बुधवार 11 अप्रैल 1973 की अव्यक्त मुरली

ध्यान दें: वाक्यों का संरेखण अक्षरों की संख्या पर आधारित है और पूरी तरह विश्वसनीय नहीं है।

आप पूरी मुरली या उसके किसी भाग का वाक्य संरेखण स्वयं सुधार सकते हैं।

इस दृश्य में हिंदी पाठ से स्वतः तैयार की गई, बिना विशेष चिह्नों वाली प्रचलित रोमन वर्तनी दिखाई जाती है।

हिंग्लिश कैसे तैयार होती है?

इस साइट पर दीर्घ स्वरों के लिए आम तौर पर aa, ee और oo (शब्द के अंत में a, i और u), तथा ch, chh, sh और ri का प्रयोग होता है। शब्दकोश में पहचाने गए अंग्रेज़ी शब्दों की अंग्रेज़ी वर्तनी रखी जाती है। कुछ अंतर्निहित स्वरों को हटाने के नियम और प्रचलित शब्दों की सूची aatma, shanti, main और hoon जैसी वर्तनियाँ देते हैं।

अनौपचारिक रोमन वर्तनी मानकीकृत नहीं है। ये नियम एकरूपता रखते हैं, पर कुछ वर्तनियाँ आपकी परिचित वर्तनी से अलग हो सकती हैं। «लिप्यंतरित हिंदी» दृश्य में अनुकूलित ISO 15919 के भेद सुरक्षित रहते हैं।

प्रचलित वर्तनी के उदाहरण
हिंदीHinglish
आत्माaatma
शान्तिshanti
मैंmain
हूँhoon

0> 111-04-73om shanti avyakt baapdaadaamdhuban

0> > 11/04/73 Avyakt BapDada Revised: 30/05/94

2parivartan 3practical moortta banaane vaale, sarvagun sampanna baba bole:-

1The present time is known as the time of transformation.

4vartamaan samay ko parivartan ka samay kehte hain। 5is samay ke anusaar jo nimitta bane hue hain un mein bhi avashya har samay parivartan hota ja raha hai tabhi to un ke aadhaar se samay parivartan hota hai।

2According to the present time, transformation is definitelytaking place in those who have become instruments, and, on this basis, time is also going through a change.

6samay ek parivartan ka aadhaar hai।

3Time is abasis of transformation.

7parivartan karne vaalon ke oopar arthaat jo parivartan karne ke liye nimitta bane hue hain, woh apne mein aise anubhav karte hain ki har samay mansa, vaacha aur karmana sabhi roop se parivartan hota ja raha hai।

4Do those who bring about transformation, that is, do those, who have become theinstruments to bring about transformation, experience within themselves that transformation is taking place at everymoment in every way, that is, in their thoughts, words and actions?

8isko kahenge-’chadhti kala ka parivartan’।

5This is known as the transformation which is ofthe ascending stage.

9parivartan to dvaapar mein bhi hota hai, parantu woh hai girti kala ka parivartan। 10abhi sangam par hai chadhti kala ka parivartan।

6Transformation also takes place in the copper age, but that is transformation of the descendingstage, whereas now, at the confluence age, it is transformation of the ascending stage.

11to jab samay anusaar bhi chadhti kala ka parivartan hai, to jo nimitta aadhaar moortiyaan hain un mein bhi avashya aise hi parivartan hain।

7According to the time, sincethe transformation is of the ascending stage, then those who are the images that are the main instruments, alsodefinitely have such transformation.

12aise anubhav karte ho ki parivartan hota ja raha hai?

8Do you feel that transformation is taking place?

13parivartan ki speed (Speed) kabhi check ki hai?

9Have you ever checked the speed of transformation?

14parivartan to ek saptaah mein hota hai,ek din mein aur ek ghante mein bhi hota hai। 15haan, total kahenge parivartan ho raha hai।

10Transformation can take place in one week, in one day or in one hour, but overall you would say that yes, transformation is taking place.

16lekin abhi ke samay-pramaan parivartan ki stage kya honi chaahiye,woh anubhav karti ho?

11However, according to the time, do you have the experience of what the stage of transformation should be?

17jo mukhya nimitta bane hue mahaaveer hain yadi un ko kisi bhi baat mein parivartan laane mein samay lagta hai, to final parivartan mein bhi avashya samay lagega।

12If the instruments the mahavirs, take time to bring about transformation in any aspect, then the final transformation must definitely also take time.

18nimitta bane hue mahaaveer jo hain woh hain maanon samay ki ghadi।

13Consider the instrument mahavirs to be the clock of time.

19jaise ghadi samay spashta dikhaati hai, isi prakaar mahaaveer jo bante hain, nimitta bane hue hain,woh bhi ghadi hain, to ghadi mein samay nazdeek dikhaai padta hai ya door?

14Just as a clock clearly tells you the time, in the same way ,the mahavir children are also a clock. 15So, does the time seem close or far away by the clock?

20svayan ghadi ho aur svayan hi saakshi ho samay ko check karne vaali ho, to parivartan ki pragti fast hai?

16You yourselves are the clock and you are those who check as an observer, so, is the speed of transformation fast?

21final parivartan jisse srishti ka bhi final parivartan ho।

17This is the final transformation through which even the final world transformation will take place.

22abhi to thoda-thoda parivartan hota hai, to srishti ki haalton mein bhi thoda-thoda parivartan hai।

18At present, little transformation has taken place in you, and so there is little transformation in the situations of the world also.

23lekin final sampoorn parivartan ki nishaani kya hai jisse samjhen ki yeh parivartan ki sampoorn stage hai?

19However, what is the sign of the final, complete transformation, through which you can understand that this is the final stage of transformation?

24abhi ki parivartan ki stage, sampoorn parivartan ki nishaani, varsha ginti karte-karte ab baaki samay kya raha hai?

20In calculating the years to the stage of the present transformation, and seeing the sign of complete transformation, how much time now remains?

25parivartan aisa ho jo sabhi ke mukh se nikle ki inmen to poora hi parivartan aa gaya hai।

21There should be such transformation that it emerges from everyone's lips that there istotal transformation in this one.

26apne parivartan ki baat poochhte hain, sada kaal ke liye natural roop mein dikhaai de,woh kaise hoga? 27abhi natural roop mein nahin hai।

22In terms of transformation of the self, how is it possible to bring about transformationso that it is visible in your form, in a natural way, all the time?

28ab purooshaartha se thode samay ke liye woh jhalak dikhaai deti hai lekin natural roop sada kaal rehta hai।

23At present, it is not in a natural way. 24At present, thatsparkle is visible in your effort for a little time.

29to sampoorn parivartan ki nishaani yeh hai। 30harek mein jo kamjori ka mool sanskaar hai yeh to harek apna-apna jaante hain।

25A natural form stays all the time and so this is therefore the sign ofcomplete transformation for all time. 26Each of you knows the main sanskars of weakness you have.

31kabhi bhi koi stage mein sampoorn paas nahin hote,percentage mein paas ho jaate hain, iska kaaran yeh hai।

27None of you havepassed completely in any one stage, though you may have passed to a certain percentage.

32to har baat mein harek mein vishesh roop se jo mool sanskaar hai,jisko aap nature kehti ho to woh dikhaai deve ki unka pahle yeh sanskaar tha,abhi yeh nahin hai।

28The reason for this is thatin every aspect, the main sanskar, which you call nature, of each one should be visible as though it was one thingpreviously, but is now no longer the same.

33aapas mein ek doosre ke mool sanskaar varnan bhi karte hain।

29You even speak amongst yourselves of one another's main sanskars.

34yeh purooshaartha mein bahut achhe hain lekin yeh sanskaar inko samay-prati-samay aage badhne mein rookaavat daalta hai।

30Thisone is very good in making effort, but from time to time, this sanskar of his stops him from moving forward.

35un mool sanskaaron mein jab tak poora parivartan nahin hua hai tab tak sampoorn vishwa ka parivartan ho nahin sakta।

31Untilthere is complete transformation in those main sanskars (nature), complete transformation of the world cannot takeplace.

36sabhi mein sampoorn parivartan ho woh to doosri baat hai।

32It will be a different matter when there is total transformation in everyone.

37woh to nambarvaar result mein bhi hota hai।

33That will, of course, benumberwise in the result also.

38lekin jo parivartan ke mool aadhaar moortiyaan hain jinko mahaaveer aur mahaarthi kehte hain un ke liye yeh parivartan aavashyak hai। 39jo koi bhi aise varnan na kare ki inke yeh sanskaar to shuru se hi hain। 40is liye ab percentage mein bhi dikhaai dete hain।

34However, for the special images who are the basis of transformation, the ones whomyou call maharathis or mahavirs, transformation is essential, so that no one ever says that this one has had this sanskarfrom the beginning, and this is why it is even now visible to a percentage.

41yeh varnan karne mein nahin aaye,dikhaai na de,isko kaha jaata hai -- sampoorn parivartan।

35When this is neither spoken about norvisible, then it is called complete transformation.

42agar jara ansh maatra bhi hai to usko sampoorn parivartan nahin kahenge।

36If there is the slightest trace remaining, that would not be calledcomplete transformation.

43saadhaaran parivartan mahaarthiyon se thode hi poochhenge?

37You would not ask the maharathis about ordinary transformation.

44jo vishwa-parivartan ke nimitta bane hue hain un ki parivartan ki stage bhi auron se oonchi hogi to yeh chaiking (checking) honi chaahiye। 45raat din ka antar dikhaai de, is par hi lucky stars ka gaayan hai।

38The stage oftransformation of those who have become instruments for world transformation will be higher than that of others, andso should that type of checking be taking place?

46gyaan soorya,gyaan chandrama to apne stage par hain, lekin sampoorn parivartan mein lucky stars ka naam baala hai। 47vartamaan samay saakaar roop mein follow to sabhi aap logon ko karte hain na? 48buddhi yog se shakti lena, buddhiyog se shreshtha karma ko follow karna -- woh to maat-pita nimitta hain।

39The difference of day and night should be visible, and it is because of this that you are remembered as the lucky stars.Of course, the Sun of Knowledge and the moon of knowledge are in their own stages, but it is the name of the luckystars that is glorified as the ones who bring about total transformation.

49lekin saakaar roop mein ab kisko follow karenge? 50jo nimitta hain।

40At the present time, in a physical way,everyone follows all of you.

51to parivartan ka aisa udaahran bano। 52varsha mein ek do baari bhi aisa sangathan ho jaaye। 53har samay ke sangathan mein apni chadhti kala ka parivartan hai।

41To take power through the yoga of the intellect, to follow in performing elevated actionsthrough the yoga of the intellect: the mother and father were the instruments for that.

54jaise jo varsha beet chuka hai, usmein sneh, samparka,sahayog,ismen chadhti kala aur parivartan hai।

42But whom would be followedin the corporeal form? 43Those who are the instruments. 44So, become such an example of transformation.

55abhi sampoorn stage pratyaksha roop mein dikhaai de।

45There shouldbe such a gathering once or twice a year.

56is varsha mein yeh parivartan vishesh roop mein hona aavashyak hai।

46The gathering of every time has its own transformation of the ascendingstage.

57ab dheere-dheere pratyakshata ke liye jaanboojh kar bam lagaane shuru kie hain na? 58jab dharma-yuddha ki stage par aana hai।

47Just as every year that has passed has had love, relationships and co­ operation, in the same way, this will havethe stage of ascent and transformation.

59aap log ek baat mein hi haar khila sakte ho ki dharma aur dhaarna, un logon ka practical nahin hai aur parmaatma- gyaan ka proof (Proof) aapka practical life (Practical Life) hai। 60ek taraph dharma-yuddha ki stage doosri taraph practical dhaarnaamoortta ki stage। 61agar in donon ka saath na hoga to aap log ki chelenj (Challenge) hai practical life ki-woh pratyaksha roop mein dikhaai nahin dengi। 62jaise-jaise aage aate jaate ho, vaise is baat par bhi attention (Attention) dena hai।

48Now, the complete stage should be visible in a practical way.

63practical mein gyaan arthaat dhaarnaamoortta, gyaan moortta va gun-moortta।

49This year, it isessential for this transformation to take place in a special way.

64moortta se bhi woh gyaan aur gun dikhaai deven। 65aajkal discuss (Discuss) karne se apni moortta ko siddha nahin kar sakte lekin moortta se un ko ek second mein shant kara sakti ho। 66ek taraph bhaashan ho, lekin doosri taraph phir practical moortta bhi ho।

50Now, they have gradually started dropping bombs deliberately in order to bring about revelation, have they not?When you come to a debate about religion, you can defeat them in one aspect, which is that their religion and dharnaare not in a practical form, whereas the proof of Godly knowledge is in your practical life.

67tab dharma-yuddha mein successful (Successful) honge; isliye jaise service ka programme banaate ho, saath-saath apne programme (Programme) mein bhi progress (Progress) karo।

51On the one side, there isthe debate of religion, and on the other side, the stage of being a practical embodiment of dharna. 52If these two are nottogether, then the challenge you issue of your practical life cannot be clearly visible.

68yeh bhi hona aavashyak hai। 69apne purooshaartha ke progress ka, apne-apne purooshaartha ke bhinna-bhinna anubhav ka len-den karne ka bhi programme saath-saath hona chaahiye।

53As you continue to moveforward, you have to pay attention to this aspect: to have knowledge in a practical way, that is, to be the embodimentof dharna, the embodiment of knowledge and the embodiment of virtues.

70donon ka balance (Balance) saath-saath ho। 71achha।

54The knowledge and virtues should bevisible even from the images.

72is murli ka saar 731. baba kehte tum bachche samay ki ghadi ho।

55Nowadays, by discussing things, they are not able to reveal their image.

74check karo tumhaari parivartan ki speed fast hai?

56However,through your image, you can make them silent in one second.

75sampoorn parivartan ki nishaani yeh hai ki jo sanskaar pahle the, woh ab bilkul dikhaai na den। 76parivartan aisa ho jo sabhi ke mukh se nikle ki yeh to bilkul hi badal gaya hai। 772. abhi dharma-yuddha ki stage par aana hai।

57On one hand, you may give a lecture, but on the otherhand, you should also be the image in a practical way; only then will you be successful in the debate of religion. 58Thisis why, just as you make a programme for service, so too, make progress in making your own programmes.

78aap log unhein ek baat mein hi haar khila sakti ho ki dharma aur dhaarna jismen practical mein nahin hain। 79aapki moortta mein bhi woh gyaan aur gun dikhaai dena chaahiye।

59It isessential to do this. 60The programme for the progress of your own effort and of the exchange of the differentexperiences of your efforts should both be together.

80discuss karne se nahin balki apni moortta se hi tum unhein shant kara sakti ho।

61There should be a balance between the two. 62Achcha. 63* * * O M S H A N T I * * *