the aim, Why should I not make myself move forward and become worthy? Achcha. 86BapDada meeting groups:
94Abhī tō harēk K|kē andar yah lakṣhya hai ki maĩ hī apnē kō kyō̃ nahī̃ itnā āgē baṛhā kar yōgya banāū̃ . 95Achchhā .
87You have come from afar to your birthplace. 88The birthplace of Brahmins is Madhuban. 89Do you think that you have come to your birthplace?
96Viśhēṣh jō mēlē key|kī sēvā par upasthit haĩ - unhī̃ kō yād dēnā .
90People give a lot of importance to their birthplace. 91This is the alokik birthplace.
97Kyōṅki yah sēvā dvārā bāp sē milnā hī hai . 98Yōgyukt hō sunā hai , isliē bāp-dādā sēvādhāriyō̃ kō sadā sammukh hī dēkhtē haĩ . 99Aisē sēvādhārī kabhī bhī apnē kō dūr nahī̃ samajhē̃gē . 100Sammukh hī samajhē̃gē .
92When you come to this alokik birthplace, the lokik consciousness automatically finishes, because it is remembered, As is the land (dharni) , so are the actions (karni karma). It is also remembered: As is the company, so is the colour; as is the food, so is your mind. In the same way, as is the land, so are the actions.
101Achchhā . 102Anya dādiyō̃ kē sāth :
93If the land is impure, then the actions are also likewise.
103Dūr-dūr sē apnē janmabhūmi par āē haĩ - brāhmaṇō̃ key|kī janmabhūmi madhuban hai nā .
94The land affects your karma and sanskars. 95When you go to a temple, the area there influences you.
104Aisē samajhtē hō ki apnī janmabhūmi par āē haĩ . 105Janmabhūmi kā bahut mahatva rakhtē haĩ .
96If someone has an evil thought in a temple, he would consider himself to be a great sinner.
106Aur yah phir alaukik janmabhūmi hai . 107Is alaukik janmabhūmi par ānē sē hī laukikpan svataḥ hī bhūl jātā hai .
97Therefore, this is the alokik land, and if you do not have any lokik consciousness whilst you are here, you will become a karma yogi.
108Kyōṅki jaisē dharnī vaisē karnī yah gāyan hai . 109 jaisā saṅg vaisā raṅg , jaisā ann vēsā man gāyā huā hai .
98This is why BapDada constantly says, Wherever you may be living, always consider yourself to be a resident of Paramdham or Madhuban.
110Vaisē hī , jaisē dharnī vaisī karnī . 111Agar kōī tamōguṇī dharnī hai tō karnī bhī aisī hō jātī hai . 112Dharnī kā prabhāv karma aur saṅskār par paṛ jātā hai .
99In terms of the incorporeal stage, consider yourself to be a resident of Paramdham, and in terms of your corporeal stage, consider yourself to be a resident of Madhuban.
113Jaisē mandir mē̃ jātē haĩ tō bhūmi kā hī prabhāv hōtā hai nā .
100As soon as you speak of Madhuban, both sweetness and the attitude of disinterest emerge.
114Agar mandir key|kī bhūmi par kisī burā saṅkalp āvē tō vah apnē kō bahut pāpī samajhēgā . 115Vaisē agar burā saṅkalp ātā tō burā samajhtē .
101In your stage, there should be an attitude of unlimited disinterest and when coming into contact with others, there has to be sweetness.
116Tō yah hai alaukik bhūmi laukiktā smr̥iti mē̃ bhī nahī̃ āyēgī . 117Nirantar karmayōgī hō jāyēṅgē .
102The stage is connected with the place. 103Do all of you have unlimited disinterest or do you still have attachment somewhere?
118Isliē bāp-dādā sadaiv kahtē haĩ ki kahā̃ bhī rahtē hō lēkin apnē kō sadā paramdhām nivāsī va madhuban nivasī samjhō .
104Those who have unlimited disinterest would not have any attachment or be subservient to anyone. 105They would have stepped away from this old world.
119Nirākār sthiti K|kē hisāb sē paramdhām nivāsī , sākār sthiti K|kē hisāb sē madhuban nivāsī .
106Only when you consider the Father to be your entire world can you become one who has unlimited disinterest.
120Madhuban kahnē sē hī vairāgya vr̥itti aur madhurtā dōnō̃ hī ā jātī hai .
107If the Father is your entire world, then when you see the world in the Father, you will experience nothing else remaining.
121Sthiti mē̃ bēhad key|kī vairāg vr̥itti aur samparka mē̃ madhurtā dōnō̃ hī chāhiē . 122Sthān sē sthiti kā connection ( C o n n e c t i o n ; sambandh ) hai .
108You would automatically have disinterest. 109If the Father is your world, then you would remain in that world, you would not go into another world, and so you would have stepped away from it.
123Sabhī bēhad K|kē vairāgī banē hō ki abhī kahā̃ lagāv hai ?
110People and comforts are both included in the world.
124Bēhad K|kē vairāgī kā kahā̃ bhī lagāv va jhukāv nahī̃ hōgā .
111And so, have you made the Father your world or is there another world for you?
125Uskā sadaiv is purānī duniyā sē kinārā hōgā .
112Do you have any other relationships or wealth? 113Babas wealth is your wealth.
126Bēhad K|kē vairāgī tab ban sakē̃gē jab bāp kō hī apnā saṅsār samajhē̃gē .
114When you have this awareness, you will automatically have unlimited disinterest.
127Bāp hī saṅsār hai tō jab bāp mē̃ saṅsār dēkhē̃gē anubhav karē̃gē tō bākī rahā hī kyā ?
115Whilst seeing others, you will not see them; they would not be visible. 116When you have awareness, you receive power.
128Automatic ( svataḥ ) vairāg ā jāēgā nā .
117If you have power, then no situation would make you fluctuate.
129Bāp hī mērā saṅsār hai tō saṅsār mē̃ hī rahē̃gē ; dūsrē mē̃ jāēṅgē hī nahī̃ tō kinārā hō jāēgā .
118You would move along whilst considering the tests to be a game. 119When you are watching a game or a play and see any adverse situation, would you fluctuate?
130Saṅsār mē̃ vyakti va vaibhav sab ā jātā hai tō bāp kō hī apnā saṅsār banāyā hai ki āgē kōī saṅsār hai ?
120No matter what happens, even if someone dies, you would not fluctuate because you understand that it is a play.
131Kōī sambandh va kōī sampatti hai kyā ?
121In the same way, consider adverse situations to be a role.
132Bāp key|kī sampatti sō apnī sampatti . 133Tō isī smr̥iti mē̃ rahnē sē automatic bēhad K|kē vairāgī hō jāyēṅgē .
122By seeing the role of an adverse situation as a detached observer, you will not wilt but will enjoy yourself.
134Kōī kō dēkhtē huē bhī nahī̃ dēkhē̃gē . 135Dikhāī hī nahī̃ dēkhē̃gē .
123Only when you forget the point of the drama do you wilt.
136Dikhāī hī nahī̃ dēgā . 137Achchhā . 138 smr̥iti mē̃ rahnē sē samarthī ātī hai . 139 agar samarthī hōgī tō kōī bhī paristhiti svasthiti kō ḍagmag nahī̃ karēgī .
124Blessing:May you be equal to the Father by experiencing the flying stage with gyanyukt feelings and yoga filled with love.The yogi souls who are the embodiment of knowledge are constantly victorious through experiencing all powers.
140Parīkṣhāō̃ kō ēk khēl samajhkar chalē̃gē . 141Agar khēl mē̃ yā nāṭak mē̃ kisī prakār key|kī paristhiti dēkhtē tō ḍagmag hōtē haĩ kyā ?
125Those who are just loving or devotional simply say Baba, Baba in their mind and through their lips and so, from time to time, they receive cooperation.
142Kōī marē vā kuchh bhī hō lēkin sthiti ḍagmag nahī̃ hōgī .
126However, it is the gyaniyogi souls who are close to becoming equal to the Father.
143Kyōṅki samajhtē haĩ yah khēl hai . 144Aisē hī paristhitiyō̃ kō ēk part samjhō .
127Therefore, become an embodiment of knowledge to the same extent as you have loving feelings.
145Paristhiti K|kē part kō sākṣhī hō dēkhnē sē ḍagmag nahī̃ hōṅgē , murjhāyēṅgē nahī̃ , majā āēgā .
128The balance of feelings filled with knowledge and yoga filled with love enables you to experience the flying stage and makes you become equal to the Father.
146Murjhātē tab haĩ jab drama key|kī point kō bhūl jātē haĩ .
129Slogan:Real service is to remain constantly free from obstacles and to liberate others from obstacles also. 130* * * O M S H A N T I * * *