रविवार 26 फ़रवरी 1984 की अव्यक्त मुरली

⁰> ¹26-02-84om shanti avyakt baapdaadaamdhuban

⁰> > 26-02-84 Om Shanti Avyakt Bapdada Madhuban

²baapdaada ki adbhut chitrashaala

¹BapDada's unique art gallery.

³dilaaraam baapdaada apne sameep aur samaan bachchon prati bole:-

²Today, BapDada is looking at His art gallery. ³Do you know which art gallery BapDada has?

⁴baapdaada aaj apni chitrashaala ko dekh rahe hain। ⁵baapdaada ki chitrashaala hai yeh jaante ho?

⁴Today, in the subtle region, BapDada was seeing the picture of the divine activities of each child.

⁶aaj vatan mein har bachche ke charitra ka chitra dekh rahe the। ⁷har ek ka aadi se ab tak ka charitra ka chitra kaisa raha!

⁵What has the picture of the divine activities of each one been like from the beginning up to now?

⁸to socho chitrashaala kitni badi hogi!

⁶So, just think how big the art gallery would be!

⁹us chitra mein rahek bachche ki vishesh teen baaten dekheen!

⁷In those pictures, Baba especially saw three things in each child.

¹⁰ek- pavitrata ki personality।

⁸The first was the personality of purity.

¹¹doosra - reality ki raayalti।

⁹The second was the royalty of reality.

¹²teesra - sambanghon ki sameepta।

¹⁰The third was the closeness in relationship.

¹³yeh teen baaten harek chitra mein dekheen।

¹¹Baba saw these three things in each one's picture.

¹⁴purity ki personality aakaar roop mein chitra ke chaaron or chamakti hui light dikhaai de rahi thi।

¹²The personality of purity was visible as a subtle sparkling light around the picture.

¹⁵reality ki raayalti chehre par harshitmukhta aur svachchhata chamak rahi thi aur sambandhon ki sameepta mastak beech chamakta hua sitaara koi jyaada chaaron or phaili hui kirnon se chamak raha tha, koi thodi-si kirnon se chamak raha tha।

¹³The royalty of reality was the cheerfulness and cleanliness shining on the face. ¹⁴And the closeness in relationship was the shining star in the centre of the forehead. ¹⁵Some were shining a lot more with rays spreading everywhere. ¹⁶Some were shining with only a few rays.

¹⁶sameepta vaali aatmaayen baap samaan behad ki arthaat chaaron or phailti hui kirnon vaali theen।

¹⁷Close souls were souls who are equal to the Father, that is, they are souls with their rays spreading everywhere.

¹⁷light aur might donon mein baap samaan dikhaai de rahi theen।

¹⁸They were visible as equal to the Father in both their light and might.

¹⁸aise teenon visheshtaaon se harek charitra ka chitra dekha।

¹⁹Baba saw each one's picture of divine activities with these three specialities.

¹⁹saath-saath aadi se ant arthaat ab tak teenon hi baaton mein sada shreshtha rahe hain va kab kaise kab kaise rahe hain uski result har-ek ke chitra ke andar dekhi।

²⁰As well as this, Baba saw in each one's picture the result of whether you have always been elevated from the beginning to the end in all these three things or whether you were sometimes one thing and sometimes another.

²⁰jaise sthool shareer mein nabja se check karte hain ki theek gati se chal rahi hai va neeche oopar hoti hai। ²¹tej hai va slow hai।

²¹The pulse is felt in a physical body as to whether everything is fine or whether there is fluctuation; you can find out about someone's health from his pulse being fast or slow.

²²isse tandaroosti ka maaloom pad jaata hai। ²³aise har chitra ke beech hday mein light neeche se oopar tak ja rahi thi।

²²In the same way, from the centre of each picture, a light from the heart was going all over the body, from the top to the bottom.

²⁴usmein gati bhi dikhaai de rahi thi ki ek hi gati se light neeche se oopar ja rahi hai ya samay prati samay gati mein antar aata hai।

²³The speed was also visible – whether the light was travelling at the same speed or whether there was a difference in the speed from time to time.

²⁵saath-saath beech-beech mein light ka colour badalta hai va ek hi jaisa raha hai।

²⁴As well as this, the colour of the light was also checked – whether it was the same colour or whether it was changing.

²⁶teesra - chalte-chalte light kahaan-kahaan rookti hai va lagaataar chalti rehti hai।

²⁵Thirdly, whilst travelling, whether the light was stopping anywhere or whether it continued to keep on moving all the time.

²⁷isi vidhi dvaara harek ke charitra ka chitra dekha।

²⁶Baba saw each one's picture of divine activities with this method.

²⁸aap bhi apna chitra dekh sakte ho na।

²⁷You too can see your own picture, can you not?

²⁹personality, raayalti aur sameepta in teen visheshtaaon se check karo ki mera chitra kaisa hoga?

²⁸Check your picture with the three specialities of personality, royalty and closeness and see what it would be like.

³⁰mere light ki gati kaisi hogi?

²⁹What would the speed of your light be?

³¹nambarvaar to hain hi। ³²lekin teenon visheshtaayen aur teenon prakaar ki light ki gati aadi se ab tak sada hi rahi ho- aise chitra majority nahin lekin mainaarti mein the।

³⁰It is of course numberwise, but there wasn't a majority of those who had all three specialities and who were constant in the speed of all three types of light from the beginning to the end.

³³teen laaitas ki gati aur teen visheshtaayen chhah baaten hui na।

³¹This was the minority. ³²The speed of three lights and three specialities means six things.

³⁴chhah baaton mein se majority chaarpaan cha tak aur kuchh teen tak the।

³³In these six things, the majority had four to five of these and some had three of these things.

³⁵purity ki personality ka light ka aakaar kiska sirf taaj ke samaan face ke aaspaas tha aur kiska aadhe shareer tak। ³⁶jaise photo nikaalte ho na।

³⁴The form of light of the personality of purity of some was just around their face in the form of a crown (halo). ³⁵In others, it was around half their body and in others, it was visible all around their body.

³⁷aur kiska saare shareer ke aas-paas dikhaai de raha tha।

³⁶For instance, it was like when you take a photograph.

³⁸jo mansa-vaacha-karmana teenon mein aadi se ab tak pavitra rahe hain।

³⁷There were those who were pure in their thoughts, words and deeds from the beginning until now.

³⁹mansa mein svayan prati ya kisi prati vyartha roopi apvitra sankalp bhi na chala ho।

³⁸In their mind, they hadn't had any impurity in the form of waste thoughts for themselves or others.

⁴⁰kisi bhi kamzori va avgun roopi apvitrata ka sankalp bhi dhaaran nahin kiya ho, sankalp mein janma se vaishnav sankalp buddhi ka bhojan hai।

³⁹They hadn't imbibed any thoughts of the impurity of anyone's weakness or defects. ⁴⁰From their birth they have been Vaishnavs.

⁴¹janma se vaishnav arthaat ashuddhi va avgun, vyartha sankalp ko buddhi dvaara, mansa dvaara grahan na kiya ho।

⁴¹Thoughts are food for the intellect. ⁴²“Vaishnavs from birth”, means not to have taken into your mind or intellect any impurity, defects or waste thoughts.

⁴²isi ko hi sachcha vaishnav va baal brahmachaari kaha jaata hai।

⁴³This is known as being a true Vaishnav and celibate from birth.

⁴³to harek ke chitra mein aise purity ki personality ki rekhaayen light ke aakaar dvaara dekheen।

⁴⁴So, Baba saw in each one's picture, the lines of the personality of purity through the form of light.

⁴⁴jo mansa- vaacha-karmana teenon mein pavitra rahe hain! ⁴⁵(karmana mein sambandh,samparka sab aa jaata hai) unka mastak se pair tak light ke aakaar mein chamakta hua chitra tha।

⁴⁵The picture of those who have been pure in their thoughts, words and actions (relationships and connections are included in actions) was that of light sparkling from their forehead to their feet.

⁴⁶samjha!

⁴⁶Do you understand?

⁴⁷knowledge ke darpan mein apna chitra dekh rahe ho?

⁴⁷Are you seeing your picture in the mirror of knowledge?

⁴⁸achhi tarah se dekh lena ki mera chitra kya raha jo baapdaada ne dekha।

⁴⁸Look very well at what the picture of you that BapDada would have seen is like.

⁴⁹achha!

⁴⁹Achcha.

⁵⁰milne vaalon ki list lambi hai।

⁵⁰The list of those who are to meet Baba is long.

⁵¹avyakt vatan mein to na number milega aur samay ki koi baat hai।

⁵¹In the subtle region, you won't be given a number and there isn’t any question of time.

⁵²jab chaahe jitna samay chaahe aur jitne milne chaahen mil sakte hain। ⁵³kyonki woh had ki duniya se pare hain।

⁵²You can meet Baba whenever you want, for as long as you want; and however many want to meet Baba can do so because that is beyond the world of limits.

⁵⁴is saakaar duniya mein yeh sab bandhan hain।

⁵³There are all these bondages in the corporeal world.

⁵⁵isliye nirbandhan ko bhi bandhan mein bandhana padta hai।

⁵⁴This is why the One who is free from bondage also has to be tied in bondage.

⁵⁶achha –

⁵⁵Achcha.

⁵⁷teachers to santushta ho gaye na।

⁵⁶You teachers are now content, are you not?

⁵⁸sabhi ko apna poora hissa mila na।

⁵⁷All of you received your full share, did you not?

⁵⁹nimitta bani hui vishesh aatmaayen hain।

⁵⁸You are the special souls who have become instruments.

⁶⁰baapdaada bhi vishesh aatmaon ka vishesh regard rakhte hain।

⁵⁹BapDada also has special regard for special souls.

⁶¹phir bhi seva ke saathi hain na।

⁶⁰You are still service companions, are you not?

⁶²aise to sabhi saathi hain phir bhi nimitta ko nimitta samajhne mein hi seva ki saphalta hai।

⁶¹In fact, all are companions but, nevertheless, only when the instruments consider themselves to be instruments is there success in service.

⁶³aise to service mein kai bachche bahut teevra umang utsaah mein badhte rehte hain phir bhi nimitta bani hui vishesh aatmaon ko regard dena arthaat baap ko regard dena hai aur baap dvaara regard ke return mein dil ka sneh lena hai।

⁶²In any case, many children continue to move forward in service with a lot of zeal and enthusiasm. ⁶³But even then, to give regard to the special instrument souls means to give regard to the Father and in return for that regard, to receive the Father's love from His heart.

⁶⁴samjha!

⁶⁴Do you understand?

⁶⁵teachers ko regard nahin dete ho lekin baap se dil ke sneh ka return lete ho।

⁶⁵You are not giving regard to the teachers but receiving the return of love from the heart from the Father.

⁶⁶achha –

⁶⁶Achcha.

⁶⁷aise sada dilaaraam baap dvaara dil ka sneh lene ke paatra arthaat supaatra aatmaon ko sada svayan ko purity ki personality, raayalti ki reality mein anubhav karne vaale sameep aur samaan bachchon ko baapdaada ka yaad-pyaar aur namaste।

⁶⁷To those who are always worthy to receive love from the heart from the Father, the Comforter of Hearts, that is, to the worthy souls who experience themselves to be close and equal to the Father in their personality of purity and royalty of reality, BapDada's love, remembrance and namaste. ⁶⁸Avyakt BapDada meeting the UK group:

⁶⁸’’ ⁶⁹U.ke.group se avyakt baapdaada ki mulaakaat

⁶⁹All of you are raazyukt and yogyukt souls who are full of all secrets, are you not?

⁷⁰sabhi sarva raajo se sampanna raazayukta, yogayukta aatmaayen ho na!

⁷⁰From the beginning, you are souls who are instruments to reveal BapDada's name everywhere.

⁷¹shuru se baapdaada ka naam chaaron or pratyaksha karne ke nimitta aatmaayen ho।

⁷¹BapDada is always pleased to see such original jewels and service companions. ⁷²All of you are the right­ hand group of BapDada.

⁷²baapdaada aise aadi ratnon ko, seva ke saathiyon ko dekhkar sada khush hote hain। ⁷³sabhi baapdaada ke right-hand group ho।

⁷³You are very good jewels. ⁷⁴Some are of one type and others are of another type, but all of you are jewels because you have become experienced and have become instrument souls to make others experienced.

⁷⁴bahut achhe-achhe ratna hain। ⁷⁵koi kaun sa, koi kaun sa, lekin hain sab ratna।

⁷⁵BapDada knows how all of you are souls who constantly remain absorbed in love and service with a lot of zeal and enthusiasm.

⁷⁶kyonki svayan anubhvi ban auron ko bhi anubhvi banaane ke nimitta bani hui aatmaayen ho।

⁷⁶You have now finished everything everywhere else and now there is nothing but just remembrance and service.

⁷⁷baapdaada jaante hain ki sabhi kitne umang utsaah se yaad aur seva mein sada magan rahne vaali aatmaayen hain।

⁷⁷There is just the One, you belong to the One, you have a constant stage: this is the sound of all of you. ⁷⁸In fact, this is the real elevated life.

⁷⁸yaad aur seva ke sivaae aur sab taraph samaapta ho gaye।

⁷⁹Those with such an elevated life are constantly close to BapDada.

⁷⁹bas ek hain, ek ke hain, ekras sthiti vaale hain yahi sabka aavaaz hai। ⁸⁰yahi vaastavik shreshtha jeevan hai।

⁸⁰You are those who give the practical proof of having faith in the intellect. ⁸¹You always remember, "Wah, my Baba, and wah, my elevated fortune!", do you not?

⁸¹aisi shreshtha jeevan vaale sada hi baapdaada ke sameep hain।

⁸²BapDada is always pleased to see the children who are embodiments of such awareness: Wah, My elevated children, wah!

⁸²nishchaybuddhi ka pratyaksha pramaan dene vaale hain।

⁸³BapDada sings songs of such children. ⁸⁴London is the foundation of service abroad.

⁸³sada,vaah mera baba aur vaah mera shreshtha bhaagya - yahi yaad rehta hai na।

⁸⁵All of you are the foundation stones of service. ⁸⁶With the impact of all of you becoming strong, service is continuing to grow.

⁸⁴baapdaada aise smriti swaroop bachchon ko dekhkar sada harshit hote hain ki - vaah mere shreshtha bachche।

⁸⁷Although the foundation becomes hidden in the growth of the tree, it is still the foundation. ⁸⁸Seeing the beautiful growth of the tree, everyone's vision is drawn to that a lot more.

⁸⁵baapdaada aise bachchon ke geet gaate hain। ⁸⁶landan videsh ke seva ka foundation hain। ⁸⁷aap sab seva ke foundation ston ho।

⁸⁹The foundation remains incognito. ⁹⁰In the same way, you have also become instruments and become those who give others a chance, but, even then, the original are the original.

⁸⁸aap sabke pakke hone ke prabhaav se seva mein vriddhi hoti ja rahi hai।

⁹¹You experience happiness in giving others a chance and making them move forward, do you not?

⁸⁹bhale foundation vriksha ke vistaar mein chhip jaata hai lekin hai to foundation na।

⁹²You don't think that the London foreigners have come and so you are hidden away, do you? ⁹³You are still instruments.

⁹⁰vriksha ke vistaar ko sundar dekh us taraph jyaada najar hoti hai।

⁹⁴You are instruments to give them zeal and enthusiasm. ⁹⁵Those who keep others in the front are themselves in the front anyway.

⁹¹foundation gupta rah jaata hai। ⁹²aise aap bhi thoda sa nimitta ban auron ko chance dene vaale ban gaye lekin phir bhi aadi, aadi hai।

⁹⁶For instance, you tell little children to always walk in front of you and the elders stay behind. ⁹⁷To make the younger ones move forward means for the older ones to stay in the front. ⁹⁸You definitely continue to receive the visible fruit of that.

⁹³auron ko chance dekar aage laane mein aapko khushi hoti hai na।

⁹⁹If you didn't become co­operative, then there wouldn't be so many centres opened in London.

⁹⁴aise to nahin samajhte ho ki yeh double videshi aaye hain to ham chhip gaye hain?

¹⁰⁰One became an instrument in one place and another became an instrument in another place. ¹⁰¹Achcha.

⁹⁵phir bhi nimitta aap hi hain।

¹⁰²BapDada meeting Malaysia and Singapore group:

⁹⁶unhon ko umang-utsaah dene ke nimitt ho।

¹⁰³Do all of you experience yourselves to be souls who are loved by the Father?

⁹⁷jo doosron ko aage rakhta hai woh svayan aage hai hi।

¹⁰⁴Do you always remain stable in the stage of belonging to the one Father and none other?

⁹⁸jaise chhote bachche ko sada kehte hain aage chalo, bade peechhe rehte hain।

¹⁰⁵This stage is called a constant stage because where you belong to One, you will be constant and steady.

⁹⁹chhoton ko aage karna hi badon ka aage hona hai।

¹⁰⁶If there are many, then your stage fluctuates.

¹⁰⁰uska pratyakshaphal milta hi rehta hai।

¹⁰⁷The Father has shown you the easy way to see everything in the One.

¹⁰¹agar aap log sahayogi nahin bante to landan mein itne centre nahin khulte।

¹⁰⁸You have become free from remembering many and from wandering towards many directions.

¹⁰²koi kahaan nimitta ban gaye koi kahaan nimitta ban gaye। ¹⁰³achha –

¹⁰⁹You are all one, you belong to the One and constantly continue to move forward with this constant and steady stage.

¹⁰⁴Malaysia,singaapur ¹⁰⁵sabhi apne ko baap ki snehi aatmaayen anubhav karte ho!

¹¹⁰Those from Singapore and Hong Kong should now have the thought of opening a centre in China. ¹¹¹There is no centre as yet in the whole of China.

¹⁰⁶sada ek baap doosra na koi isi sthiti mein sthit rehte ho!

¹¹²Whilst bringing them into connection with you, give them an experience and souls will automatically be transformed.

¹⁰⁷isi sthiti ko hi ekras sthiti kaha jaata hai।

¹¹³Make them into Raja Yogis. ¹¹⁴Don't make them deities.

¹⁰⁸kyonki jahaan ek hain vahaan ekras hain।

¹¹⁵Raja Yogis will automatically become deities. ¹¹⁶Achcha.

¹⁰⁹anek hain to is sthiti bhi dagmag hoti hai। ¹¹⁰baap ne sahaj raasta bataaya hai ki ek mein sab kuchh dekho।

¹¹⁷Blessing: May you be equal to the Father and by considering yourself to be an instrument for world benefit, remain free from waste.

¹¹¹anekon ko yaad karne se, anek taraph bhatakne se chhoot gaye। ¹¹²ek hain,ek ke hain,isi ekras sthiti dvaara sada apne ko aage badha sakte ho।

¹¹⁸Just as the Father is a World Benefactor, in the same way, children are also instruments for world benefit. ¹¹⁹The atmosphere is to be transformed through the attitude of you instrument souls.

¹¹³singaapur aur haangakaang

¹²⁰As your thoughts, so your attitude.

¹¹⁴ko abhi China mein sentar kholne ka sankalp karna chaahiye। ¹¹⁵saare China mein abhi koi kendra nahin hai।

¹²¹This is why souls who are responsible for world benefit cannot allow any wasteful thoughts or attitude for even one second.

¹¹⁶unhon ko connection mein laate hue anubhav karaao। ¹¹⁷himmat mein aakar sankalp karo to ho jaayega।

¹²²No matter what the circumstances are or what the people are like, your own feelings and your own attitude should be benevolent.

¹¹⁸raajayog se prabhu prem, shanti,shakti ka anubhav karaao,to aatmaayen automatically parivartan ho jaayengi।

¹²³Let there be pure feelings for even those who defame you and only then will you be said to be free from waste and equal to the Father.

¹¹⁹raajayogi banaao, deity nahin banaao, raajayogi deity aapehi ban jaayenge। ¹²⁰achha-

¹²⁴Slogan: With the power of co­operation, even impossible things can become possible. ¹²⁵* * * O M S H A N T I* * *