सोमवार 17 नवंबर 1969 की अव्यक्त मुरली

⁰> ¹17-11-69 ōm śhānti avyakt bāpdādā madhuban

⁰> > 17-11-69 Om Shanti Avyakt Bapdada Madhuban

²“ pharśa sē arśh par jānē key|kī yuktiyā̃ ”

¹Methods to go from the ground to the sky

³Yahā̃ bhaṭṭhī mē̃ kis liē āyē hō  ?

²Why have you come to this bhatthi?

⁴Dēh mē̃ rahtē vidēhī hō rahnē K|kē abhyās K|kē liyē .

³In order to practise remaining bodiless whilst being in the body.

⁵Jab sē yahā̃ pāṅw rakhtē hō tab sē hī yah sthiti hōnī chāhiē .

⁴You should have this stage from the moment that you put your foot here.

⁶Jō lakṣhya rakhā jātā hai uskō pūrṇ karnē kē liē abhyās aur attention chāhiē .

⁵You need to have practice and attention in order to fulfill the aim that you keep.

⁷Bāpdādā harēk kō naī bāt K|kē liyē hī bulātē haĩ .

⁶BapDada calls each of you to do something new.

⁸Adhar kumār kō viśhēṣh isliē bulāyā hai - pahlē tō apnā jō gr̥ihastha vyavahār banāyā hai usmē̃ jō ulṭī sīṛhī chaṛhī hai , us ulṭī sīṛhī sē nīchē utarnē kē liē bulāyā hai .

⁷The half-kumars have especially been called here to make them come down the wrong ladder of the household that they have set up. ⁸And having come down the wrong ladder, what do you have to climb?

⁹Aur ulṭī sīṛhī sē utār kar phir kismē̃ chaṛhānā hai  ?

⁹From the earth to the sky, and then from the sky to. the earth.

¹⁰Arśh sē pharśa par , phir pharśa sē arśh par . ¹¹Ulṭī sīṛhī kā kuchh na kuchh jō gyān rahtā hai , us gyān sē agyānī banānē K|kē liyē aur jō satya gyān hai unkī pahchān dēkar śān-svarūp banānē kē liē bulāyā hai .

¹⁰You have been called here to make you ignorant of the little knowledge of the wrong ladder that still remains, and to give you the recognition of the true knowledge and to make you the embodiment of knowledge.

¹²Pahlē utārnā hai phir chakhānā hai .

¹¹First, you have to come down and then you have to climb up.

¹³Jab tak pūrē utarē nahī̃ hai tō chaṛh bhī nahī̃ saktē .

¹²Not until you have completely come down are you able to climb up.

¹⁴Sabhī bātō̃ mē̃ apnē kō utārnē K|kē liyē taiyār hō  ?

¹³Are you ready to make yourself come down in all aspects?

¹⁵Kitnī baṛī sīṛhī sē utarnā hai  ?

¹⁴You have to come down such a big ladder.

¹⁶Ulṭī sīṛhī kitnī lambī hai  ?

¹⁵How tall is the wrong ladder?

¹⁷Abhī tak jō puruṣhārth kiyā hai , usmē̃ samajhtē hō ki pūrē hī sīṛhī utarē hai ki kuchh abhī tak utar rahē hō  ?

¹⁶According to the effort you have made up to now, do you think that you have completely come down the ladder? ¹⁷Or, are you still coming down?

¹⁸Pūrī jab utar jāyēṅgē tō phir chaṛhnē mē̃ dērī nahī̃ lagēgī lēkin utartē-utartē kahā̃ na kahā̃ ṭhahar jātē hō .

¹⁸When you have descended it completely, you will not take long to climb up. ¹⁹However, whilst coming down, you stop somewhere or the other.

¹⁹Tō ab samjhā kis lakṣhya sē bulāyā hai  ?

²⁰So, now do you understand why you have been called here?

²⁰63 janmō̃ mē̃ jō kuchh ulṭī sīṛhī chaṛhē hō vah pūrī hī utarnī paṛē .

²¹You have to completely come down the wrong ladder that you have been climbing in sixty-three births.

²¹Phir chaṛhnā bhī hai .

²²Then you also have to climb up.

²²Utarnā sahaj hai vā chaṛhnā sahaj hai  ?

²³Is it easy to come down or to go up?

²³Utarnā sahaj hai vā utarnā bhī muśhkil hai  ?

²⁴Is it easy to come down, or is it difficult even to come down?

²⁴Abhī āp jō puruṣhārth kar rahē hō vah utar kar chaṛhnē kā kar rahē hō  ?

²⁵Is the effort you are making at present to come down and then go up, or is it just to go up?

²⁵Ki sirph chaṛhnē kā kar rahē hō  ? ²⁶Kuchh miṭā rahē hō kuchh banā rahē hō .

²⁶You are finishing something and you are creating something.

²⁷Dōnō̃ kām chaltā hai nā .

²⁷You are doing both tasks, are you not?

²⁸Āpkō mālūm hai last pauṛhī ( sīṛhī ) kaunsī utarnī hai  ?

²⁸Do you know which is the last rung you have to come down?

²⁹Is dēh K|kē bhān kō chhōṛ dēnā hai .

²⁹To renounce the awareness of your body.

³⁰Jaisē kōī śharīr K|kē vastra utārtē hō tō kitnā sahaj utārtē hō .

³⁰When you remove the clothes from your body, you remove them so easily.

³¹Vaisē hī yah śharīr rūpī vastra bhī sahaj utār sakō aur sahaj hī samay par dhāraṇ kar sakō , kiskō yah abhyās pūrṇ rīti sē sīkhnā hai .

³¹In the same way, you should be able to easily remove the costume of this body, and also be able to adopt it easily at the right time. ³²Some of you still have to learn this practice fully.

³²Lēkin kōī-kōī kā yah dēh abhimān kyō̃ nahī̃ ṭūṭtā hai  ?

³³Why are some of you not able to break your body consciousness?

³³Yah dēh kā chōlā kyō̃ sahaj nahī̃ utartā hai  ?

³⁴Why does the costume of the body not come off easily?

³⁴Jiskā vastra taṅg , tight hōtā hai tō utār nahī̃ saktē haĩ .

³⁵Those who have tight clothes are not able to take them off.

³⁵Yah bhī aisē hī hai .

³⁶This is the same.

³⁶Kōī na kōī saṅskārō̃ mē̃ agar yah dēh kā vastra cipakā huā hai arthāt taṅg , tight hai , tab utartā nahī̃ hai .

³⁷If this costume which is the body is stuck to any sanskar, that is, if it is tight, it does not come off. ³⁸Otherwise, it is easy to come down and go up.

³⁷Nahī̃ tō utārnā , chaṛhānā vā yah dēh rūpī vastra chhōṛnā aur dhāraṇ karnā bahut sahaj hai . ³⁸Jaisē ki sthūl vastra utārnā aur pahannā sahaj hōtā hai .

³⁹That is, to shed the costume and to wear it again is very easy just as it is easy to take off and put on physical clothes.

³⁹Tō yahī dēkhnā hai ki yah dēh rūpī vastra kis saṅskār sē laṭakā|laṭkā huā hai .

⁴⁰You have to see which sanskar the costume of the body is attached to.

⁴⁰Jab sabhī saṅskārō̃ sē nyārā hō jāyēṅgē tō phir avasthā bhī nyārī hō jāvēgī .

⁴¹When you become detached from all sanskars your stage will become unique.

⁴¹Isliē bāpdādā bhī kaī bār samjhātē haĩ ki sabhī bātō̃ mē̃ easy rahō .

⁴²This is why BapDada explains many times: Remain easy in everything.

⁴²Jab khud sabhī mē̃ easy rahē̃gē tō sabhī kārya bhī easy hōṅgē .

⁴³When you remain easy in everything, all tasks become easy.

⁴³Apnē kō tight karnē sē kārya mē̃ bhī ṭāiṭanēs ā jātī hai .

⁴⁴When you make yourself tight, there is tightness in the task also.

⁴⁴Vaisē tō jō itnē samay sē puruṣhārth mē̃ chalnē vālē haĩ unhō̃ kō ab bahut hī kartavya mē̃ nyārāpan ānā hī chāhiē .

⁴⁵In fact, those who have been engrossed in making effort for all this time should have that detachment in their task anyway.

⁴⁵Abhī is bhaṭṭhī mē̃ jō bhī ṭāiṭanēs hai vah bhī , aur jō kuchh ulṭī sīṛhī key|kī pauṛhīyā̃ rahī huī haĩ , vah utārnā bhī aur phir lift mē̃ chaṛhnā bhī .

⁴⁶Now, in this bhatthi, you have to finish the tightness and come down the rungs of the wrong ladder that still remain and also go up in a lift.

⁴⁶Lēkin lift mē̃ baiṭhnē K|kē liyē kyā karnā paṛēgā  ?

⁴⁷But what will you have to do in order to sit in the lift?

⁴⁷Lift mē̃ kaun baiṭh sakē̃gē  ?

⁴⁸Who can sit in a lift?

⁴⁸Bāp K|kē liyē sārī duniyā mē̃ lāyak bachchē hī śhrēṣhṭh saugāt hai .

⁴⁹The worthy children of the world are the elevated gift for the Father.

⁴⁹Tō lift mē̃ chaṛhnē K|kē liyē bāp key|kī gift bannā aur phir jō kuchh hai vah bhī gift mē̃ dēnā paṛēgā .

⁵⁰So, in order to go up in a lift, you have to become a gift for the Father, and then you also have to give what you have as a gift.

⁵⁰Gift dēnī bhī paṛēgī aur bāp key|kī gift bannā bhī paṛēgā tab lift mē̃ baiṭh sakē̃gē .

⁵¹You will have to give a gift as well as becoming a gift for the Father, for only then can you sit in the lift. ⁵²Do you understand?

⁵¹Samjhā  ? ⁵²Abhī dēkhnā hai dōnō̃ kām kiyē haĩ gift bhī dī hai aur gift banē bhī haĩ  ?

⁵³Now, check if you have carried out both tasks, that is, whether you have given a gift and you have become a gift.

⁵³Gift kō bahut sambhālā jātā hai aur gift kō showcase mē̃ sajākar rakhtē haĩ .

⁵⁴A gift is looked after very carefully. ⁵⁵A gift is decorated and placed in a show-case.

⁵⁴Jaisī-jaisī gift vaisī-vaisī showcase mē̃ āgē-āgē rakhtē haĩ .

⁵⁶As is the gift, so accordingly it is placed at the front of the show-case.

⁵⁵Āp sabhī bhī apnē āp kō aisī gift banāō jō lift bhī mil jāyē aur is sr̥iṣhṭi K|kē showcase mē̃ sabhī sē āgē ā jāō .

⁵⁷Each of you must also make yourself into such a gift that you receive a lift and you are also placed in front of everyone in the show-case of the world.

⁵⁶Tō showcase mē̃ sabhī sē āgē rahnē K|kē liyē adharakumārō̃ kō dō viśhēṣh bātō̃ kā dhyān mē̃ rakhnā paṛēgā .

⁵⁸So, in order to be placed in a show-case in front of everyone, the half-kumars will especially have to pay attention to two things.

⁵⁷Showcase mē̃ chīz rakhī jātī hai , usmē̃ kyā viśhēṣhtā hōtī hai  ?

⁵⁹What is the speciality of anything that is placed in a show-case?

⁵⁸ ( aṭraikṭiv ) ēk tō apnē kō aṭraikṭiv banānā paṛēgā aur dūsrā active .

⁶⁰One is that it is attractive and secondly, it is active. ⁶¹So you have to make yourself attractive and also become active.

⁵⁹Yah dōnō̃ viśēṣatāē̃ khās adharakumārō̃ kō apnē mē̃ bharnī haĩ .

⁶²The half-kumars especially have to fill themselves with these two things.

⁶⁰Yah dōnō̃ guṇ ā jāyēṅgē tō phir aur kuchh rahēgā nahī̃ .

⁶³If you have both these virtues, then nothing else will remain.

⁶¹Kahā̃-kahā̃ active bannē mē̃ kamī dēkhnē mē̃ ātī hai . ⁶²Tō is bhaṭṭhī sē viśhēṣh kaunsī chhāp lagākar jāyēṅgē  ?

⁶⁴In some cases, it is seen that there is a weakness in being active, and so, in this bhatthi, what will you especially stamp yourself with?

⁶³Yahī dō śhabda sunāyā - aṭraikṭiv aur active .

⁶⁵You heard these two words: attractive and active.

⁶⁴Agar yah chhāp lagākar jāyēṅgē tō āpkī activity bhī badlī|badalī hōgī .

⁶⁶If you stamp yourself with these, your activity will have changed.

⁶⁵Jitnī-jitnī yah chhāp vā ṭhappā pakkā lagākar jāyēṅgē utnī activity bhī pakkī aur badlī|badalī huī dēkhnē mē̃ āyēgī .

⁶⁷The more firmly you apply this stamp before you go, the more strongly visible will be the change in your activity.

⁶⁶Agar ṭhappā kuchh ḍhīlā lagākar jāyēṅgē tō phir activity mē̃ change nahī̃ dēkhnē mē̃ āyēgī .

⁶⁸If the stamp is not so firm, then no change will be visible in your activity.

⁶⁷Yah tō sunā thā nā-bhaṭṭhī mē̃ ānā arthāt apnā rūp raṅg dōnō̃ badalnā hai .

⁶⁹You heard that to come to a bhatthi means to change both your form and your colour.

⁶⁸Bhaṭṭhī mē̃ jō chīz ātī hai , unkī jō burāī hōtī hai vah gal jātī hai .

⁷⁰When something is placed in a bhatthi, all its weaknesses melt away.

⁶⁹Jō aslī rūp hai , aslī jō kartavya hai vah yahā̃ sē lēkar K|kē jānā .

⁷¹You have to take with you your original form and your original task.

⁷⁰Vah kaunsā rūp hai  ?

⁷²Which form is that?

⁷¹Kyā badalē̃gē  ?

⁷³What will you change?

⁷²Abhī raṅg badaltē rahtē haĩ phir ēk hī raṅg pakkā chaṛh jāyēgā jiskē ūpar aur kōī raṅg chaṛh nahī̃ saktā aur jis raṅg kō kōī miṭā nahī̃ sakē aur na miṭ sakē , na aur kōī raṅg chaṛh sakē .

⁷⁴At present, you continue to change your colours, but then you will be coloured with one fast colour that cannot be coloured by any other colour; it cannot be removed by anyone; it cannot fade away, nor can it be coloured by any other colour.

⁷³Sabhī bātō̃ mē̃ active hōnā hai .

⁷⁵You have to be active in everything.

⁷⁴Jaisā samay , jaisī service usmē̃ ever ready .

⁷⁶You have to remain ever-ready, at any time for any service.

⁷⁵Kōī bhī kārya ātā hai , tō active jō hōtā hai , us kārya kō śhīghra hī samajh kar aur saphaltā kō prāpt kar lētā hai .

⁷⁷When a task comes up, those who are active are quickly able to understand that task and attain success.

⁷⁶Jō active nahī̃ hōtē tō pahlē kārya kō sōchtē rahtē haĩ .

⁷⁸Those who are not active first keep on thinking about the task.

⁷⁷Sōchtē-sōchtē samay bhī gãvāyēṅgē , saphaltā bhī nahī̃ hōgī .

⁷⁹They will waste their time thinking about it. ⁸⁰They will not attain success either.

⁷⁸Active arthāt ever ready .

⁸¹To be active means to be ever-ready.

⁷⁹Aur vah her|har kārya kō parakh bhī lēgā .

⁸²They will be able to recognise each task.

⁸⁰Usmē̃ juṭ bhī jāyēgā . ⁸¹Aur saphaltā bhī pā lēgā .

⁸³They will be able to involve themselves in that and also attain success.

⁸²Tīnō̃ bātē̃ usmē̃ hōgī .

⁸⁴They will have all three things.

⁸³Jismē̃ bhārīpan hōtā hai unkō active nahī̃ kahā jātā .

⁸⁵Those who have heaviness are not called active.

⁸⁴Puruṣhārth mē̃ bhārī , apnē saṅskārō̃ mē̃ bhārī , unkō active nahī̃ kahā jāyēgā .

⁸⁶Those who are heavy in their effort or in their sanskars are not called active.

⁸⁵Active jō hōgā vah ever ready aur easy hōgā .

⁸⁷Those who are active are ever-ready and easy.

⁸⁶Khud easy bannē sē sab kārya bhī easy , puruṣhārth bhī easy hō jātā hai .

⁸⁸When you yourself become easy, all tasks become easy and the effort also becomes easy.

⁸⁷Khud easy nahī̃ bantē tō puruṣhārth aur service dōnō̃ easy nahī̃ hōtī .

⁸⁹When you yourself do not become easy, neither does effort nor service become easy.

⁸⁸Muśhkilātō̃ kā sāmnā karnā paṛtā hai .

⁹⁰You then have to face difficulties.

⁸⁹Service muśhkil nahī̃ lēkin apnē saṅskār , apnī kamajōriyā̃ muśhkil K|kē rūp mē̃ dēkhnē mē̃ ātī haĩ .

⁹¹Service is not difficult, but your sanskars and your weaknesses are visible in the form of a difficulty.

⁹⁰Puruṣhārth bhī muśhkil nahī̃ .

⁹²Effort is not difficult either.

⁹¹Apnī kamajōriyā̃ muśhkil banā dētī hai .

⁹³Your weaknesses make it difficult.

⁹²Nahī̃ tō kōī kō sahaj , kōī kō muśhkil kyō̃ bhāstā .

⁹⁴Otherwise, why do some feel it to be easy and others feel it to be difficult?

⁹³Agar muśhkil hī hai tō sabhī kō sabhī bātē̃ muśhkil hō .

⁹⁵If it were difficult, then everyone would find everything difficult.

⁹⁴Lēkin vahī bāt kōī kō muśhkil kōī kō sahaj kyō̃  ?

⁹⁶But why do some find something difficult and others find the same thing easy?

⁹⁵Apnī hī kamajōriyā̃ muśhkilāt K|kē rūp mē̃ ātī hai .

⁹⁷Your own weaknesses come in the form of a difficulty.

⁹⁶Isliyē yah dō bātē̃ dhāraṇ karnī haĩ .

⁹⁸This is why you have to imbibe these two aspects.

⁹⁷Aṭraikṭiv bhī tab ban sakē̃gē jab pahlē apnē mē̃ viśēṣatāē̃ hōgī .

⁹⁹You will only be able to become attractive when you have specialities in yourself.

⁹⁸Ākarṣhit bannē liyē harṣhit bhī rahnā paṛēgā . ⁹⁹Harṣhit kā arth|earth hī hai atīndriya sukh mē̃ jhūmnā .

¹⁰⁰In order to become attractive (akarshit), you will also have to become cheerful (harshit). ¹⁰¹To be cheerful means to swing in supersensuous joy.

¹⁰⁰Gyān kō sumiraṇ karkē harṣhit hōnā .

¹⁰²You have to remain cheerful by churning knowledge.

¹⁰¹Avyakt sthiti kā anubhav kartē atīndriya sukh mē̃ anā . ¹⁰²Iskō kahā jātā hai harṣhit .

¹⁰³To experience the avyakt stage and to swing in supersensuous joy is called being cheerful.

¹⁰³Harṣhit bhī man sē aur tan sē dōnō̃ sē hōnā hai .

¹⁰⁴You have to remain cheerful in mind and body.

¹⁰⁴Aisā jō harṣhit hōtā hai vahī ākarṣhit hōtā hai .

¹⁰⁵Those who remain cheerful in this way attract others.

¹⁰⁵Prakr̥iti aur māyā K|kē adhīn na hōkar dōnō̃ kō adhīn karnā chāhiē .

¹⁰⁶You must not be dependent on nature or Maya, but you should control both.

¹⁰⁶Adhīn hō jānē K|kē kāraṇ apnā adhikār khō lētē hai .

¹⁰⁷Because you are dependent (adheen), you lose your rights (adhikar).

¹⁰⁷Tō adhīn nahī̃ hōnā hai , adhīn karnā hai tab apnā adhikār prāpt karē̃gē aur jitnā adhikār prāpt karē̃gē utnā prakr̥iti aur lōgō̃ dvārā satkār hōgā tō satkār karānē liyē kyā karnā paṛēgā  ?

¹⁰⁸So you must not be dependent. ¹⁰⁹You have to control them, then you will claim your rights, and the more you claim your rights, the more you will receive respect from nature and people. ¹¹⁰So in order to make them give respect, what will you have to do?

¹⁰⁸Adhīnapan chhōṛkar apnā adhikār rakhō .

¹¹¹You have to stop being dependent, and maintain your own right.

¹⁰⁹Adhikār rakhnē sē adhikārī banē̃gē .

¹¹²By maintaining your right, you will become one who has all rights.

¹¹⁰Lēkin adhikār chhōṛ kar K|kē adhīn ban jātē hō .

¹¹³However, you renounce your rights and therefore, you become dependent.

¹¹¹Chhōṭī-chhōṭī bātō̃ K|kē adhīn ban jātē hō .

¹¹⁴You become dependent on little things.

¹¹²Apnī hī rachnā K|kē adhīn ban jātē haĩ .

¹¹⁵You become dependent on your own creation.

¹¹³Laukik bachchē tō bhal haĩ lēkin apnī hī rachnā arthāt saṅkalpō̃ K|kē adhīn hō jātē hai .

¹¹⁶Of course you have lokik children, but you become dependent on your own creation of thoughts.

¹¹⁴Jaisē laukik rachnā sē adhīn bantē hō vaisē hī ab bhī apnī rachnā saṅkalpō̃ K|kē bhī adhīn ban jātē hō .

¹¹⁷Just as you become dependent on your lokik creation, in the same way, you have now become dependent on the creation of your thoughts.

¹¹⁵Apnī rachnā karmēndriyō̃ K|kē bhī adhīn ban jātē hō .

¹¹⁸You even become dependent on your creation of the physical senses.

¹¹⁶Adhīn bannē sē hī apnā janm siddha adhikār khō lētē hō nā . ¹¹⁷Tō bachchē banē aur adhikār huā .

¹¹⁹By being dependent, you lose your birthright. ¹²⁰So as soon as you become a child, you become one who has all rights.

¹¹⁸Sarvadā sukh , śhānti aur pavitratā kā janm siddha adhikār kahtē hō nā .

¹²¹People speak of the birthright of happiness, peace and purity.

¹¹⁹Apnē āp sē pūchhō ki bachchā banā aur pavitratā , sukh , śhānti kā adhikār prāpt kiyā .

¹²²Ask yourself whether you have become a child and claimed the right to purity, peace and happiness.

¹²⁰Agar adhikār chhūṭ jātā hai tō kōī bāt K|kē adhīn ban jātē hō .

¹²³If you renounce your right, you become dependent on one thing or another.

¹²¹Tō ab adhīnatā kō chhōḍō , apnē janm siddha adhikār kō prāpt karō .

¹²⁴So, now stop being dependent and claim your birthright.

¹²²Yah jō kahtē hō kab prabhāv nikalēgā  ?

¹²⁵You ask when your influence will spread.

¹²³Yah prabhāv bhī kyō̃ nahī̃ nikaltā kāraṇ kyā  ?

¹²⁶Why are you not able to spread your influence at present?

¹²⁴Kyōṅki ab tak kaī bātō̃ mē̃ khud hī prabhāvit hōtē rahtē hō . ¹²⁵Tō jō khud prabhāvit hōtā rahtā hai unkā prabhāv nahī̃ nakalatā .

¹²⁷What is the reason for that? ¹²⁸You yourselves become impressed by many things, and so how can those who are impressed create an impression on others?

¹²⁶Prabhāv chāhtē hō tō in sabhī bātō̃ mē̃ prabhāvit nahī̃ hōnā .

¹²⁹If you wish to create an impression, you must not be impressed by anything.

¹²⁷Phir dēkhō kitnā jaldī prabhāv nikaltā hai . ¹²⁸Apnī activity sē andājā nikāl saktē hō .

¹³⁰You can judge from your activity how long it will take to create an impression.

¹²⁹Aisā saubhāgya sārē kalp mē̃ ēk hī bār miltā hai . ¹³⁰Satyug mē̃ bhī laukik bāp kē sāth rahē̃gē .

¹³¹BapDada's love for the children is that He decorates you and places you in a show-case in front of the world.

¹³¹Pārlaukik bāp kē sāth nahī̃ . ¹³²84 janmō̃ mē̃ kitnā śhrr̥iṅgār kiyā hōgā . ¹³³Bhinn - bhinn prakār K|kē bahut śhrr̥iṅgār kiyē  ?

¹³²When you become complete and are placed in a show-case, that is, when you come in front of the world, you will be decorated so much.

¹³⁴Bāpdādā kā snēh yahī hai ki bachchō̃ kō śrr̥ṅgārar kar showcase mē̃ sr̥iṣhṭi K|kē sāmnē lāyē .

¹³³You must not decorate yourself with the decorations of satyug now. ¹³⁴You have to imbibe the jewellery of virtues.

¹³⁵Jab sabhī sampūrṇ bankar showcase arthāt viśhva K|kē sāmnē āyēṅgē tō kitnē sajē huē hōṅgē . ¹³⁶Satyug kā śhrr̥iṅgār nahī̃ .

¹³⁵In satyug, you will live with a lokik father, not with the Parlokik. ¹³⁶You only receive such a fortune once in the entire kalpa.

¹³⁷Guṇō̃ K|kē gahnē dhāraṇ karnē hai .

¹³⁷Achcha. ¹³⁸* * * O M S H A N T I* * *