बुधवार 9 जनवरी 1980 की अव्यक्त मुरली

⁰> ¹09-01-1980 ōm śhānti avyakt bāpdādā madhuban

⁰> > 09-01-80 Om Shanti Avyakt Bapdada Madhuban

²" alaukik dress aur alaukik śhrr̥iṅgār "

¹Your subtle dress and subtle adornment.

³Āj bāp-dādā viśhēṣh chārō̃ ōr K|kē bachchō̃ key|kī ramaṇīk raṅgat dēkh rahē thē . ⁴Jiskō dēkh muskarā bhī rahē thē aur kahī̃-kahī̃ viśhēṣh hansī bhī ā rahī thī .

²Today, whilst BapDada was especially watching the entertaining games of you children, He became amused and smiled.

⁵Vah kaun-sī raṅgat thī  ?

³What game were you playing?

⁶Bāp-dādā dēkh rahē thē ki saṅgam yugī , sarv śhrēṣhṭh hīrē tulya yug K|kē vāsī aur sarv śhrēṣhṭh bāp-dādā K|kē bachchē , īśhvarīy santān , brāhmaṇ kul key|kī śhrēṣhṭh ātmāō̃ kō va lāḍlē , sikīladhē bachchō̃ kō bāp-dādā nē viśhēṣh sārē din kē liē bhinn-bhinn prakār key|kī dress aur śhrr̥iṅgār , sāth-sāth baiṭhnē K|kē sthān va āsan kitnē śhrēṣhṭh diyē haĩ . ⁷Jō jaisā samay vaisī dress aur vaisā hī śhrr̥iṅgār kar saktē haĩ .

⁴BapDada has given all you residents of the most elevated confluence age whose life is as valuable as a diamond, you most elevated children of BapDada, you Godly children, you elevated souls of the Brahmin clan, you long­lost and now­found children of the confluence age, a variety of dresses with matching jewellery and also an elevated seat on which to sit so that each of you can dress and adorn yourself according to the time.

⁸Satyug mē̃ bhinn-bhinn ḍraisēj aur śhrr̥iṅgār change karē̃gē lēkin saṅskār tō yahā̃ sē hī bharnē haĩ nā . ⁹Brahmā bāp nē saṅgamyug key|kī bhinn-bhinn ḍraisēj aur śhrr̥iṅgār sē brāhmaṇ bachchō̃ kō sajāyā hai . ¹⁰Lēkin ramaṇīk raṅgat kyā dēkhī  ?

⁵In the golden age, you change into different dresses and wear different ornaments, but it is at this time that you have to fill yourselves with the sanskaras of the different dresses and jewellery with which Brahma Baba has adorned you Brahmin children.

¹¹Jō itnī sundar ḍraisēj aur sajāvaṭ hōtē huē bhī kōī-kōī bachchē purānī dress , miṭṭī vālī mailī dress pahan lētē haĩ . ¹²Jaisī dress vaisā śhrr̥iṅgār

⁶However, it was entertaining to see that even though you have such beautiful dresses and adornment, some children still put on their dirty old dress.

¹³Amr̥itbēlē key|kī dress aur śhrr̥iṅgār jāntē hō  ?

⁷Do you know what your dress and adornment for amrit vela are?

¹⁴Sārē din key|kī bhinn-bhinn dress aur śhrr̥iṅgār jāntē hō  ?

⁸Do you know what your dress and adornment for the whole day are?

¹⁵Bāp-dādā dvārā bhinn-bhinn titles bachchō̃ kō milē huē haĩ .

⁹You children have been given a variety of titles by BapDada.

¹⁶Tō bhinn-bhinn titles key|kī sthiti rūpī dress aur bhinn-bhinn guṇō̃ K|kē śhrr̥iṅgār K|kē set haĩ .

¹⁰You have a different set of dresses for the stage of each title and also different sets of adornment for the different virtues.

¹⁷Kitnē prakār key|kī ḍraisēj aur set haĩ .

¹¹How many varieties of dresses and sets of adornment do you have?

¹⁸Jaisī dress vaisā śhrr̥iṅgār kā set aur aisē hī sajē-sajāyē seat par sadā set rahō . ¹⁹Apnī ḍraisēj gintī karō ki kitnī haĩ  ?

¹²You should constantly remain seated on your decorated seat according to the type of dress you wear and the type of sets of adornment you use.

²⁰Usī title key|kī sthiti mē̃ sthit hōnā arthāt ḍraisēj kō dhāraṇ karnā .

¹³Count how many dresses you have. ¹⁴To stabilise in the stage of that title means to wear that dress.

²¹Kabhī viśhva-kalyāṇakārī key|kī dress pahanō , kabhī master sarv śhaktivān key|kī aur kabhī svadarśhan chakradhārī key|kī .

¹⁵Sometimes wear the dress of a world benefactor, sometimes of a master almighty authority and sometimes of a spinner of the discus of self­ realisation.

²²Jaisā samay jaisā karttavya vaisī ḍraisēj dhāraṇ karō .

¹⁶Wear your dress according to your task and time.

²³Sāth-sāth bhinn-bhinn guṇō̃ K|kē śhrr̥iṅgār karō .

¹⁷As well as this, also adorn yourself with the virtues accordingly.

²⁴Yah bhinn-bhinn śrr̥ṅgārō̃ K|kē set dhāraṇ karō .

¹⁸Put on your different sets of jewellery.

²⁵Hāthō̃ mē̃ , galē mē̃ , kānō̃ mē̃ aur mastak mē̃ yah śhrr̥iṅgār hō .

¹⁹Wear the jewellery on your wrists, around your neck, on your ears and on your forehead.

²⁶Mastak mē̃ yah smr̥iti dhāraṇ karō ki ` maĩ ānand svarūp hū̃ ' - yah mastak key|kī cindī hō gaī .

²⁰On your forehead, have the awareness of being an embodiment of bliss.

²⁷Mukh dvārā arthāt galē mē̃ bhī ānand dilānē key|kī bātē̃ hō̃ - yah galē key|kī mālā hō gaī . ²⁸Hāthō̃ dvārā arthāt karma mē̃ ānand svarūp key|kī sthiti hō - yē hāthō̃ K|kē kaṅgan hō gaē .

²¹This is the chindi (ornament similar to a tilak, but with a chain attached to it) Through your lips, constantly speak of things that give the experience of bliss. ²²This is the necklace to wear around your neck.

²⁹Kānō̃ dvārā bhī ānand svarūp bannē key|kī bātē̃ suntē rahnā , yah kānō̃ kā śhrr̥iṅgār hai .

²³On your wrists, that is, whilst working, do so in the stage of bliss. ²⁴These are the bracelets on your wrists.

³⁰Pāṅw dvārā ānand svarūp banānē key|kī sēvā key|kī taraph pāṅw hō̃ arthāt kadam-kadam ānand svarūp bannē aur banānē kō hī uṭhē yah pāṅw kā śhrr̥iṅgār hai . ³¹Ab ēk set samajh liyā  ?

²⁵With your ears, constantly listen to things that make you an embodiment of bliss. ²⁶These are your ear­ rings. ²⁷Your feet should be dancing in service towards becoming an embodiment of bliss.

³²Pūrā hī set dhāraṇ kar liyā  ? ³³Aisē alag-alag samay par alag-alag set dhāraṇ karō .

²⁸That is, every step you take should be towards becoming an embodiment of bliss and making others the same.

³⁴Set dhāraṇ karnā tō ātā hai nā  ?

²⁹This is the adornment of your feet.

³⁵Yā kānō̃ kā pahanē̃gē tō galē kā chhōṛ dēgē .

³⁰Now, have you understood this set of virtues? ³¹Have you worn the complete set?

³⁶Vaisē bhī ājkal kī duniyā mē̃ set pahannē kā rivāj hai .

³²Similarly, you must wear different sets at different times.

³⁷Tō āpkē itnē śhrēṣhṭh śhrr̥iṅgār K|kē set haĩ  !

³³You know how to wear this set, do you not?

³⁸Vah dhāraṇ kyō̃ nahī̃ kartē hō  ? ³⁹Pahantē kyō̃ nahī̃ hō .

³⁴Or is it that when you put on your ear­rings, you leave off your necklace?

⁴⁰Itnī sab bhinn-bhinn prakār key|kī sundar ḍraisēj chhōṛkar dēh abhimān K|kē smr̥iti key|kī miṭṭī vālī dress kyō̃ pahantē hō  ? ⁴¹Anōkhā ḍairas competition ⁴²Āj ḍrais aur śhrr̥iṅgār kī competition dēkhī ki kaun-sē bachchē sārā din sajē-sajāyē rahtē haĩ aur kaun-sē bachchē ḍrais badalnē aur pahannē utārnē mē̃ hī lag jātē haĩ . ⁴³Abhī-abhī ēk ḍrais dhāraṇ karē̃gē aur abhī-abhī vah ḍrais utārkar ghaṭiyā ḍrais pahan lē̃gē , jyādā samay śhrēṣhṭh sundar ḍrais pahan hī nahī̃ saktē .

³⁵Nowadays, people usually wear the whole set.

⁴⁴Tō kyā dēkhā  ? ⁴⁵Kōī-kōī bilkul badbū vālī dress bhī pahan lētē haĩ .

³⁶So, you have such a set of elevated jewellery , do you not? ³⁷Then why don’t you use it?

⁴⁶Kaun-sī badbū  ?

³⁸Why don’t you wear it?

⁴⁷Dēh K|kē sambandh aur dēh K|kē padārthō K|kē lagāv key|kī badbū vālī ḍrais jō dūr sē hī badbū ātī thī .

³⁹Why do you leave off all of your various beautiful dresses and put on a dress covered with the mud of body consciousness instead?

⁴⁸Kōī gandē chamṛē key|kī ḍrais pahanē huē thē arthāt criminal eye key|kī , chamṛī kō dēkhnē key|kī , aisī gandī chamṛī key|kī ḍrais bhī pahanē huē thē . ⁴⁹Kisī key|kī ḍrais par gandē dāg bhī lagē huē thē .

⁴⁰Today, Baba was watching the competition of your dress and adornments and seeing which children remained constantly adorned throughout the day and which children stayed busy in putting on and taking off their dress.

⁵⁰Gandē dāg arthāt aurō̃ K|kē avguṇ arthāt dāg kō apnē mē̃ dhāraṇ karnā . ⁵¹Tō gandē-gandē dāg vālī ḍrais bhī thī .

⁴¹One moment they would put on one dress, and the next moment, they would take that dress off and put on a dress of a lower quality.

⁵²Kisī key|kī ḍrais tō bahut kharāb khūn K|kē dāgō kī thī .

⁴²They were unable to keep a top quality beautiful dress on for a long time.

⁵³Vah kyō̃ thī  ?

⁴³So what did Baba see?

⁵⁴Bārabār vikarma karnā arthāt ātma-ghāt karnā .

⁴⁴Some children even put on a bad­smelling dress. ⁴⁵What bad smell did it have?

⁵⁵Ātmā key|kī śhrēṣhṭh sthiti kā ghāt karnā , aisī ḍrais vālē bhī thē .

⁴⁶They put on the dress that had the bad smell of attachment to their bodily relations and physical objects.

⁵⁶Ab sōchō kahā̃ sundar titles K|kē sthiti key|kī ḍrais aur kahā̃ yē gandī ḍrais .

⁴⁷This bad smell could be smelt from far away. ⁴⁸Some put on a dress of dirty skin.

⁵⁷Śhrēṣhṭh ātmāō̃ key|kī ḍrais bhī śhrēṣhṭh chāhiē .

⁴⁹They put on a criminal eye dress of looking at the skin.

⁵⁸Tō kyā dēkhā  ? ⁵⁹Kōī-kōī bachchē sārā din usī śhrēṣhṭh ḍrais mē̃ , śhrr̥iṅgār K|kē set dhāraṇ karkē seat par achchhī tarah set thē aur kōī baṛhiyā ḍrais dhāraṇ kartē huē bhī , sāmnē hōtē huē bhī dhāraṇ karnā chāhtē huē bhī dhāraṇ kar nahī̃ saktē thē . ⁶⁰Tō amr̥itvēlē sē śhrēṣhṭh śhrr̥iṅgār kā set dhāraṇ karō . ⁶¹Jab śhrēṣhṭh titles key|kī ḍrais pahanē̃gē , guṇō̃ kā śhrr̥iṅgār dhāraṇ karē̃gē tō jaisē satyug mē̃ viśhva mahārājā va viśhva mahārānī key|kī rājāī ḍrais kē pīchhē dās-dāsiyā̃ ḍrais kō uṭhātē haĩ , vaisē ab māyājīt saṅgamyugī svarājya adhikārīyō̃ K|kē titles rūpī ḍrais mē̃ sthit hōnē K|kē samay yē 5 tatva , yē 5 vikār āpkī ḍrais kō pīchhē uṭhāyēṅgē arthāt adhīn hōkar chalē̃gē .

⁵⁰Some children wore a dress of such dirty skin!

⁶²Takhtē kō chhōṛ takht-naśhīn hō jāō

⁵¹Others wore a dress stained with dirty marks.

⁶³Tō yah dr̥iśhya apnā sāmnē lāō ki kaisē māyājīt kē pīchhē yah rāvaṇ K|kē das śhīśh , 10 sēvādhārī ban karkē pīchhē chalē̃gē .

⁵²Dirty marks means to see the defects of others and imbibe them. ⁵³There were also some dresses that were very badly stained.

⁶⁴Lēkin jab ḍrais sē tight hōṅgē aur nirantar arthāt lambī-chauṛī hōgī tab vah 10 servant āpkē pīchhē-pīchhē uṭhātē āyēṅgē .

⁵⁴The dresses of some were even badly stained with blood. ⁵⁵Why were they stained with blood? ⁵⁶To commit sin repeatedly means to commit suicide of the soul.

⁶⁵Ājkal K|kē rājē-rāniyā̃ bhī yah cōgā baṛā lambā-chauṛā pahantē haĩ jō uṭhā savē̃ .

⁵⁷Some souls were even wearing the dress through which they committed suicide of their elevated stage.

⁶⁶Agar nirantar key|kī lambāī nahī̃ hōgī , titles mē̃ tight nahī̃ hōṅgē tō yahī sēvādhārī ḍrais utār dēgē kyōṅki loose hōgī nā .

⁵⁸Now just think about how vast the difference is between the dresses of your elevated titles and those dirty dresses! ⁵⁹Elevated souls should be wearing top quality dresses.

⁶⁷Tō ab dr̥iṛh saṅkalp sē titles key|kī ḍrais kō tight karō . ⁶⁸Dr̥iṛh saṅkalp hai belt . ⁶⁹Issē tight karō tō sadā safe rahē̃gē aur sadā sēvādhārī adhīn rahē̃gē .

⁶⁰So what did Baba see? ⁶¹Some children wore that elevated dress throughout the day, and also wore their full set of jewellery and remained seated on their seat very well.

⁷⁰Sunāyā thā nā ki vikār parivartan hō sahyōgī , sēvādhārī hō jāyēṅgē . ⁷¹Abhī ḍrais pahannā ā gayā . ⁷²Tight karnā bhī ā gayā .

⁶²However, there were some who were not able to wear the beautiful dress that was put in front of them even though they wanted to.

⁷³Jis samay jō ḍrais chāhō vah pahanō . ⁷⁴Lēkin gandī ḍrais nahī̃ pahannā .

⁶³So, from amrit vela, throughout the whole day, you must wear your set of elevated jewellery.

⁷⁵Variety ḍrais aur variety śhrr̥iṅgār kā lābh uṭhāō .

⁶⁴Constantly wear your dress of elevated titles and adorn yourself with virtues.

⁷⁶Brahmā bāp va bāpdādā nē saṅgam kā dahēj diyā hai , lav|love marriage kī hai tō dahēj bhī milēgā nā . ⁷⁷Tō dahēj hai yah variety śhrr̥iṅgār K|kē set aur sundar ḍrais . ⁷⁸Bāp-dādā kā dahēj chhōṛ K|kē purānā dahēj use nahī̃ karō . ⁷⁹Kaī bachchē aisē kartē haĩ jō bāp-dādā kā dahēj bhī jarūr lē̃gē va liyā bhī hai lēkin sāth mē̃ purānī ḍrais bhī chhipākar rakhī hai .

⁶⁵Then, just as in the golden age the maids carry the train of the dress of the world emperor and world empress, so now, when you stabilise in your stage of dress of the titles “Conquerors of Maya” and “Confluence­aged Self­sovereigns”, then the five elements and the five vices will carry the train of your dress; they will be subservient to you.

⁸⁰Isliē kabhī usē bhī dhāraṇ kar lētē haĩ . ⁸¹Jab purānā lagāv lag jātā hai tō purānī ḍrais pahan lētē haĩ . ⁸²Amūlya ḍrais kō chhōṛ phaṭī-ṭūṭī ḍrais pahan lētē haĩ tō aisē mat karnā .

⁶⁶Visualize the scene of Ravan’s ten heads becoming your servants and following you conquerors of Maya. ⁶⁷However, when your dress is just tight (perfect fit) and your train is long and loose, then these ten servants will follow you carrying your train.

⁸³Ab tak bhī chhipākar rakhā hō tō jalā dēnā hai . ⁸⁴Aur jalākar K|kē rākh bhī apnē pās|pass nahī̃ rakhnā .

⁶⁸The kings and queens of today who also wear long robes so that the servants can carry their trains.

⁸⁵Vah bhī sāgar mē̃ svāhā kar dēnā tō sadā sajē rahē̃gē aur bāp kē sāth diltakhtanaśhīn rahē̃gē . ⁸⁶Takht sē utarē̃gē tō phānsī takhtā ā jāyēgā .

⁶⁹If the robes are not long all the time, or you are not tight (strict) with your titles, then those same servants will take your dress off you, because it will be loose.

⁸⁷Kabhī lōbh kā kabhī mōh kā . ⁸⁸Tō phānsī K|kē takhtē kō chhōṛ takhtnaśhīn hō jāō .

⁷⁰Now, make your dress tight (fit you perfectly) with determination.

⁸⁹Dahēj sambhālā huā hai nā .

⁷¹Determination is your belt.

⁹⁰Use karō . ⁹¹Dahēj sirph rakh na dō . ⁹²Sirph dēkhtē rahō bahut achchhā hai , bahut achchhā hai . ⁹³Lēkin dhāraṇ karō .

⁷²Tighten the belt of your dress with this determination and you will always be safe; your servants will always be dependent on you.

⁹⁴Aur dress competition mē̃ first number ā jāō . ⁹⁵Sunāyā nā number hai nirantar kē ūpar .

⁷³You were told earlier of how the vices will be transformed and become your co­operative servants.

⁹⁶Dress pahannī tō sabhī kō ātī hai , lēkin dress sadā ṭip-ṭôp rahē yah nahī̃ ātā hai . ⁹⁷Tō sadā sajē-sajāyē̃ kā number hai .

⁷⁴So, you now know what dress you have to wear, and also how to keep it tight. ⁷⁵Wear whatever dress you want at any time, but don’t wear a dirty dress.

⁹⁸Competition mē̃ foreign vālē number one lē̃gē yā bhārat vālē lē̃gē . ⁹⁹Jitnā chāhē̃ utnā lē saktē haĩ .

⁷⁶Take the benefit of the variety of dresses and matching jewellery. ⁷⁷Brahma Baba and BapDada have given you the dowry of the confluence age.

¹⁰⁰Vahā̃ tō prize K|kē kāraṇ ēk kō hī first number miltā .

⁷⁸Although you have made a love­match, you will still receive your dowry.

¹⁰¹Yahā̃ tō bahutō̃ kō first number banā saktē haĩ , yahā̃ akhuṭ khazānā hai isliē jitnē bhī first āyēṅgē unkō first prize mil jāyēgī .

⁷⁹Your dowry is your beautiful dresses and sets of matching jewellery. ⁸⁰Don’t put aside your dowry that BapDada has given you and put on the clothes of your previous dowry.

¹⁰²Achchhā , kal sē kyā karē̃gē  ? ¹⁰³Amr̥itbēlē sē lēkar bhinn-bhinn dress aur śhrr̥iṅgār K|kē set sē saj-dhaj kar sārā din bāp kē sāth rahnā .

⁸¹Some children not only accept the dowry that BapDada gives them, but also keep their old dress hidden away somewhere to wear sometimes.

¹⁰⁴Amr̥itbēlē sē hī first number key|kī dress pahannā .

⁸²When your old attachment pulls you, you put on that old dress.

¹⁰⁵Aisī sajī huī sajaniyō̃ kō hī sāth lē jāyēṅgē .

⁸³You put aside your very precious dress and put on a torn dress.

¹⁰⁶Aurō̃ kō nahī̃ .

⁸⁴Don’t do this any more!

¹⁰⁷Jō competition mē̃ first number āyēṅgē vē|way hī sāth rahē̃gē aur sāth chalē̃gē .

⁸⁵If you are still keeping something hidden away, then burn it!

¹⁰⁸Jō rahē̃gē nahī̃ vah chalē̃gē bhī nahī̃ .

⁸⁶And, having burnt it, don’t even keep the ashes!

¹⁰⁹Tō sadā yah slōgan yād rakhō arthāt yah tilak lagānā - ` ` sāth rahē̃gē sāth chalē̃gē ' ' .

⁸⁷Throw away the ashes in the ocean and you will remain constantly adorned, and seated on BapDada’s heart­throne.

¹¹⁰Samajhtē hō nā competition mē̃ kitnā achchhā lagtā hōgā . ¹¹¹Bāp , brahmā bāp kō vatan mē̃ yah dikhātē rahtē haĩ .

⁸⁸If you get off your throne (takht), you would be hung on the gallows (fansi ka takhta); sometimes of greed and sometimes of attachment.

¹¹²Bachchō̃ key|kī yād tō brahmā bāp kō bhī rahtī hai .

⁸⁹So let go of the gallows and remain seated on the heart­throne.

¹¹³Tō bachchō̃ kā hāl-chāl dikhātē rahtē haĩ .

⁹⁰You have been keeping your dowry safe, have you not?

¹¹⁴Aisī sadā sajī-sajāī mūrt , saṅgamyugī śhrēṣhṭh jīvan K|kē mahatva kō jānnē vālī mahān ātmāyē̃ , duśhman kō bhī sēvādhārī banānē vālē , sahyōgī banānē vālē , aisē master sarvśhaktivān , sadā bāp aur āp , is vichitr yugal rūp mē̃ rahnē vālē , aisī param pūjya aur gāyan yōgya ātmāō̃ kō bāp-dādā kā yād-pyār aur namastē . ¹¹⁵“ śhiv jayantī mahōtsav dhūm-dhām sē manānē kē liē avyakt bāp-dādā kā viśhēṣh plan ” ¹¹⁶Abhī sēvā K|kē achchhē chance ā rahē haĩ . ¹¹⁷Sākār aur nirākār dōnō̃ kō pratyakṣha karnē kā samay sapīp ā rahā hai .

⁹¹So now use it!

¹¹⁸Ismē̃ kyā navīntā karē̃gē  ?

⁹²Don’t just keep your dowry to one side.

¹¹⁹Her|har function mē̃ kōī-na-kōī navīntā tō kartē hō nā . ¹²⁰Tō is śhivrātri par viśhēṣh kyā karē̃gē  ? ¹²¹1 . jaisē pichhlī bārī light and sound kā saṅkalp rakhā tō harēk nē apnē-apnē sthān par yathāśhakti kiyā .

⁹³Don’t just keep looking at it and thinking how very good it is, but use it and claim the first number in this dress competition. ⁹⁴You have been told that you claim a number by doing something constantly.

¹²²Śhivrātri par jaisē gītā K|kē bhagvān kō siddha karnē kā lakṣhya rakhtē hō nā , lēkin kaṭākṣa kartē hō tō lōgō̃ kō samajh mē̃ nahī̃ ātā hai .

⁹⁵Everyone knows how to wear a dress, but not everyone knows how to keep their dress in a constant tip­top condition. ⁹⁶Your number is dependent on your being constantly adorned.

¹²³Iskē liē is bār śhivrātri K|kē din dō chitrō̃ kō viśhēṣh sajāō - ēk nirākār śhiv kā , dūsrā śhrīkr̥iṣhṇa kā .

⁹⁷Will the foreigners or the people of Bharat come first in this competition? ⁹⁸You can all claim as much as you want.

¹²⁴Viśhēṣh dōnō̃ chitrō̃ kō aisē sajākar rakhō jaisē kiraṇō̃ kā chitra banātē hō nā .

⁹⁹Outside, only one person in a competition can claim the first prize, whereas here, many people can claim the first prize.

¹²⁵Śhiv kā bhī kiraṇō̃ vālā chitra sajāyā huā hō aur śhrīkr̥iṣhṇa kā bhī kiraṇō̃ kā chitra sajāyā huā hō .

¹⁰⁰Here, the treasure is limitless and so all of those who come in the first division will receive a first prize.

¹²⁶Viśhēṣh dōnō̃ chitrō̃ key|kī ākarṣhaṇ hō .

¹⁰¹Achcha, what are you going to do from tomorrow?

¹²⁷Kr̥iṣhṇa K|kē chitra key|kī mahimā alag aur śhiv key|kī mahimā alag . ¹²⁸Kaṭākṣa nahī̃ karō lēkin dōnō̃ K|kē antar kō siddh karō .

¹⁰²Throughout the whole day, from amrit vela, remain with the Father, and wear your various dresses and remain adorned with your various sets of matching jewellery.

¹²⁹Stage kā viśhēṣh show yah dō chitra hō̃ .

¹⁰³From amrit vela onwards, wear your dress of the first number.

¹³⁰Jaisē kōī bhī conference ādi kartē hō tō conference kā symbol sajākar rakhtē hō , phir uskā anāvaraṇ karātē hō .

¹⁰⁴Baba is only going to take such beautifully adorned brides back with Him; He is not going to take anyone else.

¹³¹Aisē śivarātrī par kōī bhī V|we . I|āī|eye . pī|P . dvārā in dōnō̃ chitrō̃ kā anāvaraṇ karāō aur unhē̃ thōṛē mē̃ pahlē uskā antar spaṣhṭ kar sunāō .

¹⁰⁵Those who come first in this competition of remaining with the Father will return home with the Father. ¹⁰⁶Those who don’t remain with the Father will not return home with the Father either.

¹³²Phir sabhā mē̃ bhī isī topic par jis samay śhiv key|kī mahimā karō tō bhāṣhaṇ K|kē sāth-sāth chitra bhī rakhō .

¹⁰⁷So, constantly remember this slogan; constantly keep this tilak on you: “I will remain with You and return home with You.”

¹³³Bhāṣhaṇ karnē vālē sāth-sāth chitra dikhātē jāē̃ .

¹⁰⁸You know how much someone can enjoy a competition.

¹³⁴Yah yē haĩ - yah yē haĩ . ¹³⁵Tō sabhī kā attention jāyēgā .

¹⁰⁹Baba shows this competition to Brahma Baba in the subtle region.

¹³⁶Pahlē antar sunākar phir unkō kahō ab āp judge karō ki rachayitā kaun aur rachtā kaun  ?

¹¹⁰Because Brahma Baba remembers you children, Baba shows him what state you children are in.

¹³⁷Tō gītā kā gyān rachayitā nē diyā yā rachnā nē  ? ¹³⁸Tō is śhivrātri par in dō viśhēṣh chitrō̃ kā mahatva rakhō . ¹³⁹2 . jaisē pichhlī bārī light and sound key|kī tape mē̃ kômēnṭrī bharī huī thī vaisē nahī̃ lēkin programme K|kē bīch mē̃ śhivbābā kā sajā huā light kā chitra sāmnē lāō aur sāmnē rakhtē huē sab light band kar dō , us chitra key|kī light hī hō phir dhīrē-dhīrē direct us samay bāp key|kī mahimā kartē jāō .

¹¹¹To such constantly adorned idols; to the great souls who understand how important their elevated life of the confluence age is; to those who transform their enemies into their co­ operative servants; to such master almighty authorities, who constantly stay in the subtle combined form of the self and the Father; to such supremely worshipful and praiseworthy souls, BapDada’s love, remembrance and namaste. ¹¹²BapDada’s sweet elevated versions for the serviceable children:

¹⁴⁰Mahimā kartē unkō bhī mahimā mē̃ lētē chalō . ¹⁴¹Mahimā sunātē huē anubhav karāō .

¹¹³The praise of you serviceable children is very great, because you become equal to the Father.

¹⁴²Śhānti kā sāgar kahō tō śhānti key|kī lahar phail jāē .

¹¹⁴Baba comes to serve you children.

¹⁴³Jō bhī guṇ varṇan karō uskī lahar phail jāē .

¹¹⁵You are also instruments, and so you have become equal to Baba.

¹⁴⁴Us samay sab light band hōnī chāhiē .

¹¹⁶It is those that become equal that are praised.

¹⁴⁵Sirph ēk us chitra key|kī taraph sabkā attention hō . ¹⁴⁶Dhīrē-dhīrē aisē anubhavī mūrt hōkar mahimā karō .

¹¹⁷Only those who become equal to the Father can remain constantly combined with Him.

¹⁴⁷Jaisē sāth mē̃ liē jā rahē haĩ .

¹¹⁸If you are not equal, you cannot remain combined with Him.

¹⁴⁸Śhānti kā sāgar kahā tō jaisē usī sāgar mē̃ sab nahā rahē haĩ , aisā anubhav karāō .

¹¹⁹So, to become equal to the Father means to keep your self­respect constantly. ¹²⁰Does Baba ever forget His self­respect?

¹⁴⁹Jaisē yōg key|kī kômēnṭrī kartē hō dhīrē-dhīrē vaisē unkō lakṣhya dēkar usī rīti sē biṭhāō tō ēk attention jāyēgā aur dūsrā antar kā mālūm paṛ jāyēgā .

¹²¹So, to be equal to the Father means to keep your self­respect constantly. ¹²²Are you like this? ¹²³Just as you automatically remain aware of your body, so too, do you equally remain constantly aware of the Father and service?

¹⁵⁰Kaṭ karnē key|kī jarūrat nahī̃ hōgī . ¹⁵¹Svataḥ hī siddha hō jāyēgā .

¹²⁴You don’t have to remember your body, because it is automatically remembered.

¹⁵²3 . her|har function mē̃ yōg śhivir K|kē programme kā announce jarūr karō .

¹²⁵Similarly, you should automatically remember Baba and service.

¹⁵³Chāhē ēk din kā function kartē hō lēkin yōg śhivir K|kē form jarūr bharāō .

¹²⁶If you have to labour to stay in remembrance of Him, how are you going to make others into easy yogis?

¹⁵⁴Yōg śhivir K|kē form kā viśhēṣh table banā huā hō usmē̃ nazdīk sthān kē liē form bharāō .

¹²⁷You need to remain an easy and a natural yogi to gain the qualification of a serviceable child.

¹⁵⁵Tō jō pīchhē yōg śhivir karnē āyēṅgē vah samparka mē̃ ā jāyēṅgē .

¹²⁸Now, according to the time, all of your labouring should have finished.

¹⁵⁶Yōg śhivir K|kē form bharākar pīchhē bhī unkā samparka banātē rahō . ¹⁵⁷Kōī bhī programme karō usmē̃ yōg śhivir kō viśhēṣh mahatva dō .

¹²⁹If you are still even now having to labour or still have any questions of: “Why?” or “What?”, then you can’t perform your duty.

¹⁵⁸4 . jō bhī chance miltē haĩ aur jō bhī samparka mē̃ āyē haĩ , yā kōī vighnō̃ K|kē kāraṇ bhāgantī hō chalē gayē haĩ , unkō aisē maukē par viśhēṣh nimantraṇ dō .

¹³⁰To ask: “Why?” or “What?” means to stand in a queue. ¹³¹If you yourself are still standing in a queue, how are you going to satisfy other souls and make them content?

¹⁵⁹Jō apnī kamzōriyō̃ K|kē kāraṇ pīchhē rah gayē haĩ unkō snēh sē āgē baṛhānā chāhiē .

¹³²If you yourself are still asking, how would you become a bestower?

¹⁶⁰Aisē programme sē unmē̃ bhī jāgr̥iti āyēgī .

¹³³To be serviceable means to continue to give and then to receive.

¹⁶¹Umaṅg mē̃ ā jāyēṅgē . ¹⁶²Serviceable bachchō̃ kē prati bāp-dādā K|kē madhur mahāvākya –

¹³⁴Those who are themselves asking: “Why?” and “What?” are those who keep begging like beggars. ¹³⁵“Give me power!

¹⁶³Serviceable bachchō̃ key|kī mahimā tō bahut mahān hai .

¹³⁶Give me co­operation! ¹³⁷Make me successful in carrying out this task!

¹⁶⁴Kyōṅki bāp samān haĩ nā .

¹³⁸To ask like this is like royal begging.

¹⁶⁵Bāp bhī bachchō̃ key|kī service karnē ātē haĩ aur āp bhī nimitt hō tō samāntā hō gaī nā .

¹³⁹So how can those who are in the queue like beggars become bestowers and give to others?

¹⁶⁶Samān vālē key|kī mahimā hōtī hai .

¹⁴⁰Your childhood has now ended.

¹⁶⁷Samān vālā hī sadā sāth rah saktā hai .

¹⁴¹In your childhood you were given total freedom.

¹⁶⁸Samān nahī̃ hōgā tō sāth bhī nahī̃ hōgā . ¹⁶⁹` bāp samān arthāt sadā svamān mē̃ rahnē vālē ' .

¹⁴²You were given the freedom to become sensitive and cry; you were also free to think whatever you wanted to think.

¹⁷⁰Jaisē bāp apnē svamān kō kabhī bhūltā hai kyā  ?

¹⁴³However, no longer! ¹⁴⁴You have now reached your stage of retirement.

¹⁷¹Tō bāp samān arthāt sadā svamān mē̃ rahnē vālē . ¹⁷²Aisē hō  ?

¹⁴⁵Things of your childhood are not continued in your age of retirement.

¹⁷³Sadā bāp aur sēvā - yah dōnō̃ hī aisē smr̥iti mē̃ rahtē haĩ jaisē śharīr key|kī smr̥iti svataḥ hī rahtī hai .

¹⁴⁶There can no longer be any questions of: “What?” or “Why?”. ¹⁴⁷Those who ask such questions are of “baby­quality”.

¹⁷⁴Yād karnā nahī̃ paṛtā lēkin svataḥ yād rahtī hai .

¹⁴⁸Those who are babies cannot become “bibis” (wives).

¹⁷⁵Aisē bāp kī yād aur sēvā bhī svataḥ yād rahē .

¹⁴⁹The contract is now just between the Husband and wife.

¹⁷⁶Agar āp bhī mēhnat karkē yād mē̃ rahō tō aurō̃ kō sahajyōgī kaisē banāyēṅgē . ¹⁷⁷Serviceable bachchō̃ key|kī qualification hai hī - ` sahajyōgī ' , svataḥ yōgī .

¹⁵⁰Your babyish stage has now ended. ¹⁵¹You have to become equal to the Father and so you have to become like Husband and wife. ¹⁵²Little children are not said to be equal.

¹⁷⁸Baby nahī̃ , bībī ¹⁷⁹Abhī samay K|kē pramāṇ mēhnat samāpt hōnī chāhiē .

¹⁵³When a boy grows up and becomes a father, he is said to be equal.

¹⁸⁰Agar abhī bhī mēhnat kā anubhav hō yā kyō̃ , kyā kā question hō tō apnī duty kō bajā nahī̃ saktē hō .

¹⁵⁴So, now finish any baby­quality. ¹⁵⁵You should not even think that your sanskaras are not in harmony. ¹⁵⁶You have to make them harmonious.

¹⁸¹Kyō̃ , kyā karnā arthāt queue mē̃ khaṛā hōnā .

¹⁵⁷Who would say that their sanskaras are not in harmony?

¹⁸²Agar svayã hī queue mē̃ hōṅgē tō aurō̃ kō tr̥ipt ātmā kaisē banā sakē̃gē .

¹⁵⁸Who would say: “This one can’t change” or “This one won’t listen”?

¹⁸³Khud hī lēnē vālē hōṅgē tō dātā kaisē banē̃gē  ?

¹⁵⁹Who speaks the language of “won’t” or “can’t”? ¹⁶⁰Now, it has to happen.

¹⁸⁴Sēvādhārī arthāt dētē jāō aur sāth mē̃ lētē jāō .

¹⁶¹You have to say, “Ha ji”. ¹⁶²You must no longer use the word “no”.

¹⁸⁵Jō svayã hī kyō̃ , kyā vālē haĩ vah tō bhikhārī K|kē muāphik māṅgnē vālē hōṅgē .

¹⁶³All of you are now those who say “yes”, are you not? ¹⁶⁴Now, stop being limited and become unlimited.

¹⁸⁶Śhakti dēnā , sahyōg dēnā , maĩ yah kārya kar rahī hū̃ , āp saphaltā dēnā , yah arjā bhī royal bhikhārīpan hai .

¹⁶⁵You were told earlier that to think of yourself as the head of a zone is also to be limited.

¹⁸⁷Jō svayã bhikhāriyō̃ key|kī queue mē̃ hōṅgē vah aurō̃ kō dātā bankar kaisē dē sakē̃gē  !

¹⁶⁶Look at the map and see what your zone is. ¹⁶⁷It is just a point.

¹⁸⁸Ab bachpan khatm huā .

¹⁶⁸To think otherwise is to be limited.

¹⁸⁹Bachpan mē̃ sab chhūṭ thī , rōnā bhī chhūṭ , feeling bhī chhūṭ , saṅkalpō̃ key|kī bhī chhūṭ mil gaī , lēkin abhī nahī̃ .

¹⁶⁹Now, no longer even think that you belong to a particular place or that you are OK at a particular place.

¹⁹⁰Abhī tō vānaprasth tak pahũch gayē hō nā . ¹⁹¹Bachpan key|kī bātē̃ vānaprasth mē̃ nahī̃ rahtī .

¹⁷⁰Do you want to become the master of the unlimited or of just one place?

¹⁹²Ismē̃ kyō̃ , kyā nahī̃ . ¹⁹³Kyō̃ , kyā karnē vālē arthāt baby quality .

¹⁷¹Don’t think that if your place changes, your stage will be transformed!

¹⁹⁴Jō baby hōṅgē vah bībī nahī̃ banē̃gē .

¹⁷²If Baba were to send you somewhere, would you be ready for this?

¹⁹⁵Ab tō miyā̃ aur bībī kā saudā hai . ¹⁹⁶Abhī bēbīpan khatm huā .

¹⁷³If Baba sends you anywhere , even abroad, you should be ever­ready.

¹⁹⁷Bāp-samān ban gayē tō bībī aur miyā̃ ban gayē .

¹⁷⁴Baba can send you abroad or anywhere else from here.

¹⁹⁸Chhōṭē bachchē kō samān nahī̃ kahē̃gē .

¹⁷⁵When you have to go, you automatically receive power.

¹⁹⁹Jab bachchā baṛā ban jātā hai yā bāp ban jātā hai tab samān kahā jātā hai .

¹⁷⁶So, from tomorrow, shall we start to move everyone around? ¹⁷⁷Achcha.

²⁰⁰Tō abhī baby quality khatm . ²⁰¹Sab-kuchh apnā hai yā kuchh apnā nahī̃ ²⁰²Saṅskār miltē nahī̃ , yah bhī saṅkalp na āyē .

¹⁷⁸When a new bulletin is issued, don’t say that you want one or two years, two or four months to prepare yourself.

²⁰³Milānē hī haĩ .

¹⁷⁹Do you have this courage?

²⁰⁴Miltē nahī̃ , yah kaun bōltā hai  ?

¹⁸⁰Anyway, what things do you have that belong to you?

²⁰⁵Yah badaltā nahī̃ , suntā nahī̃ , yah nā-nā yā nahī̃-nahī̃ key|kī bhāṣhā kiskī hai  ? ²⁰⁶Ab tō hōnā hī hai .

¹⁸¹If something belongs to you, then it is everything, whereas if nothing belong to you, nothing is yours.

²⁰⁷Hā̃ jī . ²⁰⁸` nā ' śhabda samāpt .

¹⁸²Whatever belongs to Baba is yours.

²⁰⁹Tō sabhī hā̃hā̃ vālē hō nā . ²¹⁰Abhī bēhad K|kē banō , had kō chhōṛō .

¹⁸³Everything that belongs to Baba is unlimited and so everything of yours is also unlimited.

²¹¹Sunāyā thā nā , kōī zone kā bhī head hai tō yah bhī had huī .

¹⁸⁴To be unlimited means that everything belongs to you.

²¹²Nakśhē K|kē andar dēkhō āpkā zone kyā hai  ? ²¹³Bindī . ²¹⁴Tō had hō gaī nā . ²¹⁵Abhī phalānē sthān K|kē haĩ , yah bhī nahī̃ .

¹⁸⁵BapDada constantly gives special co­operation to all you children because you are instruments for service, and special serviceable souls are given special co­operation.

²¹⁶Phalānē sthān par hī ṭhīk haĩ , yah bhī nahī̃ .

¹⁸⁶Those who perform a special task would be remembered first.

²¹⁷Bēhad K|kē mālik bannā hai yā ēk sthān kā  ? ²¹⁸Aisā nahī̃ , thōṛā-sā sthān parivartan hō tō sthiti parivartan hō jāē .

¹⁸⁷In the world outside, when you study any particular history, who are remembered first in that history?

²¹⁹Abhī bhējē̃gē yahā̃ vahā̃ , taiyār hō  ?

¹⁸⁸Those who were special are remembered.

²²⁰Foreign bhējē̃ yā kisī bhī sthān par bhējē̃ lēkin ever ready . ²²¹Dēśh mē̃ bhējē̃ yā vidēśh mē̃ .

¹⁸⁹Even in the history of the confluence age, it is the special and serviceable souls who are especially remembered first.

²²²Jab jānā hōtā hai tō śhakti āpē hī mil jātī hai . ²²³Tō kal sē sabhī kō change karē̃  ?

¹⁹⁰Whenever BapDada remembers anyone, He automatically remembers those who are serviceable.

²²⁴Achchhā - naī bulletin nikālē̃ phir nahī̃ kahnā abhī taiyār hōnē kē liē ēk sāl aur dō , sirph 4 mās dō , dō mās dō , aisē tō nahī̃ kahē̃gē nā .

¹⁹¹He doesn’t have to be told to remember anyone. ¹⁹²All you have to do is become able to receive the return of special remembrance.

²²⁵Himmat hai  ? ²²⁶Apnā hai hī kyā . ²²⁷Agar apnā hai tō sab , apnā hai , nahī̃ tō kuchh apnā nahī̃ . ²²⁸Jō bāp kā vah apnā .

¹⁹³Baba gives you all the return of your remembrance, but sometimes, because of their carelessness, those who should receive it do not take it.

²²⁹Bāp kā bēhad hai āpkā bhī bēhad .

¹⁹⁴Whatever Baba has, He gives it to you.

²³⁰Sab hamārē haĩ , iskō kahtē haĩ bēhad .

¹⁹⁵He gives to everyone, but those who receive it are numberwise.

²³¹Sabhī bachchō̃ kō sadā viśhēṣh sahyōg dētē hī rahtē haĩ kyōṅki jō sēvā mē̃ nimitt banē huē haĩ tō viśhēṣh sēvādhāriyō̃ kō viśhēṣh sahyōg sadā prāpt hōtā hī hai .

¹⁹⁶Blessing: May you be double­light and remain as loving and detached as a lotus flower by surrendering all that you have to the Father. ¹⁹⁷To belong to the Father means to give all your burdens to the Father.

²³²Viśhēṣh kārya vālē tō pahlē yād āyēṅgē nā .

¹⁹⁸To be double­light means to surrender everything you have to the Father.

²³³Laukik rīti sē bhī kōī history kō yād karō tō history mē̃ bhī kaun pahlē ātā hai  ?

¹⁹⁹Even your body is not yours. ²⁰⁰When even your body doesn’t belong to you, what else would you keep?

²³⁴Jō viśhēṣh hōgā vahī yād āyēgā nā . ²³⁵Saṅgamyug key|kī history mē̃ bhī jō jitnā viśhēṣh sēvādhārī haĩ vah viśhēṣh ātmā hai .

²⁰¹All of you have made this promise: This body is Yours, this mind is Yours and this wealth is Yours.

²³⁶Tō bāp-dādā jab bhī yād karē̃gē tō pahlē-pahlē vah svataḥ hī yād āyēṅgē .

²⁰²Since you have said that everything is Yours, what burden would you keep?

²³⁷Yād karō , yah kahnē key|kī jarūrat hī nahī̃ . ²³⁸Sirph viśhēṣh yād kā return lēnē vālē banō .

²⁰³Just keep the example of the lotus in your awareness and remain constantly loving and detached and you will become double­light.

²³⁹Bāp sabkō yād kā return dētē haĩ lēkin lēnē vālē kabhī-kabhī albēlēpan K|kē kāraṇ lētē nahī̃ hai . ²⁴⁰Bāp kē pās jō bhī hai , vah dēnē kē liē haĩ , tō bāp sabkō dētē haĩ , lēnē vālē number-vār haĩ .

²⁰⁴Slogan: You souls who are embodiments of happiness are easily able to overcome any adverse situations by remaining stable in your original stage. ²⁰⁵* * * O M S H A N T I* * *