शुक्रवार 11 अप्रैल 1986 की अव्यक्त मुरली

⁰> ¹11-04-86 ōm śhānti avyakt bāpadādāmadhuban ²Śhrēṣhṭh takdīr key|kī taṣhwīr banānē key|kī yukti ³Avyakt bāpdādā bōlē

⁰> > 11-04-86 Om Shanti Avyakt Bapdada Madhuban

⁴Āj takdīr banānē vālē bāpdādā sabhī bachchō̃ key|kī śhrēṣhṭh takdīr key|kī taṣhwīr dēkh rahē̃ haĩ . ⁵Takdīrvān sabhī banē haĩ , lēkin har ēk K|kē takdīr K|kē taṣhwīr key|kī jhalak apnī-apnī hai . ⁶Jaisē kōī bhī taṣhwīr banānē vālē taṣhwīr banātē haĩ tō kōī taṣhwīr hajārō̃ rūpayō̃ K|kē dām key|kī amūlya hōtī hai , kōī sādhāraṇ bhī hōtī hai . ⁷Yahā̃ bāpdādā dvārā milē huē bhāgya kō , takdīr kō taṣhwīr mē̃ lānā arthāt practical jīvan mē̃ lānā hai .

¹Today BapDada, the maker of fortune, is looking at the portraits of elevated fortune of all of the children.

⁸Ismē̃ antar hō jātā hai . ⁹Takdīr banānē vālē nē ēk hī samay aur ēk nē hī sabhī kō takdīr bā̃ṭī . ¹⁰Lēkin takdīr kō taṣhwīr mē̃ lānē vālī her|har ātmā bhinn-bhinn hōnē K|kē kāraṇ jō taṣhwīr banāī hai usmē̃ number-vār dikhāī dē rahē haĩ . ¹¹Kōī bhī taṣhwīr key|kī viśhēṣhtā nayan aur muskarāhaṭ hōtī hai .

²All are fortunate, but the splendour of each individual portrait of fortune is unique.

¹²In dō viśhēṣhatāō̃ sē hī taṣhwīr kā mūlya hōtā hai . ¹³Tō yahā̃ bhī takdīr K|kē taṣhwīr key|kī yahī dō viśhēṣhatāyē̃ haĩ . ¹⁴Nayan arthāt rūhānī viśv-kalyāṇī , rahm dil , par-upkārī dr̥iṣhṭi . ¹⁵Agar dr̥iṣhṭi mē̃ yah viśhēṣhatāyē̃ hai tō bhāgya key|kī taṣhwīr śhrēṣhṭh hai .

³Some portraits are worth millions while others are ordinary.

¹⁶Mūl bāt hai dr̥iṣhṭi aur muskarāhaṭ , chēhrē key|kī chamak . ¹⁷Yah hai sadā santuṣhṭ rahnē key|kī - santuṣhṭatā aur prasannatā key|kī jhalak . ¹⁸Isī viśhēṣhatāō̃ sē sadā chēhrē par rūhānī chamak ātī hai .

⁴To portray the fortune that BapDada has given you means to apply it in your life practically - it is in this the the difference arises.

¹⁹Rūhānī muskān anubhav hōtī hai . ²⁰Yah dō viśhēṣhatāyē̃ hī taṣhwīr kā mūlya baṛhā dētī haĩ . ²¹Tō āj yahī dēkh rahē thē .

⁵The speciality of any portrait is revealed by the eyes and the smiling expression.

²²Takdīr key|kī taṣhwīr tō sabhī nē banāī hai . ²³Taṣhwīr banānē key|kī kalam bāp nē sabkō dī hai .

⁶The portrait is valued on the basis of these two specialities.

²⁴Vah kalam hai - śhrēṣhṭh smr̥iti , śhrēṣhṭh karmō̃ kā gyān . ²⁵Śhrēṣhṭh karma aur śhrēṣhṭh saṅkalp arthāt smr̥iti . ²⁶Is gyān key|kī kalam dvārā her|har ātmā apnē takdīr key|kī taṣhwīr banā rahī hai , aur banā bhī lī hai . ²⁷Taṣhwīr tō ban gaī hai .

⁷If the eyes express spiritual drishti filled with world benefit, mercy and benevolence - if there is the spiritual smile that comes from constant contentment and cheerfulness - if the face sparkles with these two specialities - then the portrait of fortune is elevated.

²⁸Nain chain bhī ban gayē haĩ . ²⁹Ab last touching hai ‘ sampūrṇtā ’ key|kī . ³⁰Bāp samān bannē key|kī . ³¹Double vidēśhī chitra banānē jyādā pasand kartē haĩ nā .

⁸Everyone has painted their portrait of fortune, using the tools, given by Baba, of elevated consciousness and the knowledge of elevated action.

³²Tō bāpdādā bhī āj sabhī key|kī taṣhwīr dēkh rahē̃ haĩ . ³³Harēk apnī taṣhwīr dēkh saktē haĩ nā ki kahā̃ tak taṣhwīr mūlyavān banī hai . ³⁴Sadā apnī is rūhānī taṣhwīr kō dēkh ismē̃ sampūrṇtā lātē rahō . ³⁵Viśhva key|kī ātmāō̃ sē tō śhrēṣhṭh bhāgyavān kōṭō̃ mē̃ kōī , kōī mē̃ bhī kōī amūlya vā śhrēṣhṭh bhāgyavān tō hō hī .

⁹The portrait has been produced, and the expression has been detailed.

³⁶Lēkin ēk hai śhrēṣhṭh dūsrē haĩ śhrēṣhṭh tē śhrēṣhṭh . ³⁷Tō śhrēṣhṭh banē haĩ vā śhrēṣhṭh tē śhrēṣhṭh banē haĩ  ! ³⁸Yah check karnā hai . ³⁹Samjhā  !

¹⁰Now the last touches are for perfection, to become equal to the Father.

⁴⁰Ab double vidēśhī race karē̃gē nā  ! ⁴¹Āgē number lēnā hai vā āgē vālō̃ kō dēkh khuśh hōnā hai  ! ⁴²Dēkh-dēkh khuśh hōnā bhī āvaśhyak hai , lēkin svayã pīchhē hōkar nahī̃ dēkhō , sāth-sāth hōtē dūsrō̃ kō bhī dēkh harṣhit hō chalō . ⁴³Svayã bhī āgē baṛhō aur pīchhē vālō̃ kō bhī āgē baṛhāō .

¹¹Continually see your portrait, and continue to perfect it.

⁴⁴Isī kō hī kahtē haĩ - ‘ par-upkārī ’ . ⁴⁵Yah par-upkārī bannā iskī viśhēṣhtā hai - svārtha bhāv sē sadā mukt rahnā . ⁴⁶Her|har paristhiti mē̃ , her|har kārya mē̃ her|har sahyōgī saṅgaṭhan mē̃ jitnā niḥsvārth-pan hōgā , utnā hī ‘ par-upkārī ’ hōgā .

¹²It is more elevated than those of the souls of the world - you are more valuable - you have elevated fortune, because you are a handful out of multi-millions.

⁴⁷Svayã sadā bharpūr anubhav karēgā . ⁴⁸Sadā prāpti svarūp key|kī sthiti mē̃ hōgā .

¹³But it is one thing to be elevated, and another to be the most elevated of all.

⁴⁹Tab par-upkārī key|kī last stage anubhav kar aur karā sakē̃gē . ⁵⁰Jaisē brahmā bāp kō dēkhā last samay key|kī sthiti mē̃ ‘ uparām aur par-upkār ’ yah viśhēṣhtā sadā dēkhī . ⁵¹Sva kē prati kuchh bhī svīkār nahī̃ kiyā . ⁵²Na mahimā svīkār key|kī , na vastu svīkār key|kī .

¹⁴Now the double foreigners will race, will they not?

⁵³Na rahnē kā sthān svīkār kiyā . ⁵⁴Sthūl aur sūkṣhma - sadā ‘ pahlē bachchē ’ . ⁵⁵Iskō kahtē haĩ - ‘ par-upkārī ’ . ⁵⁶Yahī sampannatā key|kī sampūrṇtā key|kī niśhānī hai .

¹⁵Are you going to take a number up front, or are you simply going to be happy with seeing others up front.

⁵⁷Samjhā  ! ⁵⁸Muraliyā̃ tō bahut sunī . ⁵⁹Ab murlīdhar ban sadā nāchtē aur nachātē rahnā hai . ⁶⁰Murlī sē - sāmp K|kē viṣh kō bhī samāpt kar lētē haĩ .

¹⁶It is definitely good to be happy seeing that, but do not see others from behind - be alongside them.

⁶¹Tō aisā murlīdhar hō jō kisī kā kitnā bhī kaṛavā svabhāv saṅskār hō - uskō bhī vaśh kar dē arthāt ussē mukt kar nachā dē . ⁶²Harṣhit banā dē . ⁶³Abhī yah result dēkhē̃gē ki kaun-kaun aisē yōgya murlīdhar bantē haĩ . ⁶⁴Murlī sē bhī pyār hai , murlīdhar sē bhī pyār hai lēkin pyār kā sabūt hai - jō murlīdhar key|kī śhubh āśhā hai , her|har bachchē prati vah practical mē̃ dikhānā .

¹⁷Move forward, and encourage those who are behind you to move forward too.

⁶⁵Pyār key|kī niśhānī hai - jō kahā vah karkē dikhānā . ⁶⁶Aisē master murlīdhar hō nā  ! ⁶⁷Bannā hī hai , ab nahī̃ banē̃gē tō kab banē̃gē  ! ⁶⁸Karē̃gē , yah khyāl nahī̃ karō .

¹⁸This is what is meant by benevolence - being constantly liberated from selfish attitudes.

⁶⁹Karnā hī hai . ⁷⁰Har ēk yahī sōñcē ki ham nahī̃ karē̃gē tō kaun karēgā  ! ⁷¹Hamkō karnā hī hai . ⁷²Bannā hī hai .

¹⁹To the extent you are unselfish, you will experience yourself to be full, the embodiment of attainment.

⁷³Kalp key|kī bājī jītnī hī hai . ⁷⁴Pūrē kalp key|kī bāt hai . ⁷⁵Tō first division mē ānā hai , yah dr̥iṛhtā dhāraṇ karnī hai . ⁷⁶Kōī naī bāt kar rahē hō kyā  !

²⁰Then you will experience the final stage of being benevolent, and will enable others to have that experience too.

⁷⁷Kitnā bār key|kī huī bāt kō sirph lakīr kē ūpar lakīr khīñch rahē hō  ! ⁷⁸Drama key|kī lakīr khīñchī huī hai . ⁷⁹Naī lakīr bhī nahī̃ lagā rahē hō , jō sōchō ki patā nahī̃ , sīdhī hōgī vā nahī̃ . ⁸⁰Kalp-kalp key|kī banī huī prālabdh kō sirph banātē hō .

²¹At the end you saw Brahma Baba completely detached and benevolent - he never accepted anything for himself - he never accepted praise, nor any items, nor did he accept a place to live.

⁸¹Kyōṅki karmō̃ K|kē phal kā hisāb hai . ⁸²Bākī naī bāt kyā hai  ! ⁸³Yah tō bahut purānī hai . ⁸⁴Huī paṛī hai .

²²Whether physical or subtle, the children always come first.

⁸⁵Yah hai aṭal niśhchay . ⁸⁶Iskō dr̥iṛhtā kahtē haĩ . ⁸⁷Iskō tapasvī mūrt kahtē haĩ . ⁸⁸Her|har saṅkalp mē̃ dr̥iṛhtā mānā - ‘ tapasyā ’ .

²³This is benevolence, the sign of being complete and perfect.

⁸⁹Achchhā  !

⁹⁰Bāpdādā highest host bhī hai aur golden guest bhī hai . ⁹¹Host bankar bhī miltē haĩ , guest ban kar ātē haĩ . ⁹²Lēkin golden guest hai . ⁹³Camakīlā hai nā .

²⁴Understand?

⁹⁴Guest tō bahut dēkhē - lēkin ‘ golden guest ’ nahī̃ dēkhā . ⁹⁵Jaisē chief guest kō bulātē hō tō vah thanks dētē haĩ . ⁹⁶Tō brahmā bāp nē bhī host ban iśhārē diyē aur guest ban sabkō mubārak dē rahē̃ haĩ . ⁹⁷Jinhōnnē pūrī season mē̃ sēvā key|kī un sabkō ‘ golden guest ’ K|kē rūp mē̃ badhāī dē rahē haĩ .

²⁵You have heard many murlis.

⁹⁸Sabsē pahlī mubārak kiskō  ?

⁹⁹Nimitt dādiyō̃ kō .

¹⁰⁰Bāpdādā , nirvighna sēvā K|kē samāpti key|kī mubārak dē rahē haĩ . ¹⁰¹Madhuban nivāsiyō̃ kō bhī nirvighna harṣhit ban mēhmān nivājī karnē key|kī viśhēṣh mubārak dē rahē haĩ . ¹⁰²Bhagvān bhī mēhmān ban āyā tō bachchē bhī . ¹⁰³Jiskē ghar mē̃ bhagvān mēhmān bankar āvē vah kitnē bhāgyaśhālī haĩ  !

²⁶Now play the murlis and dance and inspire others to dance.

¹⁰⁴Rath kō bhī mubārak haĩ kyōṅki yah part bajānā bhī kōī cum|kam bāt nahī̃ . ¹⁰⁵Itnī śhaktiyō̃ kō , itnā samay pravēśh hōnē par dhārṇā karnā yah bhī viśhēṣh part hai . ¹⁰⁶Lēkin yah samānē key|kī śhakti kā phal hai . ¹⁰⁷Āp sabkō miāl rahā hai .

²⁷You must become such a murli player that you can liberate anyone, no matter how bitter their personality or sanskars, and make them dance and be happy.

¹⁰⁸Tō samānē key|kī śhakti key|kī viśhēṣhtā sē bāpdādā key|kī śhaktiyō̃ kō ‘ samānā ’ yah bhī viśhēṣh part kahō vā guṇ kahō . ¹⁰⁹Tō sabhī sēvādhāriyō̃ mē yah bhī sēvā kā part bajānē vālī nirvighna rahī . ¹¹⁰Iskē liē mubārak hō , aur padmāpadma thanks . ¹¹¹Double vidēśhiyō̃ kō bhī double thanks .

²⁸Now we shall look for this result and see who have become worthy murli players.

¹¹²Kyōṅki double vidēśhiyō̃ nē madhuban key|kī śhōbhā kitnī achchhī kar dī . ¹¹³Brāhmaṇ parivār K|kē śhrr̥iṅgār double vidēśhī hō . ¹¹⁴Brāhmaṇ parivār mē̃ dēśh vālō̃ kē sāth vidēśhī bhī haĩ . ¹¹⁵Tō purūṣhārth key|kī bhī mubārak aur parivār kā śhrr̥iṅgār bannē key|kī bhī mubārak .

²⁹You have love for the murli and the one who plays the murli.

¹¹⁶Madhuban aur parivār kā śhrr̥iṅgār bannē key|kī bhī mubārak . ¹¹⁷Madhuban parivār key|kī viśhēṣh saugāt hō .

³⁰But the proof of love is when the child fulfils the hopes.The sign of love is to reveal it by doing it.

¹¹⁸Isliē double vidēśhiyō̃ kō double mubārak dē rahē haĩ . ¹¹⁹Chāhē kahā̃ bhī haĩ .

³¹You are such master murli players are you not?

¹²⁰Sāmnē tō thōṛē hai lēkin chārō̃ ōr K|kē bhāratvāsī bachchō̃ kō aur double vidēśhī bachchō̃ kō baṛī dil sē mubārak dē rahē haĩ . ¹²¹Har ēk nē bahut achchhā part bajāyā . ¹²²Ab sirph ēk bāt rahī hai - ‘ samān aur sampūrṇtā key|kī ’ . ¹²³Dādiyā̃ bhī achchhī mēhnat kartī .

³²You must become this.

¹²⁴Bāpdādā , dōnō̃ kā part sākār mē̃ bajā rahī̃ haĩ . ¹²⁵Isliē bāpdādā dil sē snēh kē sāth mubārak dētē haĩ . ¹²⁶Sabnē bahut achchhā part bajāyā . ¹²⁷All-round sab sēvādhārī chāhē chhōṭī-sī sādhāraṇ sēvā hai lēkin vah bhī mahān hai .

³³If not now then when?

¹²⁸Har ēk nē apnā bhī jamā kiyā aur puṇya bhī kiyā . ¹²⁹Sabhī dēśh-vidēśh K|kē bachchō̃ K|kē pahuñchnē key|kī bhī viśhēṣhtā , mubārak yōgya hai . ¹³⁰Sab mahārathiyō̃ nē milkar sēvā kā śhrēṣhṭh saṅkalp practical mē̃ lāyā aur lātē hī rahē̃gē . ¹³¹Sēvā mē̃ jō nimitt hai unhō̃ kō bhī taklīph nahī dēnī chāhiē .

³⁴If not you then who?

¹³²Apnē albēlēpan sē kiskō mēhnat nahī̃ karānī chāhiē . ¹³³Apnī vastuō̃ kō sambhālnā yah bhī knowledge hai . ¹³⁴Yād hai nā brahmā bāp kyā kahtē thē  ?

³⁵The lines of drama have already been drawn - you are simply drawing over that which has been drawn numerous times.

¹³⁵Rūmāl khōyā tō kabhī khud kō bhī khō dēgā . ¹³⁶Her|har karma mē̃ śhrēṣhṭh aur saphal rahnā iskō kahtē - ‘ knowledgeful ’ . ¹³⁷Śharīr key|kī bhī knowledge , ātmā key|kī bhī knowledge . ¹³⁸Dōnō̃ knowledge her|har karma mē̃ chāhiē , śharīr K|kē bimārī key|kī bhī knowledge chāhiē .

³⁶You are not even drawing new lines.

¹³⁹Mērā śharīr kis vidhi sē ṭhīk chal saktā hai  ? ¹⁴⁰Aisē nahī̃ - ātmā tō śhaktiśhālī hai , śharīr kaisā bhī hai . ¹⁴¹Śharīr ṭhīk nahī̃ hōgā tō yōg bhī nahī̃ lagēgā . ¹⁴²Phir śharīr apnī taraph khīñchtā hai .

³⁷This is unbreakable faith.

¹⁴³Isliē knowledgeful mē̃ yah sab knowledge ā jātī hai . ¹⁴⁴Achchhā - ’ ’ ¹⁴⁵Kuchh kumāriyō̃ kā samarpaṇ samārōh bāpdādā K|kē sāmnē huā - bāpdādā sabhī viśhēṣh ātmāō̃ kō bahut sundar sajāyē dēkh rahē haĩ . ¹⁴⁶Divya guṇō̃ kā śhrr̥iṅgār kitnā baṛhiyā , sabhī kō śhōbhnik banā rahā hai .

³⁸This is determination.

¹⁴⁷Light kā tāj kitnā sundar chamak rahā hai . ¹⁴⁸Bāpdādā avināśhī śhrr̥iṅgārī huī sūratō̃ kō dēkh rahē̃ haĩ . ¹⁴⁹Bāpdādā kō bachchō̃ kā yah umaṅg-utsāh kā saṅkalp dēkh khuśhī hōtī hai . ¹⁵⁰Bāpdādā nē sabhī kō sadā kē liē pasand kar liyā .

³⁹Such a person is the image of tapasya.

¹⁵¹Āpnē bhī pakkā pasand kar liyā hai nā  ! ¹⁵²Dr̥iṛh saṅkalp kā hathiyālā bandh gayā .

⁴⁰To have determination in every thought is tapasya.

¹⁵³Bāpdādā kē pās harēk K|kē dil K|kē snēh kā saṅkalp sabsē jaldī pahuñchtā hai . ¹⁵⁴Abhī saṅkalp mē̃ bhī yah śhrēṣhṭh bandhan ḍhīlā nahī̃ hōgā . ¹⁵⁵Itnā pakkā bāndhā hai nā  ! ¹⁵⁶Kitnē janmō̃ kā vāydā kiyā  ?

⁴¹Achcha.

¹⁵⁷Yah brahmā bāp kē sāth sadā sambandh mē̃ ānē kā pakkā vāydā hai aur guarantee hai ki sadā bhinn nām , rūp , sambandh mē̃ 21 janm tak tō sāth rahē̃gē hī . ¹⁵⁸Tō kitnī khuśhī hai , hisāb kar saktī hō  ? ¹⁵⁹Iskā hisāb nikālnē vālā kōī nahī̃ nikalā hai . ¹⁶⁰Abhī aisē hī sadā sajē sajāyē rahnā , sadā tājdhārī rahnā aur sadā khuśhī mē̃ hãsatē-gātē rūhānī mauj mē̃ rahnā .

⁴²BapDada is the highest host and the golden guest.

¹⁶¹Āj sabhī nē dr̥iṛh saṅkalp kiyā nā - ki kadam-kadam par rakhnē vālē banē̃gē . ¹⁶²Vah tō sthūl pāṅw kē ūpar pāṅw rakhtī hai lēkin āp sabhī saṅkalp rūpī kadam par kadam rakhnē vālē  ! ¹⁶³Jō bāp kā saṅkalp vah bachchō̃ kā saṅkalp - aisā saṅkalp kiyā  ? ¹⁶⁴Ēk kadam bhī bāp K|kē kadam K|kē sivāē yahā̃ vahā̃ kā na hō .

⁴³They meet you as host and come as guest.

¹⁶⁵Her|har saṅkalp samarth karnā arthāt bāp K|kē samān kadam kē pīchhē kadam rakhnā . ¹⁶⁶Achchhā  ! ¹⁶⁷Vidēśhī bhāī-bahanō̃ sē - jaisē vimān mē̃ uṛtē-uṛtē āyē aisē buddhi rūpī vimān bhī itnā hī fast uṛtā rahtā hai nā  ? ¹⁶⁸Kyōṅki vah vimān circumstance K|kē kāraṇ nahī̃ bhī milē lēkin buddhi rūpī vimān sadā sāth hai aur sadā śhaktiśhālī hai tō second mē̃ jahā̃ chāhē̃ vahā̃ pahuch jāē̃ .

⁴⁴How fortunate are the ones in whose home God comes as guest!

¹⁶⁹Tō is vimān K|kē mālik hō nā . ¹⁷⁰Sadā yah buddhi kā vimān ever ready hō arthāt sadā buddhi key|kī line clear hō . ¹⁷¹Buddhi sadā hī bāp kē sāth śhaktiśhālī hō tō jab chāhē̃gē tab second mē̃ pahũch jāyēṅgē . ¹⁷²Jiskā buddhi kā vimān pahuñchtā hai uskā vah bhī vimān chaltā hai .

⁴⁵Congratulations to all those who have served through the entire season.

¹⁷³Buddhi kā vimān ṭhīk nahī̃ tō vah vimān bhī nahī̃ chaltā . ¹⁷⁴Achchhā  ! ¹⁷⁵Party sē

⁴⁶Congratulations to the chariot, as well - it is no small thing to be playing this role.

¹⁷⁶1 . sadā apnē kō rājyōgī śhrēṣhṭh ātmāyē̃ anubhav kartē hō  ? ¹⁷⁷Rājyōgī arthāt sarv-karm-indriyō̃ K|kē rājā .

⁴⁷This is a special role in which all the power that has been entering for so long has to be imbibed.

¹⁷⁸Rājā ban karm-indriyō̃ kō chalānē vālē , na ki karm-indriyō̃ K|kē vaśh chalnē vālē . ¹⁷⁹Jō karm-indriyō̃ K|kē vaśh chalnē vālē haĩ unkō prajāyōgī kahē̃gē , rājyōgī nahī̃ . ¹⁸⁰Jab gyān mil gayā ki yah karm-indriyā̃ mērē karmchārī haĩ , maĩ mālik hū̃ , tō mālik kabhī sēvādhāriyō̃ K|kē vaśh nahī̃ hō saktā . ¹⁸¹Kitnā bhī kōī prayatna karē lēkin rājyōgī ātmāyē̃ sadā śhrēṣhṭh rahē̃gī .

⁴⁸The fruit of this power to merge is being received by all of you.

¹⁸²Sadā rājya karnē K|kē saṅskār abhī rājyōgī jīvan mē̃ bharnē haĩ . ¹⁸³Kuchh bhī hō jāē - yah title apnā sadā yād rakhnā ki - ‘ maĩ rājyōgī hū̃ ’ . ¹⁸⁴Sarvśhaktivān kā bal hai , bharōsā hai tō saphaltā adhikār rūp mē̃ mil jātā hai . ¹⁸⁵Adhikār sahaj prāpt hōtā hai , muśhkil nahī̃ hōtā .

⁴⁹Double thanks to the double foreigners, the decoration of the Brahmin family.

¹⁸⁶Sarv śhaktiyō̃ K|kē ādhār sē her|har kārya saphal huā hī paṛā hai . ¹⁸⁷Sadā phakhur rahē ki maĩ diltakhtanaśhīn ātmā hū̃ . ¹⁸⁸Yah phakhur anēk phikarō̃ sē pār kar dētā hai .

⁵⁰Congratulations to all the Bharatwassi children and the double foreign children everywhere, the deepest heart-felt congratulations.

¹⁸⁹Phakhur nahī̃ tō phikar hī phikar hai . ¹⁹⁰Tō sadā phakhur mē̃ rah vardānī ban vardān bāṇṭtē chalō . ¹⁹¹Svayã sampann ban aurō̃ kō sampann banānā hai . ¹⁹²Aurō̃ kō banānā arthāt svarg K|kē seat kā certificate dētē hō .

⁵¹Each one has played a very good part.

¹⁹³Kāgaj kā certificate nahī̃ , adhikār kā  ! ¹⁹⁴2 . her|har kadam mē̃ padmō̃ key|kī kamāī jamā karnē vālē , akhuṭ khazānē K|kē mālik ban gayē . ¹⁹⁵Aisē khuśhī kā anubhav kartē hō  !

⁵²All the maharathis have come together with an elevated thought for service, and have brought it into practice, and will continue to do so.

¹⁹⁶Kyōṅki ājkal kī duniyā hai hī - ‘ dhōkhēbāj ’ . ¹⁹⁷Dhōkhēbāj duniyā sē kinārā kar liyā .

⁵³Those who are instrumental for service should not be presented with problems.

¹⁹⁸Dhōkhē vālī duniyā sē lagāv tō nahī̃  ! ¹⁹⁹Sēvā arth|earth connection dusarī bāt hai lēkin man kā lagāv nahī̃ hōnā chāhiē . ²⁰⁰Tō sadā apnē kō tuchchh nahī̃ , sādhāraṇ nahī̃ lēkin śhrēṣhṭh ātmā haĩ , sadā bāp K|kē pyārē haĩ , is naśhē mē̃ rahō . ²⁰¹Jaisā bāp vaisē bachchā - kadam par kadam rakhtē arthāt follow kartē chalō tō bāp samān ban jāyēṅgē .

⁵⁴Another should not be made to work harder because of your own carelessness.

²⁰²Samān bannā arthāt sampann bannā . ²⁰³Brāhmaṇ jīvan kā yahī tō kārya hai . ²⁰⁴3 . sadā apnē kō bāp K|kē rūhānī bagīchē K|kē rūhānī gulāb samajhtē hō  ! ²⁰⁵Sabsē khuśhbū vālā puṣhp ‘ gulāb ’ hōtā hai .

⁵⁵The knowledgeable ones will look after their own things - you remember what Brahma Baba used to say: “if you lose your handkerchief, you will also lose yourself one day”.

²⁰⁶Gulāb kā jal kitnē kāryō̃ mē̃ lagātē haĩ , ‘ raṅg-rūp ’ mē̃ bhī gulāb sarv priya hai . ²⁰⁷Tō āp sabhī rūhānī gulāb hō . ²⁰⁸Āpkī rūhānī khuśhbū aurō̃ kō bhī svataḥ hī ākarṣhaṇ kartī hai . ²⁰⁹Kahā̃ bhī kōī khuśhbū key|kī chīz hōtī hai tō sabkā attention svataḥ hī jātā hai tō āp rūhānī gulābō̃ key|kī khuśhbū viśhva kō ākarṣhit karnē vālī hai , kyōṅki viśhva kō is rūhānī khuśhbū key|kī āvaśhyaktā hai .

⁵⁶The one full of knowledge will be elevated and successful in each action.

²¹⁰Isliē sadā smr̥iti mē̃ rahē ki - ’ maĩ avināśhī bagīchē kā avināśhī gulāb hū̃ . ²¹¹’ kabhī murjhānē vālā nahī̃ . ²¹²Sadā khilā huā .

⁵⁷Both knowledge of the body and knowledge of the soul are required for every action.

²¹³Aisē khilē huē rūhānī gulāb sadā sēvā mē̃ svataḥ hī nimitt ban jātē haĩ . ²¹⁴Yād kī , śhaktiyō̃ key|kī , guṇō̃ key|kī yah sab khuśhbū sabkō dētē rahō . ²¹⁵Svayã bāp nē ākar āp phūlō̃ kō taiyār kiyā hai tō kitnē sikīladhē hō  ! ²¹⁶4 . sadā apnē kō double light anubhav kartē hō  ?

⁵⁸You need knowledge for bodily health - to keep the body functioning properly.

²¹⁷Jō double light rahtā hai vah sadā uṛtī kalā kā anubhav kartā hai . ²¹⁸Kyōṅki jō halkā hōtā hai vah sadā ū̃chā uṛtā hai , bōjh vālā nīchē jātā hai . ²¹⁹Tō double light ātmāyē̃ arthāt sarv bōjh sē nyārē ban gayē . ²²⁰Bāp kā bannē sē 63 janmō̃ kā bōjh samāpt hō gayā .

⁵⁹It should not be that the the soul is powerful and the body is neglected.

²²¹Sirph apnē purānē saṅkalp vā vyarth saṅkalp kā bōjh na hō . ²²²Kyōṅki kōī bhī bōjh hōgā tō ūñchī sthiti mē̃ uṛnē nahī̃ dēgā . ²²³Tō double light arthāt ātmik svarūp mē̃ sthit hōnē sē halkā-pan svataḥ hō jātā hai . ²²⁴Aisē double light kō hī ‘ phariśhtā ’ kahā jātā hai .

⁶⁰If the body is not well then there cannot be yoga because the body will draw attention to itself.

²²⁵Phariśhtā kabhī kisī bhī bandhan mē̃ nahī̃ bandhtā . ²²⁶Tō kōī bhī bãdhan tō nahī̃ hai  ! ²²⁷Man kā bhī bandhan nahī̃ . ²²⁸Jab bāp sē sarvśhaktiyā̃ mil gaī tō sarv śhaktiyō̃ sē nirbandhan bannā sahaj hai .

⁶¹So all knowledge must be included.

²²⁹Phariśhtā kabhī bhī is purānī duniyā K|kē , purānī dēh K|kē ākarṣhaṇ mē̃ nahī̃ ātā . ²³⁰Kyōṅki hai hī double light . ²³¹Tō sadā ūñchī sthiti mē̃ rahnē vālē . ²³²Uṛtī kalā mē̃ jānē vālē ‘ phariśhtē ’ haĩ , yahī smr̥iti apnē liē vardān samajh , samarth bantē rahnā .

⁶²Achcha.

²³³Achchhā – ōmśhānti

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