शुक्रवार 5 सितंबर 1975 की अव्यक्त मुरली

⁰> > 30/10/95 Om Shanti Avyakt BapDada Madhuban 05/09/75

¹The stage of an angel

²Do you constantly remain stable in the angelic stage?

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³Within the light of the angelic stage, other souls are also able tosee the light. ⁴When the performance of limited actors is seen, then because of the lighting, they appear to be verybeautiful. ⁵What would it look like if those same actors played their parts in their ordinary lives under ordinary light?There would be the difference of day and night. ⁶The focus of the lighting completely transforms their features.

¹05-09-75 om shanti avyakt baapdaadaamdhuban

⁷In thesame way, by performing every act whilst within the light of the avyakt stage, what would all of you heroes andheroines of this unlimited drama look like? ⁸Alokik angels. ⁹Instead of corporeal beings, you would be seen asresidents of the subtle region. ¹⁰Even whilst being corporeal, you would be experienced as angelic beings.

²pharishta swaroop mein sthiti

¹¹Each actwould automatically attract others. ¹²Nowadays, the main attraction for iron­aged people is the limited cinema or drama, and, even though they wish tostop this and not watch the film, the acting of those limited actors pulls them. ¹³The basis of that is light. ¹⁴In the sameway, at the end, after the extreme attraction of Maya, when the finale is reached, the unlimited hero actors who areconstantly stable in the zero­stage and performing their part with the Zero­Father, those who have a divine form oflight, those whose stage is light and whose every act is performed on the stage in the light, that is, those who aredouble­light angels; such souls will naturally attract other souls towards themselves.

³pharshavaasi manushya se arshavaasi pharishta banaane vaale, sada light roop, pramukh hero paartadhaari,zero shiv baba ne pharishta banne ke purushaarthi bachchon ke sammukh yeh madhur mahaavaakya uchchaare -

¹⁵In today's world, apart fromdramas, what else attracts people in the same way as the eyes of angels? ¹⁶T.V. ¹⁷Many are attracted to watch thevarious scenes of the world on T.V., that is, they come into the stage of descent through it. ¹⁸In the same way, the eyesof angels will work like a divine T.V.

⁴pharishte swaroop ki sthiti mein sada sthit rehte ho?

¹⁹Similarly, the sparkling jewel on the forehead of angels will give other souls avision of their form of a lighthouse and might­house and clearly show them the path to their elevated destination. ²⁰Inthe same way, the yuktiyukt words of angels, that is, the invaluable words of angels will fill the aprons of everybeggar soul with jewels. ²¹There is the memorial that even the deities were so content with the devotees that theyshowered flowers on them. ²²Just like that shower of flowers, you elevated souls will shower all the powers, all thevirtues and all blessings on all souls of the world.

⁵pharishte swaroop ki light mein anya aatmaon ko bhi light hi dikhaai degi।

²³Only through this will everyone consider you to be the deities, thebestowers whom the devotees have been worshipping and praising from the copper age onwards. ²⁴At the end, allsouls, but especially the residents of Bharat, whose number grows by the end of the deity religion, souls who do nottake sustenance from your deity form in the golden age, but later, from the time when this religion expands till theend, will experience your deity form, your form of a bestower and your form of a bestower of blessings. ²⁵The sanskarsof attainment and the awareness of your final form of deities, bestowers, remain within all souls. ²⁶Because of this,even though they do not actually go into the golden­aged world, as soon as they come onto the world stage in thecopper age, the awareness of the attainment they received from the deity form reveals itself, and so they continue toworship and praise those deities.

⁶had ke actors jab had ke andar apne act karte dikhaai dete hain, to light ke kaaran ati sundar swaroop dikhaai dete hain।

²⁷Do you now understand your final angelic form? ²⁸Would such unlimited actors not automatically attract others towards themselves? ²⁹This double­light stage will revealall of you and the Father. ³⁰Both Zero and heroes will be revealed.

⁷vahi actor, saadhaaran jeevan mein, saadhaaran light ke andar part bajaate hue kaise dikhaai dete hain?

³¹Do you understand? ³²(The lights went out as Babawas speaking.) ³³Just see, even now, so much happens through electricity. ³⁴Even now, the foundation of that whichattracts all of you the most is light.

³⁵Achcha.

⁸raat-din ka antar dikhaai deta hai na?

³⁶To such souls who constantly play the hero part with the Zero; to those who constantly have the deity form of abestower; to those who reveal themselves and the Father to the world; to those who fulfil the desires of all souls of theworld; to such angels, love, remembrance and namaste from BapDada who live in the world of angels and beyond theworld of angels. ³⁷* * * * * ³⁸Personal Group Meeting with BapDada. ³⁹Do all of you carry out your tasks whilst stabilised in a yogyukt and yuktiyukt stage?

⁹light ka focus unke features ko hi parivartit kar deta hai।

⁴⁰Because, according to thepresent time, your thoughts, words and deeds, all three, should be very yuktiyukt. ⁴¹Only then will you be able tobecome complete and perfect. ⁴²The atmosphere all around should be very yogyukt and yuktiyukt. ⁴³When soldiers on abattlefield are standing in front of their enemy, they pay so much attention to themselves and their weapons, that is, totheir powers.

¹⁰aise hi behad drama ke aap hero heroine actors, avyakt sthiti ki light ke andar har act karne se kya dikhaai denge?

⁴⁴Now the time is coming close, and so consider this to be the time to come onto the battlefield. ⁴⁵At sucha time, you need to pay attention to yourself to have all the powers within you at all times.

¹¹alaukik-pharishte!

⁴⁶If there is even a little lessattention, then, just as tension is increasing according to the time, in the same way, there will also be an influence ofthe atmosphere of tension on the spiritual Pandav army engaged in battle. ⁴⁷Day by day, as the time for perfectioncomes closer, the tension in the world will increase even more; it will not decrease. ⁴⁸One will experience life as beingpulled in all directions. ⁴⁹On one side, there will be the damage and tension of the calamities of nature; on the secondside, there will be tension of the strict laws of the Government; on the third side, there will be tension of somethinglacking in relationships and on the fourth side, the feeling of happiness because of love and freedom you have withlokik relatives will also finish and there will be tension because of experiencing fear.

¹²saakaari ki bajaay sookshm vatanvaasi najar aayenge।

⁵⁰All four types of tension willincrease in people. ⁵¹Souls will cry out and be very desperate with all types of tension. ⁵²There will be tension whereverthey go.

¹³saakaari hote hue bhi aakaari anubhav honge।

⁵³In the physical body also, when any muscle is pulled, it causes so much distress that the head feels pulledand under pressure. ⁵⁴In the same way, this atmosphere will also increase. ⁵⁵Because of no destination being visible, thefeeling will be of not knowing what to do. ⁵⁶If they say yes, there is a pull and if they say no, there is still a pull.

¹⁴har act harek ko svatahhi aakarshit karne vaala hoga।

⁵⁷Therewill be difficulties when they are earning and difficulties when are not earning; difficulties if they accumulate anddifficulties if they don't. ⁵⁸Such an atmosphere will be created. ⁵⁹At such a time, there should not be the slightestinfluence of this tension on the spiritual Pandav Army. ⁶⁰There shouldn't even be any problems of the self being underany type of tension.

¹⁵jaise aaj had ka cinema va drama kaliyugi manushyon ke aakarshan ka mukhya kendra hai-chhodna chaahte hue aur na dekhna chaahte hue bhi had ke actors ki act apni or kheench leti hai, lekin uska aadhaar light hai, aise hi is antim samay mein maaya ke aakarshan ki ati ke baad ant hone par, behad ke hero actors,jo sada zero swaroop mein sthit hote hue zero baap ke saath har part bajaane vaale hain aur divya jyoti swaroop vaale jinki sthiti bhi light ki hai aur stage par har part bhi light mein hain - arthaat jo double light vaale pharishte hain - ve har aatma ko svatahhi apni taraph aakarshit karenge।

⁶¹However, the atmosphere can very quickly influence a weak soul. ⁶²There shouldn't be theinfluence of thoughts of fear: What will happen? ⁶³How will it happen? ⁶⁴For this, from time to time, a special,programme for staying on the pilgrimage of remembrance should officially be sent from Madhuban through whichthe fortress of souls will remain very strong.

¹⁶aajkal ki duniya mein drama ke atirikta aur kaunsi vastu hai jo aise pharishton ke naynon jaisi aakarshan karne vaali hain?

⁶⁵Nowadays, service is to increase a great deal. ⁶⁶However, together with this expansion, you also need to be yuktiyukt.Not everyone nowadays comes to become a gyani soul. ⁶⁷One quality is of souls who will become the same as theFather and become masters.

¹⁷T.vi.।

⁶⁸So the first quality is to become like the Father, the second quality is of those who have arelationship with the Father, and the third quality are those who stay in contact with the Father and His service.Nowadays, there are more souls who simply come into connection and relationship, and very few who actuallybecome the embodiment. ⁶⁹Not everyone who comes will be the same. ⁷⁰Day by day, the number that increases will beof weak souls, that is, of souls who are to be subjects. ⁷¹They would only like one aspect, not two.

¹⁸jaise T.vi. dvaara is sansaar ki kaiseekaisi scene-scenery dekhte hue kai aakarshit hote, arthaat girti kala mein jaate hain - aise hi pharishton ke nayan divya door-darshan ka kaam karenge।

⁷²They would nothave faith in every aspect. ⁷³So you have to keep a connection with those in contact according to their needs. ⁷⁴As thetimes become more and more delicate, then according to the problems, they will find it very difficult to be regularstudents. ⁷⁵However, many, many souls will come into contact because this is the final time.

¹⁹har ek ke naynon dvaara sirf is sansaar ke hi nahin lekin teenon lokon ke darshan karenge।

⁷⁶So what will the finalposition be? ⁷⁷Initially, there was a lot of zeal and enthusiasm; hardly any of them will have that. ⁷⁸The majority will beof those who are in connection and contact. ⁷⁹So you need to pay attention.

²⁰aise pharishton ke mastak mein chamakti hui mani aatmaon ko search-light va light haaoos ke samaan svayan ka swaroop, sva-maarga aur shreshtha manzil ka spashta saakshaatkaar karaayengi।

⁸⁰It should not be that you are unable torecognise the souls in contact and thereby deprive them of even that contact. ⁸¹No one should return empty­handed.Even if they are unable to follow the disciplines, they wish to have that loving contact; so you definitely have to payattention to those souls also. ⁸²You should be able to understand that they are a group of third quality souls and should be handled accordingly. ⁸³So,according to the time, you need to make the atmosphere very powerful.

²¹aise pharishton ke yukti-yukta bol arthaat amoolya bol, har bhikhaari aatma ki ratnon se jholi bharpoor karenge।

⁸⁴According to the time today, for Brahmin children, the day should not just be passed in an ordinary way, otherwisethat influence would increase. ⁸⁵Therefore, all the children's attention should be drawn especially to making theatmosphere powerful through the pilgrimage of remembrance. ⁸⁶How will you be able to save yourself from theatmosphere of that world?

²²jo gaayan hai devtaaen bhi bhakton par prasanna ho phoolon ki varsha karte hain - aise aap shreshtha aatmaon dvaara vishwa ki aatmaon ke prati sarva-shaktiyon,sarvagunon tatha sarva vardaanon ki pushpa-varsha sarva ke prati hogi।

⁸⁷What stage would you need? ⁸⁸What stage would you call it when you are a yogi as well asa karma yogi? ⁸⁹Special attention must now be paid to such points. ⁹⁰Greater attention now has to be paid to the subjectof the pilgrimage of remembrance.

²³tab hi aap sab ko devta arthaat dene vaala samajh kar bhakta-gan dvaapar yug se devtaaon ka gaayan aur poojan karte aa rahe hain, kyonki ant samay sarva aatmaaen, visheshkar ve bhaaratvaasi aatmaaen devta dharma ki ant tak vriddhi paane vaali aatmaayen jo satayug mein aapke devtaai roop ki paalna to nahin lengi balki baad mein is dharma ki vriddhi hone ke samay se lekar ant tak ke samay mein aapka devta roop, daata roop athva vardaata roop anubhav karengi।

⁹¹At every centre, there should be one or another programme so that those whocome are able to fill themselves with power. ⁹²At such times, they should also remain detached and face the problemsas detached observers. ⁹³For this, the power of remembrance is needed. ⁹⁴Create a programme of sharing points orclasses for each one's safety and for making the Brahmins clever and cautious through which everyone can feel thatthey are receiving special light from the lighthouse of Madhuban.

²⁴aapke antim devta roop ki anek praaptiyon ke sanskaar va smritiyaan sarva aatmaon mein merge rehti hain arthaat samaai hui rehti hain।

⁹⁵Achcha. ⁹⁶According to the drama, all activities are being carried out very well anyway. ⁹⁷From the activities of the present time,the sanskars of ruling a kingdom are increasing, are they not? ⁹⁸That is the royal throne and this is the royal seat.

²⁵is kaaran practical roop mein satayugi srishti mein na aate hue bhi dvaapar mein srishti-manch par aate hi devta swaroop ki praapti ki smriti emerge ho jaati hai aur gaayan-poojan karte rehte hain।

⁹⁹Youwill then sit on that throne as the ones who will rule. ¹⁰⁰To be one who rules means to be one who has claimed allrights. ¹⁰¹You should not be subservient to any attraction or any suffering of karma or any physical organ. ¹⁰²But youhave to become one who has all rights.

²⁶samjha, apne antim pharishte swaroop ko?

¹⁰³At present, you have the royal seat. ¹⁰⁴For yoga, you have a seat on which youstabilise yourself. ¹⁰⁵A seat is for sitting on and for stabilising yourself.

²⁷aise behad ke actors svatah apni taraph aakarshit nahin karenge?

¹⁰⁶To stabilise yourself in a stage means to sit onyour seat. ¹⁰⁷The more practice you have of sitting on the seat, the more practice you will have of being seated on theroyal throne.

²⁸yeh hi double light sthiti aur stage aap sabko aur baap ko pratyaksha karegi।

¹⁰⁸You are getting that practice now, are you not? ¹⁰⁹It is becoming more and more natural. ¹¹⁰You don't haveto do anything, but it just happens. ¹¹¹Your nature has become like that.

²⁹zero aur hero donon pratyaksha honge।

¹¹²Just as when something has become yournature, it becomes natural to carry out that task, in the same way, this too should become your nature; the nature to beone who has all rights. ¹¹³The moment you have a thought to have yoga, you should be able to experience that instantly. ¹¹⁴As soon as you say Baba, you should experience the stage of yoga. ¹¹⁵This is the stage of closeness.

³⁰samjha (light chali gai) phir baba bole - abhi bhi dekho,light se kitna kaam hota hai।

¹¹⁶In fact, you arealways seated on the seat. ¹¹⁷Just as someone sitting on a throne cannot forget that he is a king, in the same way, onewho is stabilised in this stage can never forget that he has all rights. ¹¹⁸Are all of you accurate and yuktiyukt?

³¹abhi bhi aap sabke aakarshan karne ki vastu light ke aadhaar par hai।

¹¹⁹Sometimes, some things happen, and they have to happen. ¹²⁰How else wouldyour final paper come? ¹²¹These are also practical papers. ¹²²These papers enable you to accumulate marks.

³²achha।

¹²³Whilstaccumulating marks, you come into the list of those who pass with honour. ¹²⁴Whatever happens is to enable you toaccumulate marks. ¹²⁵You have to accumulate them in all aspects, not just in the subject of the pilgrimage ofremembrance; you have to accumulate marks in all four subjects. ¹²⁶Only then will you pass with honour.

³³aise sada zero ke saath hero part bajaane vaale, sada dene vaale devta swaroop,vishwa mein svayan ko aur baap ko prakhyaat karne vaale, vishwa ki sarva aatmaon ki sarva-manokaamnaayen sampanna karne vaale,aise pharishton ko pharishton ki duniya mein rahne vaale aur pharishton ki duniya se paar rahne vaale baapdaada ka yaad-pyaar aur namaste!

¹²⁷Success in every task is already guaranteed in advance; whether it is behind the curtains or in front of the curtains. ¹²⁸Insome cases, the success is behind the curtain and in other cases, the success is visible. ¹²⁹However, in both instances,there is success and revelation. ¹³⁰For some time, there will be that which is incognito.

¹³¹It takes time for that which ishidden to become visible.

¹³²Achcha.

¹³³* * * O M S H A N T I * * *