बुधवार 9 जनवरी 1980 की अव्यक्त मुरली

⁰> ¹09-01-1980 om shanti avyakt baapdaada madhuban

⁰> > 09-01-80 Om Shanti Avyakt Bapdada Madhuban

²"alaukik dress aur alaukik shrringaar"

¹Your subtle dress and subtle adornment.

³aaj baap-daada vishesh chaaron or ke bachchon ki ramneek rangat dekh rahe the। ⁴jisko dekh muskara bhi rahe the aur kahin-kahin vishesh hansi bhi aa rahi thi।

²Today, whilst BapDada was especially watching the entertaining games of you children, He became amused and smiled.

⁵woh kaun-si rangat thi?

³What game were you playing?

⁶baap-daada dekh rahe the ki sangam yugi, sarva shreshtha heere tulya yug ke vaasi aur sarva shreshtha baap-daada ke bachche, eeshvareey santaan, brahman kul ki shreshtha aatmaon ko va laadle, sikeeldhe bachchon ko baap-daada ne vishesh saare din ke liye bhinna-bhinna prakaar ki dress aur shrringaar, saath-saath baithne ke sthaan va aasan kitne shreshtha diye hain। ⁷jo jaisa samay vaisi dress aur vaisa hi shrringaar kar sakte hain।

⁴BapDada has given all you residents of the most elevated confluence age whose life is as valuable as a diamond, you most elevated children of BapDada, you Godly children, you elevated souls of the Brahmin clan, you long­lost and now­found children of the confluence age, a variety of dresses with matching jewellery and also an elevated seat on which to sit so that each of you can dress and adorn yourself according to the time.

⁸satayug mein bhinna-bhinna draisej aur shrringaar change karenge lekin sanskaar to yahaan se hi bharne hain na। ⁹brahma baap ne sangamayug ki bhinna-bhinna draisej aur shrringaar se brahman bachchon ko sajaaya hai। ¹⁰lekin ramneek rangat kya dekhi?

⁵In the golden age, you change into different dresses and wear different ornaments, but it is at this time that you have to fill yourselves with the sanskaras of the different dresses and jewellery with which Brahma Baba has adorned you Brahmin children.

¹¹jo itni sundar draisej aur sajaavat hote hue bhi koi-koi bachche puraani dress, mitti vaali maili dress pahan lete hain। ¹²jaisi dress vaisa shrringaar

⁶However, it was entertaining to see that even though you have such beautiful dresses and adornment, some children still put on their dirty old dress.

¹³amritbele ki dress aur shrringaar jaante ho?

⁷Do you know what your dress and adornment for amrit vela are?

¹⁴saare din ki bhinna-bhinna dress aur shrringaar jaante ho?

⁸Do you know what your dress and adornment for the whole day are?

¹⁵baap-daada dvaara bhinna-bhinna titles bachchon ko mile hue hain।

⁹You children have been given a variety of titles by BapDada.

¹⁶to bhinna-bhinna titles ki sthiti roopi dress aur bhinna-bhinna gunon ke shrringaar ke set hain।

¹⁰You have a different set of dresses for the stage of each title and also different sets of adornment for the different virtues.

¹⁷kitne prakaar ki draisej aur set hain।

¹¹How many varieties of dresses and sets of adornment do you have?

¹⁸jaisi dress vaisa shrringaar ka set aur aise hi saje-sajaaye seat par sada set raho। ¹⁹apni draisej ginti karo ki kitni hain?

¹²You should constantly remain seated on your decorated seat according to the type of dress you wear and the type of sets of adornment you use.

²⁰usi title ki sthiti mein sthit hona arthaat draisej ko dhaaran karna।

¹³Count how many dresses you have. ¹⁴To stabilise in the stage of that title means to wear that dress.

²¹kabhi vishwa-kalyaankaari ki dress pahno,kabhi master sarva shaktivaan ki aur kabhi svadarshan chakradhaari ki।

¹⁵Sometimes wear the dress of a world benefactor, sometimes of a master almighty authority and sometimes of a spinner of the discus of self­ realisation.

²²jaisa samay jaisa karttavya vaisi draisej dhaaran karo।

¹⁶Wear your dress according to your task and time.

²³saath-saath bhinna-bhinna gunon ke shrringaar karo।

¹⁷As well as this, also adorn yourself with the virtues accordingly.

²⁴yeh bhinna-bhinna shrringaaron ke set dhaaran karo।

¹⁸Put on your different sets of jewellery.

²⁵haathon mein, gale mein, kaanon mein aur mastak mein yeh shrringaar ho।

¹⁹Wear the jewellery on your wrists, around your neck, on your ears and on your forehead.

²⁶mastak mein yeh smriti dhaaran karo ki `main aananda swaroop hoon' - yeh mastak ki chindi ho gai।

²⁰On your forehead, have the awareness of being an embodiment of bliss.

²⁷mukh dvaara arthaat gale mein bhi aananda dilaane ki baaten hon - yeh gale ki maala ho gai। ²⁸haathon dvaara arthaat karma mein aananda swaroop ki sthiti ho - ye haathon ke kangan ho gae।

²¹This is the chindi (ornament similar to a tilak, but with a chain attached to it) Through your lips, constantly speak of things that give the experience of bliss. ²²This is the necklace to wear around your neck.

²⁹kaanon dvaara bhi aananda swaroop banne ki baaten sunte rehna,yeh kaanon ka shrringaar hai।

²³On your wrists, that is, whilst working, do so in the stage of bliss. ²⁴These are the bracelets on your wrists.

³⁰paanv dvaara aananda swaroop banaane ki seva ki taraph paanv hon arthaat kadam-kadam aananda swaroop banne aur banaane ko hi uthe yeh paanv ka shrringaar hai। ³¹ab ek set samajh liya?

²⁵With your ears, constantly listen to things that make you an embodiment of bliss. ²⁶These are your ear­ rings. ²⁷Your feet should be dancing in service towards becoming an embodiment of bliss.

³²poora hi set dhaaran kar liya? ³³aise alag-alag samay par alag-alag set dhaaran karo।

²⁸That is, every step you take should be towards becoming an embodiment of bliss and making others the same.

³⁴set dhaaran karna to aata hai na?

²⁹This is the adornment of your feet.

³⁵ya kaanon ka pahnenge to gale ka chhod denge।

³⁰Now, have you understood this set of virtues? ³¹Have you worn the complete set?

³⁶vaise bhi aajkal ki duniya mein set pahanne ka rivaaj hai।

³²Similarly, you must wear different sets at different times.

³⁷to aapke itne shreshtha shrringaar ke set hain!

³³You know how to wear this set, do you not?

³⁸woh dhaaran kyon nahin karte ho? ³⁹pahante kyon nahin ho।

³⁴Or is it that when you put on your ear­rings, you leave off your necklace?

⁴⁰itni sab bhinna-bhinna prakaar ki sundar draisej chhodkar deh abhimaan ke smriti ki mitti vaali dress kyon pahante ho? ⁴¹anokha dairas competition ⁴²aaj drais aur shrringaar ki competition dekhi ki kaun-se bachche saara din saje-sajaaye rehte hain aur kaun-se bachche drais badalne aur pahanne utaarne mein hi lag jaate hain। ⁴³abhi-abhi ek drais dhaaran karenge aur abhi-abhi woh drais utaarkar ghatiya drais pahan lenge, jyaada samay shreshtha sundar drais pahan hi nahin sakte।

³⁵Nowadays, people usually wear the whole set.

⁴⁴to kya dekha? ⁴⁵koi-koi bilkul badbu vaali dress bhi pahan lete hain।

³⁶So, you have such a set of elevated jewellery , do you not? ³⁷Then why don’t you use it?

⁴⁶kaun-si badbu?

³⁸Why don’t you wear it?

⁴⁷deh ke sambandh aur deh ke padaartho ke lagaav ki badbu vaali drais jo door se hi badbu aati thi।

³⁹Why do you leave off all of your various beautiful dresses and put on a dress covered with the mud of body consciousness instead?

⁴⁸koi gande chamde ki drais pahne hue the arthaat criminal aai ki, chamdi ko dekhne ki,aisi gandi chamdi ki drais bhi pahne hue the। ⁴⁹kisi ki drais par gande daag bhi lage hue the।

⁴⁰Today, Baba was watching the competition of your dress and adornments and seeing which children remained constantly adorned throughout the day and which children stayed busy in putting on and taking off their dress.

⁵⁰gande daag arthaat auron ke avgun arthaat daag ko apne mein dhaaran karna। ⁵¹to gande-gande daag vaali drais bhi thi।

⁴¹One moment they would put on one dress, and the next moment, they would take that dress off and put on a dress of a lower quality.

⁵²kisi ki drais to bahut kharaab khoon ke daago ki thi।

⁴²They were unable to keep a top quality beautiful dress on for a long time.

⁵³woh kyon thi?

⁴³So what did Baba see?

⁵⁴baarbaar vikarma karna arthaat aatma-ghaat karna।

⁴⁴Some children even put on a bad­smelling dress. ⁴⁵What bad smell did it have?

⁵⁵aatma ki shreshtha sthiti ka ghaat karna, aisi drais vaale bhi the।

⁴⁶They put on the dress that had the bad smell of attachment to their bodily relations and physical objects.

⁵⁶ab socho kahaan sundar titles ke sthiti ki drais aur kahaan ye gandi drais।

⁴⁷This bad smell could be smelt from far away. ⁴⁸Some put on a dress of dirty skin.

⁵⁷shreshtha aatmaon ki drais bhi shreshtha chaahiye।

⁴⁹They put on a criminal eye dress of looking at the skin.

⁵⁸to kya dekha? ⁵⁹koi-koi bachche saara din usi shreshtha drais mein, shrringaar ke set dhaaran karke seat par achhi tarah set the aur koi badhiya drais dhaaran karte hue bhi,saamne hote hue bhi dhaaran karna chaahte hue bhi dhaaran kar nahin sakte the। ⁶⁰to amritvele se shreshtha shrringaar ka set dhaaran karo। ⁶¹jab shreshtha titles ki drais pahnenge, gunon ka shrringaar dhaaran karenge to jaise satayug mein vishwa mahaaraaja va vishwa mahaaraani ki raajaai drais ke peechhe daas-daasiyaan drais ko uthaate hain, vaise ab maayaajeet sangamayugi svaraajya adhikaareeyon ke titles roopi drais mein sthit hone ke samay ye 5 tatva,ye 5vikaar aapki drais ko peechhe uthaayenge arthaat adheen hokar chalenge।

⁵⁰Some children wore a dress of such dirty skin!

⁶²takhte ko chhod takhta-nasheen ho jaao

⁵¹Others wore a dress stained with dirty marks.

⁶³to yeh drishya apna saamne laao ki kaise maayaajeet ke peechhe yeh raavan ke das sheesh, 10sevaadhaari ban karke peechhe chalenge।

⁵²Dirty marks means to see the defects of others and imbibe them. ⁵³There were also some dresses that were very badly stained.

⁶⁴lekin jab drais se tight honge aur nirantar arthaat lambi-chaudi hogi tab woh 10 servant aapke peechhe-peechhe uthaate aayenge।

⁵⁴The dresses of some were even badly stained with blood. ⁵⁵Why were they stained with blood? ⁵⁶To commit sin repeatedly means to commit suicide of the soul.

⁶⁵aajkal ke raaje-raaniyaan bhi yeh choga bada lamba-chauda pahante hain jo utha saven।

⁵⁷Some souls were even wearing the dress through which they committed suicide of their elevated stage.

⁶⁶agar nirantar ki lambaai nahin hogi, titles mein tight nahin honge to yahi sevaadhaari drais utaar denge kyonki loose hogi na।

⁵⁸Now just think about how vast the difference is between the dresses of your elevated titles and those dirty dresses! ⁵⁹Elevated souls should be wearing top quality dresses.

⁶⁷to ab dridh sankalp se titles ki drais ko tight karo। ⁶⁸dridh sankalp hai belt। ⁶⁹isse tight karo to sada safe rahenge aur sada sevaadhaari adheen rahenge।

⁶⁰So what did Baba see? ⁶¹Some children wore that elevated dress throughout the day, and also wore their full set of jewellery and remained seated on their seat very well.

⁷⁰sunaaya tha na ki vikaar parivartan ho sahayogi, sevaadhaari ho jaayenge। ⁷¹abhi drais pahanna aa gaya। ⁷²tight karna bhi aa gaya।

⁶²However, there were some who were not able to wear the beautiful dress that was put in front of them even though they wanted to.

⁷³jis samay jo drais chaaho woh pahno। ⁷⁴lekin gandi drais nahin pahanna।

⁶³So, from amrit vela, throughout the whole day, you must wear your set of elevated jewellery.

⁷⁵variety drais aur variety shrringaar ka laabh uthaao।

⁶⁴Constantly wear your dress of elevated titles and adorn yourself with virtues.

⁷⁶brahma baap va baapdaada ne sangam ka dahej diya hai, lav marriage ki hai to dahej bhi milega na। ⁷⁷to dahej hai yeh variety shrringaar ke set aur sundar drais। ⁷⁸baap-daada ka dahej chhod ke puraana dahej use nahin karo। ⁷⁹kai bachche aise karte hain jo baap-daada ka dahej bhi zaroor lenge va liya bhi hai lekin saath mein puraani drais bhi chhipaakar rakhi hai।

⁶⁵Then, just as in the golden age the maids carry the train of the dress of the world emperor and world empress, so now, when you stabilise in your stage of dress of the titles “Conquerors of Maya” and “Confluence­aged Self­sovereigns”, then the five elements and the five vices will carry the train of your dress; they will be subservient to you.

⁸⁰isliye kabhi use bhi dhaaran kar lete hain। ⁸¹jab puraana lagaav lag jaata hai to puraani drais pahan lete hain। ⁸²amoolya drais ko chhod phati-tooti drais pahan lete hain to aise mat karna।

⁶⁶Visualize the scene of Ravan’s ten heads becoming your servants and following you conquerors of Maya. ⁶⁷However, when your dress is just tight (perfect fit) and your train is long and loose, then these ten servants will follow you carrying your train.

⁸³ab tak bhi chhipaakar rakha ho to jala dena hai। ⁸⁴aur jalaakar ke raakh bhi apne paas nahin rakhna।

⁶⁸The kings and queens of today who also wear long robes so that the servants can carry their trains.

⁸⁵woh bhi saagar mein svaaha kar dena to sada saje rahenge aur baap ke saath diltakhtansheen rahenge। ⁸⁶takhta se utrenge to phaansi takhta aa jaayega।

⁶⁹If the robes are not long all the time, or you are not tight (strict) with your titles, then those same servants will take your dress off you, because it will be loose.

⁸⁷kabhi lobh ka kabhi moh ka। ⁸⁸to phaansi ke takhte ko chhod takhtansheen ho jaao।

⁷⁰Now, make your dress tight (fit you perfectly) with determination.

⁸⁹dahej sambhaala hua hai na।

⁷¹Determination is your belt.

⁹⁰use karo। ⁹¹dahej sirf rakh na do। ⁹²sirf dekhte raho bahut achha hai, bahut achha hai। ⁹³lekin dhaaran karo।

⁷²Tighten the belt of your dress with this determination and you will always be safe; your servants will always be dependent on you.

⁹⁴aur dress competition mein first number aa jaao। ⁹⁵sunaaya na number hai nirantar ke oopar।

⁷³You were told earlier of how the vices will be transformed and become your co­operative servants.

⁹⁶dress pahanni to sabhi ko aati hai, lekin dress sada tip-top rahe yeh nahin aata hai। ⁹⁷to sada saje-sajaayen ka number hai।

⁷⁴So, you now know what dress you have to wear, and also how to keep it tight. ⁷⁵Wear whatever dress you want at any time, but don’t wear a dirty dress.

⁹⁸competition mein foreign vaale number one lenge ya bhaarat vaale lenge। ⁹⁹jitna chaahen utna le sakte hain।

⁷⁶Take the benefit of the variety of dresses and matching jewellery. ⁷⁷Brahma Baba and BapDada have given you the dowry of the confluence age.

¹⁰⁰vahaan to prize ke kaaran ek ko hi first number milta।

⁷⁸Although you have made a love­match, you will still receive your dowry.

¹⁰¹yahaan to bahuton ko first number bana sakte hain,yahaan akhut khazaana hai isliye jitne bhi first aayenge unko first prize mil jaayegi।

⁷⁹Your dowry is your beautiful dresses and sets of matching jewellery. ⁸⁰Don’t put aside your dowry that BapDada has given you and put on the clothes of your previous dowry.

¹⁰²achha, kal se kya karenge? ¹⁰³amritbele se lekar bhinna-bhinna dress aur shrringaar ke set se saj-dhaj kar saara din baap ke saath rehna।

⁸¹Some children not only accept the dowry that BapDada gives them, but also keep their old dress hidden away somewhere to wear sometimes.

¹⁰⁴amritbele se hi first number ki dress pahanna।

⁸²When your old attachment pulls you, you put on that old dress.

¹⁰⁵aisi saji hui sajniyon ko hi saath le jaayenge।

⁸³You put aside your very precious dress and put on a torn dress.

¹⁰⁶auron ko nahin।

⁸⁴Don’t do this any more!

¹⁰⁷jo competition mein first number aayenge ve hi saath rahenge aur saath chalenge।

⁸⁵If you are still keeping something hidden away, then burn it!

¹⁰⁸jo rahenge nahin woh chalenge bhi nahin।

⁸⁶And, having burnt it, don’t even keep the ashes!

¹⁰⁹to sada yeh slogan yaad rakho arthaat yeh tilak lagaana - ``saath rahenge saath chalenge''।

⁸⁷Throw away the ashes in the ocean and you will remain constantly adorned, and seated on BapDada’s heart­throne.

¹¹⁰samajhte ho na competition mein kitna achha lagta hoga। ¹¹¹baap, brahma baap ko vatan mein yeh dikhaate rehte hain।

⁸⁸If you get off your throne (takht), you would be hung on the gallows (fansi ka takhta); sometimes of greed and sometimes of attachment.

¹¹²bachchon ki yaad to brahma baap ko bhi rehti hai।

⁸⁹So let go of the gallows and remain seated on the heart­throne.

¹¹³to bachchon ka haal-chaal dikhaate rehte hain।

⁹⁰You have been keeping your dowry safe, have you not?

¹¹⁴aisi sada saji-sajaai moorta, sangamayugi shreshtha jeevan ke mahatva ko jaanne vaali mahaan aatmaayen, dushman ko bhi sevaadhaari banaane vaale,sahayogi banaane vaale,aise master sarvashaktivaan,sada baap aur aap, is vichitra yugal roop mein rahne vaale, aisi param poojya aur gaayan yogya aatmaon ko baap-daada ka yaad-pyaar aur namaste। ¹¹⁵“shiv jayanti mahotsav dhoom-dhaam se manaane ke liye avyakt baap-daada ka vishesh plan” ¹¹⁶abhi seva ke achhe chance aa rahe hain। ¹¹⁷saakaar aur niraakaar donon ko pratyaksha karne ka samay sapeep aa raha hai।

⁹¹So now use it!

¹¹⁸ismen kya naveenta karenge?

⁹²Don’t just keep your dowry to one side.

¹¹⁹har function mein koi-na-koi naveenta to karte ho na। ¹²⁰to is shivraatri par vishesh kya karenge? ¹²¹1. jaise pichhli baari light and sound ka sankalp rakha to harek ne apne-apne sthaan par yathaashakti kiya।

⁹³Don’t just keep looking at it and thinking how very good it is, but use it and claim the first number in this dress competition. ⁹⁴You have been told that you claim a number by doing something constantly.

¹²²shivraatri par jaise geeta ke bhagwan ko siddha karne ka lakshya rakhte ho na, lekin kataaksha karte ho to logon ko samajh mein nahin aata hai।

⁹⁵Everyone knows how to wear a dress, but not everyone knows how to keep their dress in a constant tip­top condition. ⁹⁶Your number is dependent on your being constantly adorned.

¹²³iske liye is baar shivraatri ke din do chitron ko vishesh sajaao - ek niraakaar shiv ka, doosra shreekrishna ka।

⁹⁷Will the foreigners or the people of Bharat come first in this competition? ⁹⁸You can all claim as much as you want.

¹²⁴vishesh donon chitron ko aise sajaakar rakho jaise kirnon ka chitra banaate ho na।

⁹⁹Outside, only one person in a competition can claim the first prize, whereas here, many people can claim the first prize.

¹²⁵shiv ka bhi kirnon vaala chitra sajaaya hua ho aur shreekrishna ka bhi kirnon ka chitra sajaaya hua ho।

¹⁰⁰Here, the treasure is limitless and so all of those who come in the first division will receive a first prize.

¹²⁶vishesh donon chitron ki aakarshan ho।

¹⁰¹Achcha, what are you going to do from tomorrow?

¹²⁷krishna ke chitra ki mahima alag aur shiv ki mahima alag। ¹²⁸kataaksha nahin karo lekin donon ke antar ko siddha karo।

¹⁰²Throughout the whole day, from amrit vela, remain with the Father, and wear your various dresses and remain adorned with your various sets of matching jewellery.

¹²⁹stage ka vishesh show yeh do chitra hon।

¹⁰³From amrit vela onwards, wear your dress of the first number.

¹³⁰jaise koi bhi conference aadi karte ho to conference ka symbol sajaakar rakhte ho,phir uska anaavran karaate ho।

¹⁰⁴Baba is only going to take such beautifully adorned brides back with Him; He is not going to take anyone else.

¹³¹aise shivraatri par koi bhi vi.aai.pi. dvaara in donon chitron ka anaavran karaao aur unhein thode mein pahle uska antar spashta kar sunaao।

¹⁰⁵Those who come first in this competition of remaining with the Father will return home with the Father. ¹⁰⁶Those who don’t remain with the Father will not return home with the Father either.

¹³²phir sabha mein bhi isi topic par jis samay shiv ki mahima karo to bhaashan ke saath-saath chitra bhi rakho।

¹⁰⁷So, constantly remember this slogan; constantly keep this tilak on you: “I will remain with You and return home with You.”

¹³³bhaashan karne vaale saath-saath chitra dikhaate jaaen।

¹⁰⁸You know how much someone can enjoy a competition.

¹³⁴yeh ye hain - yeh ye hain। ¹³⁵to sabhi ka attention jaayega।

¹⁰⁹Baba shows this competition to Brahma Baba in the subtle region.

¹³⁶pahle antar sunaakar phir unko kaho ab aap judge karo ki rachayita kaun aur rachta kaun?

¹¹⁰Because Brahma Baba remembers you children, Baba shows him what state you children are in.

¹³⁷to geeta ka gyaan rachayita ne diya ya rachna ne? ¹³⁸to is shivraatri par in do vishesh chitron ka mahatva rakho। ¹³⁹2. jaise pichhli baari light and sound ki tape mein komentri bhari hui thi vaise nahin lekin programme ke beech mein shivbaaba ka saja hua light ka chitra saamne laao aur saamne rakhte hue sab light banda kar do,us chitra ki light hi ho phir dheere-dheere direct us samay baap ki mahima karte jaao।

¹¹¹To such constantly adorned idols; to the great souls who understand how important their elevated life of the confluence age is; to those who transform their enemies into their co­ operative servants; to such master almighty authorities, who constantly stay in the subtle combined form of the self and the Father; to such supremely worshipful and praiseworthy souls, BapDada’s love, remembrance and namaste. ¹¹²BapDada’s sweet elevated versions for the serviceable children:

¹⁴⁰mahima karte unko bhi mahima mein lete chalo। ¹⁴¹mahima sunaate hue anubhav karaao।

¹¹³The praise of you serviceable children is very great, because you become equal to the Father.

¹⁴²shanti ka saagar kaho to shanti ki lahar phail jaae।

¹¹⁴Baba comes to serve you children.

¹⁴³jo bhi gun varnan karo uski lahar phail jaae।

¹¹⁵You are also instruments, and so you have become equal to Baba.

¹⁴⁴us samay sab light banda honi chaahiye।

¹¹⁶It is those that become equal that are praised.

¹⁴⁵sirf ek us chitra ki taraph sabka attention ho। ¹⁴⁶dheere-dheere aise anubhvi moorta hokar mahima karo।

¹¹⁷Only those who become equal to the Father can remain constantly combined with Him.

¹⁴⁷jaise saath mein liye ja rahe hain।

¹¹⁸If you are not equal, you cannot remain combined with Him.

¹⁴⁸shanti ka saagar kaha to jaise usi saagar mein sab naha rahe hain, aisa anubhav karaao।

¹¹⁹So, to become equal to the Father means to keep your self­respect constantly. ¹²⁰Does Baba ever forget His self­respect?

¹⁴⁹jaise yog ki komentri karte ho dheere-dheere vaise unko lakshya dekar usi reeti se bithaao to ek attention jaayega aur doosra antar ka maaloom pad jaayega।

¹²¹So, to be equal to the Father means to keep your self­respect constantly. ¹²²Are you like this? ¹²³Just as you automatically remain aware of your body, so too, do you equally remain constantly aware of the Father and service?

¹⁵⁰kat karne ki jaroorat nahin hogi। ¹⁵¹svatah hi siddha ho jaayega।

¹²⁴You don’t have to remember your body, because it is automatically remembered.

¹⁵²3. har function mein yog shivir ke programme ka announce zaroor karo।

¹²⁵Similarly, you should automatically remember Baba and service.

¹⁵³chaahe ek din ka function karte ho lekin yog shivir ke form zaroor bharaao।

¹²⁶If you have to labour to stay in remembrance of Him, how are you going to make others into easy yogis?

¹⁵⁴yog shivir ke form ka vishesh table bana hua ho usmein nazdeek sthaan ke liye form bharaao।

¹²⁷You need to remain an easy and a natural yogi to gain the qualification of a serviceable child.

¹⁵⁵to jo peechhe yog shivir karne aayenge woh samparka mein aa jaayenge।

¹²⁸Now, according to the time, all of your labouring should have finished.

¹⁵⁶yog shivir ke form bharaakar peechhe bhi unka samparka banaate raho। ¹⁵⁷koi bhi programme karo usmein yog shivir ko vishesh mahatva do।

¹²⁹If you are still even now having to labour or still have any questions of: “Why?” or “What?”, then you can’t perform your duty.

¹⁵⁸4. jo bhi chance milte hain aur jo bhi samparka mein aaye hain, ya koi vighnon ke kaaran bhaaganti ho chale gaye hain, unko aise mauke par vishesh nimantran do।

¹³⁰To ask: “Why?” or “What?” means to stand in a queue. ¹³¹If you yourself are still standing in a queue, how are you going to satisfy other souls and make them content?

¹⁵⁹jo apni kamzoriyon ke kaaran peechhe rah gaye hain unko sneh se aage badhaana chaahiye।

¹³²If you yourself are still asking, how would you become a bestower?

¹⁶⁰aise programme se unmein bhi jaagriti aayegi।

¹³³To be serviceable means to continue to give and then to receive.

¹⁶¹umang mein aa jaayenge। ¹⁶²serviceable bachchon ke prati baap-daada ke madhur mahaavaakya –

¹³⁴Those who are themselves asking: “Why?” and “What?” are those who keep begging like beggars. ¹³⁵“Give me power!

¹⁶³serviceable bachchon ki mahima to bahut mahaan hai।

¹³⁶Give me co­operation! ¹³⁷Make me successful in carrying out this task!

¹⁶⁴kyonki baap samaan hain na।

¹³⁸To ask like this is like royal begging.

¹⁶⁵baap bhi bachchon ki service karne aate hain aur aap bhi nimitta ho to samaanta ho gai na।

¹³⁹So how can those who are in the queue like beggars become bestowers and give to others?

¹⁶⁶samaan vaale ki mahima hoti hai।

¹⁴⁰Your childhood has now ended.

¹⁶⁷samaan vaala hi sada saath rah sakta hai।

¹⁴¹In your childhood you were given total freedom.

¹⁶⁸samaan nahin hoga to saath bhi nahin hoga। ¹⁶⁹`baap samaan arthaat sada svamaan mein rahne vaale'।

¹⁴²You were given the freedom to become sensitive and cry; you were also free to think whatever you wanted to think.

¹⁷⁰jaise baap apne svamaan ko kabhi bhoolta hai kya?

¹⁴³However, no longer! ¹⁴⁴You have now reached your stage of retirement.

¹⁷¹to baap samaan arthaat sada svamaan mein rahne vaale। ¹⁷²aise ho?

¹⁴⁵Things of your childhood are not continued in your age of retirement.

¹⁷³sada baap aur seva - yeh donon hi aise smriti mein rehte hain jaise shareer ki smriti svatah hi rehti hai।

¹⁴⁶There can no longer be any questions of: “What?” or “Why?”. ¹⁴⁷Those who ask such questions are of “baby­quality”.

¹⁷⁴yaad karna nahin padta lekin svatah yaad rehti hai।

¹⁴⁸Those who are babies cannot become “bibis” (wives).

¹⁷⁵aise baap ki yaad aur seva bhi svatah yaad rahe।

¹⁴⁹The contract is now just between the Husband and wife.

¹⁷⁶agar aap bhi mehnat karke yaad mein raho to auron ko sahajyogi kaise banaayenge। ¹⁷⁷serviceable bachchon ki qualification hai hi - `sahajyogi',svatah yogi।

¹⁵⁰Your babyish stage has now ended. ¹⁵¹You have to become equal to the Father and so you have to become like Husband and wife. ¹⁵²Little children are not said to be equal.

¹⁷⁸baby nahin, beebi ¹⁷⁹abhi samay ke pramaan mehnat samaapta honi chaahiye।

¹⁵³When a boy grows up and becomes a father, he is said to be equal.

¹⁸⁰agar abhi bhi mehnat ka anubhav ho ya kyon, kya ka question ho to apni duty ko baja nahin sakte ho।

¹⁵⁴So, now finish any baby­quality. ¹⁵⁵You should not even think that your sanskaras are not in harmony. ¹⁵⁶You have to make them harmonious.

¹⁸¹kyon, kya karna arthaat queue mein khada hona।

¹⁵⁷Who would say that their sanskaras are not in harmony?

¹⁸²agar svayan hi queue mein honge to auron ko tripta aatma kaise bana sakenge।

¹⁵⁸Who would say: “This one can’t change” or “This one won’t listen”?

¹⁸³khud hi lene vaale honge to daata kaise banenge?

¹⁵⁹Who speaks the language of “won’t” or “can’t”? ¹⁶⁰Now, it has to happen.

¹⁸⁴sevaadhaari arthaat dete jaao aur saath mein lete jaao।

¹⁶¹You have to say, “Ha ji”. ¹⁶²You must no longer use the word “no”.

¹⁸⁵jo svayan hi kyon, kya vaale hain woh to bhikhaari ke muaaphik maangane vaale honge।

¹⁶³All of you are now those who say “yes”, are you not? ¹⁶⁴Now, stop being limited and become unlimited.

¹⁸⁶shakti dena, sahayog dena, main yeh kaarya kar rahi hoon, aap saphalta dena,yeh arja bhi royal bhikhaareepan hai।

¹⁶⁵You were told earlier that to think of yourself as the head of a zone is also to be limited.

¹⁸⁷jo svayan bhikhaariyon ki queue mein honge woh auron ko daata bankar kaise de sakenge!

¹⁶⁶Look at the map and see what your zone is. ¹⁶⁷It is just a point.

¹⁸⁸ab bachpan khatma hua।

¹⁶⁸To think otherwise is to be limited.

¹⁸⁹bachpan mein sab chhoot thi, rona bhi chhoot, feeling bhi chhoot, sankalpon ki bhi chhoot mil gai, lekin abhi nahin।

¹⁶⁹Now, no longer even think that you belong to a particular place or that you are OK at a particular place.

¹⁹⁰abhi to vaanaprastha tak pahunch gaye ho na। ¹⁹¹bachpan ki baaten vaanaprastha mein nahin rehti।

¹⁷⁰Do you want to become the master of the unlimited or of just one place?

¹⁹²ismen kyon,kya nahin। ¹⁹³kyon, kya karne vaale arthaat baby quality।

¹⁷¹Don’t think that if your place changes, your stage will be transformed!

¹⁹⁴jo baby honge woh beebi nahin banenge।

¹⁷²If Baba were to send you somewhere, would you be ready for this?

¹⁹⁵ab to miyaan aur beebi ka sauda hai। ¹⁹⁶abhi bebeepan khatma hua।

¹⁷³If Baba sends you anywhere , even abroad, you should be ever­ready.

¹⁹⁷baap-samaan ban gaye to beebi aur miyaan ban gaye।

¹⁷⁴Baba can send you abroad or anywhere else from here.

¹⁹⁸chhote bachche ko samaan nahin kahenge।

¹⁷⁵When you have to go, you automatically receive power.

¹⁹⁹jab bachcha bada ban jaata hai ya baap ban jaata hai tab samaan kaha jaata hai।

¹⁷⁶So, from tomorrow, shall we start to move everyone around? ¹⁷⁷Achcha.

²⁰⁰to abhi baby quality khatma। ²⁰¹sab-kuchh apna hai ya kuchh apna nahin ²⁰²sanskaar milte nahin, yeh bhi sankalp na aaye।

¹⁷⁸When a new bulletin is issued, don’t say that you want one or two years, two or four months to prepare yourself.

²⁰³milaane hi hain।

¹⁷⁹Do you have this courage?

²⁰⁴milte nahin, yeh kaun bolta hai?

¹⁸⁰Anyway, what things do you have that belong to you?

²⁰⁵yeh badalta nahin, sunta nahin, yeh na-na ya nahin-nahin ki bhaasha kiski hai? ²⁰⁶ab to hona hi hai।

¹⁸¹If something belongs to you, then it is everything, whereas if nothing belong to you, nothing is yours.

²⁰⁷haan ji। ²⁰⁸`na' shabd samaapta।

¹⁸²Whatever belongs to Baba is yours.

²⁰⁹to sabhi haanhaan vaale ho na। ²¹⁰abhi behad ke bano,had ko chhodo।

¹⁸³Everything that belongs to Baba is unlimited and so everything of yours is also unlimited.

²¹¹sunaaya tha na,koi zone ka bhi head hai to yeh bhi had hui।

¹⁸⁴To be unlimited means that everything belongs to you.

²¹²nakshe ke andar dekho aapka zone kya hai? ²¹³bindi। ²¹⁴to had ho gai na। ²¹⁵abhi phalaane sthaan ke hain,yeh bhi nahin।

¹⁸⁵BapDada constantly gives special co­operation to all you children because you are instruments for service, and special serviceable souls are given special co­operation.

²¹⁶phalaane sthaan par hi theek hain,yeh bhi nahin।

¹⁸⁶Those who perform a special task would be remembered first.

²¹⁷behad ke maalik banna hai ya ek sthaan ka? ²¹⁸aisa nahin, thoda-sa sthaan parivartan ho to sthiti parivartan ho jaae।

¹⁸⁷In the world outside, when you study any particular history, who are remembered first in that history?

²¹⁹abhi bhejenge yahaan vahaan,taiyaar ho?

¹⁸⁸Those who were special are remembered.

²²⁰foreign bhejen ya kisi bhi sthaan par bhejen lekin ever ready। ²²¹desh mein bhejen ya videsh mein।

¹⁸⁹Even in the history of the confluence age, it is the special and serviceable souls who are especially remembered first.

²²²jab jaana hota hai to shakti aape hi mil jaati hai। ²²³to kal se sabhi ko change karen?

¹⁹⁰Whenever BapDada remembers anyone, He automatically remembers those who are serviceable.

²²⁴achha - nai bulletin nikaalen phir nahin kehna abhi taiyaar hone ke liye ek saal aur do, sirf 4 maas do, do maas do, aise to nahin kahenge na ।

¹⁹¹He doesn’t have to be told to remember anyone. ¹⁹²All you have to do is become able to receive the return of special remembrance.

²²⁵himmat hai? ²²⁶apna hai hi kya। ²²⁷agar apna hai to sab,apna hai,nahin to kuchh apna nahin। ²²⁸jo baap ka woh apna।

¹⁹³Baba gives you all the return of your remembrance, but sometimes, because of their carelessness, those who should receive it do not take it.

²²⁹baap ka behad hai aapka bhi behad।

¹⁹⁴Whatever Baba has, He gives it to you.

²³⁰sab hamaare hain, isko kehte hain behad।

¹⁹⁵He gives to everyone, but those who receive it are numberwise.

²³¹sabhi bachchon ko sada vishesh sahayog dete hi rehte hain kyonki jo seva mein nimitta bane hue hain to vishesh sevaadhaariyon ko vishesh sahayog sada praapta hota hi hai।

¹⁹⁶Blessing: May you be double­light and remain as loving and detached as a lotus flower by surrendering all that you have to the Father. ¹⁹⁷To belong to the Father means to give all your burdens to the Father.

²³²vishesh kaarya vaale to pahle yaad aayenge na।

¹⁹⁸To be double­light means to surrender everything you have to the Father.

²³³laukik reeti se bhi koi history ko yaad karo to history mein bhi kaun pahle aata hai?

¹⁹⁹Even your body is not yours. ²⁰⁰When even your body doesn’t belong to you, what else would you keep?

²³⁴jo vishesh hoga vahi yaad aayega na। ²³⁵sangamayug ki history mein bhi jo jitna vishesh sevaadhaari hain woh vishesh aatma hai।

²⁰¹All of you have made this promise: This body is Yours, this mind is Yours and this wealth is Yours.

²³⁶to baap-daada jab bhi yaad karenge to pahle-pahle woh svatah hi yaad aayenge।

²⁰²Since you have said that everything is Yours, what burden would you keep?

²³⁷yaad karo, yeh kahne ki jaroorat hi nahin। ²³⁸sirf vishesh yaad ka return lene vaale bano।

²⁰³Just keep the example of the lotus in your awareness and remain constantly loving and detached and you will become double­light.

²³⁹baap sabko yaad ka return dete hain lekin lene vaale kabhi-kabhi albelepan ke kaaran lete nahin hai। ²⁴⁰baap ke paas jo bhi hai, woh dene ke liye hain, to baap sabko dete hain, lene vaale nambarvaar hain।

²⁰⁴Slogan: You souls who are embodiments of happiness are easily able to overcome any adverse situations by remaining stable in your original stage. ²⁰⁵* * * O M S H A N T I* * *