रविवार 3 अक्टूबर 1971 की अव्यक्त मुरली

⁰> ¹03-10-71 ōm śhānti avyakt bāpdādā madhuban

⁰> > Avyakt BapDada 3rd October 1971

²Nirmāntā K|kē guṇ sē viśv-nirmātā

¹Whom is BapDada seeing today? ²Who are you?

³Āj bāpdādā kinhō̃ kō dēkh rahē haĩ  ? ⁴Āp kaun hō  ?

³Do you know in which form BapDada is seeing you today?

⁵Āj bāpdādā āp kō kis rūp mē̃ dēkh rahē haĩ , yah jāntē hō  ?

⁴Are you not master knowledge-full?

⁶Māsṭaranôlējaphul nahī̃ hō  ? ⁷Jab master knowledgeful hō , tō yah nahī̃ jān saktē hō ki bāp kis rūp mē̃ dēkh rahē haĩ  ?

⁵Since you are master knowledge-full, are you not able to know in which form Baba is seeing you?

⁸Bachchē tō haĩ hī , lēkin kis rūp mē̃ dēkh rahē haĩ  ?

⁶You are the children anyway, but in which form Baba is seeing you?

⁹Bāpdādā dēkh rahē haĩ ki itnē sabhī viśv-nirmātā haĩ .

⁷BapDada is seeing that all of you children are engaged in the task of world renewal.

¹⁰Viśhva K|kē nirmātā hō  ?

⁸Are you Baba’s helpers in his task?

¹¹Bāp K|kē sāth-sāth bāp K|kē karttavya mē̃ madadgār hō  ?

⁹Your task is to bring about world renewal, is it not?

¹²Naī viśhva kā nirmāṇ karnā - yahī karttavya hai nā .

¹⁰Are you already engaged in that task? ¹¹Or do you still have to engage yourself in that?

¹³Usī karttavya mē̃ lagē huē hō vā abhī lagnā hai  ? ¹⁴Tō viśhva - nirmātā nahī̃ huē  ?

¹²So, does that not make you those engaged in the task of world renewal?

¹⁵Sadaiv yah smr̥iti mē̃ rahē ki ham sabhī master viśv-nirmātā haĩ .

¹³You should always be aware that you are all master world constructors.

¹⁶Yahī smr̥iti sadaiv rahnē sē kaunsā viśhēṣh guṇ automatically ā jāyēgā  ?

¹⁴By constantly having this awareness, you will automatically imbibe the virtue of humility.

¹⁷Nirmāntā kā .

¹⁵Do you understand?

¹⁸Samjhā  ? ¹⁹Aur jahỗ nirmāntā arthāt saraltā natural rūp mē̃ rahēgī vahā̃ anya guṇ bhī automatically ā hī jātē haĩ .

¹⁶Where there is humility - that is, an easy nature in a a natural way - all other virtues will also be imbibed automatically.

²⁰Tō sadaiv is smr̥iti - svarūp mē̃ sthit rah kar phir her|har saṅkalp vā karma karō .

¹⁷So, always stabilise yourself in this awareness, before creating any thought, or performing any action.

²¹Phir yah jō bhī chhōṭī - chhōṭī bātē̃ sāmnā karnē kē liē ātī haĩ , yah bātē̃ aisē hī anubhav hōṅgī jaisē kōī bujurg kē āgē chhōṭē-chhōṭē bachchē apnē bachpan K|kē albēlēpan K|kē kāraṇ kuchh bhī bōl dēvē̃ vā kuchh bhī aisā karttavya bhī karē̃ tō bujurg lōg samajhtē haĩ ki yah nirdōṣh , anjān chhōṭē bachchē haĩ .

¹⁸Then, all those little things that come to oppose you will be experienced to be the same as when children come in front of the elderly. ¹⁹Due to the carelessness of their childhood, they might say anything, or even perform any such action... then then elders think that the child is not to be blamed: that he does not know anything, as he is still only a small child - they are not affected at all.

²²Kōī asar nahī̃ hōtā hai . ²³Aisē hī jab master viśv-nirmātā apnē kō samajhē̃gē tō yah māyā K|kē chōṭē-chōṭēvighnabaccō̃ K|kē khēl samān lagē̃gē .

²⁰In the same way, when you consider yourselves to be master world constructors, those small obstacles of Maya will seem like the games of little children.

²⁴Jaisē chhōṭā bachchā agar bachpan K|kē anajānapan mē̃ nāk-kān bhī pakaṛ lē tō jōśh āyēgā  ?

²¹When a small child pulls your nose or ears, due to his innocence of childhood, do you get angry?

²⁵Kyōṅki samajhtē haĩ - bachchē nirdōṣh , anjān haĩ .

²²You understand that the child is innocent and does not know anything.

²⁶Unkā kōī dōṣh dikhāī nahī̃ paṛtā .

²³You do not blame him for anything.

²⁷Aisē hī māyā bhī agar kisī ātmā dvārā samasyā vā vighnavā parīkṣā-pēpar bankar ātī hai , tō un ātmāō̃ kō nirdōṣh samajhnā chāhiē .

²⁴In the same way, when Maya comes through any soul in the form of a problem, obstacle, or test paper, you should consider these souls to be blameless.

²⁸Māyā hī ātmā dvārā apnā khēl dikhā rahī hai .

²⁵It is only Maya showing her games through other souls.

²⁹Tō nirdōṣh kē ūpar kyā hōtā hai  ?

²⁶So, what do you feel for those who are not to be blamed?

³⁰Taras , rahm ātā hai nā .

²⁷You feel mercy and compassion for them.

³¹Is rīti sē kōī bhī ātmā nimitt ban jātī hai , lēkin hai nirdōṣh ātmā .

²⁸In this way, any soul could become an instrument, even though that soul is not to be blamed.

³²Agar us dr̥iṣhṭi sē her|har ātmā kō dēkhō tō phir purūṣhārth key|kī speed kab ḍhīlī hō saktī hai  ?

²⁹If you saw every soul with this vision, could your speed of effort ever become slack?

³³Her|har second mē̃ chaṛhtī kalā kā anubhav karē̃gē .

³⁰You would experience the stage of ascent at every second.

³⁴Sirph chaṛhtī kalā mē̃ jānē kē liē yah samajhnē key|kī kalā ānī chāhiē .

³¹In order to go into the stage of ascent, you should simply have the art of being able to understand this aspect.

³⁵16 kalā sampūrṇ bannā hai nā .

³²You have to become 16 celestial degrees complete.

³⁶Tō yah bhī kalā hai .

³³So this is also an art.

³⁷Agar is kalā kō jān jātē haĩ tō chaṛhtī kalā hī hai .

³⁴If you know this art, then it is already the stage of ascent.

³⁸Vah kab rūkēgā nahī̃ . ³⁹Uskī speed kab ḍhīlī nahī̃ hō saktī .

³⁵Such a soul will never come to a standstill; can never slow down.

⁴⁰Her|har second mē̃ tīvratā hōgī .

³⁶There would be intensity at every second.

⁴¹Aur abhī rūkanē kā samay bhī kyā hai  ?

³⁷Anyway there is no time now to stop.

⁴²Rūk kar un ātmāō̃ K|kē kāraṇ aur nivāraṇ kō hal karnē kā abhī samay hai  ?

³⁸It is time to try to resolve and stop the excuses of those souls.

⁴³Abhī tō baṛē bujurg hō gayē hō .

³⁹You have now to become very mature.

⁴⁴Abhī tō vānaprasth avasthā mē̃ jānē kā samay samīp ā rahā hai .

⁴⁰The time of going into the stage of retirement is coming close.

⁴⁵Apnā ghar sāmnē dikhāī nahī̃ dētā hai  ?

⁴¹Can you not see your home in front of you?

⁴⁶Ākhrīn yātrā samāpt kar ghar jānā hai .

⁴²Eventually you have to finish your pilgrimage and return home.

⁴⁷Kōī bhī bāt bhinn-bhinn rūpō̃ , bhinn - bhinn bātō̃ sē sāmnē jab ātī hai , tō pahlē yah samajhnā chāhiē ki in samasyāō̃ vā bhinn-bhinn rūpō̃ key|kī bātō̃ kō kitnā bār hal kiyā hai aur kartē-kartē anubhavī banē huē hō .

⁴³When anything comes in front of you, in different forms and in different situations, you should understand how many times you have already solved such problems and situations, and how, by solving them, you have now become experienced.

⁴⁸Kitnē bār K|kē anubhavī hō , yād hai  ?

⁴⁴Do you remember how many times you have experienced this?

⁴⁹Anēk bār kiyā hai - yah yād ātā hai  ?

⁴⁵Do you remember that you have done this innumerable times?

⁵⁰Kalp pahlē pās|pass kiyā hai . ⁵¹Cross kiyā hōgā .

⁴⁶Did you cross it, or do you think that you might have crossed it?

⁵²Cross kiyā thā vā kiyā hōgā  ? ⁵³Yah nahī̃ samajhtē ki agar anēk bār yah anubhav nahī̃ kiyā hōtā tō āj itnē samīp kaisē ātē  ?

⁴⁷Don’t you understand that, if you had not experienced this innumerable times, you could not have come so close today? ⁴⁸Do you not know how to make this calculation?

⁵⁴Yah hisāb lagānā nahī̃ ātā  ? ⁵⁵Pāṇḍav tō hisāb mē̃ hōśhiyār hōnēcāhiē .

⁴⁹Pandavas should be clever in calculating, but, in fact, the Shaktis have become number one.

⁵⁶Lēkin śhaktiyā̃ number one hō gaĩr .

⁵⁰You should have this awareness in a clear and simple form.

⁵⁷Yah smr̥iti spaṣhṭ aur saral rūp mē̃ rahē .

⁵¹You should not have to force this awareness.

⁵⁸Khaiñcanā na paṛē . ⁵⁹Agar kalp pahlē key|kī bāt abhī tak buddhi mē̃ khaiñcakar lātē rahtē hō tō kyā kahē̃gē  ?

⁵²If you have to bring things of the previous cycle into your intellect with force, what would you say to that?

⁶⁰Zarūrakōī māyā key|kī khiñchāvaṭ abhī hai , isliē buddhi mē̃ kalp pahlē vālī smr̥iti spaṣhṭ aur saral rūp mē̃ nahī̃ ātī hai aur isliē hī vighnō̃ kō pār karnē mē̃ muśhkil anubhav hōtā hai .

⁵³There must definitely be some pull of Maya, for that is why you are unable to draw the awareness of the previous cycle into your intellect in a clear and simple way, and that is also why you experience difficulty in overcoming obstacles.

⁶¹Muśhkil hai nahī̃ .

⁵⁴It is not difficult.

⁶²Jitnā purūṣhārth kā samay chalā hai , jitanānôlējakī light aur might milī hai us pramāṇ vartamān samay saral aur spaṣhṭ hōnā chāhiē .

⁵⁵Considering the length of time you have been making effort, and considering the light and might of knowledge you have received, it should now be easy and clear.

⁶³Itnā spaṣhṭ hō jaisē ēk minute pahlē agar kōī kārya kiyā tō vah yād rahtā ki vah bhī bhūl jātā hai  ?

⁵⁶If you did something a minute ago, do you remember that, or forget it?

⁶⁴Tō aisē hī 5000 varṣh kē bād aisē spaṣhṭ anubhav hō jaisē ēk minute pahlē kiyā huā kārya hai .

⁵⁷In the same way, you should experience everything of 5000 years ago as clearly as if it only happened a minute ago.

⁶⁵Jaisē powerful camera hōtī hai tō ēk second mē̃ kitnā spaṣhṭ chitra khaiñch lētī hai .

⁵⁸A powerful camera is able to take such a clear picture in just one second.

⁶⁶Kitnā bhī dūr kā dr̥iśhya hō , vah bhī spaṣhṭ sammukh ātā jātā hai .

⁵⁹No matter how far away the scene may be, it appears in front of you.

⁶⁷Tō kyā powerful kaimarāmain nahī̃ banē hō  ?

⁶⁰Have you not become a powerful cameraman?

⁶⁸Camera hai ki dūsrē kā loan par lēkar use kartē hō  ?

⁶¹Do you have a camera, or do you take someone else’s camera on loan and use that?

⁶⁹Powerful hai  ?

⁶²Is it powerful?

⁷⁰Kalp pahlē K|kē chitra usmē̃ spaṣhṭ ā jātē haĩ  ?

⁶³Does the picture of the previous cycle appear in that clearly?

⁷¹Yah jō man hai yah ēk baṛī camera hai .

⁶⁴Your mind is also a big camera.

⁷²Her|har second kā chitra ismē̃ khaiñcā nahī̃ jātā  ?

⁶⁵Is not the picture of every second taken by that?

⁷³Camera tō sabhī kē pās hai lēkin kōī camera nazdīk K|kē chitra kō khīñch saktī hai aur kōī camera chandramā tak bhī phōṭō khaiñch lētī hai .

⁶⁶Each of you has a camera, but some cameras are able to take close pictures, and other cameras are able to take pictures even as far away as the moon. ⁶⁷Both are cameras.

⁷⁴Hai tō vah bhī camera , vah bhī camera . ⁷⁵Aur yahā̃ key|kī chhōṭī - mōṭī bhī camera tō hai nā .

⁶⁸You also have large and small cameras.So how powerful is each one’s camera?

⁷⁶Tō harēk kē pās kitnā powerful camera hai  ? ⁷⁷Jab vah lōg chandramā sē yahā̃ , yahā̃ sē vahā̃ kā khaiñch saktē haĩ  ; tō āp sākār lōk mē̃ rahtē nirākārī duniyā kā , ākārī duniyā kā vā is sārī sr̥iṣhṭi K|kē past vā bhaviṣhya kā chitra nahī̃ khaiñch saktē hō  ?

⁶⁹Since those people are able to take pictures of everywhere from the moon, can you not, while living in the corporeal world, take a picture of the incorporeal world, the subtle world, and the past and future of the entire world?

⁷⁸Camera kō powerful banāō jō usmē̃ jō bāt , jō dr̥iśhya jaisā hai vaisā dikhāī dē , bhinn-bhinn rūp mē̃ dikhāī nahī̃ dē .

⁷⁰Make your camera so powerful that you are able to see everything as it is - every scene as it is. ⁷¹It should not show something in many different forms.

⁷⁹Jō hai jaisā hai , vaisē spaṣhṭ dikhāī dē . ⁸⁰Iskō kahtē haĩ powerful .

⁷²To be able to see something clearly as it is: this is known aspowerful.

⁸¹Phir batāō kōī bhī samasyā , samasyā kā rūp hōgā yā khēl anubhav hōgā  ?

⁷³In that case, would any problem still take on the form of a problem, or would it be experienced as a game?

⁸²Tō ab key|kī stage K|kē anusār aisī stage banāō , tab kahē̃gē tīvrapuruṣārthī .

⁷⁴According to the present time, create such a stage: then you would be calledintense effort-makers.

⁸³Agar aisē camera dvārā chitra pahlē khīñchtē jātē haĩ , uskē bād sāph karānē kē bād mālūm paṛtā hai ki kaisē khīñchē haĩ .

⁷⁵A picture is first taken by a camera, and later, when the film has been developed, you can tell how the picture has come out.

⁸⁴Isī rīti sē sārē din mē̃ jō apnē-apnē automatic camera dvārā anēkānēk chitra khaiñchtē rahtē hō , rāt kō phir baiṭh kar clear dēkhnā chāhiē ki kis prakār K|kē chitra āj is kaimarē dvārā khīñchē  ?

⁷⁶In the same way, when you have taken all the many pictures with your individual automatic camera, you should sit at night and check clearly what type of pictures you have taken with this camera.Did you take pictures of everything as it was, or was there some fluctuation?

⁸⁵Aur jō jaisē haĩ vaisē hī chitra khīñchē vā kuchh nīchē-ūpar bhī hō gayā  ?

⁷⁷Sometimes, when the camera is not good, even white things come out as black in the pictures.

⁸⁶Kabhī-kabhī camera ṭhīk na hōnē K|kē kāraṇ saphēd chīj bhī kālī hō jātī hai , rūp badal jātā hai , features bhī kab badal jātē haĩ .

⁷⁸Its form changes, and sometimes even the features change. ⁷⁹Here also, when the camera is not clear, a little thing becomes a big problem: its form and colour change.

⁸⁷Tō yahā̃ bhī kabhī-kabhī camera ṭhīk clear na hōnē K|kē kāraṇ bāt samasyā ban jātī hai .

⁸⁰Sometimes an inaccurate form of something is even picked up.

⁸⁸Unkī rūprēkhā badal jātī hai , unkā raṅg-rūp bhī badal jātā hai .

⁸¹Therefore, constantly keep your camera clear and powerful.

⁸⁹Yathārth kā ayathārtha rūp bhī kab khaiñcā jātā hai . ⁹⁰Isliē sadaiv apnē camera kō clear aur powerful banāō . ⁹¹Apnē kō sēvādhārī samajhnē sē tyāg , tapasyā sabhī ā jātā hai .

⁸²By considering yourself to be a server, that automatically includes renunciation and tapasya. “I am a server and this life is for serving”: when you have this awareness, not a second will go by without service.

⁹²Sēvādhārī hū̃ aur sēvā kē liē hī yah jīvan hai , yah samajhnē sē second bhī sēvā bigar nahī̃ jāyēgā . ⁹³Tō sadā apnē kō sēvādhārī samajhtē chalō .

⁸³So you must constantly move along whilst considering yourself to be a server, and you must also consider yourself to be mature, and then all the little things will seem like toys.

⁹⁴Aur apnē kō bujurg samajhnā chāhiē , tō phir chhōṭī-chhōṭī bātē̃ khilaunē dikhāī dē̃gī , merciful ban jāyēṅgē .

⁸⁴You will then become merciful. ⁸⁵Instead of feeling disregard, you will have mercy.

⁹⁵Tiraskār kē badlē taras āyēgā . ⁹⁶Achchhā .

⁸⁶Achcha. ⁸⁷* * * O M S H A N T I * * *