गुरुवार 6 मई 1971 की अव्यक्त मुरली
सहेजा जा रहा है…
अब आप यह मुरली बिना इंटरनेट पढ़ सकते हैं।
आप यह मुरली बिना इंटरनेट पढ़ सकते हैं।
बिना इंटरनेट पढ़ने के लिए ।
ध्यान दें: वाक्यों का संरेखण अक्षरों की संख्या पर आधारित है और पूरी तरह विश्वसनीय नहीं है।
आप पूरी मुरली या उसके किसी भाग का वाक्य संरेखण स्वयं सुधार सकते हैं।
इस दृश्य में हिंदी पाठ से स्वतः तैयार की गई, बिना विशेष चिह्नों वाली प्रचलित रोमन वर्तनी दिखाई जाती है।
हिंग्लिश कैसे तैयार होती है?
इस साइट पर दीर्घ स्वरों के लिए आम तौर पर aa, ee और oo (शब्द के अंत में a, i और u), तथा ch, chh, sh और ri का प्रयोग होता है। शब्दकोश में पहचाने गए अंग्रेज़ी शब्दों की अंग्रेज़ी वर्तनी रखी जाती है। कुछ अंतर्निहित स्वरों को हटाने के नियम और प्रचलित शब्दों की सूची aatma, shanti, main और hoon जैसी वर्तनियाँ देते हैं।
अनौपचारिक रोमन वर्तनी मानकीकृत नहीं है। ये नियम एकरूपता रखते हैं, पर कुछ वर्तनियाँ आपकी परिचित वर्तनी से अलग हो सकती हैं। «लिप्यंतरित हिंदी» दृश्य में अनुकूलित ISO 15919 के भेद सुरक्षित रहते हैं।
| हिंदी | Hinglish |
|---|---|
| आत्मा | aatma |
| शान्ति | shanti |
| मैं | main |
| हूँ | hoon |
0> 106-05-71 om shanti avyakt baapdaada madhuban
0> > 06/05/71 - 22/06/92
2baapdaada ka vishesh shrringaar -- noore-ratna
1The special decoration of BapDada are the light of the eyes
3aaj ratnaagar baap apne ratnon ko dekh harshit ho rahe hain।
2Today, Baba the Jeweller is happy to see His jewels.
4dekh rahe hain ki harek ratna yatha-shakti purooshaartha kar aage badh rahe hain।
3He is seeing that each of you jewels is making effort according to your own capacity and moving forward.
5harek apne aapko jaante ho ki ham kaunsa ratna hain?
4Do each of you know which jewel you are? 5How many varieties of jewels are there?
6kitne prakaar ke ratna hote hain?
6(Eight types.) 7Which number jewel are you?
7(8 ratna hain) aap kitne number ke ratna ho? 8heere ke sang rah heere samaan nahin bane ho?
8Have you not become the same as a diamond whilst staying in the company of the Diamond?
9ratna to sabhi ho lekin ek ratna hai, jinko kehte hain noor-A-ratna। 10to kya sabhi noor-A-ratna nahin ho?
9All of you are jewels, but the first is the jewel of the eyes, and so, are all of you not the jewels of the eyes?
11ek to noor-A-ratna, doosre hain gale ki maala ke ratna।
10One is the jewel of the eyes, and the second is a jewel of the necklace.
12teesri stage kya hai, jaante ho?
11Do you know what the third stage is?
13teesre hain haathon ke kangan ke ratna।
12The third are the jewels of the bracelet.
14sabhi se first number hain noor-A-ratna।
13The first number of all is the jewel of the eyes.
15woh kaun bante hain?
14Who can become that?
16jinke naynon mein sivaay baap ke aur kuchh bhi dekhte hue bhi dekhne mein nahin aata hai।
15Those who do not see anything except the Father through their eyes are the jewels of the eyes.
17woh hain noor-A-ratna। 18aur jo apne mukh se gyaan ka varnan karte hain lekin jaisa pahla number sunaaya ki sadaiv naynon mein baap ki yaad, baap ki soorat hi sabhi ko dikhaai de-usmein kuchh kam hain, woh gale dvaaraasarviskarte hain, isliye gale ki maala ka ratna bante hain।
16Those who speak about knowledge through their lips are a little less than those of the first number you were told about. 17They always have the remembrance of the Father in their eyes, so that they only reveal the image of the Father, whereas these ones do service through their throat, and this is why they become part of the necklace.
19aur teesra number jo haath ke kangan ka ratna bante hain unki visheshta kya hai?
18What is the speciality of the third number who are the jewels of the bracelet?
20kis-na-kis roop se madadgaar bante hain। 21to madadgaar banne ki nishaani yeh baanhon ke kangan ke ratna bante hain।
19They become helpers in one form or another, and so the result of being helpers is that they become the jewels of the bracelet.
22ab harek apne se poochhe ki main kaunsa ratna hoon?
20Each of you should ask yourself: Which jewel am I?
23pahla number, doosra number va teesra number?
21Are you the first number, the second number or the third number?
24ratna to sabhi hain aur baapdaada ke shrringaar bhi teenon hi hain।
22All of you are jewels, and all of you are BapDada's decoration.
25ab bataao, kaunsa ratna ho?
23Now, tell Baba, which jewel are you?
26noor- A-ratnon ki jo parakh sunaai usmein paas with honour ho?
24According to the signs you were just told about, are you those jewels who pass with honour?
27ummeedvaar mein bhi number hote hain।
25Even amongst those in whom there is hope, there is still a number.
28to sadaiv yeh smriti mein rakho ki ham baapdaada ke noor-A-ratna hain, to hamaare naynon mein va najron mein aur koi bhi cheej sama nahin sakti।
26So always keep in your consciousness that you are the jewels of BapDada's eyes, and so there cannot be anyone else merged in your eyes or in your vision.
29chalte- phirte, khaate-peete aapke naynon mein kya dikhaai dena chaahiye?
27Whilst walking and moving around, whilst eating and drinking, what should be visible from your eyes?
30baap ki moorat va soorat।
28Baba's image and features.
31aisi sthiti mein rahne se kabhi bhi koi complain nahin karenge।
29When you stay in such a stage, no one will ever complain.
32jo bhi bhinna-bhinna prakaar ki pareshaaniyaan pareshaan karti hain aur pareshaan hone ke kaaran apni shaan se pare ho jaate ho। 33to pareshaan ka arth kya hua?
30All the many different types of difficulties do distress you, and because of becoming distressed, you move away from your own honour. 31And because of moving away from your honour, you become distressed.
34apni jo shaan hai usse pare hone ke kaaran pareshaan hona padta hai।
32If you become stabilised in the stage of your honour, you cannot be distressed.
35agar apni shaan mein sthit ho jaao to pareshaan ho nahin sakte। 36to sarva pareshaaniyon ko mitaane ke liye sirf shabd ke arth-swaroop mein tik jaao।
33So what does it mean to be distressed? 34In order to finish all difficulties, stabilise yourself in the meaning of this word, (honour), that is, stabilise yourself in the stage of your honour.
37arthaat apne shaan mein sthit ho jaao to shaan se maan sadaiv praapta hota hai। 38isliye shaan-maan kaha jaata hai।
35For maintaining your own honour, you constantly receive respect. 36This is why the two words are used together: honour and respect.
39to apni shaan ko jaano।
37Therefore, know your own honour.
40jitna jo apni shaan mein sthit hote hain utna hi unko maan milta hai।
38To the extent someone is stabilised in his honour, accordingly he receives respect.
41apni shaan ko jaante ho?
39Do you know your honour (pride)?
42kitni oonchi shaan hai!
40How elevated is it?
43laukik reeti bhi shaan vaala kabhi bhi aisa karttavya nahin karega jo shaan ke virooddha ho।
41In a worldly way also, those who maintain their own honour never perform any actions that would be against their honour.
44apni shaan sadaiv yaad rakho to karma bhi shaandaar honge aur pareshaan bhi nahin honge।
42Constantly remember your honour, and then your actions will also be elevated, and you will not be distressed either.
45to yeh sahaj yukti nahin hai pareshaani ko mitaane ki?
43So is this not an easy yukti to finish all difficulties?
46koi bhi buraai ko samaapta karne ke liye baap ki badaai karo।
44In order to finish anything negative (burai), sing Baba's praise (badai).
47sirf ek maatra ke pharka se kitna antar ho gaya hai!
45Simply through an alteration of one accent, so much difference is created.
48buraai aur badaai, sirf ek maatra ko paltaana hai।
46You simply have to change that one accent Even a small child of five years can do this.
49yeh to 5 varsha ka chhota bachcha bhi kar sakta hai।
47Always continue to sing the praise of the greatness of the highest-on-high Father.
50sadaiv bade se bade baap ki badaai karte raho, ismen saari padhaai bhi aa jaati hai।
48The entire study (padai) is included in this. 49So, what happens by singing Baba's praise?
51to yeh baap ki badaai karne se kya hoga?
50All battling (ladai) finishes.
52ladaai banda। 53maaya se lad-lad kar thak gaye ho na।
51You have become tired after battling with Maya for so long.
54jab baap ki badaai karenge to ladaai se thakenge nahin, lekin baap ke gun gaate khushi mein rahne se ladaai bhi ek khel misal dikhaai padegi।
52When you sing Baba's praise, the battle does not cause tiredness. 53By your singing Baba's praise and staying in happiness, the battle seems like a game.
55khel mein harsha hota hai na।
54One enjoys oneself whilst playing games.
56to jo ladaai ko khel samajhte, aisi sthiti mein rahne vaalon ki nishaani kya hogi? 57harsha।
55So what would be the sign of those who consider battling to be a game? 56They remain happy.
58sada harshit rahne vaale ko maaya kabhi bhi kisi bhi roop se aakarshit nahin kar sakti। 59to maaya ki aakarshan se bachne ke liye ek to sadaiv apni shaan mein raho, doosra maaya ko khel samajh sadaiv khel mein harshit raho।
57In no form can Maya ever attract those who constantly remain happy. 58So, in order to free yourself from the attraction of Maya, firstly, constantly maintain your state of honour. 59Secondly, consider Maya to be a game, and whilst playing the game, constantly remain happy.
60sirf do baaten yaad rahen to har karma yaadgaar ban jaaye।
60If you simply remember two things, every action will become a memorial.
61jaise saakaar mein anubhav kiya - kaise har karma yaadgaar banaaya।
61You experienced how Baba, in the corporeal form, made his every action a memorial.
62aise hi aap sabhi ka har karma yaadgaar bane, uske liye do baaten yaad rakho। 63aadhaarmoorta aur uddhaarmoorta।
62Remember two things so that each action of yours becomes a memorial: the image of support and the image of upliftment.
64yeh donon baaten yaad rahen to har karma yaadgaar banega।
63If you remember both these things, then each action will become a memorial.
65agar sadaiv apne ko vishwa-parivartan ke aadhaarmoorta samjho to har karma ooncha hoga।
64If you constantly consider yourself to be the image of support for the transformation of the world, each action of yours will be evelated.
66phir saath-saath udaarchit arthaat sarva aatmaon ke prati sadaiv kalyaan ki bhaavna vritti-drishti mein rahne se har karma shreshtha hoga।
65Then, together with that, you will be able to be very generous, that is, by having beneficial feelings in your attitude and vision, each action of yours will be elevated.
67to apna har karma aise karo jo yaadgaar banne yogya ho।
66Therefore, perform each action so that it becomes worthy to be a memorial.
68yeh follow karna mushkil hai kya?
67Is it difficult to follow this?
69(museum sarvisparpaarteeja rahi hai) tyaag ka sadaiv bhaagya banta hai।
68(A group was going to do museum service.) 69Fortune is always created through renunciation.
70jo tyaag karta hai usko bhaagya svatah hi praapta ho jaata hai।
70Those who renounce something automatically receive a fortune.
71isliye yeh jo bade se bada tyaag karte hain unhon ka bade se bada bhaagya jama ho jaata hai।
71Therefore, those who have the greatest renunciation of all accumulate the greatest fortune of all.
72isliye khushi se jaana chaahiesarvispar।
72Therefore, you should go on service with happiness.
73achha।
73* * * O M S H A N T I * * *