बुधवार 4 अप्रैल 1984 की अव्यक्त मुरली

⁰> ¹04-04-84om shanti avyakt baapdaadaamdhuban

⁰> > 04-04-84 Om Shanti Avyakt Bapdada Madhuban

²sangamayug ki shreshtha vela shreshtha takdeer ki tasveer banaane ki vela

¹The elevated period of the confluence age is the time to draw the portrait of your elevated fortune.

³desh videsh se aaye, sampanna aur sampoorn banne ke purushaarthi bachchon prati avyakt baapdaada bole:-

²Today, BapDada was seeing the moment of birth of the elevated life and the line of fortune of every elevated Brahmin soul.

⁴‘‘aap baapdaada harek brahman shreshtha aatma ke shreshtha jeevan ke janma ki vela, takdeer ki rekha dekh rahe the।

³The moment of birth of every child is elevated because it is now the most auspicious elevated confluence age.

⁵janma ki vela sabhi bachchen ki shreshtha hain kyonki abhi yug hi purooshottam shreshtha hai।

⁴All of you took an elevated Brahmin birth at the elevated confluence age, that is, in the most elevated period.

⁶shreshtha sangamayug par arthaat shreshtha vela mein sabhi ka shreshtha brahman janma hua।

⁵The moment of birth of all of you is elevated.

⁷janma vela sabhi ki shreshtha hai। ⁸takdeer ki rekha, takdeer bhi sabhi braahmanon ki shreshtha hai। ⁹kyonki shreshtha baap ke shiv vanshi brahmaakumaar va kumaari hain।

⁶The line of fortune, the fortune of all of you Brahmins, is elevated because you are the Shiv dynasty Brahma Kumars and Kumaris who belong to the elevated Father.

¹⁰to shreshtha baap, shreshtha janma, shreshtha varsa, shreshtha parivaar, shreshtha khazaane - yeh takdeer ki lakeer janma se sabhi ki shreshtha hai।

⁷The elevated Father, an elevated birth, an elevated inheritance, an elevated family and the elevated treasures: this line of fortune of all of you is elevated from birth.

¹¹vela bhi shreshtha aur praapti ke kaaran takdeer ki lakeer bhi shreshtha hai।

⁸The period is elevated and because of the attainment, the line of fortune is also elevated.

¹²yeh takdeer sabhi bachchon ko ek baap dvaara ek jaisi praapta hai।

⁹All of you children have attained the same fortune from the one Father.

¹³ismen antar nahin hai।

¹⁰There is no difference in this.

¹⁴phir bhi ek jaisi takdeer praapta hote bhi nambarvaar kyon?

¹¹Even though you attain the same fortune, why does it become numberwise?

¹⁵baap ek, janma ek, varsa ek, parivaar ek, vela bhi ek sangamayug,phir number kyon?

¹²The Father is the same, the birth is the same, the inheritance is the same, the family is the same, the period is the same one of the confluence age, so why is there a number?

¹⁶sarva praapti arthaat takdeer sabhi ko behad ki mili hai।

¹³All of you have received unlimited attainments, that is, unlimited fortune.

¹⁷antar kya hua?

¹⁴So why is there a difference?

¹⁸behad ki takadri ko jeevan ke karma ki tasveer mein laana ismen yatha shakti hone ke kaaran antar pad jaata hai।

¹⁵The difference is created in putting the unlimited fortune into the picture of actions in life according to your capacity.

¹⁹brahman jeevan arthaat takdeer ko tasveer mein laana, jeevan mein laana।

¹⁶Brahmin life means to paint a picture of your fortune, to put it into your life; to put it into every deed.

²⁰har karma mein laana,har sankalp se, bol se,karma se takdeervaan ko takdeer anubhav ho arthaat dikhaai de।

¹⁷A fortunate one should experience fortune through every thought, every word and every action, that is, fortune should be visible.

²¹brahman arthaat takdeervaan aatma ke nayan,mastak,mukh ki muskaraahat har kadam sabhi ko shreshtha takdeer ki anubhooti karaave।

¹⁸A Brahmin means a fortunate soul, whose eyes, forehead and smile on the face, give everyone the experience of elevated fortune at every step.

²²isko kaha jaata hai - takdeer ki tasveer banaana।

¹⁹This is known as drawing a picture of fortune.

²³takdeer ko anubhav ki kalam se, karma ke kaagaj ke tasveer mein laana।

²⁰Draw the picture of your fortune with the pen of experience on the paper of action.

²⁴takdeer ke tasveer ki chitra rekha banaana।

²¹Make a line drawing of the portrait of fortune.

²⁵tasveer to sabhi bana rahe ho lekin kiski tasveer sampanna hai aur kiski tasveer kuchh na kuchh kisi baat mein kam rah jaati hai।

²²All of you are creating a portrait, but the portrait of some is complete, whereas the portrait of others remains lacking in something or another.

²⁶arthaat practical jeevan mein laane mein kiski mastak rekha arthaat mansa,nayan rekha arthaat roohaani drishti, mukh ki muskaraahat ki rekha arthaat sada sarva praapti swaroop santushta aatma।

²³In putting this into your practical life, the line of the forehead means your thoughts, the line of the eyes means spiritual drishti, the lines of the smile on your face means to be a constantly contented soul and an embodiment of all attainments.

²⁷santushtata hi muskaraahat ki rekha hai।

²⁴Contentment itself is the line of the smile.

²⁸haathon ki rekha arthaat shreshtha karma ki rekha।

²⁵The lines of the hands mean the lines of elevated actions.

²⁹paanv ki rekha arthaat har kadam shreemat pramaan chalne ki shakti।

²⁶The lines of the feet mean the power of taking every step according to shrimat.

³⁰isi prakaar takdeer ki tasveer banaane mein kiska kis mein, kiska kis mein antar pad jaata hai।

²⁷In this way, in drawing the portrait of your fortune, there is a difference. ²⁸In some one thing is missing and in others something else is missing.

³¹jaise sthool tasveer bhi banaate hain to koi ko nain nahin banaane aate, koi ko taang nahin banaane aati।

²⁹When painting a physical painting, some don't know how to paint eyes, some don't know how to paint legs.

³²koi muskaraahat nahin bana sakte। ³³to pharka pad jaata hai na।

³⁰Some don't know how to paint the smile and so this makes a difference.

³⁴jitna sampanna chitra utna moolyavaan hota hai।

³¹To the extent that a portrait is perfect, to that extent it is valuable.

³⁵vo hi ek ka chitra laakhon ka moolya kamaata aur koi 100 bhi kamaata।

³²The pictures of some bring them hundreds of thousands of rupees, whereas the pictures of others scarcely bring them a hundred rupees.

³⁶to antar kis baat ka hua?

³³Therefore, what was it that made the difference?

³⁷sampannata ka।

³⁴Perfection.

³⁸aise hi brahman aatmaayen bhi sarva rekhaaon mein sampanna na hone kaaran kisi ek rekha,do rekha ki sampoornata na hone kaaran nambarvaar ho jaate hain।

³⁵In the same way, because Brahmin souls are not perfect in all lines, because of not having perfection in one or two lines, you become numberwise.

³⁹to aaj takdeervaan bachchon ki tasveer dekh rahe the।

³⁶Therefore, today, Baba was looking at the portrait of the fortunate children.

⁴⁰jaise sthool takdeer mein bhi bhinna-bhinna takdeer hoti hai। ⁴¹vaise yahaan takdeer ki bhinna-bhinna tasveeren dekhi।

³⁷Just as in a physical fortune, there are different types of fortune, in the same way here too, Baba saw many types of portraits of fortune.

⁴²har tasveer mein mukhya mastak aur nayan tasveer ki value badhaate hain।

³⁸In every picture, the main features, the eyes and the forehead increase the value of the portrait.

⁴³vaise yahaan bhi mansa vritti ki shakti aur nayan ke roohaani drishti ki shakti, iska hi mahatva hota।

³⁹Similarly, here, the power of the attitude of the mind, and the power of spiritual drishti of the eyes, also has a lot of importance.

⁴⁴yahi tasveer ka foundation hain।

⁴⁰These are the foundation of the picture.

⁴⁵sabhi apni tasveer ko dekho ki hamaari tasveer kitni sampanna bani hai।

⁴¹Do all of you look at your own picture? ⁴²To what extent has your picture been completed?

⁴⁶aisi tasveer bani hai jo tasveer mein takdeer banaane vaala dikhaai de।

⁴³Have you painted such a portrait that the One who creates your fortune is visible in that portrait?

⁴⁷har ek rekha ko check karo।

⁴⁴Check every line.

⁴⁸isi kaaran number ho jaata hai।

⁴⁵It becomes numberwise because of this.

⁴⁹samjha।

⁴⁶Do you understand?

⁵⁰daata ek hai, deta bhi ek jaisa hai। ⁵¹lekin banaane vaale banaane mein nambarvaar ho jaate।

⁴⁷The Bestower is One, and He gives everyone the same, yet those who are creating become numberwise in creating it.

⁵²koi ashta aur eeshta dev ban jaate।

⁴⁸Some become one of the special eight and a special beloved deity.

⁵³koi dev ban jaate।

⁴⁹Some become deities.

⁵⁴koi devon ko dekh-dekh harshit hone vaale ho jaate।

⁵⁰Some become those who are happy simply to observe other deities.

⁵⁵apna chitra dekh liya na!

⁵¹You have seen your own picture, have you not?

⁵⁶achha-

⁵²Achcha.

⁵⁷saakaar roop mein milne mein to samay aur sankhya ko dekhna padta। ⁵⁸aur avyakt milan mein samay aur sankhya ki baat nahin hai।

⁵³In the corporeal form of meeting, the time and the number of people have to be considered, whereas in the avyakt meeting, there is no question of the time or the number of people.

⁵⁹avyakt milan ke anubhvi ban jaayenge to avyakt milan ke vichitra anubhav sada karte rahenge।

⁵⁴If you become experienced in the avyakt meeting, you will constantly continue to have to unique experiences of the avyakt meeting.

⁶⁰baapdaada bachchon ke sada aagyaakaari hain।

⁵⁵BapDada is constantly obedient to all the children.

⁶¹isliye avyakt hote bhi vyakta mein aana padta hai।

⁵⁶This is why although He is avyakt He has to come into the corporeal (vyat) form.

⁶²lekin banna kya hai?

⁵⁷However, what do you have to become?

⁶³avyakt banna hai na ya vyakta mein aana hai?

⁵⁸You have to become avyakt, do you not? ⁵⁹Or, do you want to come into the corporeal form?

⁶⁴avyakt bano।

⁶⁰Become avyakt.

⁶⁵avyakt banne se baap ke saath niraakaar ban ghar mein chalenge।

⁶¹By becoming avyakt, you will become incorporeal and go home with the Father.

⁶⁶abhi via ki stage tak nahin pahunche ho।

⁶²You have not yet reached the stage of going via.

⁶⁷pharishta swaroop se niraakaar ban ghar ja sakenge।

⁶³Through the angelic form, you will be able to become incorporeal and go back home.

⁶⁸to abhi pharishta swaroop bane ho!

⁶⁴So, have you become the angelic form now?

⁶⁹takdeer ki tasveer sampanna ki hai?

⁶⁵Have you completed the portrait of your fortune?

⁷⁰sampanna tasveer hi pharishta hai।

⁶⁶Only a completed portrait is an angel.

⁷¹achha-

⁶⁷Achcha.

⁷²sabhi aaye hue bhinna-bhinna zone ke bachchon ko har ek zone ki visheshta sahit baapdaada dekh-dekh harshit ho rahe hain।

⁶⁸To all you children who have come from all the different zones, BapDada is pleased to see each one of you with the speciality of each zone.

⁷³koi bhaasha bhale nahin jaante lekin prem aur bhaavna ki bhaasha jaanne mein hoshiyaar hain।

⁶⁹Some of you may not know the language, but you are clever in knowing the language of love and devotion.

⁷⁴aur kuchh nahin jaante lekin murli ki bhaasha jaante hain।

⁷⁰You don't know anything else, but you do know the language of the murli.

⁷⁵prem aur bhaavna se na samajhne vaale bhi samajh jaate hain।

⁷¹With love and devotion, even those who are unable to understand anything become able to understand.

⁷⁶bangaar bihaar to sada bahaari mausam mein rehte।

⁷²Those from Bengal and Bihar constantly live in the weather of Spring (Bahar).

⁷⁷sada bahaar hai।

⁷³They have constant Spring.

⁷⁸panjaab hai hi sada sabhi ko hara bhara karne vaala।

⁷⁴Punjab is such that it always makes everything fresh and green (makes everyone full).

⁷⁹panjaab mein kheti achhi hoti hai।

⁷⁵There is good harvest in Punjab.

⁸⁰hariyaana to hai hi hara bhara।

⁷⁶Hariyana is always full and green (hara bhara).

⁸¹panjaab hariyaana sada hariyaali se hara bhara hai।

⁷⁷Punjab and Hariyana are always full and green.

⁸²jahaan hariyaali hoti hai us sthaan ko sada kushal, shreshtha sthaan kaha jaata hai।

⁷⁸Where there is greenery, that place is always said to be happy and content and an elevated place.

⁸³panjaab hariyaana sada khushi mein hara bhara hai।

⁷⁹Punjab and Hariyana are always full of happiness.

⁸⁴isliye baapdaada bhi dekh-dekh harshit hote hain।

⁸⁰This is why BapDada is pleased to see all of you.

⁸⁵raajasthaan ki kya visheshta hai?

⁸¹What is the speciality of Rajasthan?

⁸⁶raajasthaan chitra rekha mein prasiddha hai।

⁸²Rajasthan is very well known for its art.

⁸⁷raajasthaan ki tasveeren bahut moolyavaan hoti hain। ⁸⁸kyonki raaje bahut hue hain na।

⁸³The pictures of Rajasthan are very valuable because there have been many kings there.

⁸⁹to raajasthaan takdeer ki tasveeren sabse jyaada moolyavaan banaane vaale hain।

⁸⁴Therefore, those from Rajasthan are the ones who will make the most valuable portraits of fortune.

⁹⁰chitron ki rekha mein sada shreshtha hain।

⁸⁵In the line of art, you are always elevated.

⁹¹gujraat ki kya visheshta hai?

⁸⁶What is the speciality of Gujarat?

⁹²vahaan aainon ka shrringaar jyaada hota hai।

⁸⁷There is a lot of decoration of mirror­glass there.

⁹³to gujraat darpan hai।

⁸⁸So, Gujarat is a mirror.

⁹⁴darpan kaho,aaina kaho। ⁹⁵jismen baap ki moorta dekhi jaae।

⁸⁹It is a mirror in which the Father's image can be seen.

⁹⁶aaine mein shakla dekhte hain na।

⁹⁰You look at your face in the mirror, don’t you?

⁹⁷to gujraat ke darpan dvaara baap ki tasveer pharishta swaroop ki tasveer sabhi ko dikhaane ki visheshta hai।

⁹¹So, the mirror of Gujarat has the speciality of showing everyone the image of the Father and the image of an angel.

⁹⁸to gujraat ki visheshta hai baap ko pratyaksha karne vaale darpan।

⁹²The speciality of Gujarat is the mirror that will reveal the Father.

⁹⁹baaki chhota-sa taamilnaadu rah gaya।

⁹³Finally little Tamil Nadu is still left.

¹⁰⁰chhota hi kamaal karta hai।

⁹⁴Smaller ones work wonders.

¹⁰¹bada kaarya karke dikhaata hai।

⁹⁵They carry out huge tasks.

¹⁰²taamilnaadu kya karenge?

⁹⁶What will those from Tamil Nadu do?

¹⁰³vahaan mandir bahut hain।

⁹⁷There are many temples there.

¹⁰⁴mandiron mein naad bajeete hain।

⁹⁸They play music in temples.

¹⁰⁵taamilnaadu ki visheshta hai - nagaada bajaae baap ki pratyakshata ka aavaaz bulanda karna।

⁹⁹The speciality of Tamil Nadu is to beat the drums and make a very loud sound of the Father's revelation.

¹⁰⁶achhi visheshta hai।

¹⁰⁰You have a good speciality.

¹⁰⁷chhote-pan mein bhi naad bajaate hain।

¹⁰¹Some play music even in their childhood.

¹⁰⁸bhakta log bhi bade pyaar se naad bajaate hain।

¹⁰²Even devotees play music with a lot of love.

¹⁰⁹aur bachche bhi pyaar se bajaate hain।

¹⁰³Children also play it with love.

¹¹⁰ab harek sthaan apni visheshta ko pratyaksha swaroop mein laao।

¹⁰⁴Now, each of your places has to put your own speciality into a practical form.

¹¹¹sabhi zone vaalon se mil liya na!

¹⁰⁵Baba has now met those from all zones, has He not?

¹¹²aakhir to aisa hi milna hoga।

¹⁰⁶Eventually, this is how the meetings will take place.

¹¹³puraane bachche kehte hain hamko kyon nahin bulaate।

¹⁰⁷The older children say: Why don't you invite us?

¹¹⁴praja bhi banaate, badhaate bhi rehte। ¹¹⁵to puraanon ko naye-nayen ko chance dena pade tab to sankhya badhe।

¹⁰⁸You create subjects and you also increase the number of subjects, and so the older ones have to give a chance to the newer ones. ¹⁰⁹It is only then that the number can increase.

¹¹⁶puraanen bhi puraani chaal se chalte rahen to nayon ka kya hoga!

¹¹⁰If the older ones continue to move along in the same old way, what would happen to the newer ones?

¹¹⁷puraane hain daata, dene vaale aur naye hain lene vaale।

¹¹¹The older ones are bestowers who give and the newer ones are those who receive.

¹¹⁸to chance dena hain ismen daata banna pade।

¹¹²Therefore, you have to give a chance to others. ¹¹³You have to become a bestower in this.

¹¹⁹saakaar milan mein sab had aa jaati hain।

¹¹⁴There are many limitations in the meeting through the corporeal form.

¹²⁰avyakt milan mein koi had nahin।

¹¹⁵In the avyakt meeting, there are no limitations.

¹²¹kai kehte hain sankhya badhegi phir kya hoga!

¹¹⁶Some ask: What will happen when the number increases?

¹²²saakaar milan ki vidhi bhi to badlegi।

¹¹⁷The method of the corporeal meeting will also change.

¹²³jab sankhya badhti hain to kuchh daan-punya bhi karna hota hai।

¹¹⁸When the number increases, you also have to donate something and perform some charity.

¹²⁴achha-

¹¹⁹Achcha.

¹²⁵sabhi desh videsh ke chaaron or ke snehi bachchon ke sneh ke dil ke aavaaz, khushi ke geet aur dil ke samaachaar ke patron ke respond mein baapdaada sabhi bachchon ko padamguna yaadapyaar ke saath respond de rahe hain ki sada yaad se amar bhav ke vardaani ban badhte chalo aur badhaate chalo।

¹²⁰To all the children from this land and abroad, in response to the sound of their loving hearts, songs of happiness and letters of news of their hearts, together with giving multimillion­fold love and remembrance to all the children, BapDada is also giving a response to their letters. ¹²¹Through constant remembrance be one who has received the blessing of immortality and continue to move forward and also make others move forward. ¹²²To all the children who maintain their zeal and enthusiasm, BapDada congratulates you for your own progress and for the progress of service.

¹²⁶sabhi umang utsaah mein rahne vaale bachchon ko baapdaada sva unnati aur seva ki unnati ke liye mubaarak de rahe hain।

¹²³Congratulations! ¹²⁴You are always with the Father. ¹²⁵You are always complete and perfect. ¹²⁶To the children who have received all such blessings, BapDada is once again giving you love and remembrance.

¹²⁷mubaarak ho।

¹²⁷Love, remembrance and namaste.

¹²⁸sada saath ho।

¹²⁸BapDada meeting groups:

¹²⁹sada sampanna aur sampoorn ho, aise sarva vardaani bachchon ko baapdaada phir se yaadapyaar de rahe hain।

¹²⁹Do you always consider yourselves to be souls who are complete, equal to the Father? ¹³⁰Those who are complete will always continue to move forward. ¹³¹If there isn't completion, you won't be able to move forward. ¹³²Therefore, as is the Father, so are the children.

¹³⁰yaadapyaar aur namaste। ¹³¹’’

¹³³The Father is the Ocean and the children are master oceans.

¹³²party se

¹³⁴Check every virtue.

¹³³sada svayan ko baap samaan sampanna aatma samajhte ho!

¹³⁵Just as the Father is the Ocean of Knowledge, so you are master oceans of knowledge.

¹³⁴jo sampanna hai woh sada aage badhte rahenge।

¹³⁶The Father is the Ocean of Love and so you are master oceans of love. ¹³⁷Check your similarity in this way.

¹³⁵sampannata nahin to aage nahin badh sakte।

¹³⁸Only then will you always be equal and complete like the Father and continue to move forward.

¹³⁶to jaise baap vaise bachche।

¹³⁹Do you understand? ¹⁴⁰Constantly continue to check yourself in this way.

¹³⁷baap saagar hai bachcho master saagar hain।

¹⁴¹Always maintain the happiness that the One whom the world is searching for has made you belong to Him.

¹³⁸har gun ko check karo- jaise baap gyaan ka saagar hai to ham master gyaan saagar hain।

¹⁴²Achcha. ¹⁴³Blessing: May you be trikaldarshi and one who experiments and gains success through the power of determination. ¹⁴⁴BapDada's blessing is: Where there is determination there is success.

¹³⁹baap prem ka saagar hai to ham master prem ke saagar hain।

¹⁴⁵Therefore, with determination, make a programme to experiment with any virtue or power.

¹⁴⁰aise samaanta ko check karo tab baap samaan sampanna ban sada aage badhte jaayenge।

¹⁴⁶First of all, experience contentment within yourself. ¹⁴⁷Let there be the determined thought: I have to do this.

¹⁴¹samjha- sada aisi checking karte chalo।

¹⁴⁸You should not be influenced by the carelessness of others. ¹⁴⁹Sit in the stage of being on the trikaldarshi seat. ¹⁵⁰Then, as is the time, so is the method, and so with the right method, first of all become an embodiment of success. ¹⁵¹Only then will the powerful gathering of souls who experiment become ready, and the rays of that gathering will perform many tasks.

¹⁴²sada isi khushi mein raho ki jisko vishwa dhoondhata hai, usne hamko apna banaaya hai।

¹⁵²Slogan: One who attains blessings from everyone is a jewel of contentment. ¹⁵³* * * O M S H A N T I* * *