शुक्रवार 11 अप्रैल 1986 की अव्यक्त मुरली

⁰> ¹11-04-86om shanti avyakt baapdaadaamdhuban ²shreshtha takdeer ki tasveer banaane ki yukti ³avyakt baapdaada bole

⁰> > 11-04-86 Om Shanti Avyakt Bapdada Madhuban

⁴aaj takdeer banaane vaale baapdaada sabhi bachchon ki shreshtha takdeer ki tasveer dekh rahen hain। ⁵takdeervaan sabhi bane hain, lekin har ek ke takdeer ke tasveer ki jhalak apni-apni hai। ⁶jaise koi bhi tasveer banaane vaale tasveer banaate hain to koi tasveer hajaaron roopayon ke daam ki amoolya hoti hai, koi saadhaaran bhi hoti hai। ⁷yahaan baapdaada dvaara mile hue bhaagya ko,takdeer ko tasveer mein laana arthaat practical jeevan mein laana hai।

¹Today BapDada, the maker of fortune, is looking at the portraits of elevated fortune of all of the children.

⁸ismen antar ho jaata hai। ⁹takdeer banaane vaale ne ek hi samay aur ek ne hi sabhi ko takdeer baanti। ¹⁰lekin takdeer ko tasveer mein laane vaali har aatma bhinna-bhinna hone ke kaaran jo tasveer banaai hai usmein nambarvaar dikhaai de rahe hain। ¹¹koi bhi tasveer ki visheshta nayan aur muskaraahat hoti hai।

²All are fortunate, but the splendour of each individual portrait of fortune is unique.

¹²in do visheshtaaon se hi tasveer ka moolya hota hai। ¹³to yahaan bhi takdeer ke tasveer ki yahi do visheshtaayen hain। ¹⁴nayan arthaat roohaani vishwa-kalyaani,raham dil,par-upkaari drishti। ¹⁵agar drishti mein yeh visheshtaayen hai to bhaagya ki tasveer shreshtha hai।

³Some portraits are worth millions while others are ordinary.

¹⁶mool baat hai drishti aur muskaraahat,chehre ki chamak। ¹⁷yeh hai sada santushta rahne ki - santushtata aur prasannata ki jhalak। ¹⁸isi visheshtaaon se sada chehre par roohaani chamak aati hai।

⁴To portray the fortune that BapDada has given you means to apply it in your life practically - it is in this the the difference arises.

¹⁹roohaani muskaan anubhav hoti hai। ²⁰yeh do visheshtaayen hi tasveer ka moolya badha deti hain। ²¹to aaj yahi dekh rahe the।

⁵The speciality of any portrait is revealed by the eyes and the smiling expression.

²²takdeer ki tasveer to sabhi ne banaai hai। ²³tasveer banaane ki kalam baap ne sabko di hai।

⁶The portrait is valued on the basis of these two specialities.

²⁴woh kalam hai - shreshtha smriti, shreshtha karmon ka gyaan। ²⁵shreshtha karma aur shreshtha sankalp arthaat smriti। ²⁶is gyaan ki kalam dvaara har aatma apne takdeer ki tasveer bana rahi hai, aur bana bhi li hai। ²⁷tasveer to ban gai hai।

⁷If the eyes express spiritual drishti filled with world benefit, mercy and benevolence - if there is the spiritual smile that comes from constant contentment and cheerfulness - if the face sparkles with these two specialities - then the portrait of fortune is elevated.

²⁸nain chain bhi ban gaye hain। ²⁹ab last touching hai ‘sampoornata’ki। ³⁰baap samaan banne ki। ³¹double videshi chitra banaane jyaada pasanda karte hain na।

⁸Everyone has painted their portrait of fortune, using the tools, given by Baba, of elevated consciousness and the knowledge of elevated action.

³²to baapdaada bhi aaj sabhi ki tasveer dekh rahen hain। ³³harek apni tasveer dekh sakte hain na ki kahaan tak tasveer moolyavaan bani hai। ³⁴sada apni is roohaani tasveer ko dekh ismen sampoornata laate raho। ³⁵vishwa ki aatmaon se to shreshtha bhaagyavaan koton mein koi,koi mein bhi koi amoolya va shreshtha bhaagyavaan to ho hi।

⁹The portrait has been produced, and the expression has been detailed.

³⁶lekin ek hai shreshtha doosre hain shreshtha te shreshtha। ³⁷to shreshtha bane hain va shreshtha te shreshtha bane hain! ³⁸yeh check karna hai। ³⁹samjha!

¹⁰Now the last touches are for perfection, to become equal to the Father.

⁴⁰ab double videshi race karenge na! ⁴¹aage number lena hai va aage vaalon ko dekh khush hona hai! ⁴²dekh-dekh khush hona bhi aavashyak hai, lekin svayan peechhe hokar nahin dekho, saath-saath hote doosron ko bhi dekh harshit ho chalo। ⁴³svayan bhi aage badho aur peechhe vaalon ko bhi aage badhaao।

¹¹Continually see your portrait, and continue to perfect it.

⁴⁴isi ko hi kehte hain - ‘par-upkaari’। ⁴⁵yeh par-upkaari banna iski visheshta hai - svaartha bhaav se sada mukta rehna। ⁴⁶har paristhiti mein, har kaarya mein har sahayogi sangathan mein jitna nihsvaartha-pan hoga, utna hi ‘par-upkaari’hoga।

¹²It is more elevated than those of the souls of the world - you are more valuable - you have elevated fortune, because you are a handful out of multi-millions.

⁴⁷svayan sada bharpoor anubhav karega। ⁴⁸sada praapti swaroop ki sthiti mein hoga।

¹³But it is one thing to be elevated, and another to be the most elevated of all.

⁴⁹tab par-upkaari ki last stage anubhav kar aur kara sakenge। ⁵⁰jaise brahma baap ko dekha last samay ki sthiti mein ‘upraam aur par-upkaar’yeh visheshta sada dekhi। ⁵¹sva ke prati kuchh bhi sveekaar nahin kiya। ⁵²na mahima sveekaar ki,na vastu sveekaar ki।

¹⁴Now the double foreigners will race, will they not?

⁵³na rahne ka sthaan sveekaar kiya। ⁵⁴sthool aur sookshm - sada ‘pahle bachche’। ⁵⁵isko kehte hain - ‘par-upkaari’। ⁵⁶yahi sampannata ki sampoornata ki nishaani hai।

¹⁵Are you going to take a number up front, or are you simply going to be happy with seeing others up front.

⁵⁷samjha! ⁵⁸murliyaan to bahut suni। ⁵⁹ab murleedhar ban sada naachte aur nachaate rehna hai। ⁶⁰murli se - saanp ke vish ko bhi samaapta kar lete hain।

¹⁶It is definitely good to be happy seeing that, but do not see others from behind - be alongside them.

⁶¹to aisa murleedhar ho jo kisi ka kitna bhi kadva svabhaav sanskaar ho - usko bhi vash kar de arthaat usse mukta kar nacha de। ⁶²harshit bana de। ⁶³abhi yeh result dekhenge ki kaun-kaun aise yogya murleedhar bante hain। ⁶⁴murli se bhi pyaar hai, murleedhar se bhi pyaar hai lekin pyaar ka saboot hai - jo murleedhar ki shubh aasha hai,har bachche prati woh practical mein dikhaana।

¹⁷Move forward, and encourage those who are behind you to move forward too.

⁶⁵pyaar ki nishaani hai - jo kaha woh karke dikhaana। ⁶⁶aise master murleedhar ho na! ⁶⁷banna hi hai,ab nahin banenge to kab banenge! ⁶⁸karenge, yeh khyaal nahin karo।

¹⁸This is what is meant by benevolence - being constantly liberated from selfish attitudes.

⁶⁹karna hi hai। ⁷⁰har ek yahi sonche ki ham nahin karenge to kaun karega! ⁷¹hamko karna hi hai। ⁷²banna hi hai।

¹⁹To the extent you are unselfish, you will experience yourself to be full, the embodiment of attainment.

⁷³kalpa ki baaji jeetni hi hai। ⁷⁴poore kalpa ki baat hai। ⁷⁵to first division me aana hai, yeh dridhta dhaaran karni hai। ⁷⁶koi nai baat kar rahe ho kya!

²⁰Then you will experience the final stage of being benevolent, and will enable others to have that experience too.

⁷⁷kitna baar ki hui baat ko sirf lakeer ke oopar lakeer kheench rahe ho! ⁷⁸drama ki lakeer kheenchi hui hai। ⁷⁹nai lakeer bhi nahin laga rahe ho,jo socho ki pata nahin, seedhi hogi va nahin। ⁸⁰kalpa-kalpa ki bani hui praalabdha ko sirf banaate ho।

²¹At the end you saw Brahma Baba completely detached and benevolent - he never accepted anything for himself - he never accepted praise, nor any items, nor did he accept a place to live.

⁸¹kyonki karmon ke phal ka hisaab hai। ⁸²baaki nai baat kya hai! ⁸³yeh to bahut puraani hai। ⁸⁴hui padi hai।

²²Whether physical or subtle, the children always come first.

⁸⁵yeh hai atal nishchay। ⁸⁶isko dridhta kehte hain। ⁸⁷isko tapasvi moorta kehte hain। ⁸⁸har sankalp mein dridhta maana - ‘tapasya’।

²³This is benevolence, the sign of being complete and perfect.

⁸⁹achha!

⁹⁰baapdaada highest host bhi hai aur golden guest bhi hai। ⁹¹host bankar bhi milte hain, guest ban kar aate hain। ⁹²lekin golden guest hai। ⁹³chamkeela hai na।

²⁴Understand?

⁹⁴guest to bahut dekhe - lekin ‘golden guest’ nahin dekha। ⁹⁵jaise chief guest ko bulaate ho to woh thanks dete hain। ⁹⁶to brahma baap ne bhi host ban ishaare diye aur guest ban sabko mubaarak de rahen hain। ⁹⁷jinhonne poori season mein seva ki un sabko ‘golden guest’ ke roop mein badhaai de rahe hain।

²⁵You have heard many murlis.

⁹⁸sabse pahli mubaarak kisko?

⁹⁹nimitta daadiyon ko।

¹⁰⁰baapdaada, nirvighna seva ke samaapti ki mubaarak de rahe hain। ¹⁰¹madhuban nivaasiyon ko bhi nirvighna harshit ban mehmaan nivaaji karne ki vishesh mubaarak de rahe hain। ¹⁰²bhagwan bhi mehmaan ban aaya to bachche bhi। ¹⁰³jiske ghar mein bhagwan mehmaan bankar aave woh kitne bhaagyashaali hain!

²⁶Now play the murlis and dance and inspire others to dance.

¹⁰⁴rath ko bhi mubaarak hain kyonki yeh part bajaana bhi koi kam baat nahin। ¹⁰⁵itni shaktiyon ko,itna samay pravesh hone par dhaarna karna yeh bhi vishesh part hai। ¹⁰⁶lekin yeh samaane ki shakti ka phal hai। ¹⁰⁷aap sabko miaal raha hai।

²⁷You must become such a murli player that you can liberate anyone, no matter how bitter their personality or sanskars, and make them dance and be happy.

¹⁰⁸to samaane ki shakti ki visheshta se baapdaada ki shaktiyon ko ‘samaana’ yeh bhi vishesh part kaho va gun kaho। ¹⁰⁹to sabhi sevaadhaariyon me yeh bhi seva ka part bajaane vaali nirvighna rahi। ¹¹⁰iske liye mubaarak ho, aur padmaapadma thanks। ¹¹¹double videshiyon ko bhi double thanks।

²⁸Now we shall look for this result and see who have become worthy murli players.

¹¹²kyonki double videshiyon ne madhuban ki shobha kitni achhi kar di। ¹¹³brahman parivaar ke shrringaar double videshi ho। ¹¹⁴brahman parivaar mein desh vaalon ke saath videshi bhi hain। ¹¹⁵to purooshaartha ki bhi mubaarak aur parivaar ka shrringaar banne ki bhi mubaarak।

²⁹You have love for the murli and the one who plays the murli.

¹¹⁶madhuban aur parivaar ka shrringaar banne ki bhi mubaarak। ¹¹⁷madhuban parivaar ki vishesh saugaat ho।

³⁰But the proof of love is when the child fulfils the hopes.The sign of love is to reveal it by doing it.

¹¹⁸isliye double videshiyon ko double mubaarak de rahe hain। ¹¹⁹chaahe kahaan bhi hain।

³¹You are such master murli players are you not?

¹²⁰saamne to thode hai lekin chaaron or ke bhaaratvaasi bachchon ko aur double videshi bachchon ko badi dil se mubaarak de rahe hain। ¹²¹har ek ne bahut achha part bajaaya। ¹²²ab sirf ek baat rahi hai - ‘samaan aur sampoornata ki’। ¹²³daadiyaan bhi achhi mehnat karti।

³²You must become this.

¹²⁴baapdaada, donon ka part saakaar mein baja raheen hain। ¹²⁵isliye baapdaada dil se sneh ke saath mubaarak dete hain। ¹²⁶sabne bahut achha part bajaaya। ¹²⁷all-round sab sevaadhaari chaahe chhoti-si saadhaaran seva hai lekin woh bhi mahaan hai।

³³If not now then when?

¹²⁸har ek ne apna bhi jama kiya aur punya bhi kiya। ¹²⁹sabhi desh-videsh ke bachchon ke pahunchne ki bhi visheshta, mubaarak yogya hai। ¹³⁰sab mahaarthiyon ne milkar seva ka shreshtha sankalp practical mein laaya aur laate hi rahenge। ¹³¹seva mein jo nimitta hai unhon ko bhi takleeph nahi deni chaahiye।

³⁴If not you then who?

¹³²apne albelepan se kisko mehnat nahin karaani chaahiye। ¹³³apni vastuon ko sambhaalna yeh bhi knowledge hai। ¹³⁴yaad hai na brahma baap kya kehte the?

³⁵The lines of drama have already been drawn - you are simply drawing over that which has been drawn numerous times.

¹³⁵roomaal khoya to kabhi khud ko bhi kho dega। ¹³⁶har karma mein shreshtha aur saphal rehna isko kehte - ‘knowledgeful’। ¹³⁷shareer ki bhi knowledge, aatma ki bhi knowledge। ¹³⁸donon knowledge har karma mein chaahiye,shareer ke bimaari ki bhi knowledge chaahiye।

³⁶You are not even drawing new lines.

¹³⁹mera shareer kis vidhi se theek chal sakta hai? ¹⁴⁰aise nahin - aatma to shaktishaali hai, shareer kaisa bhi hai। ¹⁴¹shareer theek nahin hoga to yog bhi nahin lagega। ¹⁴²phir shareer apni taraph kheenchata hai।

³⁷This is unbreakable faith.

¹⁴³isliye knowledgeful mein yeh sab knowledge aa jaati hai। ¹⁴⁴achha -’’ ¹⁴⁵kuchh kumaariyon ka samarpan samaaroh baapdaada ke saamne hua - baapdaada sabhi vishesh aatmaon ko bahut sundar sajaaye dekh rahe hain। ¹⁴⁶divya gunon ka shrringaar kitna badhiya, sabhi ko shobhnik bana raha hai।

³⁸This is determination.

¹⁴⁷light ka taaj kitna sundar chamak raha hai। ¹⁴⁸baapdaada avinaashi shrringaari hui soorton ko dekh rahen hain। ¹⁴⁹baapdaada ko bachchon ka yeh umang-utsaah ka sankalp dekh khushi hoti hai। ¹⁵⁰baapdaada ne sabhi ko sada ke liye pasanda kar liya।

³⁹Such a person is the image of tapasya.

¹⁵¹aapne bhi pakka pasanda kar liya hai na! ¹⁵²dridh sankalp ka hathiyaala bandh gaya।

⁴⁰To have determination in every thought is tapasya.

¹⁵³baapdaada ke paas harek ke dil ke sneh ka sankalp sabse jaldi pahunchta hai। ¹⁵⁴abhi sankalp mein bhi yeh shreshtha bandhan dheela nahin hoga। ¹⁵⁵itna pakka baandha hai na! ¹⁵⁶kitne janmon ka vaayda kiya?

⁴¹Achcha.

¹⁵⁷yeh brahma baap ke saath sada sambandh mein aane ka pakka vaayda hai aur guarantee hai ki sada bhinna naam,roop, sambandh mein 21 janma tak to saath rahenge hi। ¹⁵⁸to kitni khushi hai,hisaab kar sakti ho? ¹⁵⁹iska hisaab nikaalne vaala koi nahin nikla hai। ¹⁶⁰abhi aise hi sada saje sajaaye rehna,sada taajdhaari rehna aur sada khushi mein hansate-gaate roohaani mauj mein rehna।

⁴²BapDada is the highest host and the golden guest.

¹⁶¹aaj sabhi ne dridh sankalp kiya na - ki kadam-kadam par rakhne vaale banenge। ¹⁶²woh to sthool paanv ke oopar paanv rakhti hai lekin aap sabhi sankalp roopi kadam par kadam rakhne vaale! ¹⁶³jo baap ka sankalp woh bachchon ka sankalp - aisa sankalp kiya? ¹⁶⁴ek kadam bhi baap ke kadam ke sivaae yahaan vahaan ka na ho।

⁴³They meet you as host and come as guest.

¹⁶⁵har sankalp samartha karna arthaat baap ke samaan kadam ke peechhe kadam rakhna। ¹⁶⁶achha! ¹⁶⁷videshi bhaai-bahnon se -jaise vimaan mein udte-udte aaye aise buddhi roopi vimaan bhi itna hi fast udta rehta hai na? ¹⁶⁸kyonki woh vimaan circumstance ke kaaran nahin bhi mile lekin buddhi roopi vimaan sada saath hai aur sada shaktishaali hai to second mein jahaan chaahen vahaan pahuch jaaen।

⁴⁴How fortunate are the ones in whose home God comes as guest!

¹⁶⁹to is vimaan ke maalik ho na। ¹⁷⁰sada yeh buddhi ka vimaan ever ready ho arthaat sada buddhi ki line clear ho। ¹⁷¹buddhi sada hi baap ke saath shaktishaali ho to jab chaahenge tab second mein pahunch jaayenge। ¹⁷²jiska buddhi ka vimaan pahunchta hai uska woh bhi vimaan chalta hai।

⁴⁵Congratulations to all those who have served through the entire season.

¹⁷³buddhi ka vimaan theek nahin to woh vimaan bhi nahin chalta। ¹⁷⁴achha! ¹⁷⁵party se

⁴⁶Congratulations to the chariot, as well - it is no small thing to be playing this role.

¹⁷⁶1. sada apne ko raajayogi shreshtha aatmaayen anubhav karte ho? ¹⁷⁷raajayogi arthaat sarva-karma-indriyon ke raaja।

⁴⁷This is a special role in which all the power that has been entering for so long has to be imbibed.

¹⁷⁸raaja ban karma-indriyon ko chalaane vaale,na ki karma-indriyon ke vash chalne vaale। ¹⁷⁹jo karma-indriyon ke vash chalne vaale hain unko prajaayogi kahenge, raajayogi nahin। ¹⁸⁰jab gyaan mil gaya ki yeh karma-indriyaan mere karmachaari hain, main maalik hoon, to maalik kabhi sevaadhaariyon ke vash nahin ho sakta। ¹⁸¹kitna bhi koi prayatna kare lekin raajayogi aatmaayen sada shreshtha rahengi।

⁴⁸The fruit of this power to merge is being received by all of you.

¹⁸²sada raajya karne ke sanskaar abhi raajayogi jeevan mein bharne hain। ¹⁸³kuchh bhi ho jaae - yeh title apna sada yaad rakhna ki - ‘main raajayogi hoon’। ¹⁸⁴sarvashaktivaan ka bal hai, bharosa hai to saphalta adhikaar roop mein mil jaata hai। ¹⁸⁵adhikaar sahaj praapta hota hai, mushkil nahin hota।

⁴⁹Double thanks to the double foreigners, the decoration of the Brahmin family.

¹⁸⁶sarva shaktiyon ke aadhaar se har kaarya saphal hua hi pada hai। ¹⁸⁷sada phakhur rahe ki main diltakhtansheen aatma hoon। ¹⁸⁸yeh phakhur anek phikron se paar kar deta hai।

⁵⁰Congratulations to all the Bharatwassi children and the double foreign children everywhere, the deepest heart-felt congratulations.

¹⁸⁹phakhur nahin to phikar hi phikar hai। ¹⁹⁰to sada phakhur mein rah vardaani ban vardaan baantate chalo। ¹⁹¹svayan sampanna ban auron ko sampanna banaana hai। ¹⁹²auron ko banaana arthaat svarga ke seat ka certificate dete ho।

⁵¹Each one has played a very good part.

¹⁹³kaagaj ka certificate nahin, adhikaar ka! ¹⁹⁴2. har kadam mein padmon ki kamaai jama karne vaale, akhut khazaane ke maalik ban gaye। ¹⁹⁵aise khushi ka anubhav karte ho!

⁵²All the maharathis have come together with an elevated thought for service, and have brought it into practice, and will continue to do so.

¹⁹⁶kyonki aajkal ki duniya hai hi -‘dhokhebaaj’। ¹⁹⁷dhokhebaaj duniya se kinaara kar liya।

⁵³Those who are instrumental for service should not be presented with problems.

¹⁹⁸dhokhe vaali duniya se lagaav to nahin! ¹⁹⁹seva arth connection dusri baat hai lekin man ka lagaav nahin hona chaahiye। ²⁰⁰to sada apne ko tuchchha nahin, saadhaaran nahin lekin shreshtha aatma hain, sada baap ke pyaare hain,is nashe mein raho। ²⁰¹jaisa baap vaise bachcha - kadam par kadam rakhte arthaat follow karte chalo to baap samaan ban jaayenge।

⁵⁴Another should not be made to work harder because of your own carelessness.

²⁰²samaan banna arthaat sampanna banna। ²⁰³brahman jeevan ka yahi to kaarya hai। ²⁰⁴3. sada apne ko baap ke roohaani bageeche ke roohaani gulaab samajhte ho! ²⁰⁵sabse khushbu vaala pushpa ‘gulaab’ hota hai।

⁵⁵The knowledgeable ones will look after their own things - you remember what Brahma Baba used to say: “if you lose your handkerchief, you will also lose yourself one day”.

²⁰⁶gulaab ka jal kitne kaaryon mein lagaate hain, ‘rang-roop’mein bhi gulaab sarva priy hai। ²⁰⁷to aap sabhi roohaani gulaab ho। ²⁰⁸aapki roohaani khushbu auron ko bhi svatah hi aakarshan karti hai। ²⁰⁹kahaan bhi koi khushbu ki cheez hoti hai to sabka attention svatah hi jaata hai to aap roohaani gulaabon ki khushbu vishwa ko aakarshit karne vaali hai, kyonki vishwa ko is roohaani khushbu ki aavashyakta hai।

⁵⁶The one full of knowledge will be elevated and successful in each action.

²¹⁰isliye sada smriti mein rahe ki -’main avinaashi bageeche ka avinaashi gulaab hoon। ²¹¹’kabhi murjhaane vaala nahin। ²¹²sada khila hua।

⁵⁷Both knowledge of the body and knowledge of the soul are required for every action.

²¹³aise khile hue roohaani gulaab sada seva mein svatah hi nimitta ban jaate hain। ²¹⁴yaad ki, shaktiyon ki, gunon ki yeh sab khushbu sabko dete raho। ²¹⁵svayan baap ne aakar aap phoolon ko taiyaar kiya hai to kitne sikeeldhe ho! ²¹⁶4. sada apne ko double light anubhav karte ho?

⁵⁸You need knowledge for bodily health - to keep the body functioning properly.

²¹⁷jo double light rehta hai woh sada udti kala ka anubhav karta hai। ²¹⁸kyonki jo halka hota hai woh sada ooncha udta hai,bojh vaala neeche jaata hai। ²¹⁹to double light aatmaayen arthaat sarva bojh se nyaare ban gaye। ²²⁰baap ka banne se 63janmon ka bojh samaapta ho gaya।

⁵⁹It should not be that the the soul is powerful and the body is neglected.

²²¹sirf apne puraane sankalp va vyartha sankalp ka bojh na ho। ²²²kyonki koi bhi bojh hoga to oonchi sthiti mein udne nahin dega। ²²³to double light arthaat aatmik swaroop mein sthit hone se halka-pan svatah ho jaata hai। ²²⁴aise double light ko hi ‘pharishta’ kaha jaata hai।

⁶⁰If the body is not well then there cannot be yoga because the body will draw attention to itself.

²²⁵pharishta kabhi kisi bhi bandhan mein nahin bandhata। ²²⁶to koi bhi bandhan to nahin hai! ²²⁷man ka bhi bandhan nahin। ²²⁸jab baap se sarvashaktiyaan mil gai to sarva shaktiyon se nirbandhan banna sahaj hai।

⁶¹So all knowledge must be included.

²²⁹pharishta kabhi bhi is puraani duniya ke, puraani deh ke aakarshan mein nahin aata। ²³⁰kyonki hai hi double light। ²³¹to sada oonchi sthiti mein rahne vaale। ²³²udti kala mein jaane vaale ‘pharishte’ hain, yahi smriti apne liye vardaan samajh,samartha bante rehna।

⁶²Achcha.

²³³achha – omshaanti

⁶³* * * O M S H A N T I* * *