रविवार 12 सितंबर 2021 की दैनिक मुरली

ध्यान दें: वाक्यों का संरेखण अक्षरों की संख्या पर आधारित है और पूरी तरह विश्वसनीय नहीं है।

आप पूरी मुरली या उसके किसी भाग का वाक्य संरेखण स्वयं सुधार सकते हैं।

इस दृश्य में हिंदी पाठ से स्वतः तैयार की गई, बिना विशेष चिह्नों वाली प्रचलित रोमन वर्तनी दिखाई जाती है।

हिंग्लिश कैसे तैयार होती है?

इस साइट पर दीर्घ स्वरों के लिए आम तौर पर aa, ee और oo (शब्द के अंत में a, i और u), तथा ch, chh, sh और ri का प्रयोग होता है। शब्दकोश में पहचाने गए अंग्रेज़ी शब्दों की अंग्रेज़ी वर्तनी रखी जाती है। कुछ अंतर्निहित स्वरों को हटाने के नियम और प्रचलित शब्दों की सूची aatma, shanti, main और hoon जैसी वर्तनियाँ देते हैं।

अनौपचारिक रोमन वर्तनी मानकीकृत नहीं है। ये नियम एकरूपता रखते हैं, पर कुछ वर्तनियाँ आपकी परिचित वर्तनी से अलग हो सकती हैं। «लिप्यंतरित हिंदी» दृश्य में अनुकूलित ISO 15919 के भेद सुरक्षित रहते हैं।

प्रचलित वर्तनी के उदाहरण
हिंदीHinglish
आत्माaatma
शान्तिshanti
मैंmain
हूँhoon

012-09-21 praatahmurli om shanti ''avyakt-baapdaada'' revise 19-03-88 madhuban

0 12/09/21 Madhuban Avyakt BapDada Om Shanti 19/03/88

1‘yaad' mein ramneekta laane ki yuktiyaan

1Methods to bring about entertainment in remembrance.

2aaj vidhaata, vardaata baapdaada apne master vidhaata, vardaata bachchon ko dekh rahe hain।

2Today, BapDada, the Lawmaker, the Bestower of Blessings, is seeing His children who are master law makers and bestowers of blessings.

3har ek bachcha vidhaata bhi bane ho to vardaata bhi bane ho।

3Each child has become a lawmaker and also a bestower of blessings.

4saath-saath baapdaada dekh rahe the ki bachchon ka martaba kitna mahaan hai, is sangamayug ke brahman jeevan ka kitna mahatva hai!

4As well as seeing that, BapDada also saw how great the status of the children is. 5The Brahmin life of this confluence age is so important.

5vidhaata, vardaata ke saath vidhi-vidhaata bhi aap brahman ho।

6Together with the Lawmaker and the Bestower of Blessings, you Brahmins are also lawmakers, the ones who demonstrate the correct systems.

6aapki har vidhi satayug mein kaise parivartit hoti hai - woh pahle sunaaya hai।

7You have already heard how every system of yours now changes into the systems of the golden age.

7is samay ke har karma ki vidhi bhavishya mein chalti hi hai lekin dvaapar ke baad bhi bhakti-maarga mein is samay ke shreshtha karmon ki vidhi bhaktimaarga ki vidhi ban jaati hai।

8Therefore, the present systems for every action continue into the future. 9Even in the copper age, on the path of devotion, the methods of the elevated actions performed at this time become the systems of the path of devotion.

8to poojya roop mein bhi is samay ki vidhi jeevan ke shreshtha vidhaan ke roop mein chalti hai aur pujaari maarga arthaat bhaktimaarga mein bhi aapki har vidhi neeti va reeti mein chalti aati hai।

10So the laws of this time continue as the elevated laws of your lives in the worthy of worship form, and they also continue on the path of worshipping, that is, on the path of devotion.

9to vidhaata, vardaata aur vidhi-vidhaata bhi ho।

11On the path of devotion too, every law of yours continues as a custom and system.

10aapke mool siddhaanta siddhi praapta hone ke saadhan ban jaate hain।

12You are lawmakers, bestowers of blessings and those who also give the correct methods.

11jaise mool siddhaanta - “baap ek hai।

13Your main principles become the method to achieve success.

12dharma aatmaayen, mahaan aatmaayen anek hain lekin param aatma ek hai''। 13isi mool siddhaanta dvaara aadhaakalpa aap shreshtha aatmaon ko ek baap ke dvaara praapta hua varsa siddhi ke roop mein praapta hota hai।

14For instance, your main principle is that there is the one Father - that there are many righteous souls, there are many great souls, but there is only the one Supreme Soul. 15Through this main principle of yours, you elevated souls attain the inheritance from the Father as your success for half a cycle.

14praalabdha milna arthaat siddhi swaroop banna kyonki ek baap hai, baaki mahaan aatmaayen va dharma aatmaayen hain, baap nahin hai, bhaai-bhaai hain।

16To attain the reward means to be an embodiment of success. 17You understand that there is one Father and that the great souls and the righteous souls are not fathers but that they are your brothers.

15varsa baap se milta hai, bhaai se nahin milta।

18The inheritance is received from the Father, not from a brother.

16to is mool siddhaanta dvaara aadhaakalpa aapko siddhi praapta hoti hai aur bhakti mein bhi ‘god is one' - yahi siddhaanta siddhi praapta karne ka aadhaar banta hai।

19From this main principle, you achieve success for half a cycle, and then, on the path of devotion too, the principle that “God is One” becomes the basis of achieving success.

17bhakti ka aadi aadhaar bhi ek baap ke shivling roop se aarambha hota hai jisko kaha jaata hai ‘avyabhichaari bhakti'।

20The first form of devotion is with the Shiva lingam image of the Father which is called unadulterated devotion.

18to bhaktimaarga mein bhi isi ek siddhaanta dvaara hi siddhi praapta hoti hai ki baap ek hai।

21So, on the path of devotion too, it is through this one principle of, “The Father is One”, that success is achieved.

19aise jo bhi aapke mool siddhaanta hain, us ek-ek siddhaanta dvaara siddhi praapta hoti rehti hai।

22In this way, through each one of your principles, you continue to achieve success.

20jaise is jeevan ka mool siddhaanta pavitrata hai।

23For instance, the main principle of this life is purity.

21is pavitrata ke siddhaanta dvaara aap aatmaon ko bhavishya mein siddhi swaroop ke roop mein light ka taaj sada hi praapta hai, jiska yaadgaar-roop double taaj dikhaate hain aur bhakti mein bhi jab bhi yathaartha aur dil se bhakti karenge to pavitrata ke siddhaanta ko mool aadhaar samjhenge aur samajhte hain ki sivaae pavitrata ke bhakti ki siddhi praapta nahin ho sakti hai।

24It is through the principle of purity that you souls have obtained for all time the future crown of light as a form of success. 25The memorial of this has been shown as the double crown. 26In devotion, whenever they perform accurate devotion from their hearts, they consider purity to be their main principle. 27They understand that without purity they cannot achieve success in devotion.

22chaahe alpakaal ke liye, jitna samay bhakti karte hain, utna samay hi pavitrata ko apnaayen lekin ‘pavitrata hi siddhi ka saadhan hai' - is siddhaanta ko apnaate avashya hain।

28Even if only for a temporary period, they adopt purity for the time that they are engaged in performing devotion. 29However, they definitely adopt the principle of “Purity is the method for success”.

23isi prakaar har ek gyaan ka siddhaanta va dhaarna ka mool siddhaanta buddhi se socho ki har ek siddhaanta siddhi ka saadhan kaise banta hai?

30In the same way, use your intellects to think about every principle of knowledge and every main principle of dharna and how every principle becomes a method for success.

24yeh manan karne ka kaam de rahe hain।

31You are being given this homework of churning.

25jaise drishtaanta sunaaya, isi prakaar se sochna।

32Think in this way using the examples you have been given.

26to aap vidhi-vidhaata bhi bante ho, siddhi-daata bhi bante ho isliye aaj tak bhi jin bhakton ko jo-jo siddhi chaahti hai, vo bhinna-bhinna devtaaon dvaara bhinna-bhinna siddhi praapta karne ke liye, unheen devta ki pooja karte hain।

33You become lawmakers and also the bestowers of success. 34This is why, even today, whatever success devotees desire, they go and worship those particular deities through whom they believe they are going to attain that particular success.

27to siddhi-daata baap dvaara aap bhi siddhi-daata bante ho - aisa apne ko samajhte ho na।

35Do you consider that, together with the Father, the Bestower of Success, you children also become bestowers of success?

28jinko svayan sarva siddhiyaan praapta hain, wahin auron ko bhi siddhi praapta karaane ke nimitta ban sakte hain।

36Only those who have achieved all success themselves can become instruments for others to achieve success.

29siddhi kharaab cheez nahin hai kyonki aapki riddhi-siddhi nahin hai। 30riddhi-siddhi jo hoti hai woh alpakaal ke liye prabhaavshaali hoti hai।

37Success (siddhi) is not a bad thing, because your success has nothing to do with occult power (riddhi-siddhi).

31lekin aapki yathaartha vidhi dvaara siddhi hai।

38Occult power is impressive for only a temporary period.

32eeshvareey vidhi dvaara jo siddhi praapta hoti hai, woh siddhi bhi eeshvareey siddhi hai।

39However, your success is based on an accurate method, because the success that is attained with a Godly method is Godly success.

33jaise eeshvar avinaashi hai, to eeshvareey vidhi aur siddhi bhi avinaashi hai।

40Just as God is eternal, so the Godly methods and their success are also eternal.

34riddhi-siddhi dikhaane vaale svayan bhi alpagya aatma hain, unhon ki siddhi bhi alpakaal ki hai।

41Those who show their occult power have limited knowledge and so their success is temporary.

35lekin aapki siddhi, siddhaanta ki vidhi dvaara siddhi hai isliye aadhaakalpa svayan siddhi-swaroop bante ho aur aadhaakalpa aapke siddhaanta dvaara bhakta aatmaayen yatha-shakti tatha-phal ki praapti va siddhi ki praapti karte aate hain kyonki bhakti ki shakti bhi samay pramaan kam hoti aati hai।

42However, your success is the success attained by using the method of right principles. 43This is why you yourselves become embodiments of success for half a cycle. 44For the other half cycle, through your principles, devotee souls continue to attain the fruit according to their capacity and they also attain success, because, according to the time, the power of devotion also continues to decrease.

36satopradhaan bhakti ki shakti, bhakta aatmaon ko siddhi ki anubhooti aajkal ke bhakton se jyaada karaati hai।

45The devotee souls (of the copper age) experience greater success through the power of their satopradhan devotion than the devotees of today do.

37is samay ki bhakti tamopradhaan bhakti hone ke kaaran na yathaartha siddhaanta raha hai, na siddhi rahi hai।

46Because the devotion of the present time is tamopradhan, there are neither any accurate principles nor any success.

38to itna nasha rehta hai ki ham kaun hain!

47So, do you have that much intoxication of who you are?

39sada is shreshtha svamaan ke sthiti ki seat par set rehte ho?

48Do you always remain seated on the seat of your elevated self-respect?

40kitni oonchi seat hai!

49This seat is so elevated.

41jab is sthiti ki seat par set (sthir) rehte ho to baar-baar upset (asthir) nahin honge।

50When you remain set on the seat of this stage, you will not repeatedly get upset.

42yeh position hai na।

51This is your position, is it not?

43kitna bada position hai - vidhi-vidhaan, siddhi-daata!

52How great your position is: the law makers, the bestowers of success!

44to jab is position mein sthit honge to maaya opposition nahin karengi।

53When you remain stable in this position, Maya will not be able to cause opposition.

45sada hi safe rahenge।

54You will constantly remain safe.

46upset hone ka kaaran hi yeh hai ki apni shreshtha sthiti ki seat se saadhaaran sthiti mein aa jaate ho।

55The reason for your becoming upset is that you move into a state of an ordinary consciousness from your seat of an elevated consciousness.

47yaad mein rehna va seva karna ek saadhaaran dincharya ban jaati hai।

56Staying in remembrance and doing service becomes an ordinary routine in your timetable.

48lekin yaad mein bhi baithte ho to apne koi na koi shreshtha svamaan ki seat par baitho।

57However, when you sit in remembrance, sit on the seat of one or another form of your elevated self-respect.

49sirf aise nahin ki yaad ke sthaan par, chaahe yog ke kamre mein, chaahe baba ke kamre mein bed (bistar) se uthkar baith gaye va saare din mein jaakar baith gaye lekin jaise shareer ko yogya sthaan dete ho, vaise pahle buddhi ko sthiti ka sthaan do।

58Not that you just get out of bed and go and sit where yoga is taking place, whether in the meditation room or in Baba’s room, or that you sit in yoga the whole day. 59But, just as you give your body a proper place to sit, so first of all give your intellect the place of a good stage.

50pahle yeh chaik karo ki buddhi ko sthaan theek diya?

60First of all check whether you have given your intellect a proper place.

51to eeshvareey nasha seat se svatah hi aata hai।

61With the right seat, you automatically have that Godly intoxication.

52aajkal bhi ‘kursi ka nasha' kehte hain na!

62Nowadays, people speak of the “intoxication of their chair (position)”.

53aapka to shreshtha sthiti ka aasan hai।

63Your seat is that of an elevated stage.

54kabhi ‘master beejroop' ki sthiti ke aasan par, seat par set ho, kabhi ‘avyakt pharishte' ki seat par set ho, kabhi ‘vishwa-kalyaankaari sthiti' ki seat par set ho - aise har roz bhinna-bhinna sthiti ke aasan par va seat par set hokar baitho।

64Sometimes, set yourself on the seat of the stage of a master seed; sometimes, sit on the seat of an avyakt angel; sometimes, sit on the seat of a world benefactor. 65Sit yourself in this way on the seat of the different stages every day.

55agar kisi ko bhi seat set nahin hoti hai to halchal karte hain na - kabhi aisa karenge, kabhi vaisa karenge!

66If someone is not seated on his seat properly, he is not stable. 67Sometimes, he will move in one direction and sometimes in another direction.

56to yeh buddhi bhi halchal mein tab aati hai jab seat par set nahin hote।

68Similarly, your intellect is disturbed when you are not set on your seat.

57jaante to sab hain ki ham yeh-yeh hain।

69You all know that you are this and that.

58agar abhi ye poochhen ki aap kaun hain, to lambi list achhi nikal aayegi।

70If you were to be asked now, "Who are you?", a very good long list would emerge.

59lekin har samay jo jaante ho, woh apne ko maano।

71However, at every moment, consider yourself to be what you know yourself to be.

60sirf jaanon nahi, maano kyonki jaanne se sookshm mein khushi to rehti hai - haan, main yeh hoon।

72Do not just know yourself, but also accept yourself as that, because by knowing yourself you stay in subtle happiness: “Yes, I am this.”

61lekin maanne se shakti aati hai aur maankar chalne se nasha rehta hai।

73However, by accepting yourself to be that, you receive power and, by moving along considering yourself to be that, you also have intoxication.

62jaise koi bhi position vaale jab seat par set hote hain to khushi hogi lekin shakti nahin hogi।

74Just as when someone with a position is set on his seat, he has happiness, but not that power.

63to jaante ho lekin maankar chalo aur baar-baar apne se poochho, check karo ki seat par set hoon ya saadhaaran sthiti mein neeche aa gaya?

75So you too know, but you must also move along considering yourself to be that and repeatedly ask yourself and check: Am I set on my seat or have I come down into an ordinary stage?

64jo auron ko siddhi dene vaale hain, woh svayan har sankalp mein, har karma mein siddhi swaroop avashya honge, daata honge।

76Those who bring about success in others will definitely be embodiments of success themselves in every thought and every action; they will be bestowers.

65siddhi-daata kabhi yeh soch bhi nahin sakte ki jitna purushaartha karte hain va mehnat karte hain, itni siddhi dikhaai nahin deti hai va jitna yaad mein abhyaas karte hain, utni siddhi nahin anubhav hoti hai।

77Bestowers of success would never think that they are not able to see much success from the efforts or the hard work they are doing, that they are not experiencing much success in their practice of remembrance.

66isse siddha hai ki seat par set hone ki vidhi yathaartha nahin hai।

78That would indicate that their method of sitting on their seat is not accurate.

67ramneek gyaan hai। 68ramneek anubhav svatah hi susti ko bhaga deta hai।

79Knowledge is entertaining and entertaining experiences will automatically chase away laziness.

69yeh to kai kehte hain na - vaise neend nahin aayegi lekin yog mein neend avashya aayegi।

80Some say: Normally, sleep wouldn't come, but when I sit in yoga, I feel sleepy.

70yeh kyon hota hai?

81Why does this happen?

71aisi baat nahin ki thakaavat hai lekin ramneek reeti se aur natural roop se buddhi ko seat par set nahin karte ho।

82It is not that you are tired, but that you don’t set your intellect on its seat in an entertaining and natural way.

72to sirf ek roop se nahin lekin variety roop se set karo।

83So, don’t just set it in one way, but set it in various ways.

73vahi cheez agar variety roop se parivartan kar use karte hain to dil khush hoti hai।

84If the same thing is used in a variety of ways, when it is transformed, your heart becomes happy.

74chaahe badhiya cheez ho lekin agar ek hi cheej baar-baar khaate raho, dekhte raho to kya hoga?

85No matter how delicious something may be, if you keep eating that same thing again and again, or if you keep looking at the same thing again and again, what would happen?

75aise, beejroop bano lekin kabhi light-house ke roop mein, kabhi might-house ke roop mein, kabhi vriksha ke oopar beej ke roop mein, kabhi srishti-chakra ke oopar top par khade hokar sabhi ko shakti do।

86Similarly, be the seed form: sometimes experience the form of a lighthouse, sometimes a might-house, sometimes be the seed on top of the tree, sometimes stand on top of the world cycle and give power to everyone.

76jo bhinna-bhinna taai-tal milte hain, woh roz bhinna-bhinna title anubhav karo।

87Experience the different titles that you have received in different ways each day.

77kabhi noore ratna ban baap ke naynon mein samaaya hoon - is swaroop ki anubhooti karo।

88Sometimes, experience the form: I, the jewel of Baba's eyes, am merged in the Father’s eyes.

78kabhi mastakamni ban, kabhi takhtansheen ban… bhinna-bhinna svaroopon ka anubhav karo।

89Sometimes, be the jewel on the forehead. 90Sometimes, be seated on the heart throne.

79variety karo to ramneekta aayegi।

91Experience the different forms.

80baapdaada roz murli mein bhinna-bhinna title dete hain, kyon dete hain?

92Let there be variety and you will be entertained. 93BapDada gives you a variety of titles every day in the murli.

81usi seat par set ho jaao aur sirf beech-beech mein check karo।

94Why does He do this? 95So that you can set yourselves on those seats.

82pahle bhi sunaaya tha ki yeh bhool jaate ho।

96Just simply check this from time to time.

836 ghante, 8 ghante beet jaate hain, phir sochte ho isliye udaas ho jaate ho ki aadha din to chala gaya!

97You have heard before how you forget this and how, after six or eight hours have gone by, you then think about it. 98That is why you become unhappy that half the day has already gone.

84natural abhyaas ho jaaye, tab hi vidhi-vidhaata va siddhi-daata ban vishwa ki aatmaon ka kalyaan kar sakenge।

99Let this become a natural practice for only then will you become bestowers of the law, bestowers of success and be able to benefit all the souls of the world.

85samjha!

100Do you understand?

86achha।

101Achcha.

87aaj madhuban vaalon ka din hai।

102Today is the day for the Madhuban residents.

88double videshi apne samay ka chance de rahe hain kyonki madhuban nivaasiyon ko dekhkar khush hote hain।

103It is good that the double foreigners have given you a chance out of their time because they are happy to see the Madhuban residents.

89madhuban vaale kehte hain mahima nahin karo, mahima bahut suni hai।

104The Madhuban residents say: Don't praise us; we have heard a great deal of praise.

90mahima sunte hi mahaan ban rahe hain kyonki yeh mahima hi dhaal ban jaati hai।

105Hearing your praise, you are becoming great, because that praise then becomes a shield.

91jaise yuddha mein safety ka saadhan dhaal hoti hai na। 92to yeh mahima bhi smriti dilaati hai ki ham kitne mahaan hai!

106Just as on a battlefield, a shield is a means of safety, so this praise reminds you of how great you are.

93madhuban, sirf madhuban nahin hai lekin madhuban hai vishwa ki stage।

107Madhuban isn't just Madhuban but Madhuban is a world stage.

94madhuban mein rehna arthaat vishwa ki stage par rehna।

108To live in Madhuban means to live on a world stage.

95to jo stage par rehta hai, woh kitna attention se rehta hai!

109Those who are on a stage pay so much attention.

96saadhaaran reeti se koi kisi bhi sthaan par rehta hai to itna attention nahin rehta hai lekin jab stage par aayega to har samay, har karma par itna hi attention hoga।

110In an ordinary way, wherever people may be staying, they wouldn’t pay such attention. 111However, when someone goes onto a stage, at all times, in every action, there would be that much attention paid.

97to madhuban vishwa ki stage hai।

112Madhuban is a world stage.

98chaaron or ki najar madhuban ke oopar hi hai।

113The vision of souls everywhere is on Madhuban.

99vaise bhi sabka attention stage ki taraph jaata hai na!

114In any case, everyone's attention is always focused on the stage.

100to madhuban nivaasi sada vishwa ki stage par sthit hain।

115So the residents of Madhuban are the ones who are constantly stable on a world stage.

101saath-saath madhuban ek vichitra gumbaj hai aur gumbaj jo hote hain uska aavaaj apne tak aata hai lekin madhuban aisa vichitra gumbaj hai jo madhuban ka jara-sa aavaaj vishwa tak chala jaata hai।

116As well as that, Madhuban is also a unique dome. 117The slightest sound made in this dome echoes. 118Madhuban is such a unique dome that the slightest sound in Madhuban reaches the whole world.

102jaise aajkal ke puraane jamaane ke kai aise sthaan nishaani-maatra hain jo ek deevaar ko agar aise haath lagaayenge va aavaaj karenge to das deevaaron mein woh aavaaj aayega aur aise hi sunaai dega jaise is deevaar ko koi hila raha hai ya aavaaj kar raha hai। 103to madhuban aisa vichitra gumbaj hai jo madhuban ka aavaaj sirf madhuban tak nahin rehta lekin chaaron or phail jaata hai।

119Nowadays, they have such memorial places (in name only) where, if you touch one wall or make a sound against one wall, there will be a ripple effect on ten walls, and it will sound like someone tapping on that same wall. 120So, Madhuban is such a unique dome that its sound not only reaches Madhuban, but it spreads in all directions. 121It spreads in such a way that those living in Madhuban would not even be aware of it.

104aise phailta hai jo madhuban mein rahne vaalon ko pata bhi nahin hoga।

122This is its uniqueness and this is why it spreads everywhere outside.

105lekin vichitrata hai na, isliye baahar pahunch jaata hai isliye aise nahin samjho ki yahaan dekha ya yahaan bola... lekin vishwa tak aavaaj hava ki raphtaar se pahunch jaata hai kyonki sabki nazron mein, buddhi mein sada madhuban aur madhuban ka baapdaada hi rehta hai।

123Therefore, never think that whatever has happened here is just here, or that whatever is seen here is seen only here or is spoken only here. 124However, the sound reaches the world at the speed of the wind, because everyone’s vision and intellect is always focused on Madhuban and BapDada of Madhuban.

106to jab madhuban ka baap najron mein rehta hai to madhuban bhi aayega na!

125The Father of Madhuban is in your vision; therefore, Madhuban would also be in your vision, would it not?

107madhuban ka baba hai to madhuban to aayega na aur madhuban mein sirf baba to nahin hai, bachche bhi hain।

126If Baba of Madhuban is here, Madhuban must also be here. 127There isn’t just Baba in Madhuban, there are also the children.

108to madhuban-vaasi svatah hi sabki nazron mein aa jaate hain!

128So, the residents of Madhuban are automatically in everyone's vision.

109koi bhi brahman se poochho, chaahe kitna bhi door rehta ho lekin kya yaad rehta hai?

129Ask any Brahmin, no matter how far away they live, what it is they remember.

110‘madhuban' aur ‘madhuban ka baba'!

130They remember “Madhuban” and “Baba of Madhuban”.

111to itna mahatva hai madhubanvaasiyon ka।

131The residents of Madhuban have so much importance!

112samjha?

132Do you understand?

113achha!

133Achcha.

114chaaron or ke sarva seva ke umang-utsaah mein rahne vaale, sada ek baap ke sneh mein samaaye hue, sada har karma mein shreshtha vidhi dvaara siddhi ko anubhav karne vaale, sada svayan ko vishwa ke kalyaankaari anubhav kar har sankalp se, bol se shreshtha kalyaan ki bhaavna aur shreshtha kaamna se seva mein busy rahne vaale, aise baap samaan sada athak sevaadhaari bachchon ko baapdaada ka yaadapyaar aur namaste।

134To all those everywhere who maintain zeal and enthusiasm for doing service, to those who constantly remain merged in love for the one Father, to those who constantly experience success by using the elevated methods in every action, to those who constantly experience themselves to be world benefactors and who remain busy in doing service with their elevated good wishes and pure feelings in every thought and word, to the constantly tireless server children who are like the Father, BapDada's love, remembrance and namaste.

115personal mulaakaat:-

135Personal meetings:

1161. svayan ko karmayogi shreshtha aatma anubhav karte ho?

136Do you experience yourselves to be elevated karma yogi souls?

117karmayogi aatma sada karma ka pratyaksha phal svatah hi anubhav karti hai।

137A karma yogi soul constantly experiences the instant fruit of action in a natural way.

118pratyakshaphal - ‘khushi' aur ‘shakti'।

138The instant fruit is happiness and power.

119to karmayogi aatma arthaat pratyakshaphal ‘khushi' aur ‘shakti' anubhav karne vaali।

139So, a karma yogi soul means one who experiences the instant fruit of happiness and power.

120baap sada bachchon ko pratyakshaphal praapta karaane vaale hain।

140The Father constantly enables you children to attain the instant fruit.

121abhi-abhi karma kiya, karma karte khushi aur shakti ka anubhav kiya!

141One minute you perform the action and while performing the action, you experience happiness and power.

122to aisi karmayogi aatma hoon - isi smriti se aage badhte raho।

142So, constantly continue to move forward with the awareness: I am such a karma yogi soul.

1232. behad ki seva karne se behad ki khushi ka svatah hi anubhav hota hai na!

143By doing unlimited service, you automatically experience unlimited happiness, do you not?

124behad ka baap behad ka adhikaari banaate hain।

144The unlimited Father gives you all rights to the unlimited.

125behad seva ka phal behad ka raajya bhaagya svatah hi praapta hota hai।

145As the fruit of the unlimited service you do, you automatically receive the unlimited fortune of the kingdom.

126jab behad ki sthiti mein sthit hokar seva karte ho to jin aatmaon ke nimitta bante ho, unki duaayen svatah aatma mein ‘shakti' aur ‘khushi' ki anubhooti karaati hain।

146When you serve while stable in an unlimited stage, the good wishes that you receive from those for whom you become instruments automatically give you the experience of power and happiness.

127ek sthaan par baithe bhi behad seva ka phal mil raha hai - is behad ke nashe se behad ka khaata jama karte aage badhte chalo।

147While sitting anywhere, you receive the fruit of unlimited service. 148With this unlimited intoxication, accumulate in your unlimited account and continue to move forward.

Blessing

128vardaan:- second mein deh roopi chole se nyaara ban karmabhog par vijay praapta karne vaale sarva shakti sampanna bhav

149Blessing: May you be full of all powers and gain victory over the suffering of karma by becoming detached from the costume of your body in a second.

129jab karmabhog ka jor hota hai, karmendriyaan karmabhog ke vash apni taraph aakarshit karti hain arthaat jis samay bahut darda ho raha ho, aise samay par karmabhog ko karmayog mein parivartan karne vaale, saakshi ho karmendriyon se bhogvaane vaale hi sarva shakti sampanna ashta ratna vijayi kahlaate hain।

150 When there is the force of the suffering of karma, your physical organs pull you towards the suffering of karma. 151At the time, when there is a lot of pain because of the effect of that suffering, those who transform the suffering of karma (karma bhog) into karma yoga, who go through the suffering with their physical organs as detached observers, are called those of the eight victorious jewels who are full of all powers.

130iske liye bahut samay ka deh roopi chole se nyaara banne ka abhyaas ho।

152For this, practise over a long period of time of being detached from the costume of the body.

131yeh vastra, duniya ki va maaya ki aakarshan mein tight arthaat kheencha hua na ho tab sahaj utrega।

153Let your costume not be tight due to the attraction of the world or of Maya, that is, let it not be pulled. 154Only then will it be removed easily.

Slogan

132slogan:- sarva ka maan praapta karne ke liye nirmaanchit bano - nirmaanta mahaanta ki nishaani hai।

155Slogan: In order to receive everyone’s respect have a humble heart, humility is a sign of greatness.

156*** Om Shanti ***