शनिवार 27 सितंबर 2025 की दैनिक मुरली

⁰27-09-2025 praatahmurli om shanti "baapdaada"' madhuban

⁰27/09/25 Morning Murli Om Shanti BapDada Madhuban

¹“meethe bachche - tum abhi sachchi-sachchi paathshaala mein baithe ho, yeh satsang bhi hai, yahaan tumhein sat baap ka sang mila hai, jo paar laga deta hai''

¹Essence: Sweet children, you are now sitting in a true pathshala (place of study). ²This is also a true satsang (Company of the Truth). ³Here, you receive the company of the true Father and it is this that takes you across.

²prashn:- hisaab-kitaab ke khel mein manushyon ki samajh aur tumhaari samajh mein kaun sa antar hai?

⁴Question: What is the difference between the understanding that you have and the understanding that other people have regarding karmic accounts?

³uttar:- manushya samajhte hain - yeh jo duhkh-sukh ka khel chalta hai, yeh duhkh-sukh sab paramatma hi dete hain aur tum bachche samajhte ho ki yeh har ek ke karmon ke hisaab ka khel hai।

⁵Answer: People believe that, in this play of happiness and sorrow, it is God who gives both happiness and sorrow, whereas you children know that this is a play about each one’s karmic accounts.

⁴baap kisi ko bhi duhkh nahin dete।

⁶The Father never causes sorrow for anyone.

⁵woh to aate hi hain sukh ka raasta bataane।

⁷In fact, He comes to show you the path to happiness.

⁶baba kehte hain - bachche, mainne kisi ko bhi duhkhi nahin kiya hai।

⁸Baba says: Children, I have never made anyone unhappy.

⁷yeh to tumhaare hi karmon ka phal hai।

⁹That unhappiness is the fruit of your own actions.

⁸geet:- is paap ki duniya se…

¹⁰Song: Take us away from this world of sin to a place of rest and comfort.

⁹om shanti।

¹¹Om shanti.

¹⁰meethe-meethe roohaani bachchon ne geet suna।

¹²You sweetest, spiritual children heard the song.

¹¹kisko pukaarte hain?

¹³To whom were they calling out?

¹²baap ko।

¹⁴To the Father.

¹³baba aakar is paap ki kaliyugi duniya se satayugi punya ki duniya mein le chalo।

¹⁵Baba, come and take us away from this iron-aged world of sin to a golden-aged world of charity.

¹⁴abhi jeev aatmaayen sab kaliyugi hain।

¹⁶All human souls are now iron aged.

¹⁵unhon ki buddhi oopar jaati hai।

¹⁷Their intellects go upwards.

¹⁶baap kehte hain main jo hoon, jaisa hoon, aisa koi nahin jaante hain।

¹⁸The Father says: No one knows Me as I am or what I am.

¹⁷rishi-muni aadi bhi kehte hain ham rachayita maalik arthaat behad ke baap aur unki behad ki rachna ke aadi-madhya-ant ko nahin jaante hain।

¹⁹Rishis and munis too have been saying: “We do not know the Creator, the Master, that is the unlimited Father, or the beginning, middle or end of His unlimited creation.”

¹⁸aatmaayen jahaan rehti hain woh hai brahm mahtatva, jahaan soorya chaand nahin hote hain।

²⁰The place where souls reside is the element of brahm, the element of light, where neither the sun nor the moon exists.

¹⁹na mool vatan, na sookshm vatan mein।

²¹They neither exist in the incorporeal region nor in the subtle region.

²⁰baaki is maandave mein to bijliyaan aadi sab chaahiye na।

²²However, there does have to be light, etc. for this stage.

²¹to is maandave ko bijli milti hai - raat ko chaand sitaare, din mein soorya।

²³Therefore, this stage receives light from the moon and stars at night and from the sun during the day.

²²yeh hain battiyaan।

²⁴Those are the lights.

²³in battiyon ke hote hue bhi andhiyaara kaha jaata hai।

²⁵Although those lights do exist, there is still said to be darkness.

²⁴raat ko to phir bhi batti jalaani padti hai।

²⁶At night, you still have to switch on a light.

²⁵satayug treta ko kaha jaata hai din aur bhakti maarga ko kaha jaata hai raat।

²⁷The golden and silver ages are called the day and the path of devotion is called the night.

²⁶yeh bhi samajh ki baat hai।

²⁸This is a matter of understanding.

²⁷nai duniya so phir puraani zaroor banengi।

²⁹The new world will then definitely become old.

²⁸phir nai hogi to puraani ka zaroor vinaash hoga।

³⁰That will then become new again and the old one will definitely be destroyed.

²⁹yeh hai behad ki duniya।

³¹This is an unlimited world.

³⁰makaan bhi koi bahut bade-bade hote hain raajaaon aadi ke।

³²Some of the homes of the kings, etc. are very large. ³³This home is unlimited.

³¹yeh hai behad ka ghar, maandava athva stage, inko karmakshetra bhi kaha jaata hai।

³⁴This is the stage. ³⁵This stage can also be called the field of action.

³²karma to zaroor karna hota hai।

³⁶You definitely have to perform actions.

³³sab manushyon ke liye yeh karmakshetra hai।

³⁷This is the field of action for all human beings.

³⁴sabko karma karna hi hai, part bajaana hi hai।

³⁸Everyone has to perform actions. ³⁹Everyone has to play his part.

³⁵part har ek aatma ko pahle se mila hua hai।

⁴⁰Every soul has received a part in advance.

³⁶tumhaare mein bhi koi hain jo in baaton ko achhi reeti se samajh sakte hain।

⁴¹There are also some among you who are able to understand these things very well.

³⁷vaastav mein yeh geeta paathshaala hai।

⁴²In fact, this is a gita pathshala.

³⁸paathshaala mein kabhi boodhe aadi padhte hain kya?

⁴³Do old people, etc. ever study in a pathshala?

³⁹yahaan to boodhe, javaan aadi sab padhte hain।

⁴⁴Here, everyone studies; young and old, etc.

⁴⁰vedon ki paathshaala nahin kahenge। ⁴¹vahaan koi bhi em object hoti nahin hai।

⁴⁵This isn’t called a vedas pathshala; there is no aim or objective there.

⁴²ham itne ved-shaastra aadi padhte hain, inse kya banenge - woh jaante nahin।

⁴⁶They study the Vedas and scriptures, etc. so much, but they don’t know what they will become by doing that.

⁴³koi bhi jo satsang hain, em object kuchh nahin hai।

⁴⁷None of those satsangs have any aim or objective.

⁴⁴ab to unko satsang kahne se lajja aati hai।

⁴⁸One is embarrassed now even to call that a satsang (Company of the Truth).

⁴⁵sat to ek baap hi hai, jiske liye kaha jaata hai sang taare.... kusang bore.....।

⁴⁹Only the one Father is the Truth, and it is of Him that it is said: “Good company takes you across and bad company drowns you.”

⁴⁶kusang kaliyugi manushyon ka। ⁴⁷sat ka sang to ek hi hai।

⁵⁰Bad company is the company of iron-aged human beings and only the company of the One is the company of the Truth.

⁴⁸abhi tumko wonder lagta hai। ⁴⁹saare srishti ke aadi-madhya-ant ka gyaan kaise baap dete hain, tumko to khushi honi chaahiye। ⁵⁰tum sachchi-sachchi paathshaala mein baithe ho।

⁵¹You are now amazed at how the Father gives you this knowledge of the beginning, the middle and the end of the whole world. ⁵²You should have the happiness of knowing that you are sitting in this true pathshala.

⁵¹baaki sab hain jhoothi paathshaalaayen, un satsangon aadi se kuchh bhi bankar nikalte nahin।

⁵³All other pathshalas are false. ⁵⁴No one becomes someone special by going to those satsangs, etc.

⁵²school-college aadi se phir bhi kuchh bankar nikalte hain kyonki padhte hain। ⁵³baaki kahaan bhi padhaai nahin hai।

⁵⁵At least, by going to a school or college they can become something, because they study; there is no study anywhere else.

⁵⁴satsang ko padhaai nahin kahenge।

⁵⁶A satsang is not called a study.

⁵⁵shaastra aadi to padhkar phir dukaan khol baithte hain, paisa kamaate hain।

⁵⁷People study the scriptures and then open shops; they earn money in that way.

⁵⁶granth thoda seekhkar, guroodvaara khol baith jaate hain।

⁵⁸They study the Granth a little and open up a gurudwara (Sikh temple, doorway to the Guru).

⁵⁷guroodvaare bhi kitne kholte hain।

⁵⁹So many gurudwaras have been opened.

⁵⁸guru ka dvaar arthaat ghar kahenge na।

⁶⁰The dwara (doorway) of the guru would be to his home.

⁵⁹phaatak khulta hai, vahaan jaakar shaastra aadi padhte hain।

⁶¹When they open the doors of big gurudwaras, people go and study the scriptures there.

⁶⁰tumhaara guroodvaara hai - mukti aur jeevanmukti dhaam, satguru dvaar।

⁶²Your gurudwara, the doorway to the Satguru, is to the land of liberation and the land of liberation-in-life.

⁶¹satguru ka naam kya hai?

⁶³What is the name of the Satguru?

⁶²akaal moorta।

⁶⁴The Immortal Image.

⁶³satguru ko akaal moorta kehte hain, woh aakar mukti-jeevanmukti ka dvaar kholte hain।

⁶⁵The Satguru is called the Immortal Image. ⁶⁶He comes and opens the gates to liberation and liberation-in-life.

⁶⁴akaalmoorta hain na।

⁶⁷He is the Immortal Image.

⁶⁵jisko kaal bhi kha nahin sakta।

⁶⁸Death cannot come to Him.

⁶⁶aatma hai hi bindi, unko kaal kaise khaayega।

⁶⁹A soul is just a point. ⁷⁰How could a soul experience death?

⁶⁷woh aatma to shareer chhodkar bhaag jaati hai।

⁷¹That soul would leave his body and run off.

⁶⁸manushya samajhte thode hi hain ki ek puraana shareer chhod phir jaae doosra legi phir ismen rone ki kya darkaar hai।

⁷²People don’t understand that a soul leaves his old body and takes a new one. ⁷³So, what is there to cry about?

⁶⁹yeh tum jaante ho - drama anaadi bana hua hai। ⁷⁰har ek ko part bajaana hi hai।

⁷⁴You know that this drama is created eternally.Everyone has to play his own part.

⁷¹baap ne samjhaaya hai - satayug mein hain nashtomoha।

⁷⁵The Father has explained that those in the golden age had conquered attachment.

⁷²mohjeet ki bhi kahaani hai na।

⁷⁶There is the story of the king who conquered attachment.

⁷³pandit log sunaate hain, maataayen bhi sun-sun kar phir granth rakh baith jaati hain - sunaane ke liye।

⁷⁷Pundits relate the scriptures, and mothers, having listened to the Granth, start to relate it themselves.

⁷⁴bahut manushya jaakar sunte hain।

⁷⁸Many people go there and listen to it.

⁷⁵unko kaha jaata hai kanras।

⁷⁹That is called pleasing the ears.

⁷⁶drama plan anusaar manushya to kahenge hamaara dosh kya hai।

⁸⁰According to the drama plan, people ask: “Why should I be blamed?”

⁷⁷baap kehte hain tum hamko bulaate ho ki duhkh ki duniya se le jaao।

⁸¹The Father says: You called out to Me to come and take you away from this world of sorrow.

⁷⁸ab main aaya hoon to mera sunna chaahiye na।

⁸²I have now come. ⁸³Therefore, you should listen to Me.

⁷⁹baap bachchon ko baith samjhaate hain, achhi mat milti hai to woh leni chaahiye na।

⁸⁴The Father sits here and explains to you children. ⁸⁵When you receive good directions, you should take them.

⁸⁰tumhaara bhi koi dosh nahin hai।

⁸⁶You are not to be blamed.

⁸¹yeh bhi drama tha।

⁸⁷That too is in the drama.

⁸²raam raajya, raavan raajya ka khel bana hua hai।

⁸⁸The play about Rama’s kingdom and Ravan’s kingdom is created.

⁸³khel mein koi haar jaate hain to unka dosh thode hi hai। ⁸⁴jeet aur haar hoti hai, ismen ladaai ki baat nahin।

⁸⁹In a play, some are defeated, but they can’t be blamed; there is victory and defeat. ⁹⁰There is no question of a battle in this.

⁸⁵tumko baadshaahi thi।

⁹¹You had that kingdom.

⁸⁶yeh bhi aage tumko maaloom nahin tha, abhi tum samajhte ho jo serviceable hain, jiska naam baala hai।

⁹²Previously, you didn’t know this. ⁹³You now know the ones who are serviceable and whose names are well known.

⁸⁷dehli mein sabse naameegraami samjhaane vaala kaun hai?

⁹⁴Who is the most well-known one in Delhi who explains this knowledge?

⁸⁸to jhat naam lenge jagdeesh ka।

⁹⁵They instantly mention the name of Brother Jagdish.

⁸⁹tumhaare liye magazine bhi nikaalte hain।

⁹⁶He also has a magazine printed for you.

⁹⁰usmein sab kuchh aa jaata hai।

⁹⁷Everything is included in that.

⁹¹anek prakaar ki points likhte hain, brijmohan bhi likhte hain।

⁹⁸Many different points are written in that. ⁹⁹Brother Brijmohan also writes such points.

⁹²likhna koi maasi ka ghar thode hi hai।

¹⁰⁰To write these points is not like going to your aunty’s home.

⁹³zaroor vichaar saagar manthan karte hain, achhi service karte hain।

¹⁰¹Therefore, they must definitely churn the ocean of this knowledge. ¹⁰²The service they do is very good.

⁹⁴kitne log padhkar khush hote hain।

¹⁰³So many become very happy when they read it.

⁹⁵bachchon ko bhi refreshment milti hai।

¹⁰⁴Children receive refreshment.

⁹⁶koi koi pradarshani mein bahut maatha maarte hain, koi-koi karmabandhan mein phanse hue hain, isliye itna utha nahin sakte hain।

¹⁰⁵Some beat their heads a great deal at the exhibitions. ¹⁰⁶Others are trapped by their karmic bondages. ¹⁰⁷This is why they are unable to take that much of this knowledge.

⁹⁷yeh bhi kahenge drama, ablaaon par bhi atyaachaar hone ka drama mein part hai।

¹⁰⁸This too is called the drama. ¹⁰⁹It is also part of the drama for innocent ones to be beaten.

⁹⁸aisa part kyon bajaaya, yeh prashn hi nahin uthta। ⁹⁹yeh to anaadi bana banaaya drama hai।

¹¹⁰The question of why there is such a part doesn’t arise: it is predestined in the drama.

¹⁰⁰unko kuchh kar thode hi sakte hain।

¹¹¹You cannot do anything about it.

¹⁰¹koi kehte hain hamne gunaah kya kiya jo aisa part rakha hai।

¹¹²Some ask: What crime have I committed that such a part has been created for me?

¹⁰²ab gunaah ki to baat nahin।

¹¹³There is no question of a crime.

¹⁰³yeh to part hai।

¹¹⁴It is just part of it.

¹⁰⁴ablaayen koi to nimitta banengi, jin par sitam honge।

¹¹⁵Some innocent ones will be instruments to be assaulted.

¹⁰⁵aise to phir sab kahenge hamko yeh part kyon?

¹¹⁶In that case, they would all say: Why have I been given this part?

¹⁰⁶nahin, yeh bana-banaaya drama hai।

¹¹⁷No, this drama is predestined.

¹⁰⁷purushon par bhi atyaachaar hote hain।

¹¹⁸Even some men are assaulted.

¹⁰⁸in baaton mein sahansheelta kitni rakhni padti hai।

¹¹⁹You have to be very tolerant of those things.

¹⁰⁹bahut sahansheelta chaahiye।

¹²⁰You need a lot of tolerance power.

¹¹⁰maaya ke vighna to bahut padenge।

¹²¹Many obstacles of Maya will come.

¹¹¹vishwa ki baadshaahi lete ho to kuchh mehnat karni pade।

¹²²Since you are claiming sovereignty over the world, you do have to make some effort.

¹¹²drama mein aapdaayen, khitpit aadi kitni hai।

¹²³There are so many calamities and conflicts, etc. in the drama.

¹¹³ablaaon par atyaachaar likha hua hai।

¹²⁴"Assaults on innocent ones" has been written about.

¹¹⁴rakta ki nadiyaan bhi bahengi।

¹²⁵Rivers of blood will flow too.

¹¹⁵kahaan bhi safety nahin rahegi।

¹²⁶There won't be safety anywhere.

¹¹⁶abhi to subah ko class aadi mein jaate ho, centres par।

¹²⁷You are now able to go to the centres for morning class.

¹¹⁷woh bhi samay aayega jo tum baahar nikal bhi nahin sakenge।

¹²⁸The time will come when you won't even be able to go out.

¹¹⁸din-pratidin jamaana bigadta jaata hai aur bigadna hai।

¹²⁹Day by day, the times are getting worse and they have to become worse still.

¹¹⁹duhkh ke din bahut zor se aayenge।

¹³⁰Days of sorrow will come with great force.

¹²⁰beemaari aadi mein duhkh hota hai to phir bhagwan ko yaad karte, pukaarte hain।

¹³¹When someone has an illness and suffers pain, he remembers God and calls out to Him.

¹²¹abhi tumko maaloom hai baaki thode din hain। ¹²²phir ham apne shantidham, sukhdhaam zaroor jaayenge।

¹³²You know that only a few more days now remain, and that we will then definitely go to our land of peace and then to our land of happiness.

¹²³duniya ko to yeh bhi pata nahin hai।

¹³³No one in the world knows even this.

¹²⁴abhi tum bachche feel karte ho na। ¹²⁵abhi baap ko poori reeti jaan gaye hain।

¹³⁴You children feel that you now know the Father fully.

¹²⁶woh sab to samajhte hain paramatma ling hai।

¹³⁵All of them think that God is an oval shape.

¹²⁷shivling ki pooja bhi karte hain।

¹³⁶They even worship that oval shape (Shiva lingam).

¹²⁸tum shiv ke mandir mein jaate the, kabhi yeh khyaal kiya ki shiv-ling kya cheez hai?

¹³⁷When you used to go to a temple of Shiva, did you ever wonder what the Shiva lingam was?

¹²⁹zaroor yeh jad hai to chaitanya bhi hoga!

¹³⁸Since that non-living image exists, there must be a living being whom it represents.

¹³⁰yeh tab kya hai?

¹³⁹What is all of that?

¹³¹bhagwan to rachta hai oopar mein।

¹⁴⁰God, the Creator, is up above.

¹³²unki nishaani hai sirf pooja ke liye।

¹⁴¹That image is a symbol of Him and it is used to worship Him.

¹³³poojya honge to phir yeh cheezen nahin hongi।

¹⁴²When those who are worthy of worship exist, these things do not exist.

¹³⁴shiv kaashi ke mandir mein jaate hain, kisko pata thode hi hai bhagwan niraakaar hai। ¹³⁵ham bhi unke bachche hain।

¹⁴³The people who go to the Shiva temple at Kashi are unaware that God is incorporeal and that they are His children.

¹³⁶baap ke bachche hokar phir ham duhkhi kyon hain?

¹⁴⁴“We are His children, so why do we experience sorrow?”

¹³⁷vichaar karne ki baat hai na।

¹⁴⁵This is something to think about.

¹³⁸aatma kehti hai ham paramatma ki santaan hain phir ham duhkhi kyon hain?

¹⁴⁶The soul says: “I am a child of God. ¹⁴⁷So, why am I unhappy?”

¹³⁹baap to hai hi sukh dene vaala।

¹⁴⁸The Father is the Bestower of Happiness.

¹⁴⁰bulaate bhi hain - he bhagwan, hamaare duhkh mitaao।

¹⁴⁹You called out: O God, remove our sorrow!

¹⁴¹woh kaise mitaaye?

¹⁵⁰How can He remove that?

¹⁴²duhkh-sukh yeh to apne karmon ka hisaab hai।

¹⁵¹Happiness and sorrow are the accounts of your own karma.

¹⁴³manushya samajhte hain sukh ka evja sukh, duhkh ka evja duhkh paramatma hi dete hain।

¹⁵²People believe that God gives happiness as the return of happiness and sorrow as the return of sorrow.

¹⁴⁴un par rakh dete hain, baap kehte hain main kabhi duhkh nahin deta hoon।

¹⁵³They put everything on Him. ¹⁵⁴The Father says: I never cause sorrow.

¹⁴⁵main to aadhaakalpa ke liye sukh dekar jaata hoon।

¹⁵⁵I return home after granting you happiness for half a cycle.

¹⁴⁶yeh phir sukh aur duhkh ka khel hai।

¹⁵⁶This is a play about happiness and sorrow.

¹⁴⁷sirf sukh ka hi khel hota phir to yeh bhakti aadi kuchh na ho, bhagwan se milne ke liye hi yeh bhakti aadi sab karte hain na।

¹⁵⁷If it were just a play about happiness, there would not be any worshipping, etc. ¹⁵⁸People perform worship, etc. in order to meet God.

¹⁴⁸ab baap baith saara samaachaar sunaate hain।

¹⁵⁹The Father sits here and explains everything to you.

¹⁴⁹baap kehte hain tum bachche kitne bhaagyashaali ho।

¹⁶⁰He says: You children are so fortunate.

¹⁵⁰un rishi-muniyon aadi ka kitna naam hai।

¹⁶¹Those rishis and munis are very famous.

¹⁵¹tum ho raajarishi, woh hain hathayog rishi।

¹⁶²You are Raj Rishis. ¹⁶³They are hatha yoga rishis.

¹⁵²rishi arthaat pavitra।

¹⁶⁴Rishi means someone who is pure.

¹⁵³tum svarga ke raaja bante ho to pavitra zaroor banna pade।

¹⁶⁵You are becoming the kings of heaven, so you definitely do have to become pure.

¹⁵⁴satayug-treta mein jinka raajya tha unka hi phir hoga। ¹⁵⁵baaki sab peechhe aayenge।

¹⁶⁶Whoever the kingdom belonged to in the golden and silver ages, it will belong to them once again and everyone else will come later.

¹⁵⁶tum abhi kehte ho ham shreemat par apna raajya sthaapan kar rahe hain।

¹⁶⁷You now say: “We are establishing our own kingdom by following shrimat.”

¹⁵⁷puraani duniya ka vinaash hone mein bhi samay to lagega na।

¹⁶⁸It does take time for this old world to be destroyed.

¹⁵⁸satayug aana hai, kaliyug jaana hai।

¹⁶⁹The golden age has to come and the iron age has to go.

¹⁵⁹kitni badi duniya hai।

¹⁷⁰The world is so large.

¹⁶⁰ek-ek shahar manushyon se kitna bhara hua hai।

¹⁷¹Every city is full of so many people.

¹⁶¹dhanvaan aadmi duniya ka chakra lagaate hain।

¹⁷²Wealthy people go on world tours.

¹⁶²parantu yahaan saari duniya ko koi dekh na sake।

¹⁷³However, here, no one can see the whole world.

¹⁶³haan satayug mein dekh sakte hain kyonki satayug mein hai hi ek raajya, itne thode raajaayen honge, yahaan to dekho kitni badi duniya hai।

¹⁷⁴Yes, they can see it in the golden age, because there is just the one kingdom and very few kings.

¹⁶⁴itni badi duniya ka chakra kaun lagaaye।

¹⁷⁵Here, the world is so large. ¹⁷⁶Who would tour the whole world?

¹⁶⁵vahaan tumko samudra mein jaane ka nahin hai।

¹⁷⁷There, you won't even have to travel by sea.

¹⁶⁶vahaan Ceylon, barma aadi honge?

¹⁷⁸Do Ceylon, Burma, etc. exist there?

¹⁶⁷nahin, kuchh bhi nahin।

¹⁷⁹Not at all. ¹⁸⁰None of those places exist there.

¹⁶⁸yeh karaachi nahin hogi।

¹⁸¹Even Karachi doesn't exist there.

¹⁶⁹tum sab meethi nadiyon ke kinaare par rehte ho।

¹⁸²All of you reside on the banks of the sweet rivers.

¹⁷⁰kheti baadi aadi sab hoti hai, srishti to badi hai।

¹⁸³There are many farms and fields, etc. ¹⁸⁴The world is large.

¹⁷¹manushya bahut thode rehte hain phir peechhe vriddhi hoti hai।

¹⁸⁵Initially, there are very few human beings and then the number of them increases.

¹⁷²phir vahaan jaakar apna raajya sthaapan kiya।

¹⁸⁶Then they go abroad and establish their own kingdoms.

¹⁷³dheere-dheere hap karte gaye। ¹⁷⁴apna raajya sthaapan kar diya।

¹⁸⁷They gradually begin to take over everything and establish their own kingdoms.

¹⁷⁵abhi to sabko chhodna padta hai।

¹⁸⁸Everyone now has to let go of them.

¹⁷⁶ek bhaarat hi hai, jisne kisi ka bhi raajya chheena nahin hai kyonki bhaarat asul mein ahinsak hai na।

¹⁸⁹It is Bharat alone that has never snatched anyone's kingdom away, because in reality Bharat is non-violent.

¹⁷⁷bhaarat hi saari duniya ka maalik tha aur sab peechhe aaye hain jo tukde-tukde lete gaye hain।

¹⁹⁰It was Bharat alone that was the master of the whole world. ¹⁹¹All the others came later and took pieces of land.

¹⁷⁸tumne koi ko hap nahin kiya hai, angrejon ne hap kar liya hai।

¹⁹²You have not taken over anyone. ¹⁹³The British took over many countries.

¹⁷⁹tum bhaaratvaasiyon ko to baap vishwa ka maalik banaate hain।

¹⁹⁴The Father is making you people of Bharat into the masters of the world.

¹⁸⁰tum kahaan gaye thode hi ho।

¹⁹⁵You did not go and settle anywhere.

¹⁸¹tum bachchon ki buddhi mein yeh saari baaten hain, boodhi maataayen to itna sab samajh na saken।

¹⁹⁶All of these things are in the intellects of you children. ¹⁹⁷The old mothers cannot understand any of these things.

¹⁸²baap kehte hain achha hai jo tum kuchh bhi padhi nahin ho।

¹⁹⁸The Father says: It is good that you haven’t studied anything.

¹⁸³padha hua sab buddhi se nikaalna padta hai, ek baat sirf dhaaran karni hai - meethe bachche baap ko yaad karo।

¹⁹⁹You have to remove from your intellects everything you have studied. ²⁰⁰Simply imbibe one thing: Sweet children, remember the Father!

¹⁸⁴tum kehte bhi the na baba aap aayenge to ham vaari jaayenge, kurbaan jaayenge।

²⁰¹You used to say: “Baba, when You come, we will sacrifice ourselves to You.

¹⁸⁵tumhein phir hamaare par kurbaan jaana hai।

²⁰²You then have to sacrifice Yourself to us.”

¹⁸⁶len-den hoti hai na।

²⁰³There is an exchange.

¹⁸⁷shaadi ke time stri-purush ek do ke haath mein namak dete hain।

²⁰⁴At their wedding ceremony, the bride and groom give each other salt.

¹⁸⁸baap ko bhi kehte hain, ham puraana sab kuchh aapko dete hain।

²⁰⁵You tell the Father: “I give you everything of mine that is old.

¹⁸⁹marna to hai, yeh sab khatma hona hai।

²⁰⁶Everyone has to die. ²⁰⁷Everything is going to be destroyed.

¹⁹⁰aap hamko phir nai duniya mein dena।

²⁰⁸You will then give us all of that in the new world.”

¹⁹¹baap aate hi hain sabko le jaane।

²⁰⁹The Father has come to take everyone back home.

¹⁹²kaal hai na।

²¹⁰He is the Great Death.

¹⁹³sindha mein kehte the - yeh kaun sa kaal hai jo sabko bhagaakar le jaate hain, tum bachche to khush hote ho। ¹⁹⁴baap aate hi hain le jaane।

²¹¹In Sindh, they used to ask: “Which Death is this that is taking everyone away?” ²¹²You children become very happy, because the Father has come to take you back home.

¹⁹⁵ham to khushi se apne ghar jaayenge।

²¹³You will return to your home in great happiness.

¹⁹⁶sahan bhi karna padta hai।

²¹⁴There is a lot that has to be tolerated.

¹⁹⁷achhe-achhe bade-bade ghar ki maataayen maaren khaati hain।

²¹⁵Very good mothers from important homes also experience being beaten.

¹⁹⁸tum sachchi kamaai karte ho।

²¹⁶You are earning a true income.

¹⁹⁹manushya thode hi jaante hain, woh hain hi kaliyugi shoodra sampradaay। ²⁰⁰tum ho sangamayugi, purushottam ban rahe ho।

²¹⁷People don't know anything. ²¹⁸They are the iron-aged shudra community, whereas you are the confluence-aged community. ²¹⁹You are becoming the most elevated beings.

²⁰¹jaante ho pahle number mein purushottam yeh lakshmi-naaraayan hain na।

²²⁰You know that the number one, most elevated beings are Lakshmi and Narayan.

²⁰²phir degree kam hoti jaayegi।

²²¹Then their degrees continue to decrease.

²⁰³oopar se neeche aate rahenge। ²⁰⁴phir aahiste-aahiste girte rahenge।

²²²They first come down from up above and then they gradually continue to fall.

²⁰⁵is samay sab gir chuke hain।

²²³At this time. everyone has fallen.

²⁰⁶jhaad puraana ho chuka hai, tana sad gaya hai।

²²⁴The tree has become very old and the trunk has decayed.

²⁰⁷ab phir sthaapna hoti hai। ²⁰⁸foundation lagta hai na।

²²⁵Therefore, the establishment is now taking place; the foundation is being laid.

²⁰⁹kalam kitna chhota hota hai phir unse kitna bada jhaad badh jaata hai।

²²⁶The sapling is very small. ²²⁷Then, such a big tree grows from it.

²¹⁰yeh bhi jhaad hai, satayug mein bahut chhota jhaad hota hai।

²²⁸There is this tree in the golden age too. ²²⁹At that time, the tree is very small.

²¹¹ab kitna bada jhaad hai।

²³⁰Now it is very big.

²¹²variety phool kitne hain, manushya srishti ke। ²¹³ek hi jhaad mein kitni variety hai।

²³¹There are so many varieties of flowers of the human world; there are so many varieties on just the one tree.

²¹⁴anek variety dharmon ka jhaad hai manushyon ka।

²³²This is the human tree of the variety of religions.

²¹⁵ek soorat na mile doosre se।

²³³One person's face cannot be identical to another’s.

²¹⁶bana-banaaya drama hai na। ²¹⁷ek jaisa part koi ka ho nahin sakta।

²³⁴It is predestined in the drama that no two people can play the same part.

²¹⁸inko kaha jaata hai kudarti bana-banaaya behad ka drama, inmen bhi banaavat bahut hai।

²³⁵This is called an unlimited, predestined, wonderful drama, and there are many artificial things in this too.

²¹⁹jo cheez real hoti hai woh khatma bhi hoti hai।

²³⁶The things that are real continue to be used up.

²²⁰phir 5 hazaar varsha ke baad reality mein aayenge।

²³⁷Then, once again, after 5000 years, they come into reality (existence).

²²¹chitra aadi bhi koi real bane hue thode hi hain।

²³⁸The pictures, etc. that have been made are not real (true likenesses).

²²²brahma ki bhi shakla phir 5 hazaar varsha baad tum dekhenge।

²³⁹You will see the face of Brahma again after 5000 years.

²²³is drama ke raaz ko samajhne mein buddhi badi vishaal chaahiye।

²⁴⁰You need a broad and unlimited intellect in order to understand the secrets of this drama.

²²⁴aur kuchh na samjho sirf ek baat buddhi mein rakho - ek shivbaaba doosra na koi।

²⁴¹Even if you don't understand anything else, just keep one thing in your intellect: “I belong to only Shiv Baba and none other.”

²²⁵yeh aatma ne kaha - baba, ham aapko hi yaad karenge।

²⁴²The soul says: “Baba, I will only remember You.”

²²⁶yeh to sahaj hai na।

²⁴³This is easy.

²²⁷haathon se karma karte raho aur buddhi se baap ko yaad karte raho।

²⁴⁴While you continue to work with your hands, continue to remember the Father with your intellect.

²²⁸achha!

²⁴⁵Achcha.

²²⁹meethe-meethe sikeeldhe bachchon prati maat-pita baapdaada ka yaad-pyaar aur good morning।

²⁴⁶To you sweetest, beloved, long-lost and now-found children, love, remembrance and Good morning from the Mother, the Father, BapDada.

²³⁰roohaani baap ki roohaani bachchon ko namaste।

²⁴⁷The spiritual Father says namaste to you spiritual children.

²³¹dhaarna ke liye mukhya saar:-

²⁴⁸Essence for dharna:

²³²1) sahansheelta ka gun dhaaran kar maaya ke vighnon mein paas hona hai।

²⁴⁹1. Imbibe the virtue of tolerance and pass all the obstacles of Maya.

²³³anek aapdaayen aayengi, atyaachaar honge - aise samay par sahan karte baap ki yaad mein rehna hai, sachchi kamaai karni hai।

²⁵⁰At the time when many calamities come and a lot of assaults take place, you have to stay in remembrance of the Father and tolerate everything. ²⁵¹Earn a true income.

²³⁴2) vishaal buddhi ban is bane banaaye drama ko achhi reeti samajhna hai, yeh kudarti drama bana hua hai isliye prashn uth nahin sakta।

²⁵²2. Become one who has a broad and unlimited intellect and who very clearly understands this predestined drama. ²⁵³Everything in this wonderful drama is predestined. ²⁵⁴Therefore, no questions can arise.

²³⁵baap jo achhi mat dete hain, us par chalte rehna hai।

²⁵⁵Continue to follow the directions that the Father gives you.

²³⁶vardaan:- maayaajeet, vijayi banne ke saath-saath par upkaari bhav

²⁵⁶Blessing: May you be the one who uplifts others and together with becoming victorious, become a conqueror of Maya.

²³⁷abhi tak sva kalyaan mein bahut samay ja raha hai।

²⁵⁷At present, a lot of time is being spent on benefiting yourself.

²³⁸ab par upkaari bano।

²⁵⁸Now, become one who uplifts others.

²³⁹maayaajeet vijayi banne ke saath saath sarva khajaanon ke vidhaata bano arthaat har khajaane ko kaarya mein lagaao।

²⁵⁹As well as becoming a conqueror of Maya, become a bestower of all treasures, that is, use every treasure.

²⁴⁰khushi ka khajaana, shanti ka khajaana, shaktiyon ka khajaana, gyaan ka khajaana, gunon ka khajaana, sahayog dene ka khajaana baanto aur badhaao।

²⁶⁰Share and increase your treasures of happiness, powers, knowledge and virtues while giving co-operation.

²⁴¹jab abhi vidhaata pan ki sthiti ka anubhav karenge arthaat par upkaari banenge tab anek janma vishwa raajya adhikaari banenge।

²⁶¹When you experience the stage of a bestower, that is, when you become one who uplifts others, you will then claim a right to the kingdom of the world for many births.

²⁴²slogan:- vishwa kalyaankaari banna hai to apni sarva kamjoriyon ko sadaakaal ke liye vidaai do।

²⁶²Slogan: In order to become a world benefactor, bid farewell to all your weaknesses for all time.

²⁶³*** Om Shanti ***

²⁴³avyakt ishaare - ab lagan ki agni ko prajvalit kar yog ko jvaala roop banaao

²⁶⁴Avyakt Signal: Now ignite the fire of love and make your yoga volcanic.

²⁴⁴jaise kila baandha jaata hai, jisse praja kile ke andar safe rahe।

²⁶⁵A fortress is built so that people can stay safe within it.

²⁴⁵ek raaja ke liye kothri nahin banaate, kila banaate hain।

²⁶⁶You would not create a small alcove for a king, you would build a fortress.

²⁴⁶aap sabhi bhi svayan ke liye, saathiyon ke liye, anya aatmaon ke liye jvaala roop yaad ka kila baandho।

²⁶⁷All of you have to build a fortress of volcanic remembrance for yourself, for your companions and for all other souls.

²⁴⁷yaad ke shakti ki jvaala ho to har aatma safety ka anubhav karegi।

²⁶⁸When there is the volcano of the power of remembrance, all souls will then experience safety.