शुक्रवार 27 मई 1977 की अव्यक्त मुरली

⁰> ¹27-05-77 ōm śhānti avyakt bāpadādāmadhuban

⁰> > 16/06/97 Om Shanti Avyakt BapDada Madhuban 27/05/77

²Powerful stage arthāt bāp samān bījrūp sthiti

¹A powerful stage means the seed stage, equal to that of the Father.

³Sadā samarth , sadā gyān K|kē khazānē sē sampann , bāp samān guṇamūrtta aur śhakti mūrtta , gyānī tū ātmā , aisī vidēśhī sō svadēśī ātmāō̃ prati bāp-dādā K|kē uchchārē huē mahāvākya  : ⁴Āj bāp-dādā K|kē sāmnē kaun see|sī|C sabhā baiṭhī huī hai  ?

²Do you know which gathering is sitting in front of BapDada today?

⁵Jāntē hō  ? ⁶Āj double prakār key|kī sabhā hai .

³Today, there is a double gathering in front of Baba.

⁷Ēk , jō sabhī sāmnē baiṭhī haĩ - bhāratvāsī bachchō̃ key|kī sabhā . ⁸Dūsrē , vidēśhī bachchō̃ key|kī sabhā .

⁴One gathering, sitting in front of Baba, is of the children of Bharat, and the second gathering is of the foreign children.

⁹Vidēśhī bachchē bahut umaṅg , utsāh aur lagan sē bāp kō pratyakṣha karnē K|kē plānsa ( P l a n s ) banātē huē , bār-bār bāp K|kē guṇ gātē , khuśhī mē̃ nāch rahē haĩ .

⁵Whilst making plans to reveal the Father with a lot of zeal, enthusiasm and love, the foreign children also sing songs of the Father’s praise and are all dancing.

¹⁰Unhō̃ key|kī khuśhī kā , man kā gīt bāp-dādā K|kē sāmnē sunāī dē rahā hai .

⁶BapDada is able to hear the songs of happiness in their minds.

¹¹Sab taraph , viśhēṣh rūp sē bāp K|kē snēh aur sēvā kā vātāvaraṇ ākarṣhaṇ karnē vālā hai .

⁷In all directions, it is especially the atmosphere of love for Baba and His service that attracts.

¹²Bāp-dādā kō bhī bachchō̃ kō dēkh , bachchō̃ K|kē umaṅg par khuśhī hōtī hai .

⁸On seeing the children, BapDada is happy to see their enthusiasm.

¹³Sāth-sāth āp sabhī bachchō̃ kā milan kā umaṅg dēkh harṣhit hōtē haĩ .

⁹As well as this, Baba is happy to see the enthusiasm of all of you children for meeting the Father.

¹⁴Āj amr̥itvēlē bāp-dādā chārō̃ ōr K|kē bachchō̃ kē pās chakkar lagānē nikalē .

¹⁰This morning at amrit vela, BapDada went on a tour to see all the children.

¹⁵Kyā dēkhā  ?

¹¹What did He see?

¹⁶Madhuban vardān bhūmi mē̃ , khuśhī-khuśhī sē āē huē bachchē , is hī milan key|kī khuśhī mē̃ aur sab bātē bhūlē huē haĩ .

¹²In Madhuban, the land of blessings, children who have come to celebrate a meeting, in their happiness of this meeting, have forgotten everything else.

¹⁷Harēk number-vār purūṣhārth anusār vardān prāpt karnē K|kē umaṅg , utsāh mē̃ thē .

¹³Each one has numberwise zeal and enthusiasm for claiming the blessings.

¹⁸Aur sab taraph chakkar lagātē huē kyā dēkhā  ?

¹⁴And what did Baba see when going on a tour of everywhere else?

¹⁹Majority ( M a j o r i t y  ; adhiktar ) kā śharīr bhal apnē-apnē sthān par hai , lēkin man key|kī lagan madhuban taraph hai .

¹⁵Although the bodies of the majority were in different places, the love of everyone’s mind was for Madhuban.

²⁰Avyakt rūp sē yōgyukt bachchē madhuban mē̃ hī apnē kō anubhav kartē haĩ .

¹⁶Yogyukt children, in the avyakt form, experience themselves to be in Madhuban.

²¹Chārō̃ ōr svarūp chātrak samān dikhāī dē rahā thā .

¹⁷In all directions, everyone’s form was that of a chatrak bird.

²²Yād kī yātrā K|kē chart mē̃ kyā dikhāī diyā  ?

¹⁸What did Baba see in their chart of the pilgrimage of remembrance?

²³Position ( P o s i t i o n  ; martabā ) aur opposition ( O p p o s i t i o n  ; virōdh ) dōnō̃ kā khēl dēkhā thā . ²⁴Yathā śhakti harēk apnē position par sthit rahnē kā prayatna bahut kartē , lēkin māyā key|kī opposition , ēk ras sthiti mē̃ sthit hōnē mē̃ vighn-svarūp ban rahī thī .

¹⁹Baba saw the game of both position and opposition. ²⁰According to his own capacity, each one of them was trying to remain set in his position, but the opposition from Maya was creating obstacles to his maintaining a steady stage.

²⁵Iskā kāraṇ kyā  ?

²¹What were the reasons for this?

²⁶ ( 1 ) ēk tō sārē din key|kī dincharyā par bār-bār attention key|kī kamī hai .

²² 1. The lack of constant attention to the whole day’s timetable. ^{23 24}

²⁷ ( 2 ) dūsrā śhuddha saṅkalp kā khajānā jamā na hōnē kāraṇ vyarth saṅkalpō̃ mē̃ jyādā samay vyatīt kartē haĩ .

^{25 26} 2. Because of not having accumulated a treasure­store of positive thoughts, they spend a lot of time in waste thoughts.

²⁸Manan śhakti bahut cum|kam hai .

²⁷Their power of churning is very low.

²⁹ ( 3 ) tīsrā , kisī bhī prakār key|kī chhōṭī-chhōṭī paristhitiyā̃ jō haĩ kuchh bhī nahī̃ , un chhōṭī see|sī|C bātō̃ key|kī kamzōrī kā kāraṇ bahut baṛā samajh , uskō miṭānē mē̃ time bahut west|waste ( T i m e W a s t e  ; samay vyarth ) kartē haĩ . ³⁰Kāraṇ kyā  ? ³¹Samay prati samay jō anēk prakār key|kī paristhitiyō̃ kō pār karnē key|kī yuktiyā̃ suntē haĩ , vah us samay ghabrānē K|kē kāraṇ smr̥iti mē̃ nahī̃ ātī haĩ . ³² ( 4 ) chauthā apnē hī svabhāv saṅskār , jō samajhtē bhī haĩ ki nahī̃ hōnē chāhiē , bār-bār un svabhāv-sanskār K|kē vaśhībhūt hōnē sē dhōkhā bhī khā chukē haĩ , lēkin phir bhī rachtā kahlātē huē bhī , vaśhībhūt hō jātē haĩ .

²⁸

³³Apnē anādi , ādi saṅskār bār-bār smr̥iti mē̃ nahī̃ lātē haĩ . ³⁴Is kāraṇ saṅskār svabhāv miṭānē key|kī samarthī nahī̃ ā saktī haĩ . ³⁵Aisē chārō̃ hī prakār K|kē yōddhā dēkhē .

^{29 30} 3. Because of the children’s weakness, they consider any type of minor situation, which in fact is nothing, to be something major and they waste a lot of time in finishing it.

³⁶Yōddhā śhabda sunkar hansī ātī hai .

³¹What is the reason for this?

³⁷Aur jis samay prēkṭīkal act ( P r a c t i c a l A c t  ; vyavahārik karma ) mē̃ ātē hō , us samay hansī ātī hai  ? ³⁸Bāp-dādā kō aisā khēl dēkhtē huē , bachchō̃ par rahm aur kalyāṇ kā saṅkalp ātā hai .

³²Because of being afraid, they are unable to remember the different methods that they have heard from time to time of how to overcome these adverse situations. ^{33 34}

³⁹Ab tak majority vyarth saṅkalpō̃ key|kī complain ( C o m p l a i n  ; śikāyat ) bahut kartē haĩ .

³⁵ 4. You understand that you shouldn’t have a certain type of nature or sanskars.

⁴⁰Vyarth saṅkalp K|kē kāraṇ tan aur man dōnō̃ kamzōr hō jātē haĩ . ⁴¹Vyarth saṅkalp kā kāraṇ kyā  ? ⁴²Sunāyā thā , apnī dincharyā kō set karnā nahī̃ ātā . ⁴³Amr̥itvēlē rōz key|kī dincharyā , tan key|kī aur man kō set karō .

³⁶Nevertheless, though you have already experienced being influenced and deceived by them again and again, even though you call yourself a creator, you still become influenced by them.

⁴⁴Jaisē tan key|kī dincharyā banātē hō ki sārē din mē̃ yah-yah karma karnā hai , vaisē apnē sthūl kārya K|kē hisāb sē , man key|kī sthiti kō bhī set karō .

³⁷Because of this, you do not bring your original and eternal sanskars into your awareness; you are unable to acquire the power to finish those sanskars and nature.

⁴⁵Jaisē amr̥itvēlē yād kī yātrā kā samay set hai , tō aisē suhāvanē samay par , jabki samay kā bhī sahyōg hai , satōpradhān buddhi kā sahyōg hai , aisē samay par man key|kī sthiti bhī sabsē powerful stage ( P o w e r f u l S t a g e  ; śhaktiśhālī sthiti ) kī chāhiē . ⁴⁶Powerful stage arthāt bāp samān bījrūp sthiti . ⁴⁷Tō yah amr̥itvēlē kā jaisā śhrēṣhṭh samay hai , vaisī śhrēṣhṭh sthiti hōnī chāhiē . ⁴⁸Sādhāraṇ sthiti mē̃ tō , karma kartē bhī rah saktē hō , lēkin yah viśhēṣh vardān kā samay hai .

³⁸

⁴⁹Is samay kō yathārth rīti use ( U S E  ; prayōg ) na karnē kā kāraṇ , sārē din key|kī yād kī sthiti par prabhāv paṛtā hai . ⁵⁰Tō pahlā attention - ‘ amr̥itvēlē key|kī powerful sthiti key|kī saiṭiṅg karō . ⁵¹’ ⁵²Dūsrī bāt , jab gyān key|kī guhya bātē̃ suntē hō , arthāt regular study ( niyamit adhyayan ) kartē hō , us samay jō points nikaltī haĩ , us her|har point kō suntē huē , anubhavī mūrtta hōkar nahī̃ suntē .

³⁹

⁵³Gyānī tū ātmā her|har bāt K|kē svarūp kā anubhav kartī haĩ .

⁴⁰Baba saw these four types of warrior.

⁵⁴Sunnā arthāt us svarūp K|kē anubhavī bankar sunnā . ⁵⁵Lēkin anubhavī mūrtta bannā bahut cum|kam ātā hai .

⁴¹On hearing the word, “warrior”, you become amused, but are you also amused when you carry out these acts in practice?

⁵⁶Sunnā achchhā lagtā hai , guhya bhī lagtā hai , khuśh bhī hōtē haĩ , bahut achchhā khajānā mil rahā hai , lēkin samānā arthāt svarūp bannā - iskā abhyās hōnā chāhiē .

⁴²On seeing such acts of the children, BapDada feels mercy for the children and has benevolent thoughts for them. ⁴³Even now, the majority have a lot of complaints about waste thoughts.

⁵⁷Maĩ ātmā nirākār hū̃ - yah bār-bār suntē hō , lēkin nirākār sthiti K|kē anubhavī bankar sunō .

⁴⁴Because of waste thoughts, both the mind and body become weak. ⁴⁵What is the reason for waste thoughts?

⁵⁸Jaisī point , vaisā anubhav . ⁵⁹Paramdhām key|kī bātē̃ sunō tō paramdhām nivāsī hōkar paramdhām key|kī bātē̃ sunō .

⁴⁶You have already been told that it is because you do not know how to set your daily timetable.

⁶⁰Svargvāsī dēvtāī sthiti K|kē anubhavī ban , svarg key|kī bātē̃ sunō .

⁴⁷At amrit vela every day, set the timetable for the body and the mind.

⁶¹Iskō kahā jātā hai sunnā arthāt samānā . ⁶²Samānā arthāt svarūp bannā .

⁴⁸You set a timetable for your body, for whatever actions you have to perform throughout the day.

⁶³Agar isī rīti sē murlī sunō tō śhuddha saṅkalp kā khajānā jamā hō jāēgā . ⁶⁴Aur isī khazānē K|kē anubhav kō bār-bār sumiraṇ karnē , sārā samay buddhi isī mē̃ hī busy rahēgī .

⁴⁹In the same way, as you make a timetable for the physical work you have to do, also set a timetable for your mind, just as the time for the pilgrimage of remembrance is set for the mind.

⁶⁵Vyarth saṅkalpō̃ sē sahaj kinārā hō jāēgā . ⁶⁶Agar anubhavī hōkar nahī̃ suntē , tō bāp K|kē khazānē kō apnā khajānā nahī̃ banātē . ⁶⁷Isīliē khālī rahtē hō .

⁵⁰At such an auspicious time, when you have the co­operation of the time, and your intellect is in its satopradhan stage, then the mind should also be in its most powerful stage.

⁶⁸Arthāt vyarth saṅkalpō̃ kō svayã hī jagah dētē .

⁵¹A powerful stage means the seed stage, equal to that of the Father.

⁶⁹Aur āgē baṛhkar sārī dincharyā mē̃ kyā-kyā kamī kartē hō , vah phir dūsrē din sunāyēṅgē .

⁵²Therefore, just as the time of amrit vela is so elevated, so your stage should be the same.

⁷⁰Pahlē in dō bātō̃ kō ṭhīk karō . ⁷¹Jyādā dose ( D o s e  ; khurāk ) nahī̃ dētē haĩ . ⁷²Achchhā .

⁵³You can continue to perform actions in an ordinary stage, but this is a special time for blessings.

⁷³Sadā samarth , sadā gyān K|kē khazānē sē sampann , yād kī yātrā dvārā sarv śhaktiyō̃ K|kē anubhavī mūrtta , sadā her|har paristhati kō svasthiti dvārā second mē̃ aur sahaj pār karnē vālē , aisē bāp samān guṇ mūrtta aur śaktimūrtta gyānī tū ātmāō̃ kō bāp-dādā kā yād-pyār aur namastē . ⁷⁴Dīdī jī kē sāth  : ⁷⁵Āj viśhēṣh vidēśh vālō̃ kā bāp kō apnī taraph khīñchnē kā chal rahā hai . ⁷⁶Yah sabhā dēkhtē huē bhī bāp-dādā kō bār-bār sāmnē vidēśhī nazar ātē haĩ .

⁵⁴Because this time is not used in an accurate way, your stage of remembrance is influenced throughout the day.

⁷⁷Viśhēṣh yād K|kē ākarṣhaṇ kā bahut fullforce sē mīṭhī-mīṭhī bātē̃ kartē haĩ . ⁷⁸Harēk apnē man K|kē umaṅg kā saṅkalp bāp kē āgē aisē rakh rahē haĩ , jaisē sammukh bātē̃ kī jātī haĩ , vidēśh mē̃ rahnē vālō̃ kō itnī khuśhī kyō̃ hai  ? ⁷⁹Iskā kāraṇ kyā hai  ? ⁸⁰Kyōṅki naī-naī phulvāṛī samajhtī haĩ ki ham pīchhē ānē vālē jab tak kōī viśhēṣh kārya nahī̃ karē̃gē tō high jump ( ūñchī chhalāṅg ) dēkar āgē kaisē baṛhē̃gē .

⁵⁵So, first pay attention to setting a powerful stage at amrit vela.

⁸¹Unhōṅkō yah lagan hai ham kuchh viśhēṣh karkē dikhāvē̃ . ⁸²Jō na huā hai vah karkē dikhāvē̃ . ⁸³Is kāraṇ is naśhē mē̃ rāt-din tan-dhan kuchh dikhāī nahī̃ dētā hai . ⁸⁴Lakṣhya achchhā rakhā hai .

⁵⁶Secondly, when you are listening to the deep aspects of knowledge, that is, when you are studying regularly, you are not listening as an embodiment of experience to the points that emerge.

⁸⁵Harēk sthān yahī sōch rahā hai ki hamārē dēśh kā chārō̃ ōr nām nikalē .

⁵⁷A knowledgeable soul experiences the form of every aspect.

⁸⁶Is race K|kē kāraṇ ēk dō sē āgē baṛh rahē haĩ .

⁵⁸To listen means to become an embodiment of that form whilst listening.

⁸⁷Vidēśh sē nām nikalnā hai - yah tō ṭhīk hai , lēkin kis kōnē sē nikaltā  ?

⁵⁹However, you very much lack the knowledge of how to become an embodiment of experience.

⁸⁸Kaun sā sthān nimitt bantā  ? ⁸⁹Kis sthān kā vyakti nimitt bantā hai  ? ⁹⁰Isliē harēk apnē dhun mē̃ lagē huē haĩ .

⁶⁰You enjoy listening and you also find that the points very deep; you become happy and feel that you are receiving very good treasures.

⁹¹Aur bāp-dādā kō bhī bachchō̃ key|kī mēhnat aur utsāh achchhā lagtā hai .

⁶¹However, to become an embodiment of them, you have to merge them within you.

⁹² ( dādī kō ) āp yahā̃ baiṭhī hō yā vidēśh mē̃  ?

⁶²You should practise this.

⁹³Vidēśh service K|kē plan chaltē haĩ ki jab plain|plane ( P l a n e ) mē̃ chaṛhē̃gī tab plan chalē̃gē  ?

⁶³You constantly hear, “I am a soul”, but listen to it whilst experiencing the incorporeal stage.

⁹⁴Mahārathiyō̃ sē ēk praśhna pūchhtē haĩ .

⁶⁴As is the point, so should be your experience.

⁹⁵Bāp sē tō bahut pūchhtē haĩ . ⁹⁶Mahārathiyō̃ kē liē viśhēṣh hai – rūh-rūhān , mahārathiyō̃ sē achchhī lagtī hai .

⁶⁵When you listen to anything of Paramdham, become a resident of Paramdham as you listen to it.

⁹⁷Vijay mālā K|kē jō maṇakē bantē haĩ pahlā number vā 108 vā̃ number , dōnō̃ mē̃ antar kyā hai  ?

⁶⁶Become experienced in the stage of the golden­aged deities and then listen to the things of heaven.

⁹⁸Kahlātē tō sab vijayī ratna haĩ . ⁹⁹Nām hī hai vijaymālā .

⁶⁷This is known as listening, that is, merging it within you.

¹⁰⁰Lēkin pahlā number vijayī ratna aur jō last kā vijayī ratna hai unmē̃ kōī viśhēṣh subject ( viṣhay ) par vijay kā ādhār hai vā total number par ādhār hai . ¹⁰¹Ēk hōtā hai viśhēṣh subject mē̃ .

⁶⁸To merge it means to become an embodiment of it. ⁶⁹If you listen to the murli in this way, the treasure of pure thoughts will accumulate, and you will constantly remember the experiences of these treasures; the intellect will remain busy in this all the time.

¹⁰²Dūsrā hōtā hai sab subject K|kē total marks kā antar .

⁷⁰Then, you will easily be able to step away from waste thoughts.

¹⁰³Tō iskī guhyatā kyā hai arthāt vijay key|kī guhya gati  ? ¹⁰⁴Ismē̃ bahut kuchh rahasya bharā huā hai . ¹⁰⁵Yugal dānē key|kī viśhēṣh subject kaun see|sī|C hai aur aṣhṭ ratnō̃ key|kī kaun see|sī|C hai .

⁷¹If you do not listen to the knowledge as an embodiment of experience, then you are not able to make the Father’s treasures your own and you, therefore, remain empty, that is, you create space for waste thoughts.

¹⁰⁶100 ratnō̃ key|kī kaun see|sī|C hai  ? ¹⁰⁷Usmē̃ bhī āgē aur pīchhē vālō̃ mē̃ kyā antar hai  ?

⁷²Baba will tell you another day of the weaknesses you have in maintaining the daily timetable.

¹⁰⁸Is guhya gati kō āpas mē̃ manan karnā .

⁷³First of all, put these two aspects right.

¹⁰⁹Phir batāyēṅgē . ¹¹⁰Āj chakkar lagāyā nā .

⁷⁴Baba is not giving you a strong dose.

¹¹¹Yah tō huī mōṭī bāt .

⁷⁵Achcha.

¹¹²Lēkin viśhēṣh mahārathiyō̃ K|kē purūṣhārth mē̃ kyā mahīn antar rah jātā hai jissē dō number kē bād tīsrā ātā , phir chauthā ātā  ? ¹¹³Haĩ mahārathī , nāmī-grāmī lēkin dūsrā tīsrā number bhī kis ādhār sē bantā hai  ? ¹¹⁴Tō āj mahārathiyō̃ K|kē is guhya gati K|kē purūṣhārth kō dēkh rahē thē . ¹¹⁵Aṣhṭ mē̃ bhī pahlā number aur āṭhavā̃ number mē̃ kyā antar hai  ?

⁷⁶To those who are constantly powerful and full with the treasures of knowledge; to those who are the embodiment of experience of all the powers through the pilgrimage of remembrance; to those who easily overcome any adverse situation in one second with their own stage; to the knowledgeable souls who, like the Father, are the embodiment of virtues and powers, BapDada’s love, remembrance and namaste.

¹¹⁶Pūjtē tō āṭh hī haĩ lēkin pūjā mē̃ bhī antar , vijay mē̃ antar hai .

⁷⁷Baba meeting Didi: ⁷⁸Today, the foreigners are especially pulling Baba towards themselves.

¹¹⁷Harēk key|kī viśhēṣhtā bhī viśhēṣh hai aur phir jō kamī rah jātī hai vah bhī viśhēṣh hai jiskē ādhār par phir number bantē haĩ .

⁷⁹Even whilst Baba is seeing this gathering, the foreigners are constantly appearing in front of Baba’s vision.

¹¹⁸Āj dōnō̃ hī dēkh rahē thē tō yah āpas mē̃ vichār karnā . ¹¹⁹Samjhā  ? ¹²⁰Dillī party sē  :

⁸⁰With the special attraction of remembrance, they are having sweet conversations with the Father with full force.

¹²¹Dillī kō darbār banāyā hai  ? ¹²²Dillī darbār kahtē haĩ tō dillī kō apnī rājya darbār banāī hai  ?

⁸¹Each one is placing the thought of the enthusiasm within his mind in front of Baba as though he is talking to Baba personally.

¹²³Rājāī taiyār hō gaī hai  ?

⁸²Why do the foreigners have so much happiness?

¹²⁴Darbār mē̃ kaun baiṭhē̃gē  ?

⁸³What is the reason for this?

¹²⁵Darbār mē̃ pahlē tō mahārājā , mahārāniyā̃ chāhiē . ¹²⁶Kitnē mahārājā , mahārāniyā̃ taiyār huī haĩ  ? ¹²⁷Dillī vālō̃ kō rājya kā foundation ( F o u n d a t i o n  ; nīṃv ) lagānā hai .

⁸⁴Those of the new garden think that they have come late and that, unless they carry out some special task, they will not be able to take a high jump and move forward.

¹²⁸Rājya kā foundation kaisē lagēgā , uskā ādhār kyā  ?

⁸⁵They have the deep desire to demonstrate something special.

¹²⁹Rājya arthāt adhikār prāpt kar lēnā . ¹³⁰Pahlē svayã kā rājya , phir viśhva kā rājya .

⁸⁶They want to demonstrate doing something that has not yet been done.

¹³¹Tō dillī nivāsī svayã par adhikārī banē haĩ  ? ¹³²Vidēśh sē tō nām nikalēgā , lēkin nām pahũchēgā kahā̃  ?

⁸⁷Because of this, and in this intoxication, they do not consider whether it is day or night and do not even consider their body or wealth.

¹³³ ( dillī mē̃ ) tō dillī vālō̃ kō navīntā karnī chāhiē kyōṅki sēvā kā ādi sthān hai . ¹³⁴Sēvā key|kī ‘ bīj rūp ’ dillī hai .

⁸⁸They have a good aim. ⁸⁹Those from each place are thinking that the name should spread from their country.

¹³⁵Tō jaisē dillī ādi sthān hai sēvā K|kē hisāb sē aur rājya kā sthān rājasthān bhī hai , tō dōnō̃ hī hisāb sē dillī vālō̃ kō viśhēṣhtā karnī chāhiē tō kyā karē̃gē  ?

⁹⁰Because of this race, each one is moving ahead of the other. ⁹¹It is right that the name will be revealed from the foreign lands, but from which land will it be revealed?

¹³⁶Mēlā karē̃gē  ? ¹³⁷Conference karē̃gē  ?

⁹²Which country will become the instrument for this?

¹³⁸Yah tō purānī bātē̃ hō gayī̃ . ¹³⁹Lēkin navīntā kyā karē̃gē  ?

⁹³Which place will emerge with a person to become instrumental for this?

¹⁴⁰Pahlī bāt tō dillī vālō̃ kā ēk dr̥iṛh saṅkalp saṅgaṭhit rūp sē hōnā chāhiē ki ‘ ham sab dillī kā kilā majbūt kar saphaltā hōnī hī hai , is saṅkalp kā vrat ēk hō .

⁹⁴This is why each of them is deeply absorbed in their desire. ⁹⁵BapDada also feels very good seeing the effort and enthusiasm of the children.

¹⁴¹’ jaisē kōī bhī kārya mē̃ saphaltā kē liē vrat rakhtē haĩ nā .

⁹⁶(Speaking to Dadi Janki) Are you sitting here or in the foreign land?

¹⁴²Vah tō sthūl vrat rakhtē haĩ , lēkin yah mansā kā vrat hai jis vrat sē nimitt kōī bhī kārya karē̃gē .

⁹⁷Are you thinking of plans for foreign service or will you think about that when you board the plane?

¹⁴³Bhalā kārya sādhāraṇ bhī hō , result navīntā kī hō . ¹⁴⁴Mānō kānaphrē̃s kartē , bāhar kā jaisē rūp sādhāraṇ kā hōtā lēkin saphaltā navīntā kī hō . ¹⁴⁵Jab ēk hī samay aur sarv kā ēk hī saṅkalp vrat hōgā ki hōnā hī hai , tō dēkhō dillī kyā kamāl kartī hai  ! ¹⁴⁶Kamzōrī K|kē saṅkalp na hō - hōnā hai , nahī̃ hōnā hai , hōgā , nahī̃ hōgā , abhī tak tō huā nahī̃ - yah kamzōrī K|kē saṅkalp haĩ .

⁹⁸Baba wants to ask the maharathis a question.

¹⁴⁷Ēk dr̥iṛh saṅkalp key|kī bhaṭṭhī hō phir sab dillī kō kāpī karē̃gē . ¹⁴⁸Abhī aisī kōī navīntā dikhāō .

⁹⁹You ask Baba many questions and so there is this special heart­to­heart conversation with the maharathis.

¹⁴⁹Bhāṣhaṇ kiyā , jantā I|āī|eye , sunā aur gaē .

¹⁰⁰Baba enjoys doing this with the maharathis.

¹⁵⁰Bhāṣhaṇ karnē vālē nē bhāṣhaṇ kiyā aur chalē - yah tō hōtā rahtā hai .

¹⁰¹In the rosary of victory, what is the difference between the first bead and the 108thbead?

¹⁵¹Ab double stage svayã key|kī aur dūsrī sthān key|kī taiyār karō . ¹⁵²Jab double stage hō tab saphaltā hō .

¹⁰²All the beads are called victorious jewels, and the rosary is called the rosary of victory.

¹⁵³Sthūl stage par jhaṇḍā lagānā , slōgan lagānā , chitra lagānā bahut sahaj hai , lēkin har ēk chaitanya chitra hō . ¹⁵⁴Harēk key|kī buddhi mē̃ vijay kā jhaṇḍā lagā hō .

¹⁰³However, is the basis of claiming the number of the first bead or the last bead specifically based on any one subject or on the total marks as a whole?

¹⁵⁵Slōgan sabkā ēk hō - saphaltā hamārā janmasiddh adhikār hai . ¹⁵⁶Phir dēkhō dillī vālē kamāl karē̃gē .

¹⁰⁴One is to claim the marks in a specific subject and the other is to claim total marks in all subjects.

¹⁵⁷Dillī vālō̃ kō viśhēṣh ēk lift key|kī gift bhī hai , vah kaun see|sī|C hai  ?

¹⁰⁵So, what is the secret of this, that is, what is the deep secret of victory?

¹⁵⁸Dillī vālō̃ kā , usmē̃ bhī viśhēṣh śhakti sēnā kā viśhēṣh guṇ kaunsā hai  ?

¹⁰⁶The secret of this is very deep. ¹⁰⁷What is the special subject of the dual­bead and of the eight jewels?

¹⁵⁹Yagya key|kī sthāpanā K|kē kārya mē̃ dillī key|kī śhakti sēnā kā sudāmā misal jō chāval chapṭī kām mē̃ āī hai .

¹⁰⁸What is the speciality of the one hundred jewels? ¹⁰⁹And what is the difference between those at the front and those at the back?

¹⁶⁰Vah bahut mahatva K|kē samay kām mē̃ āī hai .

¹¹⁰Churn these secrets and Baba will then tell you.

¹⁶¹Tō mahatva K|kē samay par agar kārya mē̃ chāval chapṭī bhī lagātē tō vah bahut vr̥iddhi hō jātī hai . ¹⁶²Jaisē samay itnā phalībhūt nahī̃ hōtā . ¹⁶³Samay par sahyōg dēnē sē dillī vālō̃ kō viśhēṣh gift key|kī lift milī hai .

¹¹¹Today, Baba went on a tour. ¹¹²This is something gross, but what is the subtle difference that still remains in the effort of the maharathis due to which they claim the second, third or fourth number?

¹⁶⁴Bāp kī ōr sē drama pramāṇ dillī vālō̃ kō sadā sampann rahnē kā vardān prāpt hai .

¹¹³Of course, all maharathis are well­known, but on what basis do they claim the second, third or fourth number?

¹⁶⁵Dillī key|kī dharnī kā foundation achchhā hai .

¹¹⁴So, today, Baba was seeing this deep effort of the maharathis.

¹⁶⁶Ēkjāmpal ( E x a m p l e  ; misāl ) bannē vālō̃ kō viśhēṣh sahyōg miltā hai .

¹¹⁵Even out of the special eight jewels, what is the difference between the first and last jewel?

¹⁶⁷Dillī kō nimitt sēvā , anya sēvā sthānō̃ kē nimitt ēkjāmpal banē . ¹⁶⁸Jaisē ādi mē̃ viśhēṣhtā dikhāī , vaisē abhī dikhāō .

¹¹⁶All eight are worshipped, but there is a difference in the way they are worshipped; there is a difference in their victory.

¹⁶⁹Tō uskā sahyōg mil jāēgā . ¹⁷⁰Dillī vālē foreign ( vidēśhī ) vālō̃ sē bhī achchhē plan banā saktē haĩ  ; kyōṅki yahā̃ bahut sēvā K|kē sādhan haĩ .

¹¹⁷Each one’s speciality is special and whatever particular weakness still remains is also the basis on which the number is created.

¹⁷¹Yahā̃ mēhnat key|kī jarūrat nahī̃ sirph kilā majbūt key|kī bāt hai .

¹¹⁸Today, Baba was seeing both these things, and so churn this amongst yourselves.

¹⁷²Achchhā .

¹¹⁹Do you understand?

¹⁷³Jab sabkē saṅkalp key|kī aṅgulī ikaṭṭhī hōgī tō her|har kārya saphal hōgā . ¹⁷⁴Sabkī nazar dillī par hai . ¹⁷⁵Jab ēk dō K|kē samīp hō hāth mē̃ hāth milāēṅgē tab ghērāv ḍāl sakē̃gē . ¹⁷⁶Hāth mē̃ hāth milānā arthāt saṅkalp milānā .

¹²⁰Blessing:May you be a constantly fearless and victorious mahavir who finds a solution to everyproblem.Those who are mahavirs can never give the excuse that the circumstances were such, that the problems were such and that they were therefore defeated.

¹⁷⁷Sabmē̃ ēk jaisā umaṅg utsāh hō , dilānā nā paṛē . ¹⁷⁸Achchhā . ¹⁷⁹Purūṣhārth key|kī guhya gati kyā hai  ? ¹⁸⁰Athavā śhrēṣhṭh purūṣhārth kaun sā hai  ?

¹²¹It is the duty of the problem to come and the duty of the mahavirs to find a solution to the problem and not be defeated.

¹⁸¹Her|har saṅkalp , svā̃s mē̃ svataḥ bāp kī yād hō . ¹⁸²Iskō kahā jātā hai smr̥iti svarūp . ¹⁸³Jaisē bhakti mē̃ bhī kahtē haĩ - anahad śhabda sunāī dē , ajapājap chaltā rahē , aisā purūṣhārth nirantar hō - iskō kahā jātā hai śhrēṣhṭh purūṣhārth .

¹²²A mahavir is one who constantly remains fearless and becomes victorious and does not become weak in trivial matters. ¹²³Mahavir victorious souls never become upset, but remain happy at every step through their body and mind.

¹⁸⁴Yād karnā nahī̃ , yād ātā hī rahē . ¹⁸⁵Mahārathiyō̃ kā purūṣhārth yah hai - mahārathī arthāt svataḥ yād .

¹²⁴Waves of sorrow cannot come to them even in their dreams.

¹⁸⁶Mahārathī her|har saṅkalp mahān hōgā . ¹⁸⁷Jitanājitanā āgē baṛhtē jāyēṅgē sādhāraṇtā khatm hōtī jāyēgī , mahātanā ātī jāyēgī .

¹²⁵Slogan:Always to have benevolent feelings for everyone is the qualification of a gyani­yogi soul.

¹⁸⁸Yah hai baṛhnē key|kī niśhānī .

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