शुक्रवार 4 मई 1973 की अव्यक्त मुरली

ध्यान दें: वाक्यों का संरेखण अक्षरों की संख्या पर आधारित है और पूरी तरह विश्वसनीय नहीं है।

आप पूरी मुरली या उसके किसी भाग का वाक्य संरेखण स्वयं सुधार सकते हैं।

इस दृश्य में हिंदी पाठ से स्वतः तैयार की गई, बिना विशेष चिह्नों वाली प्रचलित रोमन वर्तनी दिखाई जाती है।

हिंग्लिश कैसे तैयार होती है?

इस साइट पर दीर्घ स्वरों के लिए आम तौर पर aa, ee और oo (शब्द के अंत में a, i और u), तथा ch, chh, sh और ri का प्रयोग होता है। शब्दकोश में पहचाने गए अंग्रेज़ी शब्दों की अंग्रेज़ी वर्तनी रखी जाती है। कुछ अंतर्निहित स्वरों को हटाने के नियम और प्रचलित शब्दों की सूची aatma, shanti, main और hoon जैसी वर्तनियाँ देते हैं।

अनौपचारिक रोमन वर्तनी मानकीकृत नहीं है। ये नियम एकरूपता रखते हैं, पर कुछ वर्तनियाँ आपकी परिचित वर्तनी से अलग हो सकती हैं। «लिप्यंतरित हिंदी» दृश्य में अनुकूलित ISO 15919 के भेद सुरक्षित रहते हैं।

प्रचलित वर्तनी के उदाहरण
हिंदीHinglish
आत्माaatma
शान्तिshanti
मैंmain
हूँhoon

0> 104-05-73 om shanti avyakt baapdaadaamdhuban

0> > 04/05/73 Avyakt BapDada Revised: 25/07/94

2adhikaari aur adheen 3sarvashaktivaan number one artist banaane vaale, bhaagya vidhaata, sarva-aatmaon ki takdeer jagaane vaale baba bole:- 4jitni aavaaz mein aane ki practice (Practice) nirantar aur natural (Natural) roop mein hai, aise hi aavaaz se pare apni aatma ke svadharma, shant swaroop ki sthiti ka anubhav bhi natural roop mein aur nirantar karte ho?

1Just as you naturally and constantly have the practice of coming into sound, in the same way, do you naturally and constantly practise going beyond sound and stabilising yourself in your original stage; in the stage of being the embodiment of peace?

5donon abhyaas samaan roop mein anubhav karte ho ya 84 janmon ke shareerdhaari banne ke sanskaar bahut kade ho gaye hain?

2Do you experience the practice of both equally, or have the sanskars of being bodily beingsover eighty­four births become very firm?

684 janma vaani mein aate rehte ho aur 84janmon ke sanskaaron ko ek second mein parivartan kar sakte ho arthaat vaani se pare sthiti mein sthit ho sakte ho ya ve sanskaar baar-baar apni taraph aakarshit karte hain?

3For eighty­ four births, you have been coming into sound; so, can you transform the sanskars of eighty­four births in one second, that is, can you stabilise yourself beyond sound? 4Or, do those sanskars constantly attract you towards themselves again and again?

7kya samajhte ho?

5What do you think?

884janmon ke sanskaar prabal hain ya is suhaavne sangamayug ke ek second mein ashareeri,vaani se pare apni anaadi stage (Stage) ka anubhav bhi prabal hai?

6Are the sanskars ofeighty­four births so powerful, or is the experience at the confluence age of the stage of going beyond sound and being bodiless in one second more powerful?

9uski tulna mein woh stage powerful hai jo apni taraph aakarshit kar sake ya 84janmon ke sanskaar powerful hain?

7In comparison, is the stage that is able to attract towards itself said to be more powerful or the sanskars of eighty­ four births?

10woh 84janma hain aur yeh ek second ka anubhav hai।

8Those are eighty­four births and this is the experience of one second.

11phir bhi powerful anubhav kaun-sa hai?

9Even so, which is the more powerful experience?

12kya samajhte ho?

10What do you think?

13jyaada aakarshan kaun karta hai?

11Which one attracts more?

14woh anubhav ya yeh anubhav?

12Is it that experience or this experience?

15vaani mein aane ka sanskaar ya vaani se pare hone ka anubhav?

13The sanskars of coming into sound or the experience of going beyond sound?

16vaastav mein yeh ek second ka anubhav bahut samay ke anubhav ka aadhaar hai, ek second mein anek praaptiyon ko anubhav karaane vaala hai।

14In fact, this experience of one second is based on the experience over a long period of time; it is one that enables youto experience many attainments.

17isliye yeh ek second anek varshon ke samaan hai।

15This is why this one second is equivalent to many years.

18aisa anubhav karte ho na? 19jab chaahen aur jaise apne mukh ko chalaana chaahen vaise chalaayen।

16You have the experiencethat you are able to use your mouth when and as you wish, do you not?

20second isko kaha jaata hai।

17This is known as a second.

21is shareer ko chalaane vaale master maalikpan ki stage।

18This is the stageof being a master who makes the body work.

22to maalik bane ho?

19So, have you become the masters?

23shareer ke maalik bane ho?

20Have you become the masters of thebody?

24maalik kaun ban sakta hai,yeh jaante ho?

21Do you know who can become a master?

25maalik woh ban sakta hai jo pahle baalak ban jaaye।

22One who first becomes a child can become a master.

26agar baalak nahin bante to aap apne shareer ka maalik bhi nahin ban sakte।

23If you do notbecome a child, you cannot even become a master of your own body.

27sarvashaktivaan ke baalak apni prakriti ke maalik nahin honge?

24Would a child of the Almighty Authority notbe a master of even his own body?

28jab yeh smriti swaroop ho jaate hain ki ham baalak so maalik hain, abhi is prakriti ke maalik hain aur phir vishwa ka maalik banna hai arthaat jitna baalakpan yaad rahega utna maalik-pan ka nasha rahega,khushi rahegi,aur is masti mein magna rahenge।

25When you become the embodiment of the awareness that you are a child and so amaster, that you are now the master of this matter, then you will become the master of the world. 26That is, the moreyou remember being the child, the more intoxication there will be of being the master; there will also be thathappiness and you will be absorbed in that intoxication.

29agar kisi bhi samay prakriti ke aadheen ho jaate hain to uska kaaran kya hai?

27If, at any time, you become dependent on matter, then whatis the reason for that?

30apni master sarvashaktivaan ki stage ko bhool jaate hain।

28It is because you forget your stage of being a master almighty authority.

31apne adhikaar ko sadaiv saamne nahin rakhte hain।

29You do not constantlykeep your rights in front of you.

32adhikaari kabhi kisi ke aadheen nahin hote।

30One who has all rights can never be dependent on anything or anyone.

33apne ko ever-ready aur olraaundar (Allrounder) samajhte ho?

31Do you consider yourselves to be ever­ready and all­rounders?

34ever-ready ka arth kya hai?

32What does it mean to be ever­ready?

35kaisi bhi paristhiti ho, kaisi bhi pareekshaayen hon lekin shreemat pramaan jis sthiti mein sthit hona chaahte ho,kya usmein sthit ho sakte ho?

33Are you able tostabilise yourselves in the stage that is dictated by shrimat, as you wish, no matter what the situations are or whatexaminations come in front of you?

36order par ever-ready ho?

34Are you ever­ready on that order?

37order arthaat shreemat।

35An order means shrimat.

38to aise ever-ready ho jo sankalp bhi shreemat pramaan chale?

36So, are you ever­ready to such an extent that even your thoughts are according to shrimat?

39aise evarredi ho?

37Are you ever­ready to this extent?

40shreemat hai-ek second mein saakshi avastha mein sthit ho jaao, to us saakshi avastha mein sthit hone mein ek second ke bajaay agar do second bhi lagaaye to kya usko ever ready kahenge?

38If youreceive the shrimat to stabilise yourself in the stage of being a detached observer in one second, and you take twoseconds instead of one second to stabilise yourself in that stage, would that be called being ever­ready?

41jaise militri ko order hota hai-stop to phauran stop ho jaate hain। 42stop kahne ke baad ek paanv bhi aage nahin badha sakte hain। 43isi pramaan shreemat mile va direction mile aur ek second mein us sthiti mein sthit ho jaayen doosra second bhi na lage-isko kaha jaata hai ever-ready।

39When themilitary receive an order to stop, they stop instantly; they cannot take even one step forward after receiving the order.In the same way, if you were to receive the shrimat or the direction to stabilise yourself in a particular stage in onesecond, then not to take another second is called being ever­ready.

44aisi stage mein ek second mein us sthiti mein sthit ho jaayen।

40When you have such a stage, you are able tostabilise yourself in that stage in one second.

45ek second mein apne ko sthit karne ke is purooshaartha ko hi teevra purooshaartha kaha jaata hai।

41The effort to stabilise yourself in any particular stage in one second is called intense effort.

46sabhi teevra purushaarthi ho na?

42Are you all intense effort­makers?

47purushaarthi ki stage se abhi paar ho gaye ho na?

43You have all gone beyond the stage of being just effort­makers, have you not?

48kya sabhi abhi teevra purushaarthi ki stage par pahunch gaye hain?

44Have all of you reached yourstage of being an intense effort­maker?

49aise apne ko anubhav karte ho?

45Do you experience yourselves to be this?

50jara bhi sankalpon ki halchal na ho,aisi stage anubhav karte ja rahe ho?

46There should not be the slightestfluctuation in your thoughts.

51isi hisaab se sabhi ever-ready ho?

47Do you continually experience such a stage?

52shakti sena to ever-ready ban gai na?

48Are all of you ever­ ready, according tothis?

53shastradhaari shakti sena is sthiti tak pahunch gayi hai,ya pahunche ki pahunche?

49The Shakti Army has become ever­ready, has it not? 50Has the Shakti Army reached this stage or are they about to reach it?

54kya abhi pahunche nahin hain?

51Have you not yet reached this stage?

55kya samajhte ho?

52What doyou think?

56ismen paandav number one hain ya shaktiyaan?

53Are the Pandavs or the Shaktis number one in this?

57kamaal yeh hai ki paandav vaataavran va vaayumandal ke samparka mein aate hue bhi apni sthiti ko aisa bana len jaise apni kaar ho ya koi bhi savaari ho to usko jahaan chaaho, vahaan ro sakte ho ki nahin?

54The wonder is that the Pandavs are able to createsuch a stage even when they come into an atmosphere or environment. 55When you have a car, or whatever you areriding, are you able to stop it whenever you want or not?

58aise apni har karma-indriyon ko jab chaaho jaise chaaho vahaan lagaao aur jab na lagaana ho to karma-indriyon ko control kar sako।

56In the same way, you should be able to use your physicalorgans when and where you want to; and, if you do not want to use them, you should be able to control them.

59apni buddhi ko jahaan chaaho, jitna samay chaaho, utna samay us sthiti mein sthit kar sakte ho na?

57Youare able to stabilise your intellect in whichever stage you want for as long as you want, are you not?

60kya paandav first (First) nahin hain?

58Are the Pandavsnot first in this?

61ya jis baat mein apna bachaav ho usmein shaktiyon ko aage karte hain aur kya shaktiyon ko dhaal banaate ho?

59Or, are you putting the Shaktis in front in this aspect because you want to save yourself from it? 60Doyou make the Shaktis your shield?

62shaktiyaan bhi kam nahin।

61The Shaktis are no less either.

63shaktiyaan paandavon ko extra hailpa de dengi। 64shaktiyaan mahaadaani hain to aise ever-ready banaana hai।

62The Shaktis will give extra help to the Pandavs.You Shaktis are the great donors and so you have to make others ever­ready in the same way. 63Achcha.

65achha, olraaundar ka arth samajhte ho?

64Do you understand the meaning of being an all­rounder?

66olraaundar ka arth kya hai?

65What does it mean to be an all­rounder?

67olraaundar to ho na?

66You are all­rounders, are you not?

68sampoorn stage mein olraaundar ki stage kaunsi hai?

67What is the stage of being an all­rounder to perfection?

69ismen teen vishesh baaten dhyaan mein rakhne ki hain।

68You have to pay attention to threethings especially.

70jo olraaundar hoga woh ek to service mein rahega, doosra svabhaav va sanskaar mein bhi sabhi se mix ho jaane ka usmein vishesh gun hoga। 71teesra koi bhi sthool kaarya jisko karmana kaha jaata hai usi karmana ki subject mein bhi jahaan usko jis samay fit karna chaahe vahaan aise fit ho jaaye jaise ki bahut samay se isi kaarya mein laga hua hai,koi naya anubhav na ho।

69Firstly, those who are all­rounders will remain engaged in service; secondly, they will have thespecial virtue of being able to harmonise with everyone's nature and sanskars, and thirdly, they will fit into anysubject of karma yoga in such a way that it is as though they have been engaged in that particular task for a longperiod of time. 70They will not feel it to be new.

72har kaarya mein ati puraana aur jaanne vaala dikhaai de।

71They will seem to be those who are very experienced andknowledgeable in every task.

73jo teenon hi baaton mein jo har samay fit ho jaate va lag jaate hain usko kaha jaata hai-olraaundar।

72Those who fit all three aspects at every moment are known to be all­rounders.

74kyonki is ek-ek baat ke aadhaar par karmon ki rekhaayen banti hain va aatma mein sanskaaron ka record (Record) bharta hai।

73Becausethe line of fortune is created on the basis of each aspect, the record of the sanskars of the soul is created on the basisof this.

75isliye in sabhi baaton ka praarabdha se bahut connection hai।

74Therefore, all these things have a deep connection with your reward.

76agar kisi bhi baat mein 90% hai, 10% ki kami hai to praarabdha mein bhi itni thodi-si kami ka bhi prabhaav padta hai।

75If you are 90% in every aspect and are lacking 10%, then there would be the influence of this much lacking in yourreward also.

77is sookshm kami ke kaaran hi number ghat jaate hain।

76The number reduces because of this subtle weakness.

78vaise dekhenge ki jo ham-shareek purushaarthi dikhaai dete hain unmein mukhya baaten ek-doosre mein samaan dikhaai dengi lekin yadi maheen roop se dekhenge to koi- na-koi percentage mein kami hone ke kaaran ham-shareek (baraabri ke) dikhaai dete hue bhi number mein pharka pad jaata hai।

77You also notice those who seem to be similareffort­makers in a physical way. 78However, when you look at them deeply in a refined way, then because of a littlepercentage lacking in one thing or another, even though they appear to be similar, you will see that there is adifference.

79to isse apne number ko jaan sakte ho ki hamaara number kaun-sa hoga?

79So, you can know through this what your number will be.

80teenon hi baaton mein percentage kitni hai?

80How much percentage do you have in all threeaspects?

81teenon hi baaten mujh mein hain, sirf ismen hi khush nahin hona hai। 82isse number nahin banenge।

81Do not be happy knowing that you have all three aspects; the number is not created on this basis.

83kitni percentage mein hain us pramaan number banenge।

82Thenumbers will be created according to the percentage you have in them.

84to aise evarredi aur olraaundar bane hain?

83So, have you become ever­ready and all­rounders to this extent?

85lakshya to sabhi ka first ka hai na?

84All of you have the aim of becoming number one, do you not?

86last mein bhi agar aaye to kya harja, aisa lakshya to nahin hai na?

85You do not have the aim of thinking that it does notmatter if you claim the last number, do you?

87agar yeh lakshya bhi rakhte hain ki jitna mila utna hi achha to usko kya kaha jaayega?

86If you have the aim of thinking that whatever you receive is good, whatwould that be called?

88aisi nirbal aatma ka title kaun-sa hoga?

87What would be the title of such a weak soul?

89aisi aatmaon ka shaatran mein bhi gaayan hai।

88Such souls are also remembered in the scriptures.

90ek to title bataao kaun-sa hai, doosra bataao unka gaayan kaun-sa hai?

89Firstly, tell Baba of such a title, and secondly, what is the memorial of such souls?

91aisi aatmaon ka gaayan hai ki jab bhagwan ne bhaagya baanta to ve soye hue the।

90The memorial of such souls isthat, when God distributed fortune, they were sleeping.

92albelaapan bhi aadhi neend hai।

91Carelessness is also partly sleeping.

93jo albelepan mein rehte hain,woh bhi neend mein sone ki stage hai।

92Those who remaincareless are in the stage of sleeping.

94agar albele ho gaye to bhi kahenge ki soye hue the?

93If you become careless, then also, you would be said to be sleeping.

95aise ka title kya hoga?

94Whatwould be the title of such souls?

96aise ko kaha jaata hai - ‘aaye hue bhaagya ko thokar lagaane vaale’। 97bhaagyavidhaata ke bachche bhi bane arthaat adhikaari bhi bane, bhaagya saamne aaya arthaat baap bhaagyavidhaata saamne aaya।

95Such souls are called those who kick away the fortune that comes in front of them.You have become the children of the Bestower of Fortune, that is, you have claimed all rights; the fortune has comein front of you, that is, the Bestower of Fortune has come in front of you.

98saamne aaye hue bhaagya ko banaane ki bajaay thokar maar di to aise ko kya kahenge?

96What would you say if, instead of creatingthe fortune that has come in front of you, you kick it aside?

99-’bhaagyaheen’।

97Unfortunate!

100ve kahin bhi sukh nahin pa sakte। 101aise to koi banne vaale nahin hain na?

98Such souls can never attain happiness.None of you are going to be like that, are you?

102apni takdeer banaane vaale ho?

99You are those who create your own fortune.

103jaisi takdeer banaayenge vaisa bhavishya praarabdha roopi tasveer banegi!

100Whatever fortune youcreate, accordingly, you will create the portrait of your future reward.

104apni bhavishya tasveer ko jaante ho?

101Do you know your future portrait?

105apni tasveer banaane vaale aaaartista ho na?

102You are the artists who create your own portrait, are you not?

106to kahaan tak apni tasveer bana chuke ho, svayan to jaante ho na?

103You, yourselves,know to what extent you have created your portrait, do you not?

107abhi tasveer bana rahe ho ya sirf final touching (Final Touching) ki deri hai?

104Are you still creating your portrait or are you putting the final touches?

108tasveer bana chuke ho to woh zaroor saamne aayegi।

105If you have created the portrait, that willdefinitely come in front of you.

109agar saamne nahin aati to banaane mein lage huye ho। 110ban gai to woh phir baar-baar saamne aayegi। 111to sabhi number one aaaartista ho,second ya third to nahin ho?

106If it does not come in front of you, it means that you are still engaged in creating it.If it is created, then it would come in front of you again and again.

112koi-koi aaaartista achhe hote hain।

107So, all of you are number­one artists, not secondor third.

113lekin pharaakdil nahin hote to kuchh kami kar dete hain।

108Some artists are good, but if they are not generous­hearted, then they create a weakness.

114to jaise aaaartista achhe hon, saamaan bhi bahut achha mila hua ho to vaise pharaakdil bhi bano।

109If the artist is good,and has received good material, then, too, he becomes generous­hearted.

115arthaat apne sankalp, karma,vaani, samay,shvaas sabhi khajaanon ko pharaakdil se use (Use)karo to tasveer achhi ban jaayegi।

110So then, use all the treasures of yourthoughts, actions, words, time and breath with a generous heart and the portrait created will be good.

116kaiyon ke paas hote hue bhi ve use nahin karte hain।

111Some peoplehave a lot, but they do not use it.

117economy karte hain।

112They become economical in this.

118ismen jitna pharaakdil banenge utna first class (First Class) banenge।

113The more generous­hearted you become in this,the more first­class you will become.

119samay ki bhi economy nahin karni hai।

114You must not be economical about time either.

120isi kaarya mein lagaane mein economy nahin karni hai।

115You must not be economical inusing anything for this task.

121vyartha kaarya mein lagaane mein economy karo।

116Be economical in using it for a wasteful task.

122shreshtha kaarya mein economy nahin karni hai।

117You must not be economical inperforming an elevated task.

123sunaaya tha na!

118You were told what true economy is.

124yathaartha economy kaun-si hai?

119To belong to One and to remember One.

125eknaami banna। 126ek ka naam sada smriti mein rahe।

120Let thename of only One constantly remain in your consciousness.

127aisa eknaami ‘economy’kar sakta hai।

121Those who belong to One in this way can be economical.

128jo eknaami nahin woh yathaartha economy nahin kar sakta। 129kitna bhi bhale prayatna kare।

122Those who do not belong to One cannot be truly economical, no matter how much they try. 123Achcha.

130to aise sada svadharma arthaat vaani se pare sthiti mein sthit rehte hue vaani mein aane vaale va sadaiv sarvashaktiyon ko kaarya mein lagaane vaale master sarvashaktivaan, ever-ready,olraaundar bachchon ko yaad-pyaar aur namaste।

124To those who constantly stabilise themselves in the stage beyond sound, that is, in their true religion, and to themaster almighty authorities who constantly use all the powers for their task; to such ever­ready, all­rounder children,love, remembrances and namaste.

131shiv baba ke mahaavaakyon ka saar 1321. sangamayug ke ek second ka anubhav bahut samay ke anubhav ka aadhaar hai। 133yeh ek second anek praaptiyon ka anubhav karaane vaala hai is liye yeh ek second anek varshon ke samaan hai।

125Blessing: May you be a natural yogi through the stage of being absorbed in love.Those who constantly remain merged in the love of the one Father do not have to make effort to stay in remembrance. 126They naturally become yogi souls. 127They cannot see anything except Baba and service.

1342. jaise apni kaar ya koi bhi savaari ko jahaan chaahen,vahaan rok sakte hain, aise hi apni har karmendriy ko jahaan aur jaise lagaana chaahen vahaan laga saken, aur apni sthiti jaisi banaana chaahen, bana saken-isi ko hi kaha jaata hai ever-ready ya teevra purushaarthi।

128When the intellect has foundthe one destination, then the wandering of the intellect automatically stops and you easily become a conqueror ofMaya.Slogan: Only when there isn't any problem which would become an obstruction to your becoming complete can yoube called ever­ready. 129* * * O M S H A N T I * * *