रविवार 18 मई 1969 की अव्यक्त मुरली

⁰> ¹18-05-69 om shanti avyakt baapdaada madhuban

⁰> > 18-05-69 Om Shanti Avyakt Bapdada Madhuban

²"roohaani gyaan-yog ki jyotishi"

¹The spiritual astrologer of knowledge and yoga.

³aap sabhi ne bulaaya ya baapdaada ne aap sabhi ko bulaaya hai?

²Did all of you call BapDada, or did BapDada call all of you?

⁴kisne kisko bulaaya hai?

³Who called whom?

⁵jo bachche baap ke kantavya mein nimitta bane huye hain - unhon ko yeh baat har vakta yaad rakhni hai ki humein har samay har haalat mein ever ready aur all-round hona hai।

⁴Those children who are the instruments in the Father's task have to remember one aspect at all times: "We have to remain ever-ready and all- rounders at every moment in every situation."

⁶agar yeh do baaten sabhi mein aa jaaye to service ka saboot shreshtha nikal sakta hai।

⁵If these two things are imbibed by all of you, then the result of service can be very elevated.

⁷lekin nambarvaar purushaartha anusaar yeh baaten hain।

⁶But these aspects are numberwise according to effort.

⁸aap nimitta bane hue bachchon ko yeh salogan yaad rakhna chaahiye ki ham jo karma karenge mujhe dekh aur sabhi karenge।

⁷You children who are the instruments have to remember the slogan: "Whatever actions I perform, others who see me will perform the same actions."

⁹har samay apne ko aisa samjho। ¹⁰jaise drama ke stage par sabhi ke saamne ham part baja rahe hain।

⁸At every moment consider yourself to be playing a part in the drama on the stage in front of everyone.

¹¹ek hota hai apne aap se rehearsal। ¹²ek hota hai stage par sabhi ke saamne part bajaana।

⁹One is to rehearse by yourself, and the other is to play a part on the stage in front of everyone.

¹³to stage par act karne vaale ka apne oopar kitna dhyaan rehta hai।

¹⁰And so, imagine how much attention those who act their part on a stage have to pay to themselves.

¹⁴ek-ek act par har samay attention rehta hai।

¹¹They have to pay attention to themselves at every moment whilst acting each act.

¹⁵haathon par,paavon par,aankhon par sabhi par dhyaan rehta hai।

¹²They have to pay attention to their hands, their feet, their eyes, to everything.

¹⁶agar koi bhi baat neeche oopar hoti hai to actor ke act mein shobha nahin deti। ¹⁷to aise apne ko samajhkar chalna hai।

¹³If anything is not right, it doesn't add beauty to the actor's performance. ¹⁴So you consider yourself to be an actor in this way and continue to move along.

¹⁸teen minute ka record jab bharte hain to kitna dhyaan dete hain।

¹⁵When a three minute record is being recorded, you pay so much attention to it.

¹⁹aap sabhi bhi apne 21 janmon ka record bhar rahe ho to bharte samay bahut dhyaan rakhna hai। ²⁰record mein jara bhi neeche-oopar ho jaata hai to woh record hamesha ke liye raddhi ho jaata hai।

¹⁶All of you are recording your record for twenty-one births, and so there should be so much attention paid at the time of recording it. ¹⁷If there is the slightest fluctuation in the record, it is erased for all time.

²¹tumhaara bhi 21 janmon ke liye satayugi raaj- dhaani ka jo record bharta hai to woh radda na ho jaaye।

¹⁸Your record for the kingdom of the golden age is being recorded for twenty-one births, and so it shouldn't be spoilt.

²²radda hua to phir door ho jaate hain।

¹⁹If it is erased, you distance yourself.

²³to yeh sochna chaahiye - hamaare har karma ke oopar sabhi ki aankh hai।

²⁰And so you should think about this. ²¹Everyone's vision is on your every action.

²⁴actors jab dekhte hain, hamko sabhi dekh rahe hain to khaas attention rehta hai।

²²When actors are aware that everyone is watching them, they pay special attention to themselves.

²⁵koi dekhne vaala nahin hota hai to albelaapan rehta hai।

²³When there isn't anyone observing them, they become careless.

²⁶to hamesha samajhna chaahiye ham bhale akelepan mein kuchh karte, to bhi srishti ke saamne hain।

²⁴So always think that even when you are doing something by yourself, you are in front of the world.

²⁷saari srishti ki aatmaayen chaaron or se humein dekh rahi hain।

²⁵The souls of the entire world are watching you from all four directions.

²⁸agar ek-ek phool aisa sampoorn aur sundar ho jaaye to is bageeche ki khushbu kitni phail jaati!

²⁶If each flower were to become so perfect and beautiful, the fragrance of this garden would spread so much.

²⁹lekin kyon nahin phailti,uska kaaran kya?

²⁷But what is the reason that it doesn't spread?

³⁰khushbu ke saath-saath kahaan-kahaan beech mein aur baat bhi aa jaati hai।

²⁸Together with the fragrance, in some cases, there is also something else that comes in-between.

³¹bhale khushbu kitni ho lekin khushbu se bhi jaldi failne vaali badbu hoti hai, jo jara si baat saari khushbu ko samaapta kar deti hai।

²⁹No matter how much fragrance there may be, a bad odour spreads even faster than fragrance, and so the slightest smallest incident finishes all the fragrance.

³²avinaashi khushbu jisko sada gulaab kehte hain।

³⁰A rose is said to have an eternal fragrance.

³³ek hota hai sada gulaab, doosra hota gulaab,teesra hota hai roohen gulaab।

³¹An eternal rose is one thing; the rose is a second thing and the third is a spiritual rose.

³⁴pahla number hai roohen gulaab।

³²The first number is the spiritual rose.

³⁵woh rooh ki sthiti mein rehta hai aur roohaani rooh ke hamensha najdeek hai।

³³That remains in the stage of a spirit and is always close to a spirit.

³⁶aise hai roohe gulaab।

³⁴Such is a spiritual rose.

³⁷aur doosri quality jo hai woh phir service mein bahut achhe rehte hain baaki roohaani sthiti mein kami hai।

³⁵And the second quality are very good in service, but they are lacking in the spiritual stage.

³⁸service mein, dhaarna mein achhe hain,sanskaar sheetal hain।

³⁶They are good in service and in their dharna, and their sanskars are cool.

³⁹khud apne ko kya samajhte ho?

³⁷What do you consider yourself?

⁴⁰kis number ka phool samajhte ho?

³⁸Which number flower are you?

⁴¹kaante to yahaan ho bhi na sake।

³⁹There cannot be any thorns here.

⁴²hain to sabhi gulaab। ⁴³lekin gulaab mein bhi pharka hai।

⁴⁰All are roses, but there is a difference in the roses.

⁴⁴jo roohe gulaab honge unki nishaani kya hogi?

⁴¹What are the signs of the spiritual roses?

⁴⁵aap logon ko mastak ki rekha parakhne aati hai?

⁴²Do you know how to judge the line on the forehead?

⁴⁶jyotishi bane ho va nahin?

⁴³Have you become fortune-tellers or not?

⁴⁷baapdaada jo gyaan aur yog ki jyotishi dikhaate hain unse kya dekhte ho?

⁴⁴What do you see in the fortune of knowledge and yoga that BapDada teaches you?

⁴⁸harek ke mukhde se,naynon se,mastak se maaloom padta hai।

⁴⁵You can tell from each one's face, eyes and forehead.

⁴⁹ismen bhi vishesh mastak aur naynon se maaloom padta hai।

⁴⁶And in that also, you can especially tell everything from someone's forehead and eyes.

⁵⁰aap jyotish bankar harek ko parakh sakte ho?

⁴⁷You can become the fortune tellers and recognise anyone.

⁵¹naynon mein aur mastak mein woh rekhaayen zaroor rehti hain।

⁴⁸Those lines definitely exist in the eyes and on the forehead.

⁵²kisko parakhna yeh bhi jyotish vidya hai।

⁴⁹Knowledge of astrology is needed to discern someone.

⁵³to yeh jo vidya hai parakhne ki yeh kaeeyon mein kam hai।

⁵⁰This knowledge of discerning others is lacking in some of you.

⁵⁴gyaan aur yog seekhte hain lekin yeh parakhne ki jyotish vidya bhi jaanni hai।

⁵¹You learn knowledge and yoga, but you also have to know the knowledge of discerning others.

⁵⁵koi bhi vyakti saamne aae to aap logon ko to ek second mein unke teenon kaalon ko parakh lena chaahiye।

⁵²When anyone comes in front of you, you should be able to know about his three aspects of time in one second.

⁵⁶ek to past mein unki life kya thi aur vartamaan samay unki vritti,drishti aur bhavishya mein kahaan tak yeh apni praalabdha bana sakte hain।

⁵³One is to know what his life was in the past, another what his vision and attitude are at present, and another, to what extent he can create his future reward.

⁵⁷yeh jaanne ki practice chaahiye।

⁵⁴You need to acquire the practice of being able to do this.

⁵⁸yeh parakhne ki jo knowledge hai woh bahut kam hai।

⁵⁵This knowledge of recognising others is lacking.

⁵⁹yeh kami abhi bharni chaahiye।

⁵⁶You now have to remove this weakness.

⁶⁰vartamaan samay jo aane vaala hai usmein agar yeh gun nahin hoga, kami hogi to dhokhe mein aa jaayenge।

⁵⁷If you do not have this virtue in the time that is yet to come, if it is lacking, you will be deceived.

⁶¹kai aisi aatmaaen aap ke saamne aayengi jo andar ek aur baahar se doosri hogi।

⁵⁸Many such souls will come in front of you; internally they will be one thing and externally something else.

⁶²pareeksha ke liye aayengi। ⁶³kyonki kai samajhte hain ki yeh sirf rate hue hain।

⁵⁹They will come to test you, because many think that this is just something that you learn off by heart.

⁶⁴to kai rang roop se aartipheesiyal roop mein bhi parakhne liye aayenge, bhinna-bhinna roop se।

⁶⁰So many will come to you in an artificial way in many different forms and colours in order to judge you.

⁶⁵isliye yeh dhyaan rakhna hai ki yeh kisliye aaya hai? ⁶⁶unki vritti kya hai?

⁶¹Therefore, you must pay attention to what each one comes for and what his attitude is like.

⁶⁷aur ashuddha aatmaon ki bhi badi sambhaal karni hai।

⁶²Be very cautious with impure souls.

⁶⁸aise-aise case bhi bahut honge din pratidin paap aatmaayen to bahut hote hain।

⁶³Day by day, there will be many such cases. ⁶⁴There are many sinful souls.

⁶⁹aapdaayen,akaale mrityu, paap karma badhte jaate hain to unhon ki vaasnaayen jo rah jaati hain woh phir ashuddha aatmaon ke roop mein bhatakti hain। ⁷⁰isliye yeh bhi bahut badi sambhaal rakhni hai।

⁶⁵Calamities, untimely death and sinful actions are increasing, and so because their desires are not fulfilled, they wander as impure souls, and therefore you have to be very cautious about this.

⁷¹koi mein ashuddha aatma ki praveshta hoti hai to unko bhagaane liye ek to dhoop jalaate hain aur aag mein cheej ko tapaakar lagaate hain aur laal mirchi bhi khilaate hain।

⁶⁶When an impure soul has entered someone else, a special incense stick (dhoop) is lit to chase it away, something is heated in a fire and that person is touched with it. ⁶⁷Or, that person is even fed red chilli powder.

⁷²to aap sabhi ko phir yog ki agni se kaam lena hai।

⁶⁸So all of you have to work with the power of yoga.

⁷³har karmendriyon ko yogaagni mein tapaana hai to phir koi vaar nahin kar sakenge।

⁶⁹You have to heat up each of your physical senses with the fire of yoga so that no one can attack you.

⁷⁴thoda bhi kahaan dheelaapan hua,koi bhi karmendriyaan dheeli hui to phir praveshta ho sakti hai।

⁷⁰If there is the slightest slackness, if any of your physical senses become slack, then it can enter you.

⁷⁵woh ashuddha aatmaaen bhi badi powerful hoti hain।

⁷¹Those impure souls are also very powerful.

⁷⁶woh maaya ki power bhi kam nahin hoti।

⁷²Maya's power is no less.

⁷⁷yeh bahut dhyaan rakhna hai।

⁷³Pay a lot of attention to this.

⁷⁸aur kai praakritik aapdaayen bhi apna kantavya karegi।

⁷⁴And even the elements of nature will carry on with their own work.

⁷⁹uska saamna karne liye apne mein eeshvareey shakti dhaaran karni hai।

⁷⁵In order to confront them, imbibe Godly power into yourself.

⁸⁰us samay sneh nahin rakhna hai।

⁷⁶At that time, you must not have love for it.

⁸¹us samay shakti- roop ki aavashyakta hai।

⁷⁷At that time, you need to be the embodiment of power.

⁸²kis samay snehmoorta,kis samay shaktiroop banna hai yeh bhi sochna hai।

⁷⁸You have to think about when you need to be the embodiment of love and when you need to be the embodiment of power.

⁸³in sabhi baaton mein shaktiroop ki aavashyakta hai।

⁷⁹You need to be an embodiment of power in all these aspects.

⁸⁴agar koi aisa aaya aur unko jyaada sneh dikhaaya to kahaan nuksaan bhi ho sakta hai।

⁸⁰If such a person comes and you show him extra love, it can also cause damage.

⁸⁵sneh baapdaada aur daivi parivaar se karna hai।

⁸¹Have love for BapDada and the divine family.

⁸⁶baaki sabhi se shaktiroop se saamna karna hai।

⁸²But with all the rest, you have to confront them with the form of power.

⁸⁷kai bachche gaphlat karte hain jo unhon ke sneh mein aa jaate hain।

⁸³Many children make mistakes and they are attracted by their love.

⁸⁸woh sneh vriddhi hokar kamjor kar deta hai, isliye ab shaktiroop ki aavashyakta hai।

⁸⁴That love increases and makes you weak, and therefore there is now the need to be the embodiment of power.

⁸⁹antim naara bhi bhaarat maata shakti avtaar ka gaayan hai।

⁸⁵The praise of the final slogan is of the mother of Bharat who is the incarnation of power.

⁹⁰gopi maata thode hi kehte hain।

⁸⁶They do not say 'Gopi Mata' the loving mother.

⁹¹ab shakti roop ka part hai।

⁸⁷It is now the part of being the embodiment of power.

⁹²gopeekaaon ka roop saakaar mein tha।

⁸⁸The part of the gopikas was in the corporeal form.

⁹³ab avyakt roop se shakti ka part hai।

⁸⁹Now, it is the part of the shaktis in the avyakt form.

⁹⁴harek jab apne shaktiroop mein sthit honge to itne sabhi ki shakti milaakar kamaal kar dikhaayegi।

⁹⁰When each one of you is stable in being the embodiment of power, the power of all of you put together will show wonders.

⁹⁵yaadgaar roop mein antim chitra kaun sa dikhaaya hua hai?

⁹¹What is the last picture shown as a memorial? ⁹²That of giving a finger to lift a mountain.

⁹⁶pahaad ko anguli dene ka।

⁹³You have to give the finger of power.

⁹⁷anguli,yeh shakti ki deni hai। ⁹⁸isse hi kaliyugi pahaad khatma hoga।

⁹⁴The mountain of the iron age will be finished only through that.

⁹⁹ismen harek ki anguli ki darkaar hai।

⁹⁵Everyone's finger is needed in that.

¹⁰⁰abhi woh anguli puri reeti nahin hai।

⁹⁶That finger is not yet given fully.

¹⁰¹uthaate zaroor hain parantu koi ki kabhi seedhi koi ki kabhi tedhi ho jaati hai।

⁹⁷You lift that finger, but some people's finger is sometimes straight and some people's finger is sometimes bent.

¹⁰²jab poori anguli hogi tab prabhaav niklega।

⁹⁸When you give your whole finger, then you will create an impact.

¹⁰³ek jaise anguli deni hai।

⁹⁹All of you have to give a finger to the same extent.

¹⁰⁴is kaliyugi pahaad ko jaldi anguli dekar phir satayugi duniya ko laana hai।

¹⁰⁰You must quickly give a finger to lift this mountain of the iron age and bring about the golden-aged world.

¹⁰⁵saakaar ke saath sneh hai to jaldi-jaldi is puraani duniya se chalne ki taiyaari karo।

¹⁰¹You have love for the corporeal form and so you must quickly make preparations to go from this old world.

¹⁰⁶aap kahenge abhi service kahaan hui hai lekin service bhi kiske liye ruki hai? ¹⁰⁷agar aap harek shaktiroop mein sthit ho jaao to aap ke jo bhoole bhatke bhakta hain, na chaahte bhi chakmak (chumbak) ke aage aa jaayenge,deri nahin lagegi।

¹⁰²All of you must become stable in being the embodiment of power, and all your long-lost and wandering devotees will be attracted to the magnet against their conscious wish and come. ¹⁰³It will not take long. ¹⁰⁴Achcha.

¹⁰⁸achha !

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