शनिवार 28 मई 1977 की अव्यक्त मुरली

⁰> ¹28-05-77om shanti avyakt baapdaadaamdhuban

⁰> > 23/06/97 Om Shanti Avyakt BapDada Madhuban 28/05/77

²baap-daada ke sada dil takhtansheen samaan bachchon ke lakshan ³baap ke sada snehi, sada sahayogi, dil takhta nasheen va raajya takhta nasheen bachchon prati uchchaare hue mahaavaakya:-

¹The qualifications of the children who are equal and constantly seated on BapDada's heart­ throne. ²BapDada was seeing the close and equal stars.

⁴baapdaada sameep aur samaan sitaaron ko dekh rahe hain।

³Baba always has awareness.

⁵baap ko sada smriti rehti। ⁶jaise bachche smriti swaroop hain, vaise hi baap bhi apne sameep bachchon ke smriti swaroop hain।

⁴Just as the children are embodiments of awareness, so too, the Father is also an embodiment of remembrance of His close children.

⁷jaise bachche smriti swaroop hone se samarthi swaroop ka anubhav karte hain।

⁵When children are embodiments of awareness, they experience themselves to be embodiments of power.

⁸baapdaada bhi svayan samarthi swaroop hote bhi, samaan bachchon ke sahayog va smriti se, svayan swaroop mein aur addition (Addition;vriddhi) ho jaati hai।

⁶And so, although BapDada is the embodiment of power, when there is the co­operation and remembrance of His children who are equal to Him, there is an extra addition in His Being.

⁹isliye saakaar baap brahma ko sahayogi swaroop ki nishaani ‘hajaar bhujaaen’ dikhaai hain।

⁷This is why the symbol of those who co­operated with father Brahma has been shown in the form of a thousand arms.

¹⁰bhujaaen hai sahayog ki nishaani।

⁸Arms are a sign of co­operation.

¹¹to baap ke saath-saath jo sada sahayogi hain unhon ki nishaani bhujaaon ke roop mein hain।

⁹The symbol of those who constantly co­operated with the Father is the arms.

¹²aise samaan bachchon ka sthaan kaun sa hota hai? ¹³kis sthaan par woh nivaas karte hain?

¹⁰So, what is the place for such children who are equal?Where do they reside?

¹⁴woh sada dil takhta par ya vishwa ke raajya takhta nasheen svayan ko samajhte hai arthaat sthiti mein sthit hote hain।

¹¹They constantly consider themselves to be seated on the heart­throne or ruling the throne of the world, that is, they remain stable in this stage.

¹⁵jaise badi se badi mahaan aatmaaen kabhi bhi dharni par paanv nahin rakhti।

¹²The most important mahatmas never place their feet on the ground.

¹⁶jaise yahaan bhi dekha, jab bade aadmi aate hain to poore raaste par seedhiyon par galeecha bichha dete hain।

¹³Here too, before an important person comes, a carpet is laid out along the entire path and staircase.

¹⁷aisi shreshtha aatmaon ka paanv dharti par nahin lekin galeeche par hote hain।

¹⁴In the same way, the feet of elevated souls never tread on the ground, but on the carpet.

¹⁸yeh nishaani kiski hai?

¹⁵What is this a sign of?

¹⁹shuru kahaan se hui? ²⁰yahaan to unhon ke paanv sirf galeeche tak hain।

¹⁶Where did this system begin?Here, it is just their feet that are tread on the carpet.

²¹lekin jo baap samaan bachche hain, unka buddhi roopi paanv sivaae takhta ke neeche nahin aate hain।

¹⁷But, the children who are equal to the Father never allow the foot of their intellect to come down from their throne.

²²unhonko takhta nasheen kaha jaata hai arthaat sada takhta par hi rehte hain। ²³neeche nahin aate hain।

¹⁸They are called those who are seated on the throne, that is, they are those who constantly remain on the throne; they never come down.

²⁴aise jo sada dil takhta nasheen va raajya nasheen hi rehte hain, unhon ko sarva aatmaon se return mein (Return;badle mein) kya milta hai?

¹⁹What do those who constantly remain seated on the heart­throne, and the throne of the kingdom of the world, receive in return from all souls?

²⁵sneh to milta hi hai,lekin dil takhta nasheen vaale jo bhi karma karte, jo bhi bol bolte, sabhi ke dil par aise lagta hai, jaise baap dvaara jo bhi nikalta woh sada ka yaadgaar ban jaata, sabke dilon mein sama jaata hai।

²⁰Of course the souls who are seated on the heart­throne receive love. ²¹However, whatever actions they perform, or words they speak, touch everyone's heart, just as whatever emerges from the Father also becomes a memorial for all time; it becomes merged in everyone's heart.

²⁶yaadgaar rah jaata hai।

²²It leaves a memorial for everyone.

²⁷phir aadha kalpa ke baad yaadgaar ‘geeta’ ke roop mein hota।

²³Then, after half a kalpa, the memorial of that takes the form of the Gita.

²⁸to baap ke mahaavaakya yaadgaar roop mein oopar ho jaate hain।

²⁴So, the elevated versions of the Father become more elevated.

²⁹isi prakaar jo dil takhta nasheen bachche hain woh jis aatma ke prati sankalp karte to unke dil ko lagta hai।

²⁵In the same way, whomsoever the souls seated on the heart­throne have a thought for, the heart of that person is touched by it.

³⁰maano, aap kis aatma prati shubh bhaavna, shubh kaamna rakhte hain - unke dil ko lagega ki sachmuch yeh mere prati shubh-bhaavna, shubh kaamna rakhte hain।

²⁶For instance, when you have good wishes and pure feelings for a particular soul, then that soul would feel in his heart that you have good wishes and pure feelings for him.

³¹ek hota hai oopar-oopar se,doosra hota hai nimitta bane hue sthaan ke kaaran respekta(RESPECT;aadar) dena। ³²teesra hota hai dil se sveekaar karna।

²⁷One is to have this feeling superficially, second is to give respect because the place is instrumental for this and the third is to truly accept it in the heart.

³³jo samaan bachche hain unhon ka sankalp bhi dil se lagega, jaise ki teer lagta hai।

²⁸Your heart would be touched by the thoughts of the children who are equal to the Father, as though an arrow had pierced it.

³⁴jaise pahle jamaane mein teer lagaate the। ³⁵to jisko teer lagta tha va teer sahit hi neeche aa girte the।

²⁹In earlier days, when they used to shoot arrows, whoever was pierced by an arrow would fall down with the arrow in him.

³⁶is prakaar se jo dil takhta nasheen hain - (1) woh dil ke sankalp jis aatma prati karenge woh vyakti arthaat aatma svayan apne dil ka bhaav prakat karne ke liye saamne aa jaayegi।

³⁰In the same way, those who are seated on the heart­ throne will be such that, firstly, whatever soul they a thought for in their heart, that soul will automatically come in front of them to relate his own feelings.

³⁷(2) doosri baat jo us sthiti mein sthit ho bol bolenge unke do shabd dil ko raahat dene vaale honge।

³¹Secondly, when a couple of words are spoken to you whilst you are stable in that stage, then even those two words give great comfortto the heart.

³⁸mahsoos karenge ki bhal do shabd bole lekin dil ko raahat mil gai, khuraak mil gai (3) teesri baat - sadaiv aisi aatmaon ko door hote hue bhi dil se yaad karenge।

³²You will feel that, although only two words were spoken, they still gave you great comfort and you received nourishment from them. ³³Thirdly, you will remember those souls even though they may be at a distance.

³⁹dil se yaad karne ki nishaani kya hogi?

³⁴What would be the sign of remembering someone in your heart?

⁴⁰aise anubhav karenge jaise ki saath sameep hain, door nahin hain।

³⁵You would feel that that soul is with you and close to you, not at a distance.

⁴¹aise nahin anubhav karenge ki yeh aabu mein hain ham doosre desh mein hain।

³⁶You would not feel that that soul is in Abu and that you are in a different land.

⁴²aise samjhenge ki sada sammukh aur saath hain। ⁴³jaise baap ko dil se yaad karte hain to kya anubhav hota hai?

³⁷You would feel yourselves to be personallyin front of one another or in one another's company. ³⁸What do you experience when you remember Baba in your heart?

⁴⁴door lagta hai kya?

³⁹Do you feel that He is very distant?

⁴⁵saath ka anubhav hota hai na?

⁴⁰You experience His companionship, do you not?

⁴⁶is prakaar jo diltakhta nasheen bachche honge unhon ka bhi prekteekal mein return dikhaai dega।

⁴¹In the same way, you would see the practical return from the children who are seated on the heart­throne. ⁴²This is known as instant fruit.

⁴⁷isko kaha jaata hai - ‘pratyaksha phal।

⁴³Fourthly, they will be seated on the heart­throne.

⁴⁸’ (4) chauthi baat - woh dil takhta nasheen honge।

⁴⁴Who would be seated on the heart­throne?

⁴⁹dil takhta nasheen kaun hote hain? ⁵⁰raaja hoga na?

⁴⁵It would be those who are kings, would it not?

⁵¹jaise koi bada hota hai to usko sab apna samajhte hain।

⁴⁶Everyone would consider a great person to belong to them.

⁵²chhote jo honge, woh badon ko apna samjhenge - ‘mera hai।

⁴⁷The younger ones would consider their elders to belong to them.

⁵³’ to dil takhta nasheen bachche ki yahi nishaani hoti jo harek unko apna bada samjhenge।

⁴⁸The sign of those seated on the heart­throne is that everyone would consider them to be their elders.

⁵⁴apnaapan mahsoos karenge।

⁴⁹You would feel that you belong to them.

⁵⁵hamaare poorvaj bade hain, poojya hain।

⁵⁰"Our ancestors are our elder; they are the worship­worthy ones."

⁵⁶yeh shabd kahne mein bhakti maarga ke hain, lekin jaise poorvaj ka nasha hota hai na - yeh hamaare poorvaj poojya hain, isi reeti se har aatma jo bhi samparka mein hain woh aise mahsoos karenge ki yeh hi hamaare poorvaj hain, poojya hain।

⁵¹These words are used on the path of bhakti, but one generally has the intoxication of them being your ancestors. ⁵²You would feel that your ancestors are your seniors, worthy of worship. ⁵³You would have a feeling of belonging.

⁵⁷apnaapan mahsoos karenge। ⁵⁸aise dil takhta nasheen kitne banenge?

⁵⁴How many of such souls seated on the heart­throne would there be?

⁵⁹thode hi hote।

⁵⁵There are very few.

⁶⁰yahi ashta ratnon ki visheshta hai,jo phir 100mein nahin hoti।

⁵⁶This is the speciality of the eight jewels which those of the hundred do not have.

⁶¹unmein bhi maanbaap hain phir bhi unmein number to hain na।

⁵⁷The mother and father are included in them also, but there is still a number.

⁶²to jab pahle yug mein bhi number hain,to jo aur peechhe hain unmein bhi number honge।

⁵⁸Since there is a number in the first age, then there would definitely be a number in those who come afterwards.

⁶³daadi jaati hai iski sabko khushi hai।

⁵⁹Dadi is going on service abroad. ⁶⁰Why is everyone happy about this?

⁶⁴kyon? ⁶⁵vaise to jaane mein doosri lahar honi chaahiye,lekin khushi kyon hai?

⁶¹In fact, generally, when someone goes somewhere, there is a wave of a different feeling; so why is everyone happy?

⁶⁶aur vishesh khushi ki lahar hai, kyon?

⁶²Why is there a wave of special happiness?

⁶⁷vishesh sabko khushi isi baat ki hai jo sabhi bahut samay se intajaar kar rahe hain ki kuchh hona hai,kuchh parivartan aana hai।

⁶³You all have special happiness because everyone has been waiting for a long time for something new to happen, that some transformation has to take place.

⁶⁸to is part ko dekhte hue sabke buddhi mein kuchh naveenta, parivartan ki bhaavna aa rahi hai।

⁶⁴So, seeing this part now being enacted, there are feelings of newness and transformation in everyone's intellect.

⁶⁹sabhi ko aisa lagta hai,jaise ki yeh ja nahin rahe hain, lekin kuchh sameep ja rahe hain।

⁶⁵Everyone feels that Dadi is not going but that she is bringing something closer.

⁷⁰kuchh parivartan, naveenta ka naksha saamne aane se jaane ka sankalp usmein sama gaya hai।

⁶⁶The plan of newness and transformation has appeared to her and she has made the thought of going become merged in her.

⁷¹sabki buddhi mein yahi hai ki ab kuchh parivartan ki bhoomika ban rahi hai।

⁶⁷Everyone's intellect believes that their field is being prepared for some transformation.

⁷²bahut samay se sabko yahi sankalp mein rehta hai ki koi nai baat ab honi chaahiye। ⁷³bahut samay vahi scene chalti rahi hai, kuchh naveenta honi chaahiye।

⁶⁸Everyone has had the thought for a long time that something new should happen; that same scene has been continuing for a long time, and that something new has to happen.

⁷⁴yeh nimitta foreign mein jaane ka jo part bana hai usmein sabke dilon me jaise otometeekli sabmen lahar hai।

⁶⁹The part of going to the foreign lands is just instrumental and it is as though, each of you automatically has that wave in your heart.

⁷⁵kisko kaha nahin gaya hai, lekin ek naya umang utsaah hai।

⁷⁰Nothing has been said to anyone, but they all have that new zeal and enthusiasm created within them.

⁷⁶vahaan to umang mein hain। ⁷⁷lekin bhaarat mein bhi samajhte hain naveenta hogi।

⁷¹Of course, there, they have enthusiasm, but in Bharat also, you feel that there is to be something new.

⁷⁸isliye sabko jaise nai lahar khushi ki hai।

⁷²This is why there is a new wave of happiness in everyone.

⁷⁹samajhte hain - sameepta ko pahunchne ka dikhaai de raha hai, sameep najaara aa raha hai - yeh bhaasna aati hai।

⁷³You feel that the time for coming close is very near; that those scenes are coming very close; this is the feeling you have.

⁸⁰isliye jo vishesh aatmaaen hain unhon ka hi samay ke saath bahut sambandh hai jaise brahma ki aatma ka samay ke saath gahra connection hai,brahma ka janma aur sangam ka hona।

⁷⁴This is why time is very closely related to the special souls. ⁷⁵The soul of Brahma has a deep connection with time; the birth of Brahma means the beginning of the confluence age.

⁸¹agar brahma ka part nahin hota to sangam bhi nahin hota।

⁷⁶If there weren't the role for Brahma, there would be no confluence age.

⁸²brahma ke saakaar part ki samaapti aur anya part ka aarambha hona,yeh bhi samay ko sameep laane ka ek aadhaar hai।

⁷⁷The completion of the role of Brahma in the corporeal form means it is the time for many other parts to begin.

⁸³brahma ka samaapta arthaat sangam yug samaapta।

⁷⁸This is also a means of bringing time closer.

⁸⁴to jaise brahma ki aatma ka samay ke saath gahra sambandh hai,vaise hi jo follow karne vaali sameep aatmaaen hain,unhon ke har kaarya ka bhi samay ke saath utna hi sameep sambandh hai।

⁷⁹The completion of Brahma's role means the completion of the confluence age. ⁸⁰So, just as the soul of Brahma has a deep connection with time, so too, every task of the close souls who follow him have just as deep a connection with time.

⁸⁵woh jaise samay ki ghadi ban jaate hain।

⁸¹It is as though they become a clock to show the time.

⁸⁶jaise dekho, aap log jo nimitta bane hue ho, unhon ke sankalpon ko reed (Read) karte hain।

⁸²For instance, all of you, who have become instruments, read their thoughts.

⁸⁷sab samay ki tulna karte hain ki in logon ki stage yahaan tak pahunch gai hai।

⁸³All of you check that, according to the time, this is the stage they should have reached.

⁸⁸to samay kya dikhaata hai, chaik to karte ho na?

⁸⁴So what is time revealing? ⁸⁵You are checking this, are you not?

⁸⁹jaise aap logo ke saamne samay ki ghadi ‘saakaar baap’ tha।

⁸⁶Sakar Baba was the clock in front of all of you.

⁹⁰unki stage ko dekhte aap log bhi samajhte the jaise ki kuchh hone vaala hai।

⁸⁷When you read his stage, you all felt that something is going to happen.

⁹¹sameepta lag rahi thi।

⁸⁸You could feel that closeness.

⁹²jaisa pharishta roop! ⁹³saakaar nahin hai - aisa feel (Feel;anubhav) hota tha।

⁸⁹You felt that to be the angelic form, and not the corporeal form.

⁹⁴to samay ki ghadi ho gae na।

⁹⁰So, he was a clock showing the time, was he not?

⁹⁵aise aap log bhi jo nimitta hain woh bhi samay ki ghadi ho।

⁹¹In the same way, all of you who are instruments are also a clock to show the time.

⁹⁶us nazar se hi aap logon ko dekhte hain ki ghadi kya dikha rahi hai?

⁹²Everyone sees you with the vision as to what time the clock is showing.

⁹⁷yeh jo videsh jaane ka part hai,yeh bhi jaise vishesh ghanti baji hai - aisa anubhav hoga।

⁹³You will feel that the part of going abroad is like a special bell ringing. ⁹⁴BapDada speaking to Par Dadi ­ Dadi Nirmal Shanta:

⁹⁸(pardaadi ko) drama aapko bhi sameep part bajaane ke nimitta banaata hai।

⁹⁵Drama is making you move from here and become the instrument to play a part there.

⁹⁹jaise kalpa pahle bajaaya tha, vaise abhi bhi bajaate hain।

⁹⁶Just as you thought about this earlier, so too, you are thinking this now.

¹⁰⁰plon sochne se nahin hota hai, lekin na chaahte bhi drama ka part nimitta bana deta hain।

⁹⁷Plans are not made by thinking about them, but against your conscious wish, your part within the drama makes you an instrument to do something.

¹⁰¹ismen bhi bada rahasya hai।

⁹⁸There is great significance in this.

¹⁰²vardaan hai aapko।

⁹⁹You have this blessing.

¹⁰³laukik alaukik baap ke kul ka naam baala karne vaali nimitta aatma ho।

¹⁰⁰You are an instrumental soul who will glorify the name of the lokik and alokik families.

¹⁰⁴yeh bhi vishesh vardaan hai।

¹⁰¹This is also a special blessing.

¹⁰⁵isliye aapko dekhkar ke donon yaad aa jaate hain।

¹⁰²This is why, when people see you, both are remembered.

¹⁰⁶laukik bhi features (Features;shakla) yaad aayenge aur features dvaara jo future (Future;bhavishya) banta hai, woh bhi yaad aayega।

¹⁰³The features of the lokik father are remembered, and through the features, the future created form is also remembered.

¹⁰⁷aapke har kadam mein jo vardaan hai - donon kul ka naam baala karna, woh samaaya hua hai।

¹⁰⁴The blessing of glorifying both clans is merged in your every step.

¹⁰⁸isliye drama svayan hi seat ki taraph kheenchata ja raha hain।

¹⁰⁵This is why the drama is pulling you towards that seat.

¹⁰⁹samay prati samay jo bhi mahaavaakya aatmaon ke prati baapdaada ke uchchaaran kie hue hain, woh prekteekal mein aa rahe hain।

¹⁰⁶From time to time, the elevated versions that have been spoken by BapDada are put into practice. ¹⁰⁷You have a special blessing and you also have a special chance for service.

¹¹⁰vishesh vardaan hai; aur service ka chance bhi aapko vishesh hai।

¹⁰⁸You have a chance to do double service, through your features and your character.

¹¹¹double service karne ka chance hai aapko। ¹¹²soorat dvaara bhi, aur seerat dvaara bhi।

¹⁰⁹Because those people (gurus) have a spiritual stage, others have a spiritual experience from their features.

¹¹³in logon ki soorat se avyakt sthiti hone se anubhav karenge lekin aapki soorat chalte-phirte brahma baap ki soorat aur seerat ko pratyaksha karenge।

¹¹⁰However, as you walk and move along, your features and character will reveal the features and character of Brahma Baba. ¹¹¹This is a field of extra service.

¹¹⁴yeh eksatra service ki pheelda hui na?

¹¹²What will everyone say wherever you go?

¹¹⁵jahaan bhi jaayenge to kya kahenge?

¹¹³That they have a feeling of the father.

¹¹⁶sabko baap ki bhaasna aati hai na?

¹¹⁴So, your face will also become an instrument for service.

¹¹⁷to yeh soorat bhi service ke nimitta bani hai।

¹¹⁵So, this is double service, is it not?

¹¹⁸double service hui na?

¹¹⁶BAPDADA SPEAKING TO DADI:

¹¹⁹(daadi ko) vartamaan samay aap aatma ki double roop se aahvaan ki leela chal rahi hai।

¹¹⁷At present, the game of the invocation of you souls is taking place in the double form.

¹²⁰ek taraph bhakta aatmaaen anjaan roop mein aahvaan kar rahi hain - ashta dev ke roop mein।

¹¹⁸On one side, bhagat souls, without knowledge, are invoking you, in the form of their special deity of the eight.

¹²¹doosri taraph gyaan-swaroop hokar ke gyaani tu aatma bachche aahvaan kar rahi hain।

¹¹⁹On the other side, knowledgeable souls, as embodiments of knowledge, are invoking you.

¹²²aise hi aahvaan kar rahe hain jaise aapki jad chitra ashta dev ke roop mein karte hain।

¹²⁰They are invoking you in the same way as the special deities are invoked from the non­living idols.

¹²³lekin woh anjaan hain,isliye unhonko woh ras nahin aata।

¹²¹However, those people are ignorant about this and they therefore do not experience that sweetness.

¹²⁴lekin unhon ko aahvaan se bhi vardaan ki anubhooti ki praapti ka anubhav hoga,double aahvaan ho gaya na?

¹²²However, even through their invocation of you, they will experience the attainment of blessings, and so that is double invocation, is it not?

¹²⁵do moortiyaan ja rahi hain, teen moortiyaan ja rahi hain va ashta bhi ja rahi hain?

¹²³Are two idols going, three idols, or are all the special eight idols going?

¹²⁶yeh bhi ek vishesh lahar hai na। ¹²⁷jo sab samajhte hain - ham log bhi jaise saath ja rahe hain।

¹²⁴This is also a special wave; everyone feels that they are also going with Dadi.

¹²⁸iska bhi kaaran?

¹²⁵What is the reason for this?

¹²⁹yeh sneh ki sameepta ki nishaani hai।

¹²⁶This is a sign of being close because of love.

¹³⁰jo itna samay draamaanusaar nimitta ban part bajaaya hai uska pratyaksha roop return swaroop dekh rahe hain।

¹²⁷You are now seeing the practical form of the return of the role that youplayed for so long according to the drama.

¹³¹nimitta ban part bajaane ki result saamne aa rahi hai। ¹³²is samay aap teenon ke part mein - jaise brahma ka part rachna ka, vishnu ka part paalna ka, shankar ka part vinaash ka dikhaate hain। ¹³³hai to draamaanusaar,lekin har ek ke saath visheshta dikhaai hai।

¹²⁸The result of your having played the role of an instrument is coming in front of you.At present, you are playing all three parts: They have shown the part of Brahma is of creating, the part of Vishnu is of sustaining and the part of Shankar is of destroying.

¹³⁴to abhi-abhi baap dekh rahe hain teenon ka vishesh gun,kaunsa vartamaan part chal raha hai? ¹³⁵aap kaun si moortta ho?

¹²⁹Of course, all of that is according to the drama, but each of them has been shown with a speciality.

¹³⁶vartamaan part ke pramaan teenon ka vishesh part prekteekal mein hai।

¹³⁰So, just now, Baba was seeing what the special virtue of each of the three is.

¹³⁷yeh (daadi) to nimitta sarva ke umang,utsaah aur seva ki pheelda mein naya mod laane ke nimitta aadhaarmoortta ban ja rahi hai। ¹³⁸to yeh aadhaarmoortta ho ja rahi hai, aur aapka (deedi) sabhi vishesh yeh dekh rahe hain ki kitni uddhaarmoortta hain, jo ek mein do ka jaana mahsoos karti hain। ¹³⁹kisko nimitta banaana yeh uddhaarmoortta hain। ¹⁴⁰aur yeh (par daadi) hai udaahran dikhaaya ki prekteekal ham sab ek hain।

¹³¹Which image are you?

¹⁴¹to aadhaarmoortta,uddhaarmoortta aur udaahranmoortta। ¹⁴²teenon ki visheshta hui na।

¹³²According to the present time, the special roles of all you three are being put into practice.

¹⁴³is samay prekteekal part mein ‘janak’ka part seva ki sacheli kaudi ka chal raha hai।

¹³³Dadi is just going as an instrument, as an image of support, to bring zeal and enthusiasm and begin a new chapter in the field of service.

¹⁴⁴landan mein donon hi sudesh aur jayanti service ke nimitta bani hui hain। ¹⁴⁵yeh donon bhi vartamaan samay bahut achhi stage par hain।

¹³⁴So, she is going as an image of support, and everyone is especially seeing how much of an image of upliftment you are (Didi); everyone feels both present in the one.

¹⁴⁶samajhti hain ek saath anguli dekar seva ko badhaana hi hai।

¹³⁵To make someone else an instrument means to become an image of upliftment.

¹⁴⁷is samay achhi raphtaar se service mein masta aatmaaen dikhaai deti hain।

¹³⁶And this one (Par Dadi) is an embodiment of being an example.

¹⁴⁸yeh bhi ek chaaron or ke vaataavran ka pratyaksha roop hai।

¹³⁷You have given the example of all of you being one in a practical way.

¹⁴⁹sabki nazar vahaan hai। ¹⁵⁰abhi sabka shubh sankalp us taraph hai। ¹⁵¹kuchh hone vaala hai - vaayumandal ka prabhaav hai।

¹³⁸So, you are an image of support, an image of upliftment and an image of being an example.Each of you has your own speciality.

¹⁵²suman jarmani mein hai, unko bhi vishesh vardaan mil gaya hai।

¹³⁹At present, the part of Janak in practical service is that of a true conch shell.

¹⁵³kyonki usne apne ko realise kiya,to realise ka unko vardaan mil gaya hai।

¹⁴⁰In London, both Sudesh and Jayanti have become instruments for service. ¹⁴¹At present, both have a good stage.

¹⁵⁴jo mahsoos karta hai to uska aadha to khatma ho jaata hai।

¹⁴²Youunderstand that you all have to give your finger together and increase service.

¹⁵⁵to halkaapan bhi aa gaya aur doosra phir service ka lakshya rakha hai isliye vishesh vardaan mil gaya hai jump lagaane ka।

¹⁴³At present, souls who are intoxicated and have a good speed in service are visible. ¹⁴⁴This is the practical proof of the atmosphere in all four directions.

¹⁵⁶kyonki sachchi dil se realise kiya।

¹⁴⁵Everyone's vision is there.

¹⁵⁷realise karne vaala bahut aage badh sakta hai। ¹⁵⁸sarkamtens (paristhitiyaan) aisi theen, yeh aisa tha tab mera bhi aisa tha - unko koi realisation nahin kahenge।

¹⁴⁶Now, the pure thoughts of all of you are in that direction also, that something is about to happen. ¹⁴⁷There is the impact on the atmosphere. ¹⁴⁸How is the practical example of thoughts proved?

¹⁵⁹usne apne aapko realise kiya।

¹⁴⁹As soon as you have a thought, it becomes practical.

¹⁶⁰dil se sveekaar kiya, isliye unko vishesh vardaan ki lift mil gai।

¹⁵⁰Have you had a heart­to­heart discussion on how to do service through your attitude and awareness?

¹⁶¹vardaan ke kaaran khud bhi nahin samajhti ki main kaise service kar rahi hoon।

¹⁵¹According to the present time, together with words, very good service can take place through thoughts.

¹⁶²samajhti hai, mere se jitna ho raha hai, respaand meri stage se jyaada mil raha hai। ¹⁶³isliye khushi bhi hai।

¹⁵²This happens through your awareness and attitude, which is that of having good wishes, because everyone considers whatever they have heard to be repetition.

¹⁶⁴is gun ke kaaran unko yeh lift mila hai। ¹⁶⁵woh bhi aage badh karke kamaal kar sakti hai।

¹⁵³Souls who are in contact with you a lot consider a point to be something common.

¹⁶⁶line clear hone se raphtaar tej ho sakti।

¹⁵⁴Now, teach them the method to do service in a new way.

¹⁶⁷sankalp ki siddhi ka pratyaksha pramaan kaise hota hai?

¹⁵⁵Until you have become experienced, a new form of everything is needed.

¹⁶⁸sankalp kiya aur siddha hua।

¹⁵⁶Give them a new experience.

¹⁶⁹vritti aur smriti dvaara seva kaise ho uske oopar kuchh rooh-roohaan ki?

¹⁵⁷You can have a gathering and have such a service programme.

¹⁷⁰samay pramaan vaani ke saath-saath sankalp arthaat smriti aur vritti arthaat shubhbhaavna ho - isse service bahut achhi ho sakti hai। ¹⁷¹kyonki suna hua to repetition samajhte hain।

¹⁵⁸Make them sit with a special aim and then ask them their experience. ¹⁵⁹They will relate a great deal, just as you have had a lot of experience of serving through words, and that was the creation of all of you.

¹⁷²jo jyaada samparka mein aatmaaen hain woh pvaaeenta ko common samajhti hain।

¹⁶⁰Now, the addition required in service is to serve through thoughts and attitude. ¹⁶¹Make plans for that.

¹⁷³lekin nae roop ki seva ka unhon ko bhi tareeka sikhaao।

¹⁶²When you begin to enjoy yourself, you will feel that it is the stage of ascent of your newness.

¹⁷⁴jab tak svayan anubhvi nahin to auron ko koi nai rarooprekha chaahiye। ¹⁷⁵naya anubhav karaao। ¹⁷⁶sangathan mein bhi aisa seva ka programme banaakar kar sakte ho। ¹⁷⁷vishesh lakshya dekar bithaao।

¹⁶³Just as scientists remain busy in inventing something or another, in the same way, in order to invent something new from a point that you have already related, sit in meditation at amrit vela with thisaim and you will be touched.

¹⁷⁸phir unhon se anubhav poochho। ¹⁷⁹bahut achha sunaayenge।

¹⁶⁴New inventions will emerge through which others will also experience newness.

¹⁸⁰jaise vaani dvaara seva ka bahut anubhav kiya hai - jo aap log ki rachna hai। ¹⁸¹abhi service mein jo addition chaahiye - woh hai sankalp aur vritti dvaara। ¹⁸²iske liye plaansa banaao।

¹⁶⁵Achcha. ¹⁶⁶Blessing:May you be a master powerful soul who finishes the wastage with the method of keeping the intellect busy.Only those who constantly use the method of keeping the intellect busy can be constantly strong and powerful.

¹⁸³jab maja aayega tab mahsoos karenge ki hamaari naveenta ki chadhti kala hai।

¹⁶⁷The easy method to finish all waste and become powerful is to remain constantly busy.

¹⁸⁴jaise science vaale koi na koi invention karne mein beeji rehte hain, isi prakaar se jo point chal chuki hai unki guhyata mein nae roop ki invention karne ke liye amritvele lakshya le bathenge to touch hoga।

¹⁶⁸Therefore, just as you make a daily timetable for physical matters, so too, make a timetable to keep your intellect busy, so that, at this time, you will finishall waste by having this powerful thought. ¹⁶⁹If you remain busy, Maya will leave from a distance.

¹⁸⁵nai-nai invention niklengi jisse auron ko bhi naveenta ka anubhav hoga। ¹⁸⁶achha।

¹⁷⁰Slogan:In order to forget the world of sorrow, remain lost in God's love. ¹⁷¹* * * O M S H A N T I * * *