बुधवार 4 अप्रैल 1984 की अव्यक्त मुरली

⁰> ¹04-04-84 ōm śhānti avyakt bāpadādāmadhuban

⁰> > 04-04-84 Om Shanti Avyakt Bapdada Madhuban

²Saṅgamyug key|kī śhrēṣhṭh vēlā śhrēṣhṭh takdīr key|kī taṣhwīr banānē key|kī vēlā

¹The elevated period of the confluence age is the time to draw the portrait of your elevated fortune.

³Dēśh vidēśh sē āyē , sampann aur sampūrṇ bannē K|kē puruṣhārthī bachchō̃ prati avyakt bāpdādā bōlē  :

²Today, BapDada was seeing the moment of birth of the elevated life and the line of fortune of every elevated Brahmin soul. ³The moment of birth of every child is elevated because it is now the most auspicious elevated confluence age.

⁴‘ ‘ āp bāpdādā harēk brāhmaṇ śhrēṣhṭh ātmā K|kē śhrēṣhṭh jīvan K|kē janm key|kī vēlā , takdīr key|kī rēkhā dēkh rahē thē .

⁴All of you took an elevated Brahmin birth at the elevated confluence age, that is, in the most elevated period. ⁵The moment of birth of all of you is elevated.

⁵Janm key|kī vēlā sabhī bachchē̃ key|kī śhrēṣhṭh haĩ kyōṅki abhī yug hī purūṣhōttam śhrēṣhṭh hai .

⁶The line of fortune, the fortune of all of you Brahmins, is elevated because you are the Shiv dynasty Brahma Kumars and Kumaris who belong to the elevated Father.

⁶Śhrēṣhṭh saṅgamyug par arthāt śhrēṣhṭh vēlā mē̃ sabhī kā śhrēṣhṭh brāhmaṇ janm huā . ⁷Janm vēlā sabhī key|kī śhrēṣhṭh hai .

⁷The elevated Father, an elevated birth, an elevated inheritance, an elevated family and the elevated treasures: this line of fortune of all of you is elevated from birth.

⁸Takdīr key|kī rēkhā , takdīr bhī sabhī brāhmaṇō̃ key|kī śhrēṣhṭh hai .

⁸The period is elevated and because of the attainment, the line of fortune is also elevated.

⁹Kyōṅki śhrēṣhṭh bāp K|kē śhiv vãnśhī brahmākumār vā kumārī haĩ .

⁹All of you children have attained the same fortune from the one Father. ¹⁰There is no difference in this.

¹⁰Tō śhrēṣhṭh bāp , śhrēṣhṭh janm , śhrēṣhṭh varsā , śhrēṣhṭh parivār , śhrēṣhṭh khazānē - yah takdīr key|kī lakīr janm sē sabhī key|kī śhrēṣhṭh hai .

¹¹Even though you attain the same fortune, why does it become numberwise? ¹²The Father is the same, the birth is the same, the inheritance is the same, the family is the same, the period is the same one of the confluence age, so why is there a number?

¹¹Vēlā bhī śhrēṣhṭh aur prāpti K|kē kāraṇ takdīr key|kī lakīr bhī śhrēṣhṭh hai .

¹³All of you have received unlimited attainments, that is, unlimited fortune. ¹⁴So why is there a difference?

¹²Yah takdīr sabhī bachchō̃ kō ēk bāp dvārā ēk jaisī prāpt hai . ¹³Ismē̃ antar nahī̃ hai .

¹⁵The difference is created in putting the unlimited fortune into the picture of actions in life according to your capacity.

¹⁴Phir bhī ēk jaisī takdīr prāpt hōtē bhī number-vār kyō̃  ?

¹⁶Brahmin life means to paint a picture of your fortune, to put it into your life; to put it into every deed.

¹⁵Bāp ēk , janm ēk , varsā ēk , parivār ēk , vēlā bhī ēk saṅgamyug , phir number kyō̃  ?

¹⁷A fortunate one should experience fortune through every thought, every word and every action, that is, fortune should be visible.

¹⁶Sarv prāpti arthāt takdīr sabhī kō bēhad key|kī milī hai . ¹⁷Antar kyā huā  ?

¹⁸A Brahmin means a fortunate soul, whose eyes, forehead and smile on the face, give everyone the experience of elevated fortune at every step.

¹⁸Bēhad key|kī takadarī kō jīvan K|kē karma key|kī taṣhwīr mē̃ lānā ismē̃ yathā śhakti hōnē K|kē kāraṇ antar paṛ jātā hai .

¹⁹This is known as drawing a picture of fortune. ²⁰Draw the picture of your fortune with the pen of experience on the paper of action. ²¹Make a line drawing of the portrait of fortune.

¹⁹Brāhmaṇ jīvan arthāt takdīr kō taṣhwīr mē̃ lānā , jīvan mē̃ lānā .

²²All of you are creating a portrait, but the portrait of some is complete, whereas the portrait of others remains lacking in something or another.

²⁰Her|har karma mē̃ lānā , her|har saṅkalp sē , bōl sē , karma sē takdīrvān kō takdīr anubhav hō arthāt dikhāī dē . ²¹Brāhmaṇ arthāt takdīrvān ātmā K|kē nayan , mastak , mukh key|kī muskarāhaṭ her|har kadam sabhī kō śhrēṣhṭh takdīr key|kī anubhūti karāvē .

²³In putting this into your practical life, the line of the forehead means your thoughts, the line of the eyes means spiritual drishti, the lines of the smile on your face means to be a constantly contented soul and an embodiment of all attainments. ²⁴Contentment itself is the line of the smile. ²⁵The lines of the hands mean the lines of elevated actions.

²²Iskō kahā jātā hai - takdīr key|kī taṣhwīr banānā .

²⁶The lines of the feet mean the power of taking every step according to shrimat.

²³Takdīr kō anubhav key|kī kalam sē , karma K|kē kāgaj K|kē taṣhwīr mē̃ lānā .

²⁷In this way, in drawing the portrait of your fortune, there is a difference.

²⁴Takdīr K|kē taṣhwīr key|kī chitra rēkhā banānā .

²⁸In some one thing is missing and in others something else is missing.

²⁵Taṣhwīr tō sabhī banā rahē hō lēkin kiskī taṣhwīr sampann hai aur kiskī taṣhwīr kuchh na kuchh kisī bāt mē̃ cum|kam rah jātī hai .

²⁹When painting a physical painting, some don't know how to paint eyes, some don't know how to paint legs. ³⁰Some don't know how to paint the smile and so this makes a difference.

²⁶Arthāt practical jīvan mē̃ lānē mē̃ kiskī mastak rēkhā arthāt mansā , nayan rēkhā arthāt rūhānī dr̥iṣhṭi , mukh key|kī muskarāhaṭ key|kī rēkhā arthāt sadā sarv prāpti svarūp santuṣhṭ ātmā .

³¹To the extent that a portrait is perfect, to that extent it is valuable. ³²The pictures of some bring them hundreds of thousands of rupees, whereas the pictures of others scarcely bring them a hundred rupees. ³³Therefore, what was it that made the difference? ³⁴Perfection.

²⁷Santuṣhṭatā hī muskarāhaṭ key|kī rēkhā hai . ²⁸Hāthō̃ key|kī rēkhā arthāt śhrēṣhṭh karma key|kī rēkhā .

³⁵In the same way, because Brahmin souls are not perfect in all lines, because of not having perfection in one or two lines, you become numberwise.

²⁹Pāṅw key|kī rēkhā arthāt her|har kadam śhrīmat pramāṇ chalnē key|kī śhakti .

³⁶Therefore, today, Baba was looking at the portrait of the fortunate children.

³⁰Isī prakār takdīr key|kī taṣhwīr banānē mē̃ kiskā kis mē̃ , kiskā kis mē̃ antar paṛ jātā hai .

³⁷Just as in a physical fortune, there are different types of fortune, in the same way here too, Baba saw many types of portraits of fortune.

³¹Jaisē sthūl taṣhwīr bhī banātē haĩ tō kōī kō nain nahī̃ banānē ātē , kōī kō ṭāṅg nahī̃ banānē ātī . ³²Kōī muskarāhaṭ nahī̃ banā saktē .

³⁸In every picture, the main features, the eyes and the forehead increase the value of the portrait. ³⁹Similarly, here, the power of the attitude of the mind, and the power of spiritual drishti of the eyes, also has a lot of importance.

³³Tō phark paṛ jātā hai nā .

⁴⁰These are the foundation of the picture.

³⁴Jitnā sampann chitra utnā mūlyavān hōtā hai .

⁴¹Do all of you look at your own picture? ⁴²To what extent has your picture been completed?

³⁵Vō hī ēk kā chitra lākhō̃ kā mūlya kamātā aur kōī 100 bhī kamātā .

⁴³Have you painted such a portrait that the One who creates your fortune is visible in that portrait? ⁴⁴Check every line.

³⁶Tō antar kis bāt kā huā  ?

⁴⁵It becomes numberwise because of this.

³⁷Sampannatā kā .

⁴⁶Do you understand?

³⁸Aisē hī brāhmaṇ ātmāyē̃ bhī sarv rēkhāō̃ mē̃ sampann na hōnē kāraṇ kisī ēk rēkhā , dō rēkhā key|kī sampūrṇtā na hōnē kāraṇ number-vār hō jātē haĩ .

⁴⁷The Bestower is One, and He gives everyone the same, yet those who are creating become numberwise in creating it. ⁴⁸Some become one of the special eight and a special beloved deity. ⁴⁹Some become deities.

³⁹Tō āj takdīrvān bachchō̃ key|kī taṣhwīr dēkh rahē thē .

⁵⁰Some become those who are happy simply to observe other deities.

⁴⁰Jaisē sthūl takdīr mē̃ bhī bhinn-bhinn takdīr hōtī hai .

⁵¹You have seen your own picture, have you not? ⁵²Achcha.

⁴¹Vaisē yahā̃ takdīr key|kī bhinn-bhinn tasvīrē̃ dēkhī . ⁴²Her|har taṣhwīr mē̃ mukhya mastak aur nayan taṣhwīr key|kī value baṛhātē haĩ .

⁵³In the corporeal form of meeting, the time and the number of people have to be considered, whereas in the avyakt meeting, there is no question of the time or the number of people.

⁴³Vaisē yahā̃ bhī mansā vr̥itti key|kī śhakti aur nayan K|kē rūhānī dr̥iṣhṭi key|kī śhakti , iskā hī mahatva hōtā .

⁵⁴If you become experienced in the avyakt meeting, you will constantly continue to have to unique experiences of the avyakt meeting.

⁴⁴Yahī taṣhwīr kā foundation haĩ .

⁵⁵BapDada is constantly obedient to all the children.

⁴⁵Sabhī apnī taṣhwīr kō dēkhō ki hamārī taṣhwīr kitnī sampann banī hai .

⁵⁶This is why although He is avyakt He has to come into the corporeal (vyat) form.

⁴⁶Aisī taṣhwīr banī hai jō taṣhwīr mē̃ takdīr banānē vālā dikhāī dē .

⁵⁷However, what do you have to become? ⁵⁸You have to become avyakt, do you not?

⁴⁷Har ēk rēkhā kō check karō .

⁵⁹Or, do you want to come into the corporeal form?

⁴⁸Isī kāraṇ number hō jātā hai . ⁴⁹Samjhā . ⁵⁰Dātā ēk hai , dētā bhī ēk jaisā hai .

⁶⁰Become avyakt. ⁶¹By becoming avyakt, you will become incorporeal and go home with the Father.

⁵¹Lēkin banānē vālē banānē mē̃ number-vār hō jātē .

⁶²You have not yet reached the stage of going via.

⁵²Kōī aṣhṭ aur īṣhṭ dēv ban jātē . ⁵³Kōī dēv ban jātē .

⁶³Through the angelic form, you will be able to become incorporeal and go back home.

⁵⁴Kōī dēvō̃ kō dēkh-dēkh harṣhit hōnē vālē hō jātē .

⁶⁴So, have you become the angelic form now? ⁶⁵Have you completed the portrait of your fortune?

⁵⁵Apnā chitra dēkh liyā nā  !

⁶⁶Only a completed portrait is an angel.

⁵⁶Achchhā -

⁶⁷Achcha.

⁵⁷Sākār rūp mē̃ milnē mē̃ tō samay aur saṅkhyā kō dēkhnā paṛtā . ⁵⁸Aur avyakt milan mē̃ samay aur saṅkhyā key|kī bāt nahī̃ hai .

⁶⁸To all you children who have come from all the different zones, BapDada is pleased to see each one of you with the speciality of each zone.

⁵⁹Avyakt milan K|kē anubhavī ban jāyēṅgē tō avyakt milan K|kē vichitr anubhav sadā kartē rahē̃gē .

⁶⁹Some of you may not know the language, but you are clever in knowing the language of love and devotion.

⁶⁰Bāpdādā bachchō̃ K|kē sadā āgyākārī haĩ .

⁷⁰You don't know anything else, but you do know the language of the murli.

⁶¹Isliē avyakt hōtē bhī vyakt mē̃ ānā paṛtā hai . ⁶²Lēkin bannā kyā hai  ?

⁷¹With love and devotion, even those who are unable to understand anything become able to understand.

⁶³Avyakt bannā hai nā yā vyakt mē̃ ānā hai  ?

⁷²Those from Bengal and Bihar constantly live in the weather of Spring (Bahar).

⁶⁴Avyakt banō .

⁷³They have constant Spring.

⁶⁵Avyakt bannē sē bāp kē sāth nirākār ban ghar mē̃ chalē̃gē .

⁷⁴Punjab is such that it always makes everything fresh and green (makes everyone full).

⁶⁶Abhī via key|kī stage tak nahī̃ pahũchē hō .

⁷⁵There is good harvest in Punjab.

⁶⁷Phariśhtā svarūp sē nirākār ban ghar jā sakē̃gē .

⁷⁶Hariyana is always full and green (hara bhara).

⁶⁸Tō abhī phariśhtā svarūp banē hō  !

⁷⁷Punjab and Hariyana are always full and green.

⁶⁹Takdīr key|kī taṣhwīr sampann kī hai  ? ⁷⁰Sampann taṣhwīr hī phariśhtā hai .

⁷⁸Where there is greenery, that place is always said to be happy and content and an elevated place.

⁷¹Achchhā - ⁷²Sabhī āyē huē bhinn-bhinn zone K|kē bachchō̃ kō har ēk zone key|kī viśhēṣhtā sahit bāpdādā dēkh-dēkh harṣhit hō rahē haĩ .

⁷⁹Punjab and Hariyana are always full of happiness. ⁸⁰This is why BapDada is pleased to see all of you. ⁸¹What is the speciality of Rajasthan?

⁷³Kōī bhāṣhā bhalē nahī̃ jāntē lēkin prēm aur bhāvnā key|kī bhāṣhā jānnē mē̃ hōśhiyār haĩ .

⁸²Rajasthan is very well known for its art. ⁸³The pictures of Rajasthan are very valuable because there have been many kings there.

⁷⁴Aur kuchh nahī̃ jāntē lēkin murlī key|kī bhāṣhā jāntē haĩ .

⁸⁴Therefore, those from Rajasthan are the ones who will make the most valuable portraits of fortune.

⁷⁵Prēm aur bhāvnā sē na samajhnē vālē bhī samajh jātē haĩ .

⁸⁵In the line of art, you are always elevated. ⁸⁶What is the speciality of Gujarat?

⁷⁶Baṅgār bihār tō sadā bahārī mausam mē̃ rahtē .

⁸⁷There is a lot of decoration of mirror­glass there.

⁷⁷Sadā bahār hai .

⁸⁸So, Gujarat is a mirror.

⁷⁸Pañjāb hai hī sadā sabhī kō harā bharā karnē vālā .

⁸⁹It is a mirror in which the Father's image can be seen.

⁷⁹Pañjāb mē̃ khētī achchhī hōtī hai .

⁹⁰You look at your face in the mirror, don’t you?

⁸⁰Hariyāṇā tō hai hī harā bharā . ⁸¹Pañjāb hariyāṇā sadā hariyālī sē harā bharā hai .

⁹¹So, the mirror of Gujarat has the speciality of showing everyone the image of the Father and the image of an angel.

⁸²Jahā̃ hariyālī hōtī hai us sthān kō sadā kuśhal , śhrēṣhṭh sthān kahā jātā hai .

⁹²The speciality of Gujarat is the mirror that will reveal the Father. ⁹³Finally little Tamil Nadu is still left. ⁹⁴Smaller ones work wonders.

⁸³Pañjāb hariyāṇā sadā khuśhī mē̃ harā bharā hai .

⁹⁵They carry out huge tasks. ⁹⁶What will those from Tamil Nadu do?

⁸⁴Isliē bāpdādā bhī dēkh-dēkh harṣhit hōtē haĩ .

⁹⁷There are many temples there. ⁹⁸They play music in temples.

⁸⁵Rājasthān key|kī kyā viśhēṣhtā hai  ? ⁸⁶Rājasthān chitra rēkhā mē̃ prasiddh hai .

⁹⁹The speciality of Tamil Nadu is to beat the drums and make a very loud sound of the Father's revelation.

⁸⁷Rājasthān key|kī tasvīrē̃ bahut mūlyavān hōtī haĩ .

¹⁰⁰You have a good speciality. ¹⁰¹Some play music even in their childhood.

⁸⁸Kyōṅki rājē bahut huē haĩ nā .

¹⁰²Even devotees play music with a lot of love.

⁸⁹Tō rājasthān takdīr key|kī tasvīrē̃ sabsē jyādā mūlyavān banānē vālē haĩ .

¹⁰³Children also play it with love. ¹⁰⁴Now, each of your places has to put your own speciality into a practical form.

⁹⁰Chitrō̃ key|kī rēkhā mē̃ sadā śhrēṣhṭh haĩ .

¹⁰⁵Baba has now met those from all zones, has He not?

⁹¹Gujarāt key|kī kyā viśhēṣhtā hai  ?

¹⁰⁶Eventually, this is how the meetings will take place.

⁹²Vahā̃ āinō̃ kā śhrr̥iṅgār jyādā hōtā hai .

¹⁰⁷The older children say: Why don't you invite us?

⁹³Tō gujarāt darpaṇ hai . ⁹⁴Darpaṇ kahō , āinā kahō . ⁹⁵Jismē̃ bāp key|kī mūrt dēkhī jāē . ⁹⁶Āinē mē̃ śhakla dēkhtē haĩ nā .

¹⁰⁸You create subjects and you also increase the number of subjects, and so the older ones have to give a chance to the newer ones.

⁹⁷Tō gujarāt K|kē darpaṇ dvārā bāp key|kī taṣhwīr phariśhtā svarūp key|kī taṣhwīr sabhī kō dikhānē key|kī viśhēṣhtā hai .

¹⁰⁹It is only then that the number can increase. ¹¹⁰If the older ones continue to move along in the same old way, what would happen to the newer ones?

⁹⁸Tō gujarāt key|kī viśhēṣhtā hai bāp kō pratyakṣha karnē vālē darpaṇ .

¹¹¹The older ones are bestowers who give and the newer ones are those who receive.

⁹⁹Bākī chhōṭā-sā tāmilnāḍu rah gayā .

¹¹²Therefore, you have to give a chance to others.

¹⁰⁰Chhōṭā hī kamāl kartā hai .

¹¹³You have to become a bestower in this.

¹⁰¹Baṛā kārya karkē dikhātā hai . ¹⁰²Tāmilnāḍu kyā karē̃gē  ?

¹¹⁴There are many limitations in the meeting through the corporeal form.

¹⁰³Vahā̃ mandir bahut haĩ .

¹¹⁵In the avyakt meeting, there are no limitations.

¹⁰⁴Mandirō̃ mē̃ nād bajītē haĩ .

¹¹⁶Some ask: What will happen when the number increases?

¹⁰⁵Tāmilnāḍu key|kī viśhēṣhtā hai - nagāṛā bajāē bāp key|kī pratyakṣhatā kā āvāz buland karnā . ¹⁰⁶Achchhī viśhēṣhtā hai .

¹¹⁷The method of the corporeal meeting will also change. ¹¹⁸When the number increases, you also have to donate something and perform some charity. ¹¹⁹Achcha.

¹⁰⁷Chhōṭē-pan mē̃ bhī nād bajātē haĩ . ¹⁰⁸Bhakta lōg bhī baṛē pyār sē nād bajātē haĩ . ¹⁰⁹Aur bachchē bhī pyār sē bajātē haĩ . ¹¹⁰Ab harēk sthān apnī viśhēṣhtā kō pratyakṣha svarūp mē̃ lāō .

¹²⁰To all the children from this land and abroad, in response to the sound of their loving hearts, songs of happiness and letters of news of their hearts, together with giving multimillion­fold love and remembrance to all the children, BapDada is also giving a response to their letters.

¹¹¹Sabhī zone vālō̃ sē mil liyā nā  ! ¹¹²Ākhir tō aisā hī milnā hōgā . ¹¹³Purānē bachchē kahtē haĩ hamkō kyō̃ nahī̃ bulātē .

¹²¹Through constant remembrance be one who has received the blessing of immortality and continue to move forward and also make others move forward.

¹¹⁴Prajā bhī banātē , baṛhātē bhī rahtē . ¹¹⁵Tō purānō̃ kō nayē-nayē̃ kō chance dēnā paṛē tab tō saṅkhyā baṛhē .

¹²²To all the children who maintain their zeal and enthusiasm, BapDada congratulates you for your own progress and for the progress of service.

¹¹⁶Purānē̃ bhī purānī chāl sē chaltē rahē̃ tō nayō̃ kā kyā hōgā  !

¹²³Congratulations! ¹²⁴You are always with the Father. ¹²⁵You are always complete and perfect.

¹¹⁷Purānē haĩ dātā , dēnē vālē aur nayē haĩ lēnē vālē .

¹²⁶To the children who have received all such blessings, BapDada is once again giving you love and remembrance.

¹¹⁸Tō chance dēnā haĩ ismē̃ dātā bannā paṛē .

¹²⁷Love, remembrance and namaste. ¹²⁸BapDada meeting groups:

¹¹⁹Sākār milan mē̃ sab had ā jātī haĩ . ¹²⁰Avyakt milan mē̃ kōī had nahī̃ .

¹²⁹Do you always consider yourselves to be souls who are complete, equal to the Father?

¹²¹Kaī kahtē haĩ saṅkhyā baṛhēgī phir kyā hōgā  !

¹³⁰Those who are complete will always continue to move forward.

¹²²Sākār milan key|kī vidhi bhī tō badalēgī .

¹³¹If there isn't completion, you won't be able to move forward.

¹²³Jab saṅkhyā baṛhtī haĩ tō kuchh dān-puṇya bhī karnā hōtā hai .

¹³²Therefore, as is the Father, so are the children. ¹³³The Father is the Ocean and the children are master oceans.

¹²⁴Achchhā -

¹³⁴Check every virtue.

¹²⁵Sabhī dēśh vidēśh K|kē chārō̃ ōr K|kē snēhī bachchō̃ K|kē snēh K|kē dil K|kē āvāz , khuśhī K|kē gīt aur dil K|kē samāchār K|kē patrō̃ K|kē respond mē̃ bāpdādā sabhī bachchō̃ kō padamguṇā yādpyār kē sāth respond dē rahē haĩ ki sadā yād sē amar bhav K|kē vardānī ban baṛhtē chalō aur baṛhātē chalō .

¹³⁵Just as the Father is the Ocean of Knowledge, so you are master oceans of knowledge. ¹³⁶The Father is the Ocean of Love and so you are master oceans of love. ¹³⁷Check your similarity in this way. ¹³⁸Only then will you always be equal and complete like the Father and continue to move forward.

¹²⁶Sabhī umaṅg utsāh mē̃ rahnē vālē bachchō̃ kō bāpdādā sva unnati aur sēvā key|kī unnati kē liē mubārak dē rahē haĩ . ¹²⁷Mubārak hō .

¹³⁹Do you understand? ¹⁴⁰Constantly continue to check yourself in this way. ¹⁴¹Always maintain the happiness that the One whom the world is searching for has made you belong to Him.

¹²⁸Sadā sāth hō .

¹⁴²Achcha.

¹²⁹Sadā sampann aur sampūrṇ hō , aisē sarv vardānī bachchō̃ kō bāpdādā phir sē yādpyār dē rahē haĩ . ¹³⁰Yādpyār aur namastē . ¹³¹’ ’

¹⁴³Blessing: May you be trikaldarshi and one who experiments and gains success through the power of determination. ¹⁴⁴BapDada's blessing is: Where there is determination there is success.

¹³²Party sē ¹³³Sadā svayã kō bāp samān sampann ātmā samajhtē hō  !

¹⁴⁵Therefore, with determination, make a programme to experiment with any virtue or power.

¹³⁴Jō sampann hai vah sadā āgē baṛhtē rahē̃gē .

¹⁴⁶First of all, experience contentment within yourself.

¹³⁵Sampannatā nahī̃ tō āgē nahī̃ baṛh saktē .

¹⁴⁷Let there be the determined thought: I have to do this.

¹³⁶Tō jaisē bāp vaisē bachchē . ¹³⁷Bāp sāgar hai baccō master sāgar haĩ .

¹⁴⁸You should not be influenced by the carelessness of others.

¹³⁸Her|har guṇ kō check karō - jaisē bāp gyān kā sāgar hai tō ham master gyān sāgar haĩ . ¹³⁹Bāp prēm kā sāgar hai tō ham master prēm K|kē sāgar haĩ .

¹⁴⁹Sit in the stage of being on the trikaldarshi seat. ¹⁵⁰Then, as is the time, so is the method, and so with the right method, first of all become an embodiment of success.

¹⁴⁰Aisē samāntā kō check karō tab bāp samān sampann ban sadā āgē baṛhtē jāyēṅgē . ¹⁴¹Samjhā - sadā aisī checking kartē chalō .

¹⁵¹Only then will the powerful gathering of souls who experiment become ready, and the rays of that gathering will perform many tasks.

¹⁴²Sadā isī khuśhī mē̃ rahō ki jiskō viśhva ḍhūṇḍhatā hai , usnē hamkō apnā banāyā hai .

¹⁵²Slogan: One who attains blessings from everyone is a jewel of contentment. ¹⁵³* * * O M S H A N T I* * *