सोमवार 14 सितंबर 2020 की दैनिक मुरली

⁰14-09-2020 prātaḥmurlī ōm śhānti " bāpdādā " ' madhuban

⁰ 14/09/20 Morning Murli Om Shanti BapDada Madhuban

¹' ' mīṭhē bachchē - tum abhī sachchī-sachchī pāṭhśhālā mē̃ baiṭhē hō , yah satsaṅg bhī hai , yahā̃ tumhē̃ sat bāp kā saṅg milā hai , jō pār lagā dētā hai ' '

¹Essence: Sweet children, you are now sitting in the true pathshala (place of study). ²This is also a true satsang (Company of the Truth). ³Here, you receive the company of the true Father and it is this that takes you across.

²Praśhna  : hisāb-kitāb K|kē khēl mē̃ manuṣhyō̃ key|kī samajh aur tumhārī samajh mē̃ kaun sā antar hai  ?

⁴Question: What is the difference between the understanding you have and the understanding other people have regarding karmic accounts?

³Uttar  : manuṣhya samajhtē haĩ - yah jō duḥkh-sukh kā khēl chaltā hai , yah duḥkh-sukh sab paramātmā hī dētē haĩ aur tum bachchē samajhtē hō ki yah har ēk K|kē karmō̃ K|kē hisāb kā khēl hai .

⁵Answer: People believe that, in this play of happiness and sorrow, it is God who gives both happiness and sorrow, whereas you children know that this is a play about each one’s karmic accounts. ⁶The Father never causes sorrow for anyone.

⁴Bāp kisī kō bhī duḥkh nahī̃ dētē . ⁵Vah tō ātē hī haĩ sukh kā rāstā batānē .

⁷In fact, He comes to show you the path to happiness.

⁶Bābā kahtē haĩ - bachchē , mainnē kisī kō bhī duḥkhī nahī̃ kiyā hai .

⁸Baba says: Children, I have never made anyone unhappy.

⁷Yah tō tumhārē hī karmō̃ kā phal hai .

⁹That unhappiness is the fruit of your own actions.

⁸Gīt  : is pāp key|kī duniyā sē …

¹⁰Song: Take us away from this world of sin to a place of rest and comfort.

⁹Ōm śhānti .

¹¹Om shanti.

¹⁰Mīṭhē-mīṭhē rūhānī bachchō̃ nē gīt sunā .

¹²You sweetest, spiritual children heard the song.

¹¹Kiskō pukārtē haĩ  ?

¹³To whom were they calling out?

¹²Bāp kō .

¹⁴To the Father.

¹³Bābā ākar is pāp key|kī kaliyugī duniyā sē satyugī puṇya key|kī duniyā mē̃ lē chalō .

¹⁵Baba, come and take us away from this iron-aged world of sin to the golden-aged world of charity.

¹⁴Abhī jīv ātmāyē̃ sab kaliyugī haĩ .

¹⁶All human souls are now iron aged.

¹⁵Unhō̃ key|kī buddhi ūpar jātī hai .

¹⁷Their intellects go upwards.

¹⁶Bāp kahtē haĩ maĩ jō hū̃ , jaisā hū̃ , aisā kōī nahī̃ jāntē haĩ .

¹⁸The Father says: No one knows Me as I am or what I am.

¹⁷R̥iṣhi-muni ādi bhī kahtē haĩ ham rachayitā mālik arthāt bēhad K|kē bāp aur unkī bēhad key|kī rachnā K|kē ādi-madhy-ant kō nahī̃ jāntē haĩ .

¹⁹Rishis and munis too have been saying: We do not know the Creator, the Master, the unlimited Father, or the beginning, middle or end of His unlimited creation.

¹⁸Ātmāyē̃ jahā̃ rahtī haĩ vah hai brahm mahatatva , jahā̃ sūrya chānd nahī̃ hōtē haĩ .

²⁰The place where souls reside is the element of brahm, the element of light, where neither the sun nor the moon exists.

¹⁹Na mūlvatan , na sūkṣhmavatan mē̃ . ²⁰Bākī is māṇḍavē mē̃ tō bijliyā̃ ādi sab chāhiē nā .

²¹They neither exist in the incorporeal region nor in the subtle region. ²²However, there does have to be light etc. for this stage.

²¹Tō is māṇḍavē kō bijlī miltī hai-rāt kō chānd sitārē , din mē̃ sūrya .

²³Therefore, this stage receives light from the moon and stars at night and from the sun during the day.

²²Yah haĩ battiyā̃ .

²⁴These are the lights.

²³In battiyō̃ K|kē hōtē huē bhī andhiyārā kahā jātā hai .

²⁵Although these lights do exist, there is still said to be darkness.

²⁴Rāt kō tō phir bhī battī jalānī paṛtī hai .

²⁶At night, you still have to switch on a light.

²⁵Satyug trētā kō kahā jātā hai din aur bhakti mārg kō kahā jātā hai rāt .

²⁷The golden and silver ages are called the day and the path of devotion is called the night.

²⁶Yah bhī samajh key|kī bāt hai .

²⁸This is a matter of understanding.

²⁷Naī duniyā sō phir purānī jarūr banē̃gī .

²⁹The new world will then definitely become old.

²⁸Phir naī hōgī tō purānī kā jarūr vināśh hōgā .

³⁰That will then become new again and the old one will definitely be destroyed.

²⁹Yah hai bēhad key|kī duniyā .

³¹This is the unlimited world.

³⁰Makān bhī kōī bahut baṛē-baṛē hōtē haĩ rājāō̃ ādi K|kē .

³²Some of the homes of the kings etc. are very large. ³³This home is unlimited.

³¹Yah hai bēhad kā ghar , māṇḍavā athavā stage , inkō karmakṣhētra bhī kahā jātā hai .

³⁴This is the stage. ³⁵This stage can also be called the field of action.

³²Karma tō jarūr karnā hōtā hai .

³⁶You definitely have to perform actions.

³³Sab manuṣhyō̃ kē liē yah karmakṣhētra hai .

³⁷This is the field of action for all human beings.

³⁴Sabkō karma karnā hī hai , part bajānā hī hai .

³⁸Everyone has to perform actions. ³⁹Everyone has to play his part.

³⁵Part har ēk ātmā kō pahlē sē milā huā hai .

⁴⁰Every soul has received a part in advance.

³⁶Tumhārē mē̃ bhī kōī haĩ jō in bātō̃ kō achchhī rīti sē samajh saktē haĩ .

⁴¹There are also some among you who are able to understand these things very well.

³⁷Vāstav mē̃ yah gītā pāṭhśhālā hai .

⁴²In fact, this is a Gita Pathshala.

³⁸Pāṭhśhālā mē̃ kabhī būṛhē ādi paṛhtē haĩ kyā  ?

⁴³Do old people etc. ever study in a pathshala?

³⁹Yahā̃ tō būṛhē , javān ādi sab paṛhtē haĩ .

⁴⁴Here, everyone studies - young and old etc.

⁴⁰Vēdō̃ key|kī pāṭhśhālā nahī̃ kahē̃gē . ⁴¹Vahā̃ kōī bhī aim object hōtī nahī̃ hai .

⁴⁵This isn’t called a Vedas Pathshala; there is no aim or objective there.

⁴²Ham itnē vēd-śhāstra ādi paṛhtē haĩ , insē kyā banē̃gē - vah jāntē nahī̃ .

⁴⁶They study the Vedas and scriptures etc. so much, but they don’t know what they will become by doing that.

⁴³Kōī bhī jō satsaṅg haĩ , aim object kuchh nahī̃ hai .

⁴⁷None of those satsangs have any aim or objective.

⁴⁴Ab tō unkō satsaṅg kahnē sē lajjā ātī hai .

⁴⁸One is embarrassed now even to call that a satsang (Company of the Truth).

⁴⁵Sat tō ēk bāp hī hai , jiskē liē kahā jātā hai saṅg tārē . . . . kusaṅg bōrē . . . . . .

⁴⁹Only the one Father is the Truth, and it is of Him that it is said: Good company takes you across and bad company drowns you.

⁴⁶Kusaṅg kaliyugī manuṣhyō̃ kā . ⁴⁷Sat kā saṅg tō ēk hī hai . ⁴⁸Abhī tumkō wonder lagtā hai .

⁵⁰Bad company is the company of iron-aged human beings and only the company of the One is the company of the Truth.

⁴⁹Sārē sr̥iṣhṭi K|kē ādi-madhy-ant kā gyān kaisē bāp dētē haĩ , tumkō tō khuśhī hōnī chāhiē .

⁵¹You are now amazed at how the Father gives you the knowledge of the beginning, the middle and the end of the whole world.

⁵⁰Tum sachchī-sachchī pāṭhśhālā mē̃ baiṭhē hō .

⁵²You should have the happiness of knowing that you are sitting in the true pathshala.

⁵¹Bākī sab haĩ jhūṭhī pāṭhśhālāyē̃ , un satsaṅgō̃ ādi sē kuchh bhī bankar nikaltē nahī̃ .

⁵³All other pathshalas are false. ⁵⁴No one becomes someone special by going to those satsangs etc.

⁵²School-college ādi sē phir bhī kuchh bankar nikaltē haĩ kyōṅki paṛhtē haĩ . ⁵³Bākī kahā̃ bhī paṛhāī nahī̃ hai .

⁵⁵At least, by going to a school or college they can become something because they study; there is no study anywhere else.

⁵⁴Satsaṅg kō paṛhāī nahī̃ kahē̃gē .

⁵⁶A satsang is not called a study.

⁵⁵Śhāstra ādi tō paṛhkar phir dukān khōl baiṭhtē haĩ , paisā kamātē haĩ .

⁵⁷People study the scriptures and then open shops; they earn money in that way.

⁵⁶Granth thōṛā sīkhkar , gurūdvārā khōl baiṭh jātē haĩ .

⁵⁸They study the Granth a little and open up a gurudwara (Sikh temple, doorway to the Guru).

⁵⁷Gurūdvārē bhī kitnē khōltē haĩ .

⁵⁹So many gurudwaras have been opened.

⁵⁸Gurū kā dvār arthāt ghar kahē̃gē nā .

⁶⁰The dwara (doorway) of the Guru would be the home, would it not?

⁵⁹Phāṭak khultā hai , vahā̃ jākar śhāstra ādi paṛhtē haĩ .

⁶¹When they open the doors of big gurudwaras, people go and study the scriptures there.

⁶⁰Tumhārā gurūdvārā hai - mukti aur jīvanmukti dhām , satgurū dvār .

⁶²Your gurudwara, the doorway to the Satguru, is to the land of liberation and the land of liberation-in-life.

⁶¹Satgurū kā nām kyā hai  ?

⁶³What is the name of the Satguru?

⁶²Akāl mūrt .

⁶⁴The Immortal Image.

⁶³Satgurū kō akāl mūrt kahtē haĩ , vah ākar mukti-jīvanmukti kā dvār khōltē haĩ .

⁶⁵The Satguru is called the Immortal Image. ⁶⁶He comes and opens the gates to liberation and liberation-in-life.

⁶⁴Akāl-mūrt haĩ nā .

⁶⁷He is the Immortal Image, is He not?

⁶⁵Jiskō kāl bhī khā nahī̃ saktā .

⁶⁸Death cannot come to Him.

⁶⁶Ātmā hai hī bindī , unkō kāl kaisē khāyēgā .

⁶⁹A soul is just a point. ⁷⁰How could a soul experience death?

⁶⁷Vah ātmā tō śharīr chhōṛkar bhāg jātī hai .

⁷¹That soul would leave his body and run off.

⁶⁸Manuṣhya samajhtē thōṛēhī haĩ ki ēk purānā śharīr chhōṛ phir jāē dūsrā lēgī phir ismē̃ rōnē key|kī kyā darkār hai .

⁷²People don’t understand that a soul leaves his old body and takes a new one. ⁷³So, what is there to cry about?

⁶⁹Yah tum jāntē hō-ḍrāmā anādi banā huā hai . ⁷⁰Har ēk kō part bajānā hī hai .

⁷⁴You know that this drama is created eternally.Everyone has to play his own part.

⁷¹Bāp nē samjhāyā hai - satyug mē̃ haĩ naṣhṭōmōhā .

⁷⁵The Father has explained that those in the golden age had conquered attachment.

⁷²Mōhjīt key|kī bhī kahānī hai nā .

⁷⁶There is the story of the king who conquered attachment.

⁷³Paṇḍit lōg sunātē haĩ , mātāyē̃ bhī sun-sun kar phir granth rakh baiṭh jātī haĩ - sunānē kē liē .

⁷⁷Pundits relate the scriptures, and mothers, having listened to the Granth, start to relate it themselves.

⁷⁴Bahut manuṣhya jākar suntē haĩ .

⁷⁸Many people go there and listen to it.

⁷⁵Unkō kahā jātā hai kanras .

⁷⁹That is called pleasing the ears.

⁷⁶Drama plan anusār manuṣhya tō kahē̃gē hamārā dōṣh kyā hai .

⁸⁰According to the dramaplan, people ask: “Why should I be blamed?”

⁷⁷Bāp kahtē haĩ tum hamkō bulātē hō ki duḥkh key|kī duniyā sē lē jāō .

⁸¹The Father says: You called out to Me to come and take you away from the world of sorrow.

⁷⁸Ab maĩ āyā hū̃ tō mērā sunnā chāhiē nā .

⁸²I have now come. ⁸³Therefore, you should listen to Me, should you not?

⁷⁹Bāp bachchō̃ kō baiṭh samjhātē haĩ , achchhī mat miltī hai tō vah lēnī chāhiē nā .

⁸⁴The Father sits here and explains to you children. ⁸⁵When you receive good directions, you should take them, should you not?

⁸⁰Tumhārā bhī kōī dōṣh nahī̃ hai .

⁸⁶You are not to be blamed.

⁸¹Yah bhī drama thā .

⁸⁷That too is in the drama.

⁸²Rām rājya , rāvaṇ rājya kā khēl banā huā hai .

⁸⁸The play about Rama’s kingdom and Ravan’s kingdom is created.

⁸³Khēl mē̃ kōī hār jātē haĩ tō unkā dōṣh thōṛēhī hai .

⁸⁹In a play, some are defeated, but they can’t be blamed; there is victory and defeat.

⁸⁴Jīt aur hār hōtī hai , ismē̃ laṛāī kī bāt nahī̃ .

⁹⁰There is no question of a battle in this.

⁸⁵Tumkō bādśhāhī thī .

⁹¹You had that kingdom.

⁸⁶Yah bhī āgē tumkō mālūm nahī̃ thā , abhī tum samajhtē hō jō serviceable haĩ , jiskā nām bālā hai .

⁹²Previously, you didn’t know this. ⁹³You now know the ones who are serviceable and whose names are well known.

⁸⁷Dēhlī mē̃ sabsē nāmīgrāmī samjhānē vālā kaun hai  ?

⁹⁴Who is the most well-known one in Delhi who explains this knowledge?

⁸⁸Tō jhaṭ nām lē̃gē Jagdīśh kā .

⁹⁵They instantly mention the name of Brother Jagdish.

⁸⁹Tumhārē liē magazine bhī nikāltē haĩ .

⁹⁶He also has a magazine printed for you.

⁹⁰Usmē̃ sab kuchh ā jātā hai .

⁹⁷Everything is included in that.

⁹¹Anēk prakār key|kī points likhtē haĩ , br̥ijmōhan bhī likhtē haĩ .

⁹⁸Many different points are written in that. ⁹⁹Brother Brijmohan also writes such points.

⁹²Likhnā kōī māsī kā ghar thōṛēhī hai .

¹⁰⁰To write these points is not like going to your aunty’s home!

⁹³Jarūr vichār sāgar manthan kartē haĩ , achchhī service kartē haĩ .

¹⁰¹Therefore, they must definitely churn the ocean of knowledge. ¹⁰²The service they do is very good.

⁹⁴Kitnē lōg paṛhkar khuśh hōtē haĩ .

¹⁰³So many become very happy when they read it.

⁹⁵Bachchō̃ kō bhī refreshment miltī hai .

¹⁰⁴Children receive refreshment.

⁹⁶Kōī kōī pradarśhanī mē̃ bahut māthā mārtē haĩ , kōī-kōī karmbandhan mē̃ phansē huē haĩ , isliē itnā uṭhā nahī̃ saktē haĩ .

¹⁰⁵Some beat their heads a great deal at the exhibitions. ¹⁰⁶Others are trapped in their karmic bondages. ¹⁰⁷This is why they are unable to take that much knowledge.

⁹⁷Yah bhī kahē̃gē drama , ablāō̃ par bhī atyāchār hōnē kā drama mē̃ part hai .

¹⁰⁸This too is called the drama. ¹⁰⁹It is also part of the drama for innocent ones to be beaten.

⁹⁸Aisā part kyō̃ bajāyā , yah praśhna hī nahī̃ uṭhtā . ⁹⁹Yah tō anādi banā banāyā drama hai .

¹¹⁰The question of why there is such a part doesn’t arise: it is predestined in the drama.

¹⁰⁰Unkō kuchh kar thōṛēhī saktē haĩ .

¹¹¹You cannot do anything about it.

¹⁰¹Kōī kahtē haĩ hamnē gunāh kyā kiyā jō aisā part rakhā hai .

¹¹²Some ask: What crime have I committed that such a part has been created for me?

¹⁰²Ab gunāh key|kī tō bāt nahī̃ .

¹¹³There is no question of a crime.

¹⁰³Yah tō part hai .

¹¹⁴It is just partof it.

¹⁰⁴Ablāyē̃ kōī tō nimitt banē̃gī , jin par sitam hōṅgē .

¹¹⁵Some innocent ones will be instruments to be assaulted.

¹⁰⁵Aisē tō phir sab kahē̃gē hamkō yah part kyō̃  ?

¹¹⁶In that case, they would all say: Why have I been given this part?

¹⁰⁶Nahī̃ , yah banā-banāyā drama hai .

¹¹⁷No! ¹¹⁸This drama is predestined.

¹⁰⁷Purūṣhō̃ par bhī atyāchār hōtē haĩ .

¹¹⁹Even some men are assaulted.

¹⁰⁸In bātō̃ mē̃ sahanśhīltā kitnī rakhnī paṛtī hai .

¹²⁰You have to be very tolerant of those things.

¹⁰⁹Bahut sahanśhīltā chāhiē .

¹²¹You need a lot of tolerance.

¹¹⁰Māyā K|kē vighna tō bahut paṛē̃gē .

¹²²Many obstacles of Maya will come.

¹¹¹Viśhva kī bādśhāhī lētē hō tō kuchh mēhnat karnī paṛē .

¹²³Since you are claiming sovereignty over the world, you do have to make some effort.

¹¹²Drama mē̃ āpdāyē̃ , khiṭpiṭ ādi kitnī hai .

¹²⁴There are so many calamities and conflicts etc. in the drama.

¹¹³Ablāō̃ par atyāchār likhā huā hai .

¹²⁵"Assaults on innocent ones" has been written about.

¹¹⁴Rakta kī nadiyā̃ bhī bahē̃gī .

¹²⁶Rivers of blood will flow too.

¹¹⁵Kahā̃ bhī safety nahī̃ rahēgī .

¹²⁷There won't be safety anywhere.

¹¹⁶Abhī tō subah kō class ādi mē̃ jātē hō , centres par .

¹²⁸You are now able to go to the centres for morning class.

¹¹⁷Vah bhī samay āyēgā jō tum bāhar nikal bhī nahī̃ sakē̃gē .

¹²⁹The time will come when you won't even be able to go out.

¹¹⁸Din-pratidin jamānā bigaṛtā jātā hai aur bigaṛnā hai .

¹³⁰Day by day, the times are worsening and they have to become even worse.

¹¹⁹Duḥkh K|kē din bahut zōr sē āyēṅgē .

¹³¹Days of sorrow will come with great force.

¹²⁰Bīmārī ādi mē̃ duḥkh hōtā hai tō phir bhagvān kō yād kartē , pukārtē haĩ .

¹³²When someone has an illness and suffers pain, he remembers God and calls out to Him.

¹²¹Abhī tumkō mālūm hai bākī thōṛē din haĩ . ¹²²Phir ham apnē śhāntidhām , sukhdhām jarūr jāyēṅgē .

¹³³You know that only a few more days now remain, and that we will then definitely go to our land of peace and then to our land of happiness.

¹²³Duniyā kō tō yah bhī patā nahī̃ hai .

¹³⁴No one in the world even knows this.

¹²⁴Abhī tum bachchē feel kartē hō nā .

¹³⁵You children feel that you now know the Father fully.

¹²⁵Abhī bāp kō pūrī rīti jān gayē haĩ .

¹³⁶All of them think that God is an oval shape.

¹²⁶Vah sab tō samajhtē haĩ paramātmā liṅg hai .

¹³⁷They even worship that oval shape (Shiva lingam).

¹²⁷Śhivliṅg key|kī pūjā bhī kartē haĩ . ¹²⁸Tum śhiv K|kē mandir mē̃ jātē thē , kabhī yah khyāl kiyā ki śhivliṅg kyā chīz hai  ? ¹²⁹Jarūr yah jaṛ hai tō chaitanya bhī hōgā  !

¹³⁸When you used to go to the temple of Shiva, did you ever wonder what the Shiva lingam was? ¹³⁹Since that non-living image exists, there must be a living being whom it represents.

¹³⁰Yah tab kyā hai  ?

¹⁴⁰What is all of that?

¹³¹Bhagvān tō rachtā hai ūpar mē̃ .

¹⁴¹God, the Creator, is up above.

¹³²Unkī niśhānī hai sirph pūjā kē liē .

¹⁴²That image is a symbol of Him and is used to worship Him.

¹³³Pūjya hōṅgē tō phir yah chīzē̃ nahī̃ hōṅgī .

¹⁴³When those who are worthy of worship exist, these things do not exist.

¹³⁴Śhiv kāśhī K|kē mandir mē̃ jātē haĩ , kiskō patā thōṛēhī hai bhagvān nirākār hai . ¹³⁵Ham bhī unkē bachchē haĩ .

¹⁴⁴The people who go to the Shiva temple at Kashi are unaware that God is incorporeal and that they are His children.

¹³⁶Bāp K|kē bachchē hōkar phir ham duḥkhī kyō̃ haĩ  ?

¹⁴⁵We are His children, so why do we experience sorrow?

¹³⁷Vichār karnē key|kī bāt hai nā .

¹⁴⁶This is something to think about.

¹³⁸Ātmā kahtī hai ham paramātmā key|kī santān haĩ phir ham duḥkhī kyō̃ haĩ  ?

¹⁴⁷The soul says: I am a child of God. ¹⁴⁸So, why am I unhappy?

¹³⁹Bāp tō hai hī sukh dēnē vālā .

¹⁴⁹The Father is the Bestower of Happiness.

¹⁴⁰Bulātē bhī haĩ - hē bhagvān , hamārē duḥkh miṭāō .

¹⁵⁰You called out: O God, remove our sorrow!

¹⁴¹Vah kaisē miṭāyē  ?

¹⁵¹How can He remove that?

¹⁴²Duḥkh-sukh yah tō apnē karmō̃ kā hisāb hai .

¹⁵²Happiness and sorrow are the accounts of your own karma.

¹⁴³Manuṣhya samajhtē haĩ sukh kā ēvajā sukh , duḥkh kā ēvajā duḥkh paramātmā hī dētē haĩ .

¹⁵³People believe that God gives happiness as the return of happiness and sorrow as the return of sorrow.

¹⁴⁴Un par rakh dētē haĩ , bāp kahtē haĩ maĩ kabhī duḥkh nahī̃ dētā hū̃ .

¹⁵⁴They attribute everything to Him. ¹⁵⁵The Father says: I never cause sorrow.

¹⁴⁵Maĩ tō ādhā-kalp kē liē sukh dēkar jātā hū̃ .

¹⁵⁶I return home having granted you happiness for half the cycle.

¹⁴⁶Yah phir sukh aur duḥkh kā khēl hai .

¹⁵⁷This is a play about happiness and sorrow.

¹⁴⁷Sirph sukh kā hī khēl hōtā phir tō yah bhakti ādi kuchh na hō , bhagvān sē milnē kē liē hī yah bhakti ādi sab kartē haĩ nā .

¹⁵⁸If it were just a play about happiness, there would not be any worshipping etc. ¹⁵⁹People worship etc. in order to meet God.

¹⁴⁸Ab bāp baiṭh sārā samāchār sunātē haĩ .

¹⁶⁰The Father sits here and explains everything to you.

¹⁴⁹Bāp kahtē haĩ tum bachchē kitnē bhāgyaśhālī hō .

¹⁶¹He says: You children are so fortunate!

¹⁵⁰Un r̥iṣhi-muniyō̃ ādi kā kitnā nām hai .

¹⁶²Those rishis and munis are very famous.

¹⁵¹Tum hō rājr̥iṣhi , vah haĩ haṭhyōg r̥iṣhi .

¹⁶³You are Raj Rishis. ¹⁶⁴They are hatha yoga rishis.

¹⁵²R̥iṣhi arthāt pavitra .

¹⁶⁵Rishi means someone who is pure.

¹⁵³Tum svarg K|kē rājā bantē hō tō pavitra jarūr bannā paṛē .

¹⁶⁶You are becoming the kings of heaven so you definitely do have to become pure.

¹⁵⁴Satyug-trētā mē̃ jinkā rājya thā unkā hī phir hōgā . ¹⁵⁵Bākī sab pīchhē āyēṅgē . ¹⁵⁶Tum abhī kahtē hō ham śhrīmat par apnā rājya sthāpan kar rahē haĩ .

¹⁶⁷Whoever the kingdom belonged to in the golden and silver ages, it will belong to them once again and everyone else will come later.

¹⁵⁷Purānī duniyā kā vināśh hōnē mē̃ bhī samay tō lagēgā nā .

¹⁶⁸You now say: We are establishing our own kingdom by following shrimat.

¹⁵⁸Satyug ānā hai , kaliyug jānā hai . ¹⁵⁹Kitnī baṛī duniyā hai .

¹⁶⁹It does take time for the old world to be destroyed.

¹⁶⁰Ēk-ēk śhahar manuṣhyō̃ sē kitnā bharā huā hai .

¹⁷⁰The golden age has to come and the iron age has to go.

¹⁶¹Dhanvān ādmī duniyā kā chakra lagātē haĩ .

¹⁷¹The world is so large. ¹⁷²Every city is full of so many people.

¹⁶²Parantu yahā̃ sārī duniyā kō kōī dēkh na sakē .

¹⁷³Wealthy people go on world tours.

¹⁶³Hā̃ satyug mē̃ dēkh saktē haĩ kyōṅki satyug mē̃ hai hī ēk rājya , itnē thōṛē rājāyē̃ hōṅgē , yahā̃ tō dēkhō kitnī baṛī duniyā hai .

¹⁷⁴However, here, no one can see the whole world. ¹⁷⁵Yes, they can see it in the golden age because there is just the one kingdom and very few kings.

¹⁶⁴Itnī baṛī duniyā kā chakra kaun lagāyē .

¹⁷⁶Here, the world is so large. ¹⁷⁷Who would tour the whole world?

¹⁶⁵Vahā̃ tumkō samudra mē̃ jānē kā nahī̃ hai .

¹⁷⁸There, you won't even have to travel by sea.

¹⁶⁶Vahā̃ Ceylon , barmā ādi hōṅgē  ?

¹⁷⁹Does Ceylon, Burma etc. exist there? ¹⁸⁰Not at all!

¹⁶⁷Nahī̃ , kuchh bhī nahī̃ .

¹⁸¹None of those places exist there.

¹⁶⁸Yah karāñcī nahī̃ hōgī .

¹⁸²Even Karachi doesn't exist there.

¹⁶⁹Tum sab mīṭhī nadiyō̃ K|kē kinārē par rahtē hō .

¹⁸³All of you reside on the banks of the sweet rivers.

¹⁷⁰Khētī bāṛī ādi sab hōtī hai , sr̥iṣhṭi tō baṛī hai .

¹⁸⁴There are many farms and fields etc. ¹⁸⁵The world is large.

¹⁷¹Manuṣhya bahut thōṛē rahtē haĩ phir pīchhē vr̥iddhi hōtī hai .

¹⁸⁶Initially there are very few human beings and then the number of them increases.

¹⁷²Phir vahā̃ jākar apnā rājya sthāpan kiyā .

¹⁸⁷Then they go abroad and establish their own kingdoms.

¹⁷³Dhīrē-dhīrē hap kartē gayē . ¹⁷⁴Apnā rājya sthāpan kar diyā .

¹⁸⁸They gradually begin to take over everything and establish their own kingdoms.

¹⁷⁵Abhī tō sabkō chhōṛnā paṛtā hai .

¹⁸⁹Everyone now has to let go of them.

¹⁷⁶Ēk bhārat hī hai , jisnē kisī kā bhī rājya chhīnā nahī̃ hai kyōṅki bhārat asul mē̃ ahiṃsak hai nā .

¹⁹⁰It is Bharat alone that has never snatched anyone's kingdom away because in reality Bharat is non-violent.

¹⁷⁷Bhārat hī sārī duniyā kā mālik thā aur sab pīchhē āyē haĩ jō ṭukṛē-ṭukṛē lētē gayē haĩ .

¹⁹¹It was Bharat alone that was the master of the whole world. ¹⁹²All the others came later and took pieces of land.

¹⁷⁸Tumnē kōī kō hap nahī̃ kiyā hai , aṅgrējō̃ nē hap kar liyā hai .

¹⁹³You have not taken over anyone. ¹⁹⁴The British took over many countries.

¹⁷⁹Tum bhāratvāsiyō̃ kō tō bāp viśhva kā mālik banātē haĩ .

¹⁹⁵The Father is making you people of Bharat into the masters of the world.

¹⁸⁰Tum kahā̃ gayē thōṛēhī hō .

¹⁹⁶You did not go and settle anywhere.

¹⁸¹Tum bachchō̃ key|kī buddhi mē̃ yah sārī bātē̃ haĩ , būṛhī mātāyē̃ tō itnā sab samajh na sakē̃ .

¹⁹⁷All of these things are in the intellects of you children. ¹⁹⁸The old mothers cannot understand any of these things.

¹⁸²Bāp kahtē haĩ achchhā hai jō tum kuchh bhī paṛhī nahī̃ hō .

¹⁹⁹The Father says: It is good that you haven’t studied anything.

¹⁸³Paṛhā huā sab buddhi sē nikālnā paṛtā hai , ēk bāt sirph dhāraṇ karnī hai - mīṭhē bachchē bāp kō yād karō .

²⁰⁰You have to remove from your intellects everything you have studied. ²⁰¹Simply imbibe one thing: Sweet children, remember the Father!

¹⁸⁴Tum kahtē bhī thē nā bābā āp āyēṅgē tō ham vārī jāyēṅgē , kurbān jāyēṅgē .

²⁰²You used to say: Baba, when You come we will sacrifice ourselves to You.

¹⁸⁵Tumhē̃ phir hamārē par kurbān jānā hai .

²⁰³You then have to sacrifice Yourself to us.

¹⁸⁶Lēn-dēn hōtī hai nā .

²⁰⁴There is an exchange.

¹⁸⁷Śhādī K|kē time strī-purūṣh ēk dō K|kē hāth mē̃ namak dētē haĩ .

²⁰⁵At their wedding ceremony, the bride and groom give each other salt.

¹⁸⁸Bāp kō bhī kahtē haĩ , ham purānā sab kuchh āpkō dētē haĩ .

²⁰⁶You tell the Father: I give you everything of mine that is old. ²⁰⁷Everyone has to die.

¹⁸⁹Marnā tō hai , yah sab khatm hōnā hai .

²⁰⁸Everything is going to be destroyed.

¹⁹⁰Āp hamkō phir naī duniyā mē̃ dēnā .

²⁰⁹You will then give us all of that in the new world.

¹⁹¹Bāp ātē hī haĩ sabkō lē jānē .

²¹⁰The Father has come to take everyone back home.

¹⁹²Kāl hai nā .

²¹¹He is the Great Death.

¹⁹³Sindh mē̃ kahtē thē - yah kaun sā kāl hai jō sabkō bhagākar lē jātē haĩ , tum bachchē tō khuśh hōtē hō . ¹⁹⁴Bāp ātē hī haĩ lē jānē .

²¹²In Sindh, they used to ask: Which Death is this that is taking everyone away? ²¹³You children become very happy because the Father has come to take you back home.

¹⁹⁵Ham tō khuśhī sē apnē ghar jāyēṅgē .

²¹⁴You will return to your home in great happiness.

¹⁹⁶Sahan bhī karnā paṛtā hai .

²¹⁵There is a lot that has to be tolerated.

¹⁹⁷Achchhē-achchhē baṛē-baṛē ghar key|kī mātāyē̃ mārē̃ khātī haĩ .

²¹⁶Very good mothers from fine homes also experience being beaten. ²¹⁷You are earning a true income.

¹⁹⁸Tum sachchī kamāī kartē hō .

²¹⁸People don't know anything.

¹⁹⁹Manuṣhya thōṛēhī jāntē haĩ , vah haĩ hī kaliyugī śhūdra sampradāy .

²¹⁹They are the iron-aged shudra community whereas you are the confluence-aged community.

²⁰⁰Tum hō saṅgamyugī , purūṣhōttam ban rahē hō .

²²⁰You are becoming the most elevated beings.

²⁰¹Jāntē hō pahlē number mē̃ purūṣhōttam yah lakṣhmī-nārāyaṇ haĩ nā .

²²¹You know that the numberone, most elevated beings are Lakshmi and Narayan.

²⁰²Phir degree kam hōtī jāyēgī .

²²²Then their degrees continue to decrease.

²⁰³Ūpar sē nīchē ātē rahē̃gē . ²⁰⁴Phir āhistē-āhistē girtē rahē̃gē .

²²³They first come down from up above and then they gradually continue to fall.

²⁰⁵Is samay sab gir chukē haĩ .

²²⁴At this time everyone has fallen.

²⁰⁶Jhāṛ purānā hō chukā hai , tanā saṛ gayā hai .

²²⁵The tree has become very old and the trunk has decayed.

²⁰⁷Ab phir sthāpanā hōtī hai . ²⁰⁸Foundation lagtā hai nā .

²²⁶Therefore, establishment is now taking place; the foundation is being laid.

²⁰⁹Kalam kitnā chhōṭā hōtā hai phir unsē kitnā baṛā jhāṛ baṛh jātā hai .

²²⁷The sapling is very small. ²²⁸Then such a big tree grows from it.

²¹⁰Yah bhī jhāṛ hai , satyug mē̃ bahut chhōṭā jhāṛ hōtā hai .

²²⁹There is this tree in the golden age too. ²³⁰At that time the tree is very small.

²¹¹Ab kitnā baṛā jhāṛ hai .

²³¹Now it is very big.

²¹²Variety fool|phūl kitnē haĩ , manuṣhya sr̥iṣhṭi K|kē . ²¹³Ēk hī jhāṛ mē̃ kitnī variety hai .

²³²There are so many varieties of flowers of the human world; there are so many varieties on just the one tree.

²¹⁴Anēk variety dharmō̃ kā jhāṛ hai manuṣhyō̃ kā .

²³³This is the human tree of the variety of religions.

²¹⁵Ēk sūrat na milē dūsrē sē .

²³⁴One person's face cannot be identical to another’s.

²¹⁶Banā-banāyā drama hai nā . ²¹⁷Ēk jaisā part kōī kā hō nahī̃ saktā .

²³⁵It is predestined in the drama that no two people can play the same part.

²¹⁸Inkō kahā jātā hai kudratī banā-banāyā bēhad kā drama , inmē̃ bhī banāvaṭ bahut hai .

²³⁶It is called the unlimited, predestined, wonderful drama, and there are many artificial things in that too.

²¹⁹Jō chīz real hōtī hai vah khatm bhī hōtī hai .

²³⁷The things that are real continue to be used up.

²²⁰Phir 5 hazār varṣh kē bād reality mē̃ āyēṅgē .

²³⁸Then, once again, after 5000 years, they come into reality (existence).

²²¹Chitra ādi bhī kōī real banē huē thōṛēhī haĩ .

²³⁹The pictures etc. that have been made are not real (true likenesses).

²²²Brahmā key|kī bhī śhakla phir 5 hazār varṣh bād tum dēkhē̃gē .

²⁴⁰You will see the face of Brahma again after 5000 years.

²²³Is drama K|kē rāz kō samajhnē mē̃ buddhi baṛī viśhāl chāhiē .

²⁴¹You need a vast and unlimited intellect in order to understand the secrets of this drama.

²²⁴Aur kuchh na samjhō sirph ēk bāt buddhi mē̃ rakhō - ēk śhivbābā dūsrā na kōī .

²⁴²Even if you don't understand anything else, just keep one thing in your intellect: I belong to only Shiv Baba and none other!

²²⁵Yah ātmā nē kahā - bābā , ham āpkō hī yād karē̃gē .

²⁴³The soul says: Baba, I will only remember You.

²²⁶Yah tō sahaj hai nā .

²⁴⁴This is easy, is it not?

²²⁷Hāthō̃ sē karma kartē rahō aur buddhi sē bāp kō yād kartē rahō .

²⁴⁵While you continue to act with your hands, continue to remember the Father with your intellect.

²²⁸Achchhā  !

²⁴⁶Achcha.

²²⁹Mīṭhē-mīṭhē sikīladhē bachchō̃ prati māt-pitā bāpdādā kā yād-pyār aur good morning .

²⁴⁷To the sweetest, beloved, long-lost and now-found children, love, remembrance and Good morning from the Mother, the Father, BapDada.

²³⁰Rūhānī bāp kī rūhānī bachchō̃ kō namastē .

²⁴⁸The spiritual Father says namaste to the spiritual children.

²³¹Dhārṇā kē liē mukhya sār  :

²⁴⁹Essence for dharna:

²³²1 ) sahanśhīltā kā guṇ dhāraṇ kar māyā K|kē vighnō̃ mē̃ pās|pass hōnā hai .

²⁵⁰ 1. Imbibe the virtue of tolerance and pass all the obstacles of Maya.

²³³Anēk āpdāyē̃ āyēṅgī , atyāchār hōṅgē-aisē samay par sahan kartē bāp kī yād mē̃ rahnā hai , sachchī kamāī karnī hai .

²⁵¹At the time when many calamities come and a lot of assaults take place, you have to stay in remembrance of the Father and tolerate everything. ²⁵²Earn a true income.

²³⁴2 ) viśhāl buddhi ban is banē banāyē drama kō achchhī rīti samajhnā hai , yah kudratī drama banā huā hai isliē praśhna uṭh nahī̃ saktā .

²⁵³ 2. Become one who has a vast and unlimited intellect and who very clearly understands this predestined drama. ²⁵⁴Everything in this wonderful drama is predestined. ²⁵⁵Therefore, no questions can arise.

²³⁵Bāp jō achchhī mat dētē haĩ , us par chaltē rahnā hai .

²⁵⁶Continue to follow the directions that the Father gives you.

²³⁶Vardān  : bāp samān vardānī ban har ēk K|kē dil kō ārām dēnē vālē master dilārām bhav

²⁵⁷Blessing: May you be a master comforter of hearts and give comfort to each one’s heart as a bestower of blessings, like the Father.

²³⁷Jō bāp samān vardānī mūrt bachchē haĩ vah kabhī kisī key|kī kamjōrī kō nahī̃ dēkhtē , vah sabkē ūpar merciful hōtē haĩ .

²⁵⁸ The children who are embodiments of blessings, bestowers of blessings, like the Father, never look at anyone’s weakness. ²⁵⁹They are merciful towards everyone.

²³⁸Jaisē bāp kisī key|kī kamjōriyā̃ dil par nahī̃ rakhtē aisē vardānī bachchē bhī kisī key|kī kamjōrī dil mē̃ dhāraṇ nahī̃ kartē , vē|way harēk key|kī dil kō ārām dēnē vālē master dilārām hōtē haĩ isliē sāthī hō yā prajā sabhī unkā guṇgān kartē haĩ .

²⁶⁰Just as the Father never keeps anyone’s weaknesses in His heart, in the same way, the children who are bestowers of blessings never imbibe anyone’s weaknesses. ²⁶¹They are master comforters of hearts who give comfort to each one’s heart, and so, whether they are companions or subjects, everyone sings praise of them.

²³⁹Sabhī K|kē andar sē yahī āśhīrvād nikaltī hai ki yah hamārē sadā snēhī , sahyōgī haĩ .

²⁶²The blessings that emerge for them from everyone are: You are always loving and co-operative.

²⁴⁰Slōgan  : saṅgamyug par śhrēṣhṭh ātmā vah hai jō sadā bēphikr bādśhāh hai .

²⁶³Slogan: At the confluence age, elevated souls are those who are carefree emperors.

²⁶⁴*** Om Shanti ***