गुरुवार 5 नवंबर 1970 की अव्यक्त मुरली
सहेजा जा रहा है…
अब आप यह मुरली बिना इंटरनेट पढ़ सकते हैं।
आप यह मुरली बिना इंटरनेट पढ़ सकते हैं।
बिना इंटरनेट पढ़ने के लिए ।
ध्यान दें: वाक्यों का संरेखण अक्षरों की संख्या पर आधारित है और पूरी तरह विश्वसनीय नहीं है।
आप पूरी मुरली या उसके किसी भाग का वाक्य संरेखण स्वयं सुधार सकते हैं।
इस दृश्य में हिंदी पाठ से स्वतः तैयार की गई, बिना विशेष चिह्नों वाली प्रचलित रोमन वर्तनी दिखाई जाती है।
हिंग्लिश कैसे तैयार होती है?
इस साइट पर दीर्घ स्वरों के लिए आम तौर पर aa, ee और oo (शब्द के अंत में a, i और u), तथा ch, chh, sh और ri का प्रयोग होता है। शब्दकोश में पहचाने गए अंग्रेज़ी शब्दों की अंग्रेज़ी वर्तनी रखी जाती है। कुछ अंतर्निहित स्वरों को हटाने के नियम और प्रचलित शब्दों की सूची aatma, shanti, main और hoon जैसी वर्तनियाँ देते हैं।
अनौपचारिक रोमन वर्तनी मानकीकृत नहीं है। ये नियम एकरूपता रखते हैं, पर कुछ वर्तनियाँ आपकी परिचित वर्तनी से अलग हो सकती हैं। «लिप्यंतरित हिंदी» दृश्य में अनुकूलित ISO 15919 के भेद सुरक्षित रहते हैं।
| हिंदी | Hinglish |
|---|---|
| आत्मा | aatma |
| शान्ति | shanti |
| मैं | main |
| हूँ | hoon |
0> 105-11-70om shanti avyakt baapdaada madhuban 2dile is denjar
0> > Avyakt BapDada 5th November 1970 1Can each of you see your light and might?
3harek apne light aur might ko dekh parakh sakte hain?
2Do you have the power of discrimination?
4apne aap ko parakhne ki shakti apne mein anubhav karte ho?
3Are you still making effort, or are you an image that grants visions?
5apne ko ab tak purushaarthi moorta samajhte ho va saakshaat aur saakshaatkaar moorta bhi samajhte va anubhav karte ho? 6va samajhte ho ki yeh antim stage hai?
4What vision would your bhagats have if they came in front of you now? 5It should be a vision of the perfect stage, but would you be able to grant them that vision?
7abhi-abhi aapke bhakta aapke sammukh aayen to aapki soorat se unki kis moorta ka saakshaatkaar hoga। 8kaun-sa saakshaatkaar hoga?
6Or would they have a vision of the fluctuation in your effort? 7Consider that your photograph is being taken every second, by the camera of the drama.
9saakshaatkaar moorta sadaiv sampoorn sthiti ka saakshaatkaar karaayenge, lekin abhi agar aapke saamne koi aaye to unhein aisa saakshaatkaar kara sakenge?
8At the time of taking a photograph you must pay attention to everything. 9This photograph will be remembered in the form of some divine activity.
10aise to nahin ki aapke purushaartha ki utraai aur chadhaai ka unhein saakshaatkaar hota rahega।
10And the images of the different stages of the present time will be worshipped in different forms.
11photo nikaalte samay agar koi bhi halchal hoti hai to photo theek niklega?
11When you perform a drama on the stage, and visualise it, you pay so much attention.
12aise hi har second aise hi samjho ki hamaara photo nikal raha hai। 13photo nikaalte samay sabhi prakaar ka dhyaan diya jaata hai vaise apne oopar sadaiv dhyaan rakhna hai।
12In the same way, consider yourself to be playing a part on the unlimited stage. The vision of the souls of the entire world is directed towards me.
14ek-ek second is sarvottam va purushottam sangamayug ka drama roopi camera mein aap sabhi ka photo nikalta jaata hai।
13Remember the slogan: to delay is dangerous. 14If you delay in anything, there will be that much delay in the right to the fortune of the kingdom.
15jo vahi chitra phir charitra ke roop mein gaayan hota aaega।
15The majority of you complain that storms of waste thoughts create obstacles to becoming complete.
16aur abhi ke bhinna-bhinna stage ke chitra,bhinna-bhinna roop mein pooje jaayenge।
16So fix appointments for what you have to do throughout the day, to keep your mind busy at all times.
17har samay yeh smriti rakho ki apna chitra drama roopi camera ke saamne nikaal raha hoon।
17Then waste thoughts will not have any time in-between to disturb you. 18Your time will be used in a worthwhile way.
18ab ke ek-ek chitra ek-ek charitra gaayan aur poojan yogya banne vaale hain।
19There are four things in which you have to appoint your mind:
19jaise yahaan bhi jab aap log koi drama stage par karte ho aur saakshaatkaar karte ho to kitna dhyaan rakhte ho। 20aise hi samjho behad ki stage ke beech part baja rahi hoon va baja raha hoon। 21saare vishwa ki aatmaon ki nazar meri taraph hai।
20Milan is to meet, that is to have a heart to heart conversation with Baba. Vernan is to speak, that is service.Lagan is to have love: you spend a lot of time in developing this love. Magan is to be merged in love: you only stay merged for a short time....Have you become master almighty authorities?
22aise samajhne se sampoornata ko jaldi dhaaran kar sakenge। 23samjha।
21When you are that, you have passed, and will never then fail in any aspect.
24ek slogan sada yaad rakho jisse sahaj hi jaldi sampoorn ban sako।
22Are you ever susceptible to feeling sensitive? 23Are you feeling- proof?
25woh kaun sa slogan yaad rakhenge? 26(jaana hai aur aana hai)yeh to theek hai।
24A master almighty authority is beyond feeling sensitive, and is full in all aspects, such as knowledge-full.
27lekin jaana kaise hai sampoorn hokar jaana hai va aise hi? 28iske liye kya yaad rakhna?
25To the extent that someone becomes full, accordingly he will finish all the flaws and the flu.
29dile is denjar।
26Flawless means full.
30agar koi bhi baat mein deri ki to raaz bhaag ke adhikaar mein itni deri pad jaaegi। 31isliye yeh sadaiv yaad rakho ki vartamaan samay ke pramaan ek second bhi dile nahin karni hai।
27Are all of you a master almighty authority? 28Those who did not raise your hands are also master almighty authority, because you have made the Almighty Authority Father belong to you, in all relationships.
32aajkal complete arthaat sampoorn karmaateet banne ke liye purushaartha karte-karte mukhya ek complain samay prati samay sabhi ki nikalti hai। 33chaahte hain complete hona lekin woh complete hone nahin deti।
29When you have such a great practical example, why dont you know and accept yourself?If you constantly have this practical example in front of you then it is easy to become a conqueror of Maya.
34woh kaun si complain hai?
30Do you understand?
35vyartha sankalpon ki। 36complete banne mein vyartha sankalpon ke toofaan vighna daalte hain। 37yeh majority ki complain hai।
31Since you have forged all relationships with the one Father, what else remains? 32When there is nothing remaining, to where will the intellect be drawn?
38ab isko mitaane liye aaj yukti bataate hain। 39man ki vyartha sankalpon ki complain kaise poori hogi?
33If the intellect is wandering here and there, it shows that you have not forged all relationships with the One.
40yaad ki yaatra to mukhya baat hai lekin iske liye bhinna-bhinna yuktiyaan hain। 41woh kaun-si?
34You are in a bhatthi: you have come to check to what extent your battery is charged, and to charge it.
42jo bade aadmi hote hain unhon ke paas apne har samay ki apointament ki diary bani hui hoti hai।
35All of you are the valuable, serviceable, workers group. 36However there is a but to it.
43ek-ek ghanta unhon ka fix hota hai।
37BapDada sees the actions of the workers from the subtle region.
44aise aap bhi bade te bade ho na।
38Sometimes you perform a very wonderful circus.
45to roz amritvele saare din ki apni apointament ki diary banaao।
39It is worth seeing the parts that you play in this circus.
46agar apne man ko har samay apointament mein busy rakhenge to beech mein vyartha sankalp samay nahin le sakenge।
40Sometimes the workers show their fearsome form, but instead of adopting a fearsome form on their weaknesses, you show the circus of the fearsome form over others.
47apointament se free rehte ho tab vyartha sankalp samay le lete hain। 48to samay ki booking karne ka tareeka seekho।
41Sometimes you show the other circus of swinging in the swing of waste thoughts, instead of in the swing of supersensuous joy.
49apne aap ki apointament khud hi banaao ki aaj saare din mein kya-kya karna hai।
42Thirdly the majority of you show the circus of changing your stage and your form.
50phir samay saphal ho jaayega।
43You have to finish the desire for reward.
51man ko kismen apaainta karna hai। 52iske liye 4 baaten bataai hain।
44Instead of the word desire remember the word good.
531-milan, 2-varnan, 3- magan, 4- lagan।
45Desire finishes cleanliness, and you become a worrier.
54lagan lagaane mein bhi samay bahut jaata hai na।
46Workers are doers, not worriers.
55to magan ki avastha mein kam rehte hain। 56isliye lagan, magan,milan aur varnan।
47BapDada has hope in you, but for success you must gain the power of tolerance.
57varnan hai service,milan hai rooh-roohaan karna।
48The sign of closeness to perfection is success.
58baapdaada se milte hain na। 59to in chaar baaton mein apne samay ko fix karo।
49Put this slogan in front of you: purity is the prosperity of the confluence age. Purity is prosperity.
60agar roz ki apni dincharya phirksa karne ke liye apointament saare samay ki fix hogi to beech mein vyartha sankalpon ko disturb karne ka samay hi nahin milega। 61jaise koi bade aadmi hote hain to busy hone ke kaaran aur vyartha baaton taraph dhyaan aur samay nahin de sakte hain। 62aise apni dincharya mein samay ko fix karo। 63itna samay is baat mein,is samay is baat mein lagaana hai।
50There is so much detail in purity.
64aisi apointament apni nishchit karo tab yeh complain khatma hogi aur complete ban jaaegi। 65achha !
51The teachers will give you a class on what purity is, and with what yuktis you can imbibe it. 52* * * O M S H A N T I * * *