शुक्रवार 25 मई 1973 की अव्यक्त मुरली

ध्यान दें: वाक्यों का संरेखण अक्षरों की संख्या पर आधारित है और पूरी तरह विश्वसनीय नहीं है।

आप पूरी मुरली या उसके किसी भाग का वाक्य संरेखण स्वयं सुधार सकते हैं।

इस दृश्य में हिंदी पाठ से स्वतः तैयार की गई, बिना विशेष चिह्नों वाली प्रचलित रोमन वर्तनी दिखाई जाती है।

हिंग्लिश कैसे तैयार होती है?

इस साइट पर दीर्घ स्वरों के लिए आम तौर पर aa, ee और oo (शब्द के अंत में a, i और u), तथा ch, chh, sh और ri का प्रयोग होता है। शब्दकोश में पहचाने गए अंग्रेज़ी शब्दों की अंग्रेज़ी वर्तनी रखी जाती है। कुछ अंतर्निहित स्वरों को हटाने के नियम और प्रचलित शब्दों की सूची aatma, shanti, main और hoon जैसी वर्तनियाँ देते हैं।

अनौपचारिक रोमन वर्तनी मानकीकृत नहीं है। ये नियम एकरूपता रखते हैं, पर कुछ वर्तनियाँ आपकी परिचित वर्तनी से अलग हो सकती हैं। «लिप्यंतरित हिंदी» दृश्य में अनुकूलित ISO 15919 के भेद सुरक्षित रहते हैं।

प्रचलित वर्तनी के उदाहरण
हिंदीHinglish
आत्माaatma
शान्तिshanti
मैंmain
हूँhoon

0> 125-05-73 om shanti avyakt baapdaadaamdhuban

0> > 25/05/73 Avyakt BapDada Revised: 08/08/94

2bhavishya plan 3vishwa-parivartak, vishwa-kalyaankaari,vardaani va mahaadaani, nazar se nihaal karne vaale baba bole:- 4apne ko vishwa-parivartak va vishwa-kalyaankaari samajhte ho?

1Do you consider yourselves to be world transformers and world benefactors? 2Whilst considering yourselves to be theones who give the message to every soul of the world, do you ever calculate to what extent you have been able to givethe message to the world?

5vishwa ki har aatma ko sandesh dene vaale samajhte hue vishwa mein kahaan tak sandesh de paaye hain, iska hisaab-kitaab nikaalte rehte ho?

3Are you creating new plans for the places where you still have to carry out the task ofgiving the message? 4One always thinks of plans for one's own duty and responsibility.

6jahaan-jahaan sandesh dene ka karttavya ab hone vaala hai, iske liye naye-naye plaans (Plans) bana rahe ho? 7jo jiska karttavya va jimmevaari hoti hai, us karttavya ke prati uske sadaiv plaansa chalte rehte hain।

5Wherever you put the plans for giving the message, or for spreading the sound of the Father's introduction into apractical form, the main effort you make is that, in whichever land or whichever place you have to give the message,you first create a stage.

8kahin bhi sandesh dene ke liye va baap ke parichay ka aavaaz phailaane ke liye abhi-tak jo bhi bhinna-bhinna plaansa practical mein laate ho un mein mukhya prayatna yahi karte ho ki jis dharti par va jis sthaan par sandesh dena hai vahaan pahle to stage(Stage) taiyaar karte ho, speech(Speech) taiyaar karte ho aur pablisiti (Publicity) ke bhinna-bhinna saadhan apnaate ho jis dvaara usi sthaan ki aatmaon ko sandesh dene ka karttavya karte rehte ho।

6Then, you prepare your speech, and you also adopt various means of pubilicising theprogramme through which you carry out the task of giving the message to the souls of that place. 7However, up tonow, with this method, you have only been able to give the message to a few souls of the world. 8Now, you have togive the message to the whole world in a short time; you have to introduce them to gyan and yoga. 9You have to carryout the task of giving them the recognition of the Father, and, together with that, you also have to purify matter; onlythen will world transformation take place.

9lekin in saadhnon dvaara abhi tak vishwa ki ansh-maatra aatmaon ko hi sandesh de paaye ho।

10What future plans have you created in order to carry out this great task in ashort time? 11Does the blueprint of those plans enter your intellect?

10abhi thode samay ke andar, jab saari vishwa ki aatmaon ko sandesh dene,gyaan aur yog ka parichay de baap ki pahchaan karaane ka karttavya karna hi hai,saath-saath is prakriti ko bhi paavan banaana hai,tab hi vishwa-parivartan hoga।

12Is it the same form as that which you are doingnow, or is it something different? 13Do you see in advance what that form is? 14Or, will you see it as you move along?If it is clear, then relate it to Baba in two words. 15Since the time is short, you also need to have short plans.

11iske liye thode samay mein bahut bada kaarya karne ke liye bhavishya kaun-sa plan banaaya hai?

16They should be short but powerful. 17What are those twowords? 18The future plans are to take practical shape on the basis of just two words.

12woh roop-rekha buddhi mein aati hai?

19You have been told these twowords before also.

13abhi jo kar rahe ho,vahi roop rekha hai ya woh kuchh bhinna hai? 14woh kya hai, woh in edvonsa (In Advance) dekhte ho ya woh chalte-chalte dekhenge?

20One is to practically and visibly be an image of the Father (sakshat Baap murat); and secondly, tobe a detached observer (saakhi) and an image that grants visions (sakshatkar murat).

15agar spashta hai to do shabdon mein sunaao। 16jab samay bhi short (Short) hai to plan bhi short chaahiye।

21Unless you become these twoimages, you will not be able to transform the whole world in a short time.

17short ho lekin powerful ho। 18woh do shabd kaun-se hain? 19bhavishya plan practical roop mein do shabdon ke aadhaar par hi hona hai।

22Just as you prepare your speech and thephysical stage, in the same way, in order to put these plans into a practical form, you also have to prepare yourinternal stage.

20woh do shabd pahle bhi sunaaye the। 21ek to ‘saakshaat baap-moortta’aur doosra‘saakshi aur saakshaatkaar-moortta’। 22jab tak yeh donon moortta na bani hain, tab tak saare vishwa ka parivartan thode samay mein kar nahin paayenge।

23Just as you prepare the stage whilst thinking of a variety of points, in the same way, in order to grant a vision of thefuture through your features, you have to grant a vision of the divine activities (charitra) of the Father, His acts andHis virtues through the main senses on your face. 24You have to prepare these various points.

23is plan ko practical mein laane ke liye jaise ab bhi stage aur speech taiyaar karte ho, vaise hi aap ko apni sthiti ki stage taiyaar karni pade।

25You should be able totake someone beyond with a glance through the eyes. 26That is, through your vision, you should be able to transformthe vision, attitude, consciousness and actions of others.

24apne features dvaara future ka saakshaatkaar karne ke liye, jaise bhinna-bhinna points sochte hue stage taiyaar karte ho vaise hi is soorat ke beech jo bhi mukhya karmendriyaan hain, un karmendriyon dvaara baap ke charitra, baap ke karttavya ka saakshaatkaar ho, baap ke gunon ka saakshaatkaar ho।

27Give everyone a clear vision of your own form and the formof themselves. 28With a spiritual smile on your lips, give the experience of imperishable happiness. 29Through yourwhole face, grant them a vision of the present elevated position and the future position. 30With your elevated thoughts,draw away that flood of wasteful and sinful thoughts of other souls.

25yeh bhinna-bhinna points taiyaar karni pade।

31And, with your power, draw them away in ashort time.

26naynon dvaara najar se nihaal kar sako।

32Transform the wasteful thoughts into powerful thoughts.

27arthaat naynon ki drishti dvaara un aatmaon ki drishti, vritti,smriti aur kriti change kar do।

33Through your one term, give desperate souls theexperience of reaching their goal and the destination of their journey.

28mastishka dvaara apne va sabhi ke svaroopon ka spashta saakshaatkaar karaao।

34What is that one term? 35Simply by saying,"Shiv Baba", they should be able to find their goal and destination.

29honthon dvaara roohaani muskaraahat se avinaashi khushi ka anubhav karaao। 30saare chehre dvaara vartamaan shreshtha position aur bhavishya position (Position) ka saakshaatkaar karaao। 31apne shreshtha sankalp dvaara anya aatmaon ke vyartha sankalpon va vikalpon ki bahti hui baadh se aur apni shakti se alpa samay mein kinaara kar dikhaao।

36Through your every action, that is, every divineactivity (and a divine activity is not just of the Father, but the elevated actions of every elevated soul are divineactivities; ordinary actions are not called divine activities) so, through the divine activity of every elevated action,reveal the image of the Father. 37Now, only when you give such a practical, spiritual speech will you be able totransform the world in a short time.

32vyartha sankalpon ko shuddh sankalpon mein parivartit kar daalo।

38For this, you also need a stage. 39What main equipment do you use for the preparation of a stage?

33apne ek bol dvaara anek samay ki tadapti hui aatmaon ko apne nishaane ka, apni manzil ke thikaane ka anubhav karaao।

40You know this, do you not? 41This is the special signof all of you. 42You make the whole stage white: this is the main sign or symbol of all of you.

34woh ek bol kaun-sa?

43Your uniform is verywell known.

35‘shiv baba। 36’ shiv baba kahne se hi thikaana va nishaana mil jaay।

44Whatever is the internal stage of the soul, so you present that form on the external stage.

37apne har karma arthaat charitra dvaara, charitra sirf baap ke nahin hain, aap har shreshtha aatma ke shreshtha karma bhi charitra hain।

45You try to putall these things on a physical stage; if you do not have the awareness of even one of these things, or, if it is not theaccurate form, then the sparkle of the stage does not seem so good.

38saadhaaran karma ko charitra nahin kahenge। 39to har shreshtha karma roopi charitra dvaara baap ka chitra dikhaao।

46In the same way, when you have to give apractical speech through your stage, then for this too, you have to prepare all these things.

40jab aisi roohaani practical speech karenge tab thode samay mein vishwa ka parivartan karenge।

47You need to have light,that is, you have to be in the stage of being double­light. 48You know this, do you not?

41iske liye stage bhi chaahiye।

49There has to be both forms oflight.

42stage ki taiyaari mein kya-kya mukhya saadhan apnaate ho। 43woh to jaante ho na? 44woh aap logon ki vishesh nishaani hai।

50If someone on the stage is not light, but is very heavy in sitting down and getting up, then instead of listening tothe speech, people will be distracted into looking at that person.

45stage ko saphed karte ho,yahi aap logon ki mukhya nishaani athva symbol (Symbol) hai।

51So here, too, you need a double­light stage. 52Themike should be so powerful that the sound reaches very far very clearly.

46jaise dress prasiddha hai na।

53So, there should be might in the mike.

47to jaisi aatma ki stage, vaisi baahar ki stage ko bhi roop dete ho। 48to yeh baaten jo sthool stage par rakhne ka prayatna karte ho।

54Themoment you have one thought and give one glance, then that one thought and one glance should carry out the task ofa lighthouse.

49unmein se agar ek cheej bhi smriti mein na rehti hai va sahi roop mein nahin hoti hai to stage ki jhalak achhi nahin dikhaai deti।

55Even whilst you are in one place, many souls should be influenced by your one thought and one divinedristhi. 56You have to create such a powerful mike.

50isi pramaan jab apni sthiti ki stage dvaara practical speech karni hai to iske liye bhi in sabhi baaton ki taiyaari chaahiye,light chaahiye arthaat double light swaroop ki stage chaahiye।

57So what is the mike? 58Thought and drishti; divine and spiritualvision. 59In the same way, there has to be whiteness, that is, a clean intellect that hasn't the slightest stain on it.

51yeh to jaante ho na? 52donon hi light। 53agar stage par koi halka na ho,uthne baithne mein bhaari ho to speech sunne ke bajaay log usko hi dekhne lag jaayenge।

60If thereis a stain on the stage, if there isn't that whiteness, then against their conscious desire, everyone's attention would bedrawn towards that stain. 61Then, there also has to be the decoration of the slogans.

54to yahaan par double light ki sthiti chaahiye।

62What slogans should be used asdecorations for the internal stage?

55aur mike aisa powerful ho,jo door tak aavaaz spashta roop mein pahunch jaaye। 56to mike mein bhi might ho।

63The internal stage and then the speech of practical thoughts, words and actions:what slogans do you need for such a stage?

57ek sankalp karo, ek najar daalne se hi woh najar aur woh sankalp light house ka kaarya kare।

64Firstly, I, the soul, am a instrument of the Almighty Authority Father for the elevated task of world benefit.

58ek sthaan par hote hue bhi anek aatmaon par aap ke shreshtha sankalp aur divya najar ka prabhaav pade।

65Thisslogan should be in your consciousness. 66If you are not able to remember this slogan of this stage, then the stagewould not seem beautiful.

59aisa powerful mike banaana pade।

67The slogans are of special inculcation.

60to mike kaunsa hua -’sankalp aur najar’, ‘divya aur roohaani drishti।

68The second slogan is: I, the soul am a great donorand a bestower of blessings.

61’ aise hi vhaaitnes(Whiteness) arthaat svachchha buddhi chaahiye unmein jara bhi koi daag na ho। 62agar stage par koi daag hoga, vhaaitnes nahin hogi to sabhi ka attention na chaahte bhi us taraph jaayega।

69Give a blessing to those souls, who do not have the courage to give or receive donations,through the blessings that you have received from the Father, the Bestower of Blessings and with the co­operation ofyour own stage. 70So the slogan is to be a great donor and a bestower of blessings.

63aur baat mein salogansa (Slogans) ka shrringaar chaahiye। 64is sthiti ki stage par kaun-se salogan ka shrringaar chaahiye?

71This is the clarification. 72Thirdly, I,the soul, through my divine activities, words and thoughts, have to grant all souls a vision of the image and characterof BapDada.

65-sthiti ki stage aur practical man, vaani,karma ki speech।

73In this way, also keep in your awareness the slogans that are used to make the stage beautiful.

66aisi stage ke liye salogan kaun-se chaahiye?

74Preparesuch a stage and speech.

67ek ‘main aatma vishwa-kalyaan ke shreshtha karttavya ke prati sarvashaktivaan baap dvaara nimitta bani hui hoon’ - yeh salogan smriti mein rahe।

75Sit on a chair on the stage, that is, sit on the chair of your original status. 76So, the stage,speech and status are all necessary. 77Then, you will be able to transform the world in a short time.

68is sthiti mein agar yeh salogan yaad na rahega to stage sundar nahin lagegi। 69vishesh dhaarnaaon ke hi salogansa hain।

78You know how todo this, do you not? 79But also make sure that the stage is very strong, unshakeable and so stable that no storm nor anykind of atmosphere is able to shake it.

70doosra salogan,main aatma mahaadaani aur vardaani hoon।

80Make such preparations for yourself. 81Do you have this practice?

71jin bhi aatmaon ko daan lene ka va dene ka saahas nahin hain un ko bhi vardaata baap dvaara mile hue vardaanon dvaara apni sthiti ke sahayog dvaara vardaan dena hai।

82Are you ever­ready and ever­happy to the extent that in one second, you are able to prepare your stage and give a practical speechaccording to the stage, place and land of the souls? 83Do you understand?

72to salogan kya hua?

84This is the future plan.

73‘main mahaadaani aur vardaani hoon’ -yeh hai spashteekran। 74teesri baat mujh aatma ko apne charitra, bol va sankalp dvaara apne moortta mein sabhi aatmaon ko baapdaada ki soorat aur seerat ka saakshaatkaar karaana hai।

85To the elevated souls who constantly grant a vision of the perfect stage and the true, real status through their ownstage and status; to the world benefactor souls, BapDada's love, remembrances and namaste. 86Meeting a group. 87Out of all the powers, do you know the main power?

75is prakaar jo stage ko sundar banaane ka salogan hai woh bhi smriti mein rakhna hai।

88You consider yourselves to be master almighty authorities, doyou not? 89Out of all the powers, which is the most elevated power.

76aisi apni stage aur speech ko taiyaar karo। 77stage par kursi par baitho arthaat apni status ki kursi par baitho।

90Just as in the study, there are many subjects, butout of those, there is one special, main subject, so too, all the powers are essential.

78to stage, speech,aur status ye teenon hi aavashyak hain,phir thode samay mein vishwa ko parivartit kar lenge।

91However, out of all these powers, which one power is the main power? 92A power that is so essential that it is difficultto become a maharathi or a mahavir without it?

79yeh karna to aata hai na?

93Of course, all the powers are essential.

80lekin yeh bhi dhyaan rakhna ki stage aisi mazboot ho,ek-ras, achal aur adol ho jo koi bhi toofaan aur koi bhi vaataavran usko hila na sake।

94Each one is connected withanother, but what is the number one power which will bring all the other powers close? 95(The power to discern.)

81aisi apni taiyaari karo,kya aisi practice hai?

96To have self­realisation is also the power to discern.

82kya aise ever ready ho aur ever happy (Ever-Happy) ho?

97Self­realisation means to discern and to know the self.

83jo ek second mein jaisi sthiti, jaisa sthaan aur jaisi aatmaon ki dharti usi pramaan thode samay mein apni stage taiyaar kar practical speech kar sako। 84samjha?

98Onlywhen you first discern the Father will you be able to recognise Him. 99When you recognise Him, you will be able tocome close to Him and become similar to Him. 100The power to discern is the number one power.

85yeh hai bhavishya plan। 86achha

101In common words, todiscern means the power to know.

87aise sada apni stage dvaara, status dvaara sarva aatmaon ko apne sampoorn stage aur apne vaastavik status ka saakshaatkaar karaane vaale shreshtha aatmaon ko,vishwa-kalyaankaari aatmaon ko baapdaada ka yaad-pyaar aur namaste।

102The first basis of knowledge is to recognise the Father, that is, to discern that thisis the Father's task which is being carried out. 103First of all, the power to discern is essential. 104The power to discern isalso known as the stage of being knowledge­full. 105What is the detail of the power to recognise and what is the attainment through that?

88mahaavaakyon ka saar 891. jaise seva karne ke liye stage,speech taiyaar karte ho to vishwa seva ke liye apni sthiti ki stage taiyaar karni hai।

106You can have a discussionamongst yourselves on this topic. 107When the players in a game are of an equal level, they enjoy playing that game.Whilst playing a game, there is a meeting.

90soorat ke beech jo karmendriyaan hain, un dvaara baap ke charitra aur baap ke karttavya ka saakshaatkaar karaana hai।

108In that game, whilst playing the game, you become friends; that is aphysical game. 109Here also, whilst playing a game, there is a meeting in the closeness of souls.

91naynon dvaara nazar se nihaal kar sako, mastishka dvaara sabhi ke swaroop ka spashta saakshaatkaar karaao, hothon par roohaani muskaraahat se avinaashi khushi ka anubhav karaao। 922. har shreshtha aatma ke shreshtha karma charitra hain।

110There is the meeting ofthe sanskars and nature of souls. 111Some are very firm in playing this game; they fulfil this responsibility until the endof their life. 112Together with this spiritual game, they fulfil the responsibility of life until the end and this is why thesign of this meeting is the rosary.

93saadhaaran karma ko charitra nahin kahenge। 94to har shreshtha karma roopi charitra dvaara baap ka chitra dikhaao।

113When, at the end, you come close to one another in all aspects, when there is themeeting, then each bead comes very close to the next and joins itself, and a rosary is created.

95aisi roohaani practical speech karne se hi vishwa parivartan kar sakenge।

114The rosary is a sign ofthe meeting. 115Achcha. 116* * * O M S H A N T I * * *