बुधवार 20 जनवरी 1982 की अव्यक्त मुरली

⁰> ¹20-01-82 ōm śhānti avyakt bāpdādā madhuban

⁰> > 20-01-82 Om Shanti Avyakt Bapdada Madhuban

²" prīt key|kī rīt nnnibhānē kā sahaj tarīkā "

¹The way to fulfil the responsibility of love is to sing and dance.

³Śhiv śhamā apnē parvānō̃ kē prati bōlē  :

²Today, the Flame has come into the spiritual gathering of His moths.

⁴‘ ‘ āj śhamā apnē parvānō̃ K|kē rūhānī mahaphil mē̃ āyē haĩ .

³This spiritual gathering is so alokik and elevated.

⁵Yah rūhānī mahaphil kitnī alaukik aur śhrēṣhṭh hai . ⁶Śhamā bhī avināśhī hai , parvānē bhī avināśhī haĩ aur śamā-paravānō̃ key|kī prīti bhī avināśhī hai .

⁴The Flame is eternal, the moths are eternal and the love between the Flame and the moths is eternal. ⁵No one except the Flame and the moths can know this spiritual love.

⁷Is rūhānī prīti kō śhamā aur parvānō̃ K|kē sivāē aur kōī jān nahī̃ saktā .

⁶Those who know this love have fulfilled the responsibility of love and have attained everything.

⁸Jinhōnnē jānā unhōnnē prīt nibhāyā aur unhōnnē hī sab kuchh pāyā .

⁷To fulfil the responsibility of love means to attain everything.

⁹Prīt key|kī rīti nibhānā arthāt sab kuchh pānā . ¹⁰Nibhānā nahī̃ ātā tō pānā bhī nahī̃ ātā .

⁸Someone who doesn’t know how to fulfil the responsibility of love doesn’t know how to attain anything.

¹¹Is prīt K|kē anubhav jānē̃ ki yah prīt key|kī rīt nibhānā kitnā sahaj hai  !

⁹Those who have experienced this love know how easy it is to fulfil the responsibility of love.

¹²Prīt key|kī rīt kyā hai , jāntē hō nā  ?

¹⁰Do you know what the responsibility of love is?

¹³Sirph dō bātō̃ key|kī rīt hai .

¹¹It is simply to do two things.

¹⁴Aur vah bhī itnī saral hai jō sab jāntē bhī haĩ aur sab kar bhī saktē haĩ .

¹²That too is so easy, and all of you know it and all of you can do it.

¹⁵Vah dō bātē̃ haĩ - ‘ gīt gānā aur nāchnā ' .

¹³Those two things are to sing and to dance.

¹⁶Iskē sab anubhavī hō nā  ?

¹⁴You are all experienced in this, are you not?

¹⁷Gānā aur nāchnā tō sabkō pasand hai nā  ?

¹⁵All of you like to sing and dance, do you not?

¹⁸Tō yahā̃ karnā hī kyā hai  ?

¹⁶So what else do you have to do here?

¹⁹Amr̥itvēlē sē gīt gānā śhurū kartē hō .

¹⁷You start singing songs from amrit vela onwards.

²⁰Dincharyā mē̃ bhī uṭhtē hī gīt sē hō .

¹⁸In your daily timetable, you wake up to a song.

²¹Tō bāp K|kē vā apnē śhrēṣhṭh jīvan key|kī mahimā K|kē gīt gāō .

¹⁹Therefore, sing the songs of praise of the Father and your elevated life.

²²Gyān K|kē gīt gāō .

²⁰Sing songs of knowledge.

²³Sarv prāptiyō̃ K|kē gīt gāō .

²¹Sing songs of all attainments.

²⁴Yah gīt gānā nahī̃ ātā  ?

²²Do you not know how to sing these songs?

²⁵Ātā hai nā  ?

²³You do know them, do you not?

²⁶Tō gīt gāō aur khuśhiyō̃ mē̃ nāchō .

²⁴Therefore, sing these songs and dance in happiness.

²⁷Khuśhiyō̃ mē̃ nāchtē-nāchtē her|har karma karō .

²⁵Perform every action whilst dancing in happiness.

²⁸Jaisē sthūl dance mē̃ bhī sārē śharīr key|kī dance hō jātī hai .

²⁶Physical dancing is performed with the whole body.

²⁹Drill hō jātī hai .

²⁷That becomes like drill.

³⁰Bhinn-bhinn pōj sē dance kartē hō .

²⁸You dance in different poses.

³¹Vaisē khuśhī K|kē dance mē̃ bhinn-bhinn karmō̃ K|kē pōj kartē .

²⁹Similarly, in dancing in happiness you have poses of different actions.

³²Kabhī hāth sē kōī karma kartē , kabhī pāṅw sē kartē hō tō yah kām nahī̃ kartē hō lēkin bhinn-bhinn dance K|kē pōj kartē hō .

³⁰Sometimes, you perform actions with your hands, sometimes you perform actions with your feet. ³¹Therefore, whilst you are performing actions, you are in fact dancing in different poses.

³³Kabhī hāth key|kī dance kartē hō , kabhī pāṅw kō nachātē hō .

³²Sometimes you dance with your hands and sometimes you make your feet dance.

³⁴Tō karmayōgī bannā arthāt bhinn-bhinn prakār key|kī khuśhī mē̃ nāchtē chalō .

³³Therefore, to become a karma yogi means to dance in different types of happiness.

³⁵Bāpdādā kō vā śhamā kō vahī parvānā pasand hai jō gānā aur nāchnā jāntā hō .

³⁴BapDada, the Flame, likes the moths who know how to sing and dance.

³⁶Yahī prīt key|kī rīt hai .

³⁵This is the responsibility of love.

³⁷Tō yah tō muśhkil nahī̃ hai nā  ?

³⁶So, this is not difficult, is it?

³⁸Kyā lagtā hai - sahaj yā muśhkil  ?

³⁷What do you think? ³⁸Is it easy or difficult?

³⁹Abhī madhuban mē̃ tō easy-easy kar rahē hō , vahā̃ jākar bhī easy-easy kahē̃gē nā  ?

³⁹Now, in Madhuban, you are saying that it is easy. ⁴⁰Later, when you return home, will you say it is easy?

⁴⁰Badal tō nahī̃ jāyēṅgē vahā̃ jākar  ?

⁴¹You won’t change when you leave, will you?

⁴¹ ( yahā̃ easy haĩ vahā̃ busy hō jāyēṅgē ) lēkin isī gānē aur nāchnē mē̃ hī busy rahē̃gē nā  ?

⁴²(It is easy here and we will be busy when we return home.) ⁴³However, you will remain busy in this singing and dancing, will you not?

⁴²Sadā kānō̃ mē̃ yahī mīṭhā sāj suntē rahnā . ⁴³Kyōṅki gānē aur nāchnē kē sāth sāj bhī tō chāhiē nā  !

⁴⁴Use your ears constantly to continue to listen to this sweet music, because, together with singing and dancing, you also need music.

⁴⁴Kaun-sā sāj suntē rahē̃gē  ?

⁴⁵To what music will you continue to listen?

⁴⁵ ( murlī ) murlī kā bhī ‘ sār ' jō her|har murlī mē̃ bāpdādā mīṭhē bachchē , lāḍlē bachchē , sikīladhē bachchē kahkar yād-pyār dētē haĩ .

⁴⁶(Murli). ⁴⁷The essence that BapDada gives in every murli is in the form of love and remembrance when He says, “Sweet children, beloved children, long-lost, now-found children”.

⁴⁶Yahī bāp K|kē snēh kā sāj sadā kānō̃ mē̃ suntē rahnā .

⁴⁸Constantly continue to listen to this music of the Father’s love with your ears.

⁴⁷Tō aur bātē̃ suntē bhī samajh mē̃ nahī̃ āyēṅgī , buddhi mē̃ nahī̃ āyēṅgī .

⁴⁹Then, even though you hear other things, you won’t understand them, that is, they won’t enter your intellect.

⁴⁸Kyōṅki ēk hī sāj sunnē mē̃ busy hōṅgē nā tō dūsrā sunē̃gē kaisē  !

⁵⁰Since you’ll be busy in listening to this one music, how would you be able to hear any other music?

⁴⁹Aisē hī sadā gīt gānē mē̃ busy hōṅgē tō aur vyarth bātē̃ mukh sē bōlnē key|kī phursat hī nahī̃ .

⁵¹In the same way, if you are constantly busy in singing songs, your mouth won’t have time to say anything wasteful.

⁵⁰Sadā bāp kē sāth khuśhī mē̃ nāchtē rahē̃gē tō tīsrā kōī disturb kar nahī̃ saktā .

⁵²If you constantly continue to dance with the Father in happiness then no third person will be able to disturb you. ⁵³No one can come between the two.

⁵¹Dō K|kē bīch mē̃ kōī ā nahī̃ saktā .

⁵⁴You have already become conquerors of Maya, have you not?

⁵²Tō māyājīt tō hō hī gayē nā  ! ⁵³Na sunnā , na bōlnā , na māyā kā ānā .

⁵⁵You don’t listen to anything else, you don’t speak anything else, so Maya doesn’t come.

⁵⁴Tō prīt key|kī rīti kyā huī  ?

⁵⁶Therefore, what is the responsibility of love?

⁵⁵- gānā aur nāchnā .

⁵⁷To sing and dance.

⁵⁶Jab dōnō̃ sē thak jāō tō tīsrī bāt hai , sō jānā .

⁵⁸When you become tired of these two things, then the third thing is to go to sleep.

⁵⁷Yahā̃ kā sōnā kyā hai  ?

⁵⁹What does “sleeping” mean here?

⁵⁸Sōnā arthāt karma sē detach hō jānā .

⁶⁰To sleep means to become detached from performing actions.

⁵⁹Tō āp karmēndriyō̃ sē ḍīṭaic hō jāō .

⁶¹Therefore, become detached from your physical senses.

⁶⁰Aśharīrī bannā arthāt sō jānā .

⁶²To become bodiless means to go to sleep.

⁶¹Yād hī bāpdādā key|kī gōdī hai .

⁶³Remembrance is BapDada’s lap.

⁶²Tō jab thak jāō tō aśharīrī ban , aśharīrī bāp kī yād mē̃ khō jāō arthāt sō jāō .

⁶⁴So when you become tired, become bodiless and become lost in the remembrance of the bodiless Father, that is, you go to sleep!

⁶³Jaisē śharīr sē bhī bahut gātē aur nāchtē haĩ aur thak jātē haĩ tō jaldī hī nīnd ā jātī hai , aisē yah rūhānī gīt gātē , khuśhī mē̃ nāchtē-nāchtē sōyēṅgē aur khō jāyēṅgē .

⁶⁵When you sing and dance a great deal with your body you become tired, and so are able to go to sleep quickly. ⁶⁶In the same way, by singing these spiritual songs and dancing in happiness, you will go to sleep and become lost in love.

⁶⁴Tō samjhā - sārā din kyā karnā hai  ?

⁶⁷Therefore, do you understand what you have to do throughout the day?

⁶⁵Aur double foreigners tō ismē̃ bahut śhaukīn hai .

⁶⁸You double foreigners are very interested in these things.

⁶⁶Tō jis bāt kā śhauk hai vahī karō , bas .

⁶⁹So, whatever you have a keen interest in, you just do that.

⁶⁷Sōtē bhī śhauk sē haĩ .

⁷⁰You even sleep with keen interest!

⁶⁸Tō tīnō̃ hī bātē̃ karnē ātī hai .

⁷¹Therefore, you know how to do all three things.

⁶⁹Tō samjhā - prīt key|kī rīti nibhānē kā sahaj tarīkā kyā hai  ?

⁷²Therefore, do you all understand the easy way to fulfil the responsibility of love?

⁷⁰Achchhā - abhī ēk śhabda tō yahā̃ double foreigners chhōṛkar jānā .

⁷³Achcha. ⁷⁴Now you double foreigners have to leave one word behind.

⁷¹Kaun-sā  ? ⁷² ( sabhī nē kōī na kōī bāt sunāī - kōī nē kahā udāsī , kōī nē kahā thakāvaṭ ) achchhā - issē siddha hai ki jō bōl rahē hō vah abhī tak hai .

⁷⁵What is that? (everyone suggested something: Unhappiness, tiredness.) ⁷⁶Achcha. ⁷⁷This proves that you still have whatever you are saying.

⁷³Achchhā - bōlnā mānā chhōṛnā .

⁷⁸Achcha! ⁷⁹To speak of it means to renounce it.

⁷⁴Tō ēk śhabda - ‘ ḍiparēśan-ḍiparēśan ' kabhī nahī̃ kahnā .

⁸⁰Therefore, never say the one word, “Depression, depression.”

⁷⁵‘ realisation na ki ḍiparēśan ' .

⁸¹It should be realisation, not depression.

⁷⁶Jō bāp kō divorce dētē haĩ , vah ḍiparēśan mē̃ ātē hai .

⁸²It is those who divorce the Father that become depressed.

⁷⁷Āp tō bāp K|kē sadā companion hō .

⁸³You are constant companions of the Father.

⁷⁸Tō ḍiparēśan śhabda śhōbhtā nahī̃ hai .

⁸⁴So, the word, “Depression” doesn’t suit you.

⁷⁹Self realisation hō gayā , realisation hō gayā phir yah kaisē hō saktā  !

⁸⁵You have had self-realisation, so how can there be depression? ⁸⁶Do you understand?

⁸⁰Samjhā - jab dvāpar pūrā hō jāē , kaliyug śhurū hō tab phir bhalē hōnā .

⁸⁷Yes, when the copper age ends and the iron age begins, you may become depressed.

⁸¹Itnē samay kē liē tō talāk dē dō iskō .

⁸⁸Reject it for this length of time. ⁸⁹Achcha.

⁸²Achchhā – ⁸³Parivartan bhūmi mē̃ avināśhī parivartan karnē vālē , sadā prīt key|kī rīti nibhānē vālē , śhamā K|kē dilpasand parvānē , sadā rūhānī gīt gānē vālē , khuśhī mē̃ nāchtē rahnē vālē , jab chāhē̃ bāp key|kī gōdī mē̃ sō jānē vālē , aisē sikīladhē , lāḍlē bachchō̃ kō bāpdādā kā yādpyār aur namastē . ⁸⁴' '

⁹⁰To those who bring about eternal transformation in the land of transformation; to those who constantly fulfil the responsibility of love; to the moths who are loved by the Flame; to those who constantly sing spiritual songs and who dance in happiness and go to sleep in the Father’s lap whenever they want; to such long-lost, and now-found beloved children, BapDada’s love, remembrance and namaste. ⁹¹Avyakt BapDada meeting teachers from abroad:

⁸⁵Teachers K|kē sāth-avyakta bāpdādā key|kī mulākāt ⁸⁶ ( double vidēśhī teachers )

⁹²All of you have given the proof of service, according to your capacity, and will continue to give it.

⁸⁷Sabhī nē sēvā kā sabūt apnē-apnē śhakti pramāṇ diyā hai aur dētē rahē̃gē  ?

⁹³To be a server means to be someone who plays a part on the world stage at every second, in every breath and with every thought.

⁸⁸Sēvādhārī arthāt her|har second , her|har śhvāṅs , her|har saṅkalp mē̃ viśhva key|kī stage par part bajānē vālē .

⁹⁴Therefore, constantly continue to move along whilst considering yourselves to be elevated souls who are playing a hero part on the world stage. ⁹⁵You have received this chance in the drama.

⁸⁹Tō sadā svayã kō viśhva key|kī stage par hero part bajānē vālī śhrēṣhṭh ātmāyē̃ haĩ , yah samajhkar chaltē rahō .

⁹⁶When you become instrumental for others, you automatically also have to pay attention to those things. ⁹⁷Therefore, constantly consider yourselves to be BapDada’s companions who are present on service.

⁹⁰Yah bhī drama mē̃ chance milā hai .

⁹⁸Continue to perform every action whilst maintaining this awareness.

⁹¹Tō dūsrē kē nimitt bannē sē svayã svataḥ hī usī bātō̃ K|kē attention mē̃ rahtē .

⁹⁹You will then constantly continue to make progress and also enable others to make progress. ¹⁰⁰You have kept your courage very well.

⁹²Isliē sadā apnē kō bāpdādā K|kē sāthī haĩ , sēvā par upasthit haĩ , is smr̥iti mē̃ rahkar her|har kārya kartē rahnā .

¹⁰¹You are also receiving the Father’s help and will continue to receive it. ¹⁰²To become an instrument teacher and a spiritual server means to follow the father.

⁹³Sadā āgē baṛhtē chalē̃gē aur baṛhātē chalē̃gē .

¹⁰³This is why you are equal to the Father and the long-lost and now-found beloved children of the Father.

⁹⁴Himmat achchhī rakhī hai , madad bhī bāp key|kī mil rahī hai aur miltī rahēgī .

¹⁰⁴BapDada is pleased to see the servers. ¹⁰⁵All of you constantly move along in humility whilst considering yourselves to be instruments.

⁹⁵Nimitt śhikṣhak bannā vā rūhānī sēvādhārī bannā arthāt father kō follow karnā .

¹⁰⁶The more humility you have, the more you consider yourself to be an instrument, the more service will grow.

⁹⁶Isliē bāp samān bāp K|kē sikīladhē .

¹⁰⁷Never have such ego as, “I did this! ¹⁰⁸I am a teacher!”

⁹⁷Bāpdādā bhī sēvādhāriyō̃ kō dēkh khuśh hōtē haĩ .

¹⁰⁹Instead of serving, this is called the basis of the stage of stopping service.

⁹⁸Sabhī sadā apnē kō nimitt samajhkar chalnā aur namrachitta hōkar chalnā .

¹¹⁰Whilst you are moving along, sometimes service decreases or becomes slack.

⁹⁹Jitnā nimitt aur namrachitta hōkar chalē̃gē utnī sēvā mē̃ sahaj vr̥iddhi hōgī .

¹¹¹The main reason for this is that instead of being an instrument there is the consciousness of “I”.

¹⁰⁰Kabhī bhī mainnē kiyā , maĩ teacher hū̃ , yah ‘ ‘ maĩ ' ' kā bhāv nahī̃ rakhnā .

¹¹²Service becomes slack because of this. ¹¹³Then your happiness and intoxication is lost.

¹⁰¹Iskō kahā jātā hai service karnē kē bajāē service mē rūktī kalā ānē kā ādhār .

¹¹⁴Therefore, never allow yourself to become distant from this awareness and do not deprive others from receiving their inheritance from the Father.

¹⁰²Chaltē-chaltē kabhī service kam hō jātī hai yā ḍhīlī hōtī hai , uskā kāraṇ viśhēṣh yahī hōtā hai jō nimitt kē bajāē maĩ-pan ā jātā hai aur iskē kāraṇ hī service ḍhīlī hō jātī hai , phir apnī khuśhī aur apnā naśhā hī gum hō jātā hai .

¹¹⁵Secondly, always remember the slogan: You have to transform a soul from any family with self-transformation, and also transform the world. ¹¹⁶There should be special attention paid to self-transformation, then service will grow automatically. ¹¹⁷You now understand the reason for service decreasing and the reason for service growing.

¹⁰³Tō kabhī bhī na svayã is smr̥iti sē dūr hōnā , na aurō̃ kō bāp sē varsā lēnē sē vañchit karnā .

¹¹⁸Therefore, you will constantly continue to progress in happiness and also bring others into this happiness. ¹¹⁹Do you understand?

¹⁰⁴Dūsrī bāt ki sadā yah slōgan yād rakhnā - ki sva parivartan sē kisī bhī parivār key|kī ātmā kō bhī badalnā hai aur viśhva kō bhī badalnā hai .

¹²⁰Then you will come into the line of the foremost worthy teachers and foremost servers. ¹²¹So, all of you double foreigners are number-one teachers, are you not? ¹²²You work very hard and you also have deep love.

¹⁰⁵Sva parivartan kē ūpar viśhēṣh attention .

¹²³You have also brought the proof of that.

¹⁰⁶Tō sēvā svataḥ hī vr̥iddhi kō pāyēgī .

¹²⁴Each one of you children is a server, you are a teacher.

¹⁰⁷Ghaṭnē kā kāraṇ bhī samjhā aur baṛhānē kā ādhār bhī samjhā . ¹⁰⁸Tō sadā khuśhī mē̃ āgē baṛhtē jāyēṅgē aur aurō̃ kō bhī khuśhī mē̃ lātē rahē̃gē .

¹²⁵Whether you are living at a centre or anywhere else, you are servers, because the occupation of Brahmins is to serve. ¹²⁶Some of you have received one part in service, others have received another part in service.

¹⁰⁹Samjhā  ! ¹¹⁰Tō number one yōgya teacher vā number one sēvādhāriyō̃ key|kī line mē̃ ā jāyēṅgē .

¹²⁷Some have to do the service of bringing souls here, some have to do the service of relating knowledge; some of preparing bhog and others of offering bhog.

¹¹¹Tō double vidēśhī sabhī number one teacher hō nā  !

¹²⁸All of you are servers. ¹²⁹BapDada considers all of you to be servers.

¹¹²Mēhnat achchhī kar rahē hō aur muhabbat bhī achchhī hai .

¹³⁰BapDada was told about the plans that had been made for the International Conference.

¹¹³Sabūt bhī lāyā hai . ¹¹⁴Harēk bachchā sēvādhārī arthāt teacher hai .

¹³¹Congratulations for the hard work you have put in preparing those plans!

¹¹⁵Chāhē̃ sēvākēndra par rahē , chāhē̃ jahā̃ bhī rahē lēkin sēvādhārī haĩ .

¹³²You have used your intellect and have thus accumulated an income. ¹³³So, you didn’t have a meeting but accumulated an income.

¹¹⁶Kyōṅki brāhmaṇō̃ kā occupation hī hai - ‘ sēvādhārī ' .

¹³⁴Constantly remain free from obstacles, destroyers of obstacles, content and make others content!

¹¹⁷Kiskō sēvā kā kyā part milā hai , kiskō kyā … kōī kō lānē key|kī sēvā karnī hai , kōī kō sunānē key|kī , kōī kō bhōg banānē key|kī tō kōī kō bhōg lagānē key|kī … sab sēvādhārī haĩ .

¹³⁵Constantly continue to claim this certificate. ¹³⁶To claim this certificate means to be seated on the heart-throne. ¹³⁷Always have the aim of being content and making others content. ¹³⁸Keep a balance of both.

¹¹⁸Bāpdādā sabhī kō sēvādhārī hī samajhtē haĩ .

¹³⁹Achcha. ¹⁴⁰Put into practice all the plans you have made.

¹¹⁹ ( 83 K|kē conference kē liē sabhī nē nayē-nayē plan banāyē haĩ , vah bāpdādā kō sunā rahē haĩ )

¹⁴¹Come back with a gathering of VIPs. ¹⁴²Blessing: Remain double-light, and by having the awareness of being an instrument may you close the gate to Maya.

¹²⁰Plan banānē mē̃ mēhnat kī hai uskē liē mubārak .

¹⁴³Those who move along whilst constantly considering themselves to be an instrument, automatically experience the double-light stage.

¹²¹Yah bhī buddhi chalāī arthāt apnī kamāī jamā kī . ¹²²Tō meeting nahī̃ key|kī lēkin jamā kiyā .

¹⁴⁴By remaining aware that Karankaravanhar is making you do everything and that you are just an instrument, there is success.

¹²³Sadā nirvighna , sadā vighna-vināśhak aur sadā santuṣhṭ rahnā tathā sarv kō santuṣhṭ karnā .

¹⁴⁵To have the consciousness of “I” means to open the gate to Maya. ¹⁴⁶To consider yourself to be an instrument means to close the gate to Maya.

¹²⁴Yahī certificate sadā lētē rahnā . ¹²⁵Yahī certificate lēnā arthāt takhtnaśhīn hōnā .

¹⁴⁷Therefore, by considering yourself to be an instrument, you become a conqueror of Maya and you also become double-light.

¹²⁶Santuṣhṭ rahnē kā aur sarv kō santuṣhṭ karnē kā lakṣhya rakhō .

¹⁴⁸Together with this, you definitely do receive success. ¹⁴⁹This awareness becomes the basis of claiming number one.

¹²⁷Dōnō̃ kā balance rakhō . ¹²⁸Achchhā - jō plan banāyē haĩ - vah sab practical mē̃ lānā .

¹⁵⁰Slogan: Tie the safety strap of determination thoughts and you will never become upset with your seat.

¹²⁹V|we . I|āī|eye . Ps kā saṅgaṭhan lēkar ānā .

¹⁵¹* * * O M S H A N T I* * *