सोमवार 9 मई 1977 की अव्यक्त मुरली

⁰> ¹09-05-77om shanti avyakt baapdaadaamdhuban

⁰> > 28/04/97 Om Shanti Avyakt BapDada Madhuban 09/05/77

²sampoorn pavitrata hi vishesh part bajaane vaalon ka shringaar hai ³vishesh paartadhaari aatmaon prati baap-daada bole –

¹Complete purity is the decoration of those who play a special part. ²Do you consider yourselves to be the specials actors who are playing a special part within this drama? ³Do you know what the speciality is of this special part?

⁴apne ko is drama ke andar vishesh part bajaane vaale, vishesh paartadhaari samajhte ho?

⁴The speciality is that you are playing your part as Baba’s companion and together with this, whilst playing your own role, you also remain stable in the stage of a detached observer.

⁵vishesh part ki visheshta kya hai, usko jaante ho?

⁵So the speciality is of being Baba’s companion and remaining a detached observer.

⁶visheshta yeh hai ki baap ke saath saathi ban part bajaate ho, aur saath-saath har part apne saaksheepan ki sthiti mein sthit ho bajaate ho।

⁶It is because of these specialities that you are known as the special actors. ⁷So, constantly check: Do I constantly have both these specialities whilst playing my part? ⁸Otherwise, you would be called an ordinary actor.

⁷to visheshta hui - ‘baap ke saath saathi ki aur saaksheepan ki।

⁹It would not seem right for the Father to be elevated and the child to be ordinary.

⁸’us visheshta ke kaaran hi vishesh paartadhaari gaae jaate hain।

¹⁰What is the decoration of playing a special part? ¹¹Complete purity is your decoration.

⁹to apne aapko sada chaik (Check;nireekshan) karo ki har part bajaate hue donon hi visheshtaaen rehti hain? ¹⁰nahin to saadhaaran paartadhaari kahlaae jaayenge।

¹²There shouldn’t be the slightest trace of impurity even in your thoughts. ¹³Do you constantly have such a decoration? ¹⁴None of you are those who play a limited part for a short time, but you are those who play an unlimited part at every second through every thought.

¹¹baap shreshtha aur bachche saadhaaran! ¹²yeh shobhega nahin।

¹⁵This is why each of you is an image that is constantly decorated and constantly an embodiment of purity.

¹³vishesh part bajaane ka shringaar kaun sa hai?

¹⁶The decoration of this time becomes imperishable for birth after birth.

¹⁴sampoorn pavitrata hi aapka shringaar hai।

¹⁷The time for filling yourself with the important sanskars is now.

¹⁵sankalp mein bhi apvitrata ka ansh maatra na ho।

¹⁸It is at this time that you are recording sanskars in the soul for every birth.

¹⁶aisa shringaar nirantar hai?

¹⁹When recording, attention is paid at every second.

¹⁷kyonki aap sab had ke, alpa kaal ke part bajaane vaale nahin ho।

²⁰There has to be attention that there is no type of tension; even if there is tension, there also has to be attention paid.

¹⁸lekin behad ka,har second,har sankalp se sada part bajaane vaale ho। ¹⁹isliye sada shringaar ki hui moortta arthaat sada pavitra swaroop ho।

²¹If there is any type of tension, you will not be able to record very well. ²²Instead of earning an elevated name for all time, what will be remembered is that you weren’t able to record as well as you wanted to.

²⁰is samay ka shringaar janma janmaantar ke liye avinaashi ban jaata hai। ²¹mukhya sanskaar bharne ka samay abhi hai।

²³Therefore, remain beyond every type of tension; tension of the self or of time, and pay attention to having the Father’s company at every second whilst playing your part.

²²aatma mein har janma ke sanskaaron ka record is samay bhar rahe ho। ²³to record bharne ke samay second-second ka attention rakha jaata hai।

²⁴The basis of tension in souls who are master almighty authorities, the children of the Almighty Authority, the knowledge­full souls is just two words. ²⁵What are those two words? ²⁶Why? and what?.

²⁴kisi bhi prakaar ke tension (tanaav) ka attention; tension mein attention rahe।

²⁷Tension in any situation arises when you have these two questions in your intellect, “Why did this happen?” or “What happened?” However, the elevated actors of the confluence age cannot have any type of tension, because you know everything. ²⁸With the specialities of being a detached observer and Baba’s companion, there can never be any tension whilst playing any role within the drama. ²⁹So, understand this special beneficial time, and fill the sanskars with the number one stage at every second. ³⁰Do you know what seat the stage of being knowledge­full is, that is, what seat this stage of the confluence age is?

²⁵agar kisi bhi prakaar ka tension hota hai,to record theek nahin bhar sakega।

³¹On the path of bhakti, what have they shown the goddess of knowledge, Saraswati seated on? (a swan). ³²Why have they portrayed a swan?

²⁶sada kaal ke liye shreshtha naam ke bajaae, yahi gaayan hota rahega ki jitna achha bharna chaahiye,utna nahin bhara hai।

³³What are the special virtues of a swan? ³⁴The special virtues are: ³⁵ 1. Being knowledge­full; able to discriminate between right and wrong (real and false) is also to have knowledge.

²⁷isliye har prakaar ke tension se pare,svayan aur samay ka, baap ke saath ka attention rakhte hue second-second ka, part bajaao।

³⁶So, the seat of someone who is knowledge­full is portrayed as being something knowledge­full. ³⁷So, the swan has the special knowledge to discriminate between right and wrong. ^{38 39}

²⁸master sarvashaktivaan,almighty authority (ALMIGHTY Authority) ki santaan - aisi knowledgeful(Knowledgeful;gyaan saagar) aatmaon mein tension ka aadhaar do shabd hain। ²⁹kaun se do shabd?

⁴⁰ 2. Secondly, the memorial of your stage is also shown in the form of a seat. ⁴¹Those who always accept he food of pure thoughts, whose intellect imbibes virtues from all souls and from nature are such souls who have been portrayed as those who pick up pearls. ⁴²

³⁰‘kyon aur kya?

^{43 44} 3. Thirdly, cleanliness.

³¹’ kisi bhi baat mein,yeh kyon hua?

⁴⁵The sign of cleanliness is the colour white.

³²yeh kya hua?

⁴⁶Cleanliness means purity.

³³jab yeh do shabd buddhi mein aa jaate hain, tab kisi bhi prakaar ka tension paida hota hai।

⁴⁷Therefore, the holy swan is the symbol of constantly remaining seated on the seat of being knowledge­full. ⁴⁸Saraswati has been portrayed as a constant server by being given the sitar.

³⁴lekin sangamayugi shreshtha paartadhaari aatmaaen kyon,kya ka tension nahin rakh sakti hain, kyonki sab jaante hain।

⁴⁹To constantly play this sitar of knowledge means to be a constant server. ⁵⁰Just as the seat is portrayed as a memorial, so too, to play your part, having imbibed all these specialities, is the special part.

³⁵‘saakshi aur saatheepan’ ki visheshta se,drama ke har part ko bajaate hue kabhi tension nahin aa sakta।

⁵¹Therefore, constantly play your part whilst considering yourself to be a special actor. ^{52 53 54}You are not subservient to matter, are you?

³⁶to apne is vishesh kalyaankaari samay ko samajhte hue har second ke sanskaaron ka record number one stage mein bharte jaao।

⁵⁵No element of nature should bring you into upheaval. ⁵⁶As you progress, many test papers will come. ⁵⁷Your stage should not be based on any physical facilities. ⁵⁸Together with becoming a conqueror of Maya, you also have to become a conqueror of matter.

³⁷knowledgeful stage arthaat is sangamayug ki sthiti ka aasan jaante ho?

⁵⁹If, in the midst of upheaval, you have the slightest tension in your thoughts such as, “What is this?

³⁸bhakti maarga mein vidya ki devi, sarasvati ko kaun sa aasan dikhaaya hai?

⁶⁰Why did this happen? ⁶¹How will this be possible?”, that is, if your attention is reduced, then you will not be able to pass fully.

³⁹ise kyon dikhaaya hai?

⁶²Therefore, you have to remain constantly unshakeable. ⁶³Achcha.

⁴⁰iska vishesh gun kaun sa gaaya hua hai?

⁶⁴To those who constantly remain seated on the seat of a knowledge­full one; to those who play an elevated part at every second; to those who pass every paper, who pass with honour; to those who remain steady in the remembrance of the one Father; to such elevated souls who are equal to the Father, BapDada’s love, remembrance and namaste. ⁶⁵Blessing:May you be an embodiment of success whose intellect constantly imbibes divinity.As soon as each child takes birth, he receives the blessing of a divine intellect from BapDada. ⁶⁶To the extent that you use the blessing of this divine intellect, to that extent, you become an embodiment of success, because to perform every action with divinity is the basis of success. ⁶⁷Souls who have attained a divine intellect make divine anything that is not divine.

⁴¹uska ‘vishesh gun’ (1) bhi knowledgeful ka hi dikhaaya hai na।

⁶⁸They put divinity into every aspect. ⁶⁹A divine intellect cannot be influenced by any task that is not divine.

⁴²right aur wrong (RIGHT And Wrong;satya aur asatya) ko jaanne vaala yeh bhi knowledge hui na।

⁷⁰Slogan:Maintain balance at every moment and in every action and you will continue to receive blessings from everyone.

⁴³to knowledgeful ka aasan bhi knowledge vaala hi dikhaaya hai।

⁷¹Question:In what form should you stabilise yourself in order to constantly experience yourself as the highest authority?

⁴⁴vicious knowledge hai ‘right aur wrong ko jaanne’ ki (2) doosri baat, aapki sthiti ka yaadgaar bhi aasan ke roop mein dikhaaya hai।

⁷²Answer:In your combined form. ⁷³First, the soul and body are a combined form. ⁷⁴Secondly, at this most auspicious confluence age, it is the combined form of the Father and the children.

⁴⁵sada shuddh sankalp ka bhojan buddhi dvaara grahan karne vaala, sada ki sarva aatmaon dvaara va rachna dvaara gun dhaaran karne vaala, usi ko moti chugne vaala dikhaaya hai।

⁷⁵Thirdly, the four­armed image has been shown as a memorial. ⁷⁶So, whilst imbibe the knowledge of the combined form and by stabilising yourself in that stage, you will experience yourself as the highest authority. ⁷⁷Question:What is the result when you forget the combined form of the soul and the body?

⁴⁶(3) teesri baat, ‘svachchhata’। ⁴⁷svachchhata ki nishaani saphed rang dikhaaya hai।

⁷⁸Answer:When you forget the combined form of the soul and the body, the authority of being a master finishes.

⁴⁸‘svachchhata arthaat pavitrata’।

⁷⁹When you begin to believe the soul and the body to be one, the awareness of being an authority finishes. ⁸⁰You forget yourself because of body consciousness and therefore, you lose everything; in the stage of being unconscious, you lose everything you had. ⁸¹Question:What is the result of the forgetting the awareness of the combined form of the Father and the children at the confluence age? ⁸²Answer:Instead of experiencing yourself to be the highest authority, you experience yourself to be weak, powerless, unhappy, confluence and in influenced soul.

⁴⁹to sada knowledgeful sthiti mein sthit hi rahne ki nishaani ‘hans ka aasan’dikhaaya jaata hai।

⁸³With the awareness of the combined form, you receive power. ⁸⁴With the awareness of the combined form, you have the authority of facing the obstacles of Maya.

⁵⁰sarasvati ko, sada sevaadhaari roop ki nishaani, been bajaate hue dikhaaya hai। ⁵¹yeh gyaan ki veena sada bajaate rehna arthaat sada sevaadhaari rehna।

⁸⁵Even if you may be a weak soul, because of having the Father’s company, because of having the company and the awareness of the Almighty Authority, you experienceyourself to be a master almighty authority.

⁵²jaise aasan yaadgaar roop mein dikhaaya hai, vaise sab visheshtaaen dhaaran kar part bajaana, yahi vishesh part hai।

⁸⁶Therefore, do not separate yourself from the combined form. ⁸⁷Question:Nowadays, in which particular aspect do people of the world spend their time, body, mind and wealth?

⁵³to sada aise vishesh paartadhaari samajhte hue part bajaao।

⁸⁸Answer:Chasing after a companion and companionship.

⁵⁴prakriti ke adheen to nahin ho na?

⁸⁹Everyone in the world especially needs company and a companion.

⁵⁵prakriti ka koi bhi tatva halchal mein nahin laave। ⁵⁶aage chalkar to bahut paper aane hain। ⁵⁷kisi bhi saadhnon ke aadhaar par,sthiti ka aadhaar na ho।

⁹⁰However, a lokik companion would only deceive you, give you sorrow, constantly change moods, sometimes cry and sometimes laugh.However, this alokik Companion constantly makes you laugh.

⁵⁸maayaajeet ke saath-prakritijeet bhi banna hai।

⁹¹He never has an “off­mood” and saves you from being deceived.

⁵⁹prakriti ki halchal ke beech - yeh kya? ⁶⁰yeh kyon hua? ⁶¹yeh kaise hoga?

⁹²Question:What mistake do the children make because of not recognising their Companion?

⁶²zara bhi sankalp mein tension hua arthaat attention kam hua,to full paas nahin honge। ⁶³isliye sada achal hona hai। ⁶⁴achha।

⁹³Answer:Instead of staying with Him, they step away from Him and cause a lot of mischief. ⁹⁴Sometimes, they turn away their mind and sometimes they make their intellect wander from here to there.

⁶⁵sada apne knowledgeful aasan par sthit rahne vaale, har second shreshtha part bajaane vaale,har prakaar ke paper mein full paas ho,paas with honour (Pass WithHonour;sammaan sahit saphaltaamoortta) banne vaale, sada ek baap ki yaad ke ras mein ekras rahne vaale, aise sada baap samaan shreshtha aatmaon ko baap-daada ka yaad-pyaar aur namaste।

⁹⁵Sometimes, they even divorce Him through their thoughts. ⁹⁶Instead of allowing the true Companion to seat on their heart­throne, they give that position to a companion who only fulfils his responsibility for a temporary period and who deceives you. ⁹⁷The artificial golden deer that tempts you withlimited attainment attracts you towards itself. ⁹⁸* * * O M S H A N T I * * *