बुधवार 17 मई 1972 की अव्यक्त मुरली
सहेजा जा रहा है…
अब आप यह मुरली बिना इंटरनेट पढ़ सकते हैं।
आप यह मुरली बिना इंटरनेट पढ़ सकते हैं।
बिना इंटरनेट पढ़ने के लिए ।
ध्यान दें: वाक्यों का संरेखण अक्षरों की संख्या पर आधारित है और पूरी तरह विश्वसनीय नहीं है।
आप पूरी मुरली या उसके किसी भाग का वाक्य संरेखण स्वयं सुधार सकते हैं।
हिंदी को ISO 15919 पर आधारित अनुकूलित लिप्यंतरण के साथ रोमन अक्षरों में भी दिखाया जाता है।
लिप्यंतरण कैसे पढ़ें
यह साइट ISO 15919 पर आधारित लिप्यंतरण का प्रयोग करती है। पढ़ना आसान बनाने के लिए c, ś और ṣ के बाद h तथा स्वर r̥ के बाद i जोड़ा जाता है। इन बदलावों से यह भारत में प्रयुक्त हंटरियन प्रणाली के करीब आता है, जबकि ISO 15919 के विशिष्ट चिह्न बने रहते हैं।
| ISO 15919 | इस साइट पर |
|---|---|
| c | ch |
| ś | śh |
| ṣ | ṣh |
| r̥ | r̥i |
पढ़ने के कुछ संकेत:
- ā, ī, ū: अक्षर के ऊपर की रेखा दीर्घ स्वर दर्शाती है।
- ṭ, ḍ, ṇ: नीचे का बिंदु मूर्धन्य व्यंजनों को t, d, n से अलग करता है।
- स्वर के ऊपर टिल्ड चिह्न अनुनासिक उच्चारण दर्शाता है।
0> 117-05-72 ōm śhānti avyakt bāpadādāmadhuban
0> > Avyakt BapDada 17th May 1972
2Saṅgaṭhan rūpī kilē kō mazbūt banānē kā sādhan
1Pandav Bhavan is called the fort of the Pandavas.
3Pāṇḍav bhavan kō pāṇḍavō̃ kā kilā kahtē haĩ .
2The fort has been remembered. 3This Godly gathering is also a fort.
4Kilē kā gāyan bhī hai .
4The fort is the gathering.
5Aisē hī jō yah īśhvarīy saṅgaṭhan hai , yah saṅgaṭhan bhī kilā hī hai . 6Jaisē sthūl kilē kō bahut majbūt kiyā jātā hai , jissē kōī bhī duśhman war|vār kar na sakē .
5Just as a physical fort is made strong so that no enemy can attack it, there should be so much strength here that no enemy in the form of a vice can attack you.
7Is rīti sē mukhyakilā hai saṅgaṭhan kā .
6If an enemy does attack, there is definitely a weakness in the fort.
8Ismē̃ bhī itnī majbūtī hō jō kōī bhī vikār duśhman K|kē rūp sē war|vār kar na sakē .
7The fort is of the gathering, and to strengthen it three things are essential.
9Agar kōī duśhman war|vār kar lētā hai tō zarūr kilē key|kī majbūtī key|kī kamī hai .
8If all three things are strong then no enemy in any form can attack anyone inside the fort.
10Yah tō saṅgaṭhan rūpī kilā hai , iskī majbūtī kē liē tīn bātō̃ key|kī āvaśhyaktā hai .
9Then no enemy will even have the courage to enter. 10What are those three things? 11Love, cleanliness, and spirituality.
11Agar tīnō̃ bātē̃ majbūt haĩ tō is kilē K|kē andar kōī bhī rūp sē kabhī bhī kōī duśhman war|vār nahī̃ kar sakē̃gē .
12If all these three are strong, then nothing can attack you. 13If someone does attack then one thing or another is lacking - maybe love, maybe spirituality.
12Duśhman pravēśh bhī nahī̃ kar saktē , himmat nahī̃ hō saktī .
14In order to strengthen the fort of the gathering you must pay great attention to these three things.
13Vah tīn bātē̃ kaunsī haĩ , jissē majbūt hō saktē haĩ ?
15At every place these three things must be introduced with force.
14Ēk - snēh ; dūsrā - svachchhatā aur tīsrā hai rūhāniyat yah tīnō̃ bātē̃ agar majbūt haĩ tō kab kōī kā war|vār nahī̃ hōgā .
16In a physical way, in order to purify the atmosphere, you freshen the air, and the atmosphere is changed for a while through that.
15Agar kahā̃ bhī , kōī bhī war|vār kartā hai , unkā kāraṇ in tīnō̃ mē̃ kōī-nā-kōī kamī hai .
17In the same way you should apply pressure on these aspects to remove any effect on the atmosphere.
16Yā snēh key|kī kamī hai yā phir rūhāniyat key|kī kamī hai .
18This is the main thing to attract anyone.
17Tō saṅgaṭhan rūpī kilē kō majbūt karnē kē liē in tīn bātō̃ par bahut attention chāhiē . 18Harēk sthān par in bātō̃ kā force rakhkar bhī yah lānā chāhiē .
19People are impressed by the love and cleanliness, but the third aspect - spirituality - is also most important.
19Jaisē sthūl mē̃ bhī vāyumaṇḍal kō śhuddha karnē kē liē ēar Ö auś kartē haĩ . 20Ussē alpkāl kē liē vāyumaṇḍal change hō jātā hai .
20In order to bring one another into a gathering, or to increase power in a gathering, you must bring these three things to one anothers attention.
21Is rīti sē ismē̃ bhī in bātō̃ kā praiśar ḍālnā chāhiē jissē vāyumaṇḍal kā bhī asar nikal jāē . 22Kōī kō bhī ākarṣhaṇ karnē kīmukhyabātē̃ yahī hōtī haĩ .
21If any one aspect of the three is weak, there is definitely one weakness or another - therefore you ar unable to attain the success that you should.
23Snēh sē , svachchhatā sē prabhāvit tō hō jātē haĩ lēkinamukhyatīsarī bāt rūhāniyat key|kī jō hai , yah hai mukhya .
22So you must pay a lot of attention to these things. 23The fort is strengthened through your coming together in a gathering.
24Dō bātō̃ sē prabhāvit hōkar gaē . 25Yah tō unhō̃ kē prati viśhēṣh vr̥iti aur dr̥iṣhṭi mē̃ attention rahā .
24If even one brick or stone in a wall of a fort is not fully supporting it then that fort cannot be safe.
26Uskī result mē̃ yah lēkar K|kē gaē .
25If it moves even a little, there is a weakness.
27Tō jaisē lōgō̃ kō bhī yah mukhyabātē̃ ākarṣhaṇ karnē kē liē nimitt bantī haĩ nā .
26Although you would say that only one brick is weak, the weakness spreads is all four directions.
28Vaisē ēk dō kō saṅgaṭhan mē̃ lānē kē liē vā saṅgaṭhan mē̃ śhakti baṛhānē kē liē āpas mē̃ bhī yah tīn bātē̃ ēk dō kō dēkar K|kē attention dilānē key|kī āvaśhyaktā hai .
27So, in the same way, these three things are very essential for strength. 28Then, no vibration can even touch you. 29You pay less attention to yourself.
29Agar tīnō̃ mē̃ sē kōī bhī bāt key|kī kamjōrī hai tō zarūr kōī nā kōī vikanēs hai .
30Sakar Baba was visible from a distance as a lighthouse and a might- house.
30Jō safalatā hōnī chāhiē vah nahī̃ hō pātī , zarūr kōī kamī hai . 31Tō yah bātē̃ bahut dhyān mē̃ rakhnī haĩ .
31In the same way, where the strength of spirituality is there, anyone who enters will experience it to be a lighthouse and a might-house.
32Kilē key|kī majbūtī hōtī hai ēk dō K|kē saṅgaṭhan sē . 33Agar kilē key|kī dīvār mē̃ ēk bhī ī̃rṭa vā patthar kā sahyōg pūrā nā hō tō vah kilā safe nahī̃ hō saktā .
32Just as love and cleanliness are visible in the external form, in the same way spirituality and uniqueness should be visible externally.
34Zarā bhī hilā tō kamjōrī ā jāēgī .
33Then there will be the sound of victory.
35Bhalē kahnē mē̃ tō ēk īṇṭ key|kī kamī hai lēkin kamjōrī chārō̃ ōr phailtī hai . 36Tō vaisē hī majbūtī kē liē tīn bātē̃ bahutazarūrī haĩ .
34According to the drama, whatever is happening is accurate anyway, but there should also be the experience of being an embodiment of power.
37Phir kōī vibration bhī touch nahī̃ kar saktā .
35There should definitely be this spirituality.
38Apnē ūpar attention cum|kam hai . 39Jaisē sākār bāp sākār rūp mē̃ light-house , māiṭ-hāus dūr sē hī dikhāī dētē thē , aisē rūhāniyat key|kī majbūtī hōnē sē kōī bhī andar āēṅgē tō light-house , māiṭ-hāus kā anubhav karē̃gē . 40Jaisē snēh aur svachchhatā bāhar K|kē rūp mē̃ dikhāī dētī hai , vaisē hī rūhāniyat vā alaukiktā bāhar rīti sē pratyakṣha dikhāī dē , tab jay-jayakār hōgī . 41Drama pramāṇ jō bhī kuchh chal rahā hai uskō yathārth tō kahē̃gē hī lēkin sāth-sāth śhakti rūp kā bhī anubhav hōnā chāhiē .
36This place is different from all other places.
42Yah alaukiktā zarūr hōnī chāhiē . 43Yah sthān anya sthānō̃ sē bhinn hai .
37You can find love and cleanliness for a temporary period in other places in the world too, but there isnt much spirituality elsewhere.
44Svachchhatā vā snēh tō duniyā mē̃ bhī alpkāl kā miltā hai lēkin rūhāniyat cum|kam hai .
38A Godly task is being carried out here - it is not something ordinary. 39They should experience this when they come here.
45Yah īśhvarīy kārya chal rahā hai , kōī sādhāraṇ bāt nahī̃ hai - - yah anubhav yahā̃ ākar karnā chāhiē . 46Vah tab hōgā jab apnē alaukik naśhē mē̃ rahkar K|kē niśhānā lagāēṅgē . 47Yah lakṣyazarūr rakhnā hai - - apnē charitra dvārā , chalan dvārā , vāṇī dvārā , vr̥itti dvārā , vāyumaṇḍal dvārā , sabhī prakār K|kē sādhanō̃ sē bāp K|kē practical part key|kī pratyakṣhatā avataraṇ-bhūmi par tō pratyakṣha milnī chāhiē . 48Sirph snēh , svachchhatā key|kī praśhansā tō kahā̃ bhī kar saktē haĩ , chhōṭē-chhōṭē sthānō̃ mē̃ bhī prabhāv paṛ saktā hai lēkin karm-bhūmi , caritr-bhūmi dvārā bhūmi mē̃ ānē key|kī viśhēṣhtā hōnī chāhiē .
40That will only happen when you stay in your spiritual intoxication, and aim at the target.
49Jaisē kōī kō ghērāv ḍālkar K|kē chārō̃ ōr uskō apnē taraphaākarṣitakaranē liē kartē haĩ . 50Tō bāp kē sāth snēh mē̃ bhī samīp lānē key|kī pvāīṇṭsa kā ghērāv ḍālō .
41Through your activity, your behaviour, your words, your attitude, the atmosphere, and the facilities, the revelation of the practical part of the Father should be found in the land on which he incarnated.
51Iskē liē viśhēṣh is bhūmi par samparka mē̃ ānē vālō̃ kō sambandh mē̃ samīp lānā chāhiē . 52Jō samparka mē̃ ānē vālē haĩ vahī sambandh mē̃ samīp ā saktē haĩ .
42Love and cleanliness can be practiced anywhere - it can influence even little places - but there should be the speciality of God having come onto Earth in the land where He performed action and carried out divine activities.
53Chārō̃ ōr yahī āvāj kānō̃ mē̃ gūñjtā rahē , chārō̃ ōr yahī vāyumaṇḍal unhō̃ kō bhalē dētā rahē , iskē liē tīn bātō̃ key|kī āvaśhyaktā hai .
43To attract someone towards you, you surround that one from all four directions. 44So, throw a net of points for bringing souls close to God.
54Ab tak jō huā vah tō kahē̃gē ṭhīk huā . 55Achchhā tō sabhī hōtā hai .
45For this you must bring into close connection those who come into contact with you in this land.
56Lēkin ab key|kī stage pramāṇ ab hōnā chāhiē achchhē sē achchhā .
46Only those who come into contact with you can come into a close relationship with you.
57Jabki challenge kartē hō - 4 varṣh mē̃ vināśh key|kī jvālā pratyakṣha hō jāēgī ; tō sthāpanā mē̃ bhī zarūr bāp key|kī pratyakṣhatā hōgī tab tō kārya hōgā nā .
47In order for this sound to echo in their ears from all four directions, and for this atmosphere all around to give them power, three things are essential. 48Whatever has happened until now is good, but now everything should be the best of all.
58Achchhā !
49Achcha.
59Kamāl yah hai jō vistār dvārā bīj kō pragaṭ karē̃ .
50The wonder is to reveal the seed through the expansion.
60Vistār mē̃ bīj kō gupta kar dētē haĩ .
51In the expansion, the Seed becomes incognito.
61Ab tō vr̥ikṣha key|kī antim stage hai nā .
52Now it is the final stage of the tree.
62Madhya mē̃ gupta hōtā hai . 63Ant tak gupta nahī̃ rah saktā .
53In the middle, the Seed is incognito, but it cannot remain incognito until the end.
64Ati vistār kē bād ākhrīn bīj hī pratyakṣha hōtā hai nā .
54At the very end, after a great deal of expansion, the Seed is revealed.
65Manuṣhya ātmāō̃ key|kī yah nature hōtī hai jō variety mē̃ ākarṣitaadhik hōtē haĩ . 66Lēkin āp lōg kisliē nimit hō ? 67Sabhī ātmāō̃ kō variety vā vistār K|kē ākarṣhaṇ sē attention nikālakarabīj taraphaākarṣitakaranā .
55It is the nature of human souls to be attracted to variety, but you are instruments to draw the attention of souls away from the variety and expansion, and to enable them to be attracted to the Seed. 56Achcha.
68Achchhā !
57* * * O M S H A N T I * * *