सोमवार 14 सितंबर 2020 की दैनिक मुरली

⁰14-09-2020 praatahmurli om shanti "baapdaada"' madhuban

⁰ 14/09/20 Morning Murli Om Shanti BapDada Madhuban

¹''meethe bachche - tum abhi sachchi-sachchi paathshaala mein baithe ho, yeh satsang bhi hai, yahaan tumhein sat baap ka sang mila hai, jo paar laga deta hai''

¹Essence: Sweet children, you are now sitting in the true pathshala (place of study). ²This is also a true satsang (Company of the Truth). ³Here, you receive the company of the true Father and it is this that takes you across.

²prashn:- hisaab-kitaab ke khel mein manushyon ki samajh aur tumhaari samajh mein kaun sa antar hai?

⁴Question: What is the difference between the understanding you have and the understanding other people have regarding karmic accounts?

³uttar:- manushya samajhte hain - yeh jo duhkh-sukh ka khel chalta hai, yeh duhkh-sukh sab paramatma hi dete hain aur tum bachche samajhte ho ki yeh har ek ke karmon ke hisaab ka khel hai।

⁵Answer: People believe that, in this play of happiness and sorrow, it is God who gives both happiness and sorrow, whereas you children know that this is a play about each one’s karmic accounts. ⁶The Father never causes sorrow for anyone.

⁴baap kisi ko bhi duhkh nahin dete। ⁵woh to aate hi hain sukh ka raasta bataane।

⁷In fact, He comes to show you the path to happiness.

⁶baba kehte hain - bachche, mainne kisi ko bhi duhkhi nahin kiya hai।

⁸Baba says: Children, I have never made anyone unhappy.

⁷yeh to tumhaare hi karmon ka phal hai।

⁹That unhappiness is the fruit of your own actions.

⁸geet:- is paap ki duniya se…

¹⁰Song: Take us away from this world of sin to a place of rest and comfort.

⁹om shanti।

¹¹Om shanti.

¹⁰meethe-meethe roohaani bachchon ne geet suna।

¹²You sweetest, spiritual children heard the song.

¹¹kisko pukaarte hain?

¹³To whom were they calling out?

¹²baap ko।

¹⁴To the Father.

¹³baba aakar is paap ki kaliyugi duniya se satayugi punya ki duniya mein le chalo।

¹⁵Baba, come and take us away from this iron-aged world of sin to the golden-aged world of charity.

¹⁴abhi jeev aatmaayen sab kaliyugi hain।

¹⁶All human souls are now iron aged.

¹⁵unhon ki buddhi oopar jaati hai।

¹⁷Their intellects go upwards.

¹⁶baap kehte hain main jo hoon, jaisa hoon, aisa koi nahin jaante hain।

¹⁸The Father says: No one knows Me as I am or what I am.

¹⁷rishi-muni aadi bhi kehte hain ham rachayita maalik arthaat behad ke baap aur unki behad ki rachna ke aadi-madhya-ant ko nahin jaante hain।

¹⁹Rishis and munis too have been saying: We do not know the Creator, the Master, the unlimited Father, or the beginning, middle or end of His unlimited creation.

¹⁸aatmaayen jahaan rehti hain woh hai brahm mahtatva, jahaan soorya chaand nahin hote hain।

²⁰The place where souls reside is the element of brahm, the element of light, where neither the sun nor the moon exists.

¹⁹na mool vatan, na sookshm vatan mein। ²⁰baaki is maandave mein to bijliyaan aadi sab chaahiye na।

²¹They neither exist in the incorporeal region nor in the subtle region. ²²However, there does have to be light etc. for this stage.

²¹to is maandave ko bijli milti hai-raat ko chaand sitaare, din mein soorya।

²³Therefore, this stage receives light from the moon and stars at night and from the sun during the day.

²²yeh hain battiyaan।

²⁴These are the lights.

²³in battiyon ke hote hue bhi andhiyaara kaha jaata hai।

²⁵Although these lights do exist, there is still said to be darkness.

²⁴raat ko to phir bhi batti jalaani padti hai।

²⁶At night, you still have to switch on a light.

²⁵satayug treta ko kaha jaata hai din aur bhakti maarga ko kaha jaata hai raat।

²⁷The golden and silver ages are called the day and the path of devotion is called the night.

²⁶yeh bhi samajh ki baat hai।

²⁸This is a matter of understanding.

²⁷nai duniya so phir puraani zaroor banengi।

²⁹The new world will then definitely become old.

²⁸phir nai hogi to puraani ka zaroor vinaash hoga।

³⁰That will then become new again and the old one will definitely be destroyed.

²⁹yeh hai behad ki duniya।

³¹This is the unlimited world.

³⁰makaan bhi koi bahut bade-bade hote hain raajaaon aadi ke।

³²Some of the homes of the kings etc. are very large. ³³This home is unlimited.

³¹yeh hai behad ka ghar, maandava athva stage, inko karmakshetra bhi kaha jaata hai।

³⁴This is the stage. ³⁵This stage can also be called the field of action.

³²karma to zaroor karna hota hai।

³⁶You definitely have to perform actions.

³³sab manushyon ke liye yeh karmakshetra hai।

³⁷This is the field of action for all human beings.

³⁴sabko karma karna hi hai, part bajaana hi hai।

³⁸Everyone has to perform actions. ³⁹Everyone has to play his part.

³⁵part har ek aatma ko pahle se mila hua hai।

⁴⁰Every soul has received a part in advance.

³⁶tumhaare mein bhi koi hain jo in baaton ko achhi reeti se samajh sakte hain।

⁴¹There are also some among you who are able to understand these things very well.

³⁷vaastav mein yeh geeta paathshaala hai।

⁴²In fact, this is a Gita Pathshala.

³⁸paathshaala mein kabhi boodhe aadi padhte hain kya?

⁴³Do old people etc. ever study in a pathshala?

³⁹yahaan to boodhe, javaan aadi sab padhte hain।

⁴⁴Here, everyone studies - young and old etc.

⁴⁰vedon ki paathshaala nahin kahenge। ⁴¹vahaan koi bhi em object hoti nahin hai।

⁴⁵This isn’t called a Vedas Pathshala; there is no aim or objective there.

⁴²ham itne ved-shaastra aadi padhte hain, inse kya banenge - woh jaante nahin।

⁴⁶They study the Vedas and scriptures etc. so much, but they don’t know what they will become by doing that.

⁴³koi bhi jo satsang hain, em object kuchh nahin hai।

⁴⁷None of those satsangs have any aim or objective.

⁴⁴ab to unko satsang kahne se lajja aati hai।

⁴⁸One is embarrassed now even to call that a satsang (Company of the Truth).

⁴⁵sat to ek baap hi hai, jiske liye kaha jaata hai sang taare.... kusang bore.....।

⁴⁹Only the one Father is the Truth, and it is of Him that it is said: Good company takes you across and bad company drowns you.

⁴⁶kusang kaliyugi manushyon ka। ⁴⁷sat ka sang to ek hi hai। ⁴⁸abhi tumko wonder lagta hai।

⁵⁰Bad company is the company of iron-aged human beings and only the company of the One is the company of the Truth.

⁴⁹saare srishti ke aadi-madhya-ant ka gyaan kaise baap dete hain, tumko to khushi honi chaahiye।

⁵¹You are now amazed at how the Father gives you the knowledge of the beginning, the middle and the end of the whole world.

⁵⁰tum sachchi-sachchi paathshaala mein baithe ho।

⁵²You should have the happiness of knowing that you are sitting in the true pathshala.

⁵¹baaki sab hain jhoothi paathshaalaayen, un satsangon aadi se kuchh bhi bankar nikalte nahin।

⁵³All other pathshalas are false. ⁵⁴No one becomes someone special by going to those satsangs etc.

⁵²school-college aadi se phir bhi kuchh bankar nikalte hain kyonki padhte hain। ⁵³baaki kahaan bhi padhaai nahin hai।

⁵⁵At least, by going to a school or college they can become something because they study; there is no study anywhere else.

⁵⁴satsang ko padhaai nahin kahenge।

⁵⁶A satsang is not called a study.

⁵⁵shaastra aadi to padhkar phir dukaan khol baithte hain, paisa kamaate hain।

⁵⁷People study the scriptures and then open shops; they earn money in that way.

⁵⁶granth thoda seekhkar, guroodvaara khol baith jaate hain।

⁵⁸They study the Granth a little and open up a gurudwara (Sikh temple, doorway to the Guru).

⁵⁷guroodvaare bhi kitne kholte hain।

⁵⁹So many gurudwaras have been opened.

⁵⁸guru ka dvaar arthaat ghar kahenge na।

⁶⁰The dwara (doorway) of the Guru would be the home, would it not?

⁵⁹phaatak khulta hai, vahaan jaakar shaastra aadi padhte hain।

⁶¹When they open the doors of big gurudwaras, people go and study the scriptures there.

⁶⁰tumhaara guroodvaara hai - mukti aur jeevanmukti dhaam, satguru dvaar।

⁶²Your gurudwara, the doorway to the Satguru, is to the land of liberation and the land of liberation-in-life.

⁶¹satguru ka naam kya hai?

⁶³What is the name of the Satguru?

⁶²akaal moorta।

⁶⁴The Immortal Image.

⁶³satguru ko akaal moorta kehte hain, woh aakar mukti-jeevanmukti ka dvaar kholte hain।

⁶⁵The Satguru is called the Immortal Image. ⁶⁶He comes and opens the gates to liberation and liberation-in-life.

⁶⁴akaal-moorta hain na।

⁶⁷He is the Immortal Image, is He not?

⁶⁵jisko kaal bhi kha nahin sakta।

⁶⁸Death cannot come to Him.

⁶⁶aatma hai hi bindi, unko kaal kaise khaayega।

⁶⁹A soul is just a point. ⁷⁰How could a soul experience death?

⁶⁷woh aatma to shareer chhodkar bhaag jaati hai।

⁷¹That soul would leave his body and run off.

⁶⁸manushya samajhte thode hi hain ki ek puraana shareer chhod phir jaae doosra legi phir ismen rone ki kya darkaar hai।

⁷²People don’t understand that a soul leaves his old body and takes a new one. ⁷³So, what is there to cry about?

⁶⁹yeh tum jaante ho-drama anaadi bana hua hai। ⁷⁰har ek ko part bajaana hi hai।

⁷⁴You know that this drama is created eternally.Everyone has to play his own part.

⁷¹baap ne samjhaaya hai - satayug mein hain nashtomoha।

⁷⁵The Father has explained that those in the golden age had conquered attachment.

⁷²mohjeet ki bhi kahaani hai na।

⁷⁶There is the story of the king who conquered attachment.

⁷³pandit log sunaate hain, maataayen bhi sun-sun kar phir granth rakh baith jaati hain - sunaane ke liye।

⁷⁷Pundits relate the scriptures, and mothers, having listened to the Granth, start to relate it themselves.

⁷⁴bahut manushya jaakar sunte hain।

⁷⁸Many people go there and listen to it.

⁷⁵unko kaha jaata hai kanras।

⁷⁹That is called pleasing the ears.

⁷⁶drama plan anusaar manushya to kahenge hamaara dosh kya hai।

⁸⁰According to the dramaplan, people ask: “Why should I be blamed?”

⁷⁷baap kehte hain tum hamko bulaate ho ki duhkh ki duniya se le jaao।

⁸¹The Father says: You called out to Me to come and take you away from the world of sorrow.

⁷⁸ab main aaya hoon to mera sunna chaahiye na।

⁸²I have now come. ⁸³Therefore, you should listen to Me, should you not?

⁷⁹baap bachchon ko baith samjhaate hain, achhi mat milti hai to woh leni chaahiye na।

⁸⁴The Father sits here and explains to you children. ⁸⁵When you receive good directions, you should take them, should you not?

⁸⁰tumhaara bhi koi dosh nahin hai।

⁸⁶You are not to be blamed.

⁸¹yeh bhi drama tha।

⁸⁷That too is in the drama.

⁸²raam raajya, raavan raajya ka khel bana hua hai।

⁸⁸The play about Rama’s kingdom and Ravan’s kingdom is created.

⁸³khel mein koi haar jaate hain to unka dosh thode hi hai।

⁸⁹In a play, some are defeated, but they can’t be blamed; there is victory and defeat.

⁸⁴jeet aur haar hoti hai, ismen ladaai ki baat nahin।

⁹⁰There is no question of a battle in this.

⁸⁵tumko baadshaahi thi।

⁹¹You had that kingdom.

⁸⁶yeh bhi aage tumko maaloom nahin tha, abhi tum samajhte ho jo serviceable hain, jiska naam baala hai।

⁹²Previously, you didn’t know this. ⁹³You now know the ones who are serviceable and whose names are well known.

⁸⁷dehli mein sabse naameegraami samjhaane vaala kaun hai?

⁹⁴Who is the most well-known one in Delhi who explains this knowledge?

⁸⁸to jhat naam lenge jagdeesh ka।

⁹⁵They instantly mention the name of Brother Jagdish.

⁸⁹tumhaare liye magazine bhi nikaalte hain।

⁹⁶He also has a magazine printed for you.

⁹⁰usmein sab kuchh aa jaata hai।

⁹⁷Everything is included in that.

⁹¹anek prakaar ki points likhte hain, brijmohan bhi likhte hain।

⁹⁸Many different points are written in that. ⁹⁹Brother Brijmohan also writes such points.

⁹²likhna koi maasi ka ghar thode hi hai।

¹⁰⁰To write these points is not like going to your aunty’s home!

⁹³zaroor vichaar saagar manthan karte hain, achhi service karte hain।

¹⁰¹Therefore, they must definitely churn the ocean of knowledge. ¹⁰²The service they do is very good.

⁹⁴kitne log padhkar khush hote hain।

¹⁰³So many become very happy when they read it.

⁹⁵bachchon ko bhi refreshment milti hai।

¹⁰⁴Children receive refreshment.

⁹⁶koi koi pradarshani mein bahut maatha maarte hain, koi-koi karmabandhan mein phanse hue hain, isliye itna utha nahin sakte hain।

¹⁰⁵Some beat their heads a great deal at the exhibitions. ¹⁰⁶Others are trapped in their karmic bondages. ¹⁰⁷This is why they are unable to take that much knowledge.

⁹⁷yeh bhi kahenge drama, ablaaon par bhi atyaachaar hone ka drama mein part hai।

¹⁰⁸This too is called the drama. ¹⁰⁹It is also part of the drama for innocent ones to be beaten.

⁹⁸aisa part kyon bajaaya, yeh prashn hi nahin uthta। ⁹⁹yeh to anaadi bana banaaya drama hai।

¹¹⁰The question of why there is such a part doesn’t arise: it is predestined in the drama.

¹⁰⁰unko kuchh kar thode hi sakte hain।

¹¹¹You cannot do anything about it.

¹⁰¹koi kehte hain hamne gunaah kya kiya jo aisa part rakha hai।

¹¹²Some ask: What crime have I committed that such a part has been created for me?

¹⁰²ab gunaah ki to baat nahin।

¹¹³There is no question of a crime.

¹⁰³yeh to part hai।

¹¹⁴It is just partof it.

¹⁰⁴ablaayen koi to nimitta banengi, jin par sitam honge।

¹¹⁵Some innocent ones will be instruments to be assaulted.

¹⁰⁵aise to phir sab kahenge hamko yeh part kyon?

¹¹⁶In that case, they would all say: Why have I been given this part?

¹⁰⁶nahin, yeh bana-banaaya drama hai।

¹¹⁷No! ¹¹⁸This drama is predestined.

¹⁰⁷purooshon par bhi atyaachaar hote hain।

¹¹⁹Even some men are assaulted.

¹⁰⁸in baaton mein sahansheelta kitni rakhni padti hai।

¹²⁰You have to be very tolerant of those things.

¹⁰⁹bahut sahansheelta chaahiye।

¹²¹You need a lot of tolerance.

¹¹⁰maaya ke vighna to bahut padenge।

¹²²Many obstacles of Maya will come.

¹¹¹vishwa ki baadshaahi lete ho to kuchh mehnat karni pade।

¹²³Since you are claiming sovereignty over the world, you do have to make some effort.

¹¹²drama mein aapdaayen, khitpit aadi kitni hai।

¹²⁴There are so many calamities and conflicts etc. in the drama.

¹¹³ablaaon par atyaachaar likha hua hai।

¹²⁵"Assaults on innocent ones" has been written about.

¹¹⁴rakta ki nadiyaan bhi bahengi।

¹²⁶Rivers of blood will flow too.

¹¹⁵kahaan bhi safety nahin rahegi।

¹²⁷There won't be safety anywhere.

¹¹⁶abhi to subah ko class aadi mein jaate ho, centres par।

¹²⁸You are now able to go to the centres for morning class.

¹¹⁷woh bhi samay aayega jo tum baahar nikal bhi nahin sakenge।

¹²⁹The time will come when you won't even be able to go out.

¹¹⁸din-pratidin jamaana bigadta jaata hai aur bigadna hai।

¹³⁰Day by day, the times are worsening and they have to become even worse.

¹¹⁹duhkh ke din bahut zor se aayenge।

¹³¹Days of sorrow will come with great force.

¹²⁰beemaari aadi mein duhkh hota hai to phir bhagwan ko yaad karte, pukaarte hain।

¹³²When someone has an illness and suffers pain, he remembers God and calls out to Him.

¹²¹abhi tumko maaloom hai baaki thode din hain। ¹²²phir ham apne shantidham, sukhdhaam zaroor jaayenge।

¹³³You know that only a few more days now remain, and that we will then definitely go to our land of peace and then to our land of happiness.

¹²³duniya ko to yeh bhi pata nahin hai।

¹³⁴No one in the world even knows this.

¹²⁴abhi tum bachche feel karte ho na।

¹³⁵You children feel that you now know the Father fully.

¹²⁵abhi baap ko poori reeti jaan gaye hain।

¹³⁶All of them think that God is an oval shape.

¹²⁶woh sab to samajhte hain paramatma ling hai।

¹³⁷They even worship that oval shape (Shiva lingam).

¹²⁷shivling ki pooja bhi karte hain। ¹²⁸tum shiv ke mandir mein jaate the, kabhi yeh khyaal kiya ki shivling kya cheez hai? ¹²⁹zaroor yeh jad hai to chaitanya bhi hoga!

¹³⁸When you used to go to the temple of Shiva, did you ever wonder what the Shiva lingam was? ¹³⁹Since that non-living image exists, there must be a living being whom it represents.

¹³⁰yeh tab kya hai?

¹⁴⁰What is all of that?

¹³¹bhagwan to rachta hai oopar mein।

¹⁴¹God, the Creator, is up above.

¹³²unki nishaani hai sirf pooja ke liye।

¹⁴²That image is a symbol of Him and is used to worship Him.

¹³³poojya honge to phir yeh cheezen nahin hongi।

¹⁴³When those who are worthy of worship exist, these things do not exist.

¹³⁴shiv kaashi ke mandir mein jaate hain, kisko pata thode hi hai bhagwan niraakaar hai। ¹³⁵ham bhi unke bachche hain।

¹⁴⁴The people who go to the Shiva temple at Kashi are unaware that God is incorporeal and that they are His children.

¹³⁶baap ke bachche hokar phir ham duhkhi kyon hain?

¹⁴⁵We are His children, so why do we experience sorrow?

¹³⁷vichaar karne ki baat hai na।

¹⁴⁶This is something to think about.

¹³⁸aatma kehti hai ham paramatma ki santaan hain phir ham duhkhi kyon hain?

¹⁴⁷The soul says: I am a child of God. ¹⁴⁸So, why am I unhappy?

¹³⁹baap to hai hi sukh dene vaala।

¹⁴⁹The Father is the Bestower of Happiness.

¹⁴⁰bulaate bhi hain - he bhagwan, hamaare duhkh mitaao।

¹⁵⁰You called out: O God, remove our sorrow!

¹⁴¹woh kaise mitaaye?

¹⁵¹How can He remove that?

¹⁴²duhkh-sukh yeh to apne karmon ka hisaab hai।

¹⁵²Happiness and sorrow are the accounts of your own karma.

¹⁴³manushya samajhte hain sukh ka evja sukh, duhkh ka evja duhkh paramatma hi dete hain।

¹⁵³People believe that God gives happiness as the return of happiness and sorrow as the return of sorrow.

¹⁴⁴un par rakh dete hain, baap kehte hain main kabhi duhkh nahin deta hoon।

¹⁵⁴They attribute everything to Him. ¹⁵⁵The Father says: I never cause sorrow.

¹⁴⁵main to aadha-kalpa ke liye sukh dekar jaata hoon।

¹⁵⁶I return home having granted you happiness for half the cycle.

¹⁴⁶yeh phir sukh aur duhkh ka khel hai।

¹⁵⁷This is a play about happiness and sorrow.

¹⁴⁷sirf sukh ka hi khel hota phir to yeh bhakti aadi kuchh na ho, bhagwan se milne ke liye hi yeh bhakti aadi sab karte hain na।

¹⁵⁸If it were just a play about happiness, there would not be any worshipping etc. ¹⁵⁹People worship etc. in order to meet God.

¹⁴⁸ab baap baith saara samaachaar sunaate hain।

¹⁶⁰The Father sits here and explains everything to you.

¹⁴⁹baap kehte hain tum bachche kitne bhaagyashaali ho।

¹⁶¹He says: You children are so fortunate!

¹⁵⁰un rishi-muniyon aadi ka kitna naam hai।

¹⁶²Those rishis and munis are very famous.

¹⁵¹tum ho raajarishi, woh hain hathayog rishi।

¹⁶³You are Raj Rishis. ¹⁶⁴They are hatha yoga rishis.

¹⁵²rishi arthaat pavitra।

¹⁶⁵Rishi means someone who is pure.

¹⁵³tum svarga ke raaja bante ho to pavitra zaroor banna pade।

¹⁶⁶You are becoming the kings of heaven so you definitely do have to become pure.

¹⁵⁴satayug-treta mein jinka raajya tha unka hi phir hoga। ¹⁵⁵baaki sab peechhe aayenge। ¹⁵⁶tum abhi kehte ho ham shreemat par apna raajya sthaapan kar rahe hain।

¹⁶⁷Whoever the kingdom belonged to in the golden and silver ages, it will belong to them once again and everyone else will come later.

¹⁵⁷puraani duniya ka vinaash hone mein bhi samay to lagega na।

¹⁶⁸You now say: We are establishing our own kingdom by following shrimat.

¹⁵⁸satayug aana hai, kaliyug jaana hai। ¹⁵⁹kitni badi duniya hai।

¹⁶⁹It does take time for the old world to be destroyed.

¹⁶⁰ek-ek shahar manushyon se kitna bhara hua hai।

¹⁷⁰The golden age has to come and the iron age has to go.

¹⁶¹dhanvaan aadmi duniya ka chakra lagaate hain।

¹⁷¹The world is so large. ¹⁷²Every city is full of so many people.

¹⁶²parantu yahaan saari duniya ko koi dekh na sake।

¹⁷³Wealthy people go on world tours.

¹⁶³haan satayug mein dekh sakte hain kyonki satayug mein hai hi ek raajya, itne thode raajaayen honge, yahaan to dekho kitni badi duniya hai।

¹⁷⁴However, here, no one can see the whole world. ¹⁷⁵Yes, they can see it in the golden age because there is just the one kingdom and very few kings.

¹⁶⁴itni badi duniya ka chakra kaun lagaaye।

¹⁷⁶Here, the world is so large. ¹⁷⁷Who would tour the whole world?

¹⁶⁵vahaan tumko samudra mein jaane ka nahin hai।

¹⁷⁸There, you won't even have to travel by sea.

¹⁶⁶vahaan Ceylon, barma aadi honge?

¹⁷⁹Does Ceylon, Burma etc. exist there? ¹⁸⁰Not at all!

¹⁶⁷nahin, kuchh bhi nahin।

¹⁸¹None of those places exist there.

¹⁶⁸yeh karaanchi nahin hogi।

¹⁸²Even Karachi doesn't exist there.

¹⁶⁹tum sab meethi nadiyon ke kinaare par rehte ho।

¹⁸³All of you reside on the banks of the sweet rivers.

¹⁷⁰kheti baadi aadi sab hoti hai, srishti to badi hai।

¹⁸⁴There are many farms and fields etc. ¹⁸⁵The world is large.

¹⁷¹manushya bahut thode rehte hain phir peechhe vriddhi hoti hai।

¹⁸⁶Initially there are very few human beings and then the number of them increases.

¹⁷²phir vahaan jaakar apna raajya sthaapan kiya।

¹⁸⁷Then they go abroad and establish their own kingdoms.

¹⁷³dheere-dheere hap karte gaye। ¹⁷⁴apna raajya sthaapan kar diya।

¹⁸⁸They gradually begin to take over everything and establish their own kingdoms.

¹⁷⁵abhi to sabko chhodna padta hai।

¹⁸⁹Everyone now has to let go of them.

¹⁷⁶ek bhaarat hi hai, jisne kisi ka bhi raajya chheena nahin hai kyonki bhaarat asul mein ahinsak hai na।

¹⁹⁰It is Bharat alone that has never snatched anyone's kingdom away because in reality Bharat is non-violent.

¹⁷⁷bhaarat hi saari duniya ka maalik tha aur sab peechhe aaye hain jo tukde-tukde lete gaye hain।

¹⁹¹It was Bharat alone that was the master of the whole world. ¹⁹²All the others came later and took pieces of land.

¹⁷⁸tumne koi ko hap nahin kiya hai, angrejon ne hap kar liya hai।

¹⁹³You have not taken over anyone. ¹⁹⁴The British took over many countries.

¹⁷⁹tum bhaaratvaasiyon ko to baap vishwa ka maalik banaate hain।

¹⁹⁵The Father is making you people of Bharat into the masters of the world.

¹⁸⁰tum kahaan gaye thode hi ho।

¹⁹⁶You did not go and settle anywhere.

¹⁸¹tum bachchon ki buddhi mein yeh saari baaten hain, boodhi maataayen to itna sab samajh na saken।

¹⁹⁷All of these things are in the intellects of you children. ¹⁹⁸The old mothers cannot understand any of these things.

¹⁸²baap kehte hain achha hai jo tum kuchh bhi padhi nahin ho।

¹⁹⁹The Father says: It is good that you haven’t studied anything.

¹⁸³padha hua sab buddhi se nikaalna padta hai, ek baat sirf dhaaran karni hai - meethe bachche baap ko yaad karo।

²⁰⁰You have to remove from your intellects everything you have studied. ²⁰¹Simply imbibe one thing: Sweet children, remember the Father!

¹⁸⁴tum kehte bhi the na baba aap aayenge to ham vaari jaayenge, kurbaan jaayenge।

²⁰²You used to say: Baba, when You come we will sacrifice ourselves to You.

¹⁸⁵tumhein phir hamaare par kurbaan jaana hai।

²⁰³You then have to sacrifice Yourself to us.

¹⁸⁶len-den hoti hai na।

²⁰⁴There is an exchange.

¹⁸⁷shaadi ke time stri-puroosh ek do ke haath mein namak dete hain।

²⁰⁵At their wedding ceremony, the bride and groom give each other salt.

¹⁸⁸baap ko bhi kehte hain, ham puraana sab kuchh aapko dete hain।

²⁰⁶You tell the Father: I give you everything of mine that is old. ²⁰⁷Everyone has to die.

¹⁸⁹marna to hai, yeh sab khatma hona hai।

²⁰⁸Everything is going to be destroyed.

¹⁹⁰aap hamko phir nai duniya mein dena।

²⁰⁹You will then give us all of that in the new world.

¹⁹¹baap aate hi hain sabko le jaane।

²¹⁰The Father has come to take everyone back home.

¹⁹²kaal hai na।

²¹¹He is the Great Death.

¹⁹³sindha mein kehte the - yeh kaun sa kaal hai jo sabko bhagaakar le jaate hain, tum bachche to khush hote ho। ¹⁹⁴baap aate hi hain le jaane।

²¹²In Sindh, they used to ask: Which Death is this that is taking everyone away? ²¹³You children become very happy because the Father has come to take you back home.

¹⁹⁵ham to khushi se apne ghar jaayenge।

²¹⁴You will return to your home in great happiness.

¹⁹⁶sahan bhi karna padta hai।

²¹⁵There is a lot that has to be tolerated.

¹⁹⁷achhe-achhe bade-bade ghar ki maataayen maaren khaati hain।

²¹⁶Very good mothers from fine homes also experience being beaten. ²¹⁷You are earning a true income.

¹⁹⁸tum sachchi kamaai karte ho।

²¹⁸People don't know anything.

¹⁹⁹manushya thode hi jaante hain, woh hain hi kaliyugi shoodra sampradaay।

²¹⁹They are the iron-aged shudra community whereas you are the confluence-aged community.

²⁰⁰tum ho sangamayugi, purooshottam ban rahe ho।

²²⁰You are becoming the most elevated beings.

²⁰¹jaante ho pahle number mein purooshottam yeh lakshmi-naaraayan hain na।

²²¹You know that the numberone, most elevated beings are Lakshmi and Narayan.

²⁰²phir degree kam hoti jaayegi।

²²²Then their degrees continue to decrease.

²⁰³oopar se neeche aate rahenge। ²⁰⁴phir aahiste-aahiste girte rahenge।

²²³They first come down from up above and then they gradually continue to fall.

²⁰⁵is samay sab gir chuke hain।

²²⁴At this time everyone has fallen.

²⁰⁶jhaad puraana ho chuka hai, tana sad gaya hai।

²²⁵The tree has become very old and the trunk has decayed.

²⁰⁷ab phir sthaapna hoti hai। ²⁰⁸foundation lagta hai na।

²²⁶Therefore, establishment is now taking place; the foundation is being laid.

²⁰⁹kalam kitna chhota hota hai phir unse kitna bada jhaad badh jaata hai।

²²⁷The sapling is very small. ²²⁸Then such a big tree grows from it.

²¹⁰yeh bhi jhaad hai, satayug mein bahut chhota jhaad hota hai।

²²⁹There is this tree in the golden age too. ²³⁰At that time the tree is very small.

²¹¹ab kitna bada jhaad hai।

²³¹Now it is very big.

²¹²variety phool kitne hain, manushya srishti ke। ²¹³ek hi jhaad mein kitni variety hai।

²³²There are so many varieties of flowers of the human world; there are so many varieties on just the one tree.

²¹⁴anek variety dharmon ka jhaad hai manushyon ka।

²³³This is the human tree of the variety of religions.

²¹⁵ek soorat na mile doosre se।

²³⁴One person's face cannot be identical to another’s.

²¹⁶bana-banaaya drama hai na। ²¹⁷ek jaisa part koi ka ho nahin sakta।

²³⁵It is predestined in the drama that no two people can play the same part.

²¹⁸inko kaha jaata hai kudarti bana-banaaya behad ka drama, inmen bhi banaavat bahut hai।

²³⁶It is called the unlimited, predestined, wonderful drama, and there are many artificial things in that too.

²¹⁹jo cheez real hoti hai woh khatma bhi hoti hai।

²³⁷The things that are real continue to be used up.

²²⁰phir 5 hazaar varsha ke baad reality mein aayenge।

²³⁸Then, once again, after 5000 years, they come into reality (existence).

²²¹chitra aadi bhi koi real bane hue thode hi hain।

²³⁹The pictures etc. that have been made are not real (true likenesses).

²²²brahma ki bhi shakla phir 5 hazaar varsha baad tum dekhenge।

²⁴⁰You will see the face of Brahma again after 5000 years.

²²³is drama ke raaz ko samajhne mein buddhi badi vishaal chaahiye।

²⁴¹You need a vast and unlimited intellect in order to understand the secrets of this drama.

²²⁴aur kuchh na samjho sirf ek baat buddhi mein rakho - ek shivbaaba doosra na koi।

²⁴²Even if you don't understand anything else, just keep one thing in your intellect: I belong to only Shiv Baba and none other!

²²⁵yeh aatma ne kaha - baba, ham aapko hi yaad karenge।

²⁴³The soul says: Baba, I will only remember You.

²²⁶yeh to sahaj hai na।

²⁴⁴This is easy, is it not?

²²⁷haathon se karma karte raho aur buddhi se baap ko yaad karte raho।

²⁴⁵While you continue to act with your hands, continue to remember the Father with your intellect.

²²⁸achha!

²⁴⁶Achcha.

²²⁹meethe-meethe sikeeldhe bachchon prati maat-pita baapdaada ka yaad-pyaar aur good morning।

²⁴⁷To the sweetest, beloved, long-lost and now-found children, love, remembrance and Good morning from the Mother, the Father, BapDada.

²³⁰roohaani baap ki roohaani bachchon ko namaste।

²⁴⁸The spiritual Father says namaste to the spiritual children.

²³¹dhaarna ke liye mukhya saar:-

²⁴⁹Essence for dharna:

²³²1) sahansheelta ka gun dhaaran kar maaya ke vighnon mein paas hona hai।

²⁵⁰ 1. Imbibe the virtue of tolerance and pass all the obstacles of Maya.

²³³anek aapdaayen aayengi, atyaachaar honge-aise samay par sahan karte baap ki yaad mein rehna hai, sachchi kamaai karni hai।

²⁵¹At the time when many calamities come and a lot of assaults take place, you have to stay in remembrance of the Father and tolerate everything. ²⁵²Earn a true income.

²³⁴2) vishaal buddhi ban is bane banaaye drama ko achhi reeti samajhna hai, yeh kudarti drama bana hua hai isliye prashn uth nahin sakta।

²⁵³ 2. Become one who has a vast and unlimited intellect and who very clearly understands this predestined drama. ²⁵⁴Everything in this wonderful drama is predestined. ²⁵⁵Therefore, no questions can arise.

²³⁵baap jo achhi mat dete hain, us par chalte rehna hai।

²⁵⁶Continue to follow the directions that the Father gives you.

²³⁶vardaan:- baap samaan vardaani ban har ek ke dil ko aaraam dene vaale master dilaaraam bhav

²⁵⁷Blessing: May you be a master comforter of hearts and give comfort to each one’s heart as a bestower of blessings, like the Father.

²³⁷jo baap samaan vardaani moorta bachche hain woh kabhi kisi ki kamjori ko nahin dekhte, woh sabke oopar merciful hote hain।

²⁵⁸ The children who are embodiments of blessings, bestowers of blessings, like the Father, never look at anyone’s weakness. ²⁵⁹They are merciful towards everyone.

²³⁸jaise baap kisi ki kamjoriyaan dil par nahin rakhte aise vardaani bachche bhi kisi ki kamjori dil mein dhaaran nahin karte, ve harek ki dil ko aaraam dene vaale master dilaaraam hote hain isliye saathi ho ya praja sabhi unka gungaan karte hain।

²⁶⁰Just as the Father never keeps anyone’s weaknesses in His heart, in the same way, the children who are bestowers of blessings never imbibe anyone’s weaknesses. ²⁶¹They are master comforters of hearts who give comfort to each one’s heart, and so, whether they are companions or subjects, everyone sings praise of them.

²³⁹sabhi ke andar se yahi aasheervaad nikalti hai ki yeh hamaare sada snehi, sahayogi hain।

²⁶²The blessings that emerge for them from everyone are: You are always loving and co-operative.

²⁴⁰slogan:- sangamayug par shreshtha aatma woh hai jo sada bephikra baadshaah hai।

²⁶³Slogan: At the confluence age, elevated souls are those who are carefree emperors.

²⁶⁴*** Om Shanti ***