शुक्रवार 27 मई 1977 की अव्यक्त मुरली
सहेजा जा रहा है…
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आप यह मुरली बिना इंटरनेट पढ़ सकते हैं।
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इस दृश्य में हिंदी पाठ से स्वतः तैयार की गई, बिना विशेष चिह्नों वाली प्रचलित रोमन वर्तनी दिखाई जाती है।
हिंग्लिश कैसे तैयार होती है?
इस साइट पर दीर्घ स्वरों के लिए आम तौर पर aa, ee और oo (शब्द के अंत में a, i और u), तथा ch, chh, sh और ri का प्रयोग होता है। शब्दकोश में पहचाने गए अंग्रेज़ी शब्दों की अंग्रेज़ी वर्तनी रखी जाती है। कुछ अंतर्निहित स्वरों को हटाने के नियम और प्रचलित शब्दों की सूची aatma, shanti, main और hoon जैसी वर्तनियाँ देते हैं।
अनौपचारिक रोमन वर्तनी मानकीकृत नहीं है। ये नियम एकरूपता रखते हैं, पर कुछ वर्तनियाँ आपकी परिचित वर्तनी से अलग हो सकती हैं। «लिप्यंतरित हिंदी» दृश्य में अनुकूलित ISO 15919 के भेद सुरक्षित रहते हैं।
| हिंदी | Hinglish |
|---|---|
| आत्मा | aatma |
| शान्ति | shanti |
| मैं | main |
| हूँ | hoon |
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27-05-77om shanti avyakt baapdaadaamdhuban
powerful stage arthaat baap samaan beejroop sthiti
sada samartha, sada gyaan ke khazaane se sampanna,baap samaan gunmoortta aur shakti moortta, gyaani tu aatma, aisi videshi so svadeshi aatmaon prati baap-daada ke uchchaare hue mahaavaakya:-
aaj baap-daada ke saamne kaun si sabha baithi hui hai? jaante ho?aaj double prakaar ki sabha hai। ek,jo sabhi saamne baithi hain - bhaaratvaasi bachchon ki sabha। doosre, videshi bachchon ki sabha। videshi bachche bahut umang,utsaah aur lagan se baap ko pratyaksha karne ke plaansa (Plans) banaate hue, baar-baar baap ke gun gaate,khushi mein naach rahe hain। unhon ki khushi ka, man ka geet baap-daada ke saamne sunaai de raha hai। sab taraph,vishesh roop se baap ke sneh aur seva ka vaataavran aakarshan karne vaala hai। baap-daada ko bhi bachchon ko dekh, bachchon ke umang par khushi hoti hai। saath-saath aap sabhi bachchon ka milan ka umang dekh harshit hote hain।
aaj amritvele baap-daada chaaron or ke bachchon ke paas chakkar lagaane nikle। kya dekha? madhuban vardaan bhoomi mein, khushi-khushi se aae hue bachche, is hi milan ki khushi mein aur sab baate bhoole hue hain। harek nambarvaar purooshaartha anusaar vardaan praapta karne ke umang, utsaah mein the। aur sab taraph chakkar lagaate hue kya dekha? majority(Majority;adhiktar) ka shareer bhal apne-apne sthaan par hai,lekin man ki lagan madhuban taraph hai। avyakt roop se yogayukta bachche madhuban mein hi apne ko anubhav karte hain। chaaron or swaroop chaatrak samaan dikhaai de raha tha। yaad ki yaatra ke chart mein kya dikhaai diya?position (Position;martaba) aur opposition (Opposition;virodh) donon ka khel dekha tha। yatha shakti harek apne position par sthit rahne ka prayatna bahut karte, lekin maaya ki opposition, ek ras sthiti mein sthit hone mein vighna-swaroop ban rahi thi। iska kaaran kya? (1) ek to saare din ki dincharya par baar-baar attention ki kami hai। (2) doosra shuddh sankalp ka khajaana jama na hone kaaran vyartha sankalpon mein jyaada samay vyateet karte hain। manan shakti bahut kam hai। (3) teesra,kisi bhi prakaar ki chhoti-chhoti paristhitiyaan jo hain kuchh bhi nahin, un chhoti si baaton ki kamzori ka kaaran bahut bada samajh, usko mitaane mein time bahut vesta (Time Waste;samay vyartha) karte hain। kaaran kya? samay prati samay jo anek prakaar ki paristhitiyon ko paar karne ki yuktiyaan sunte hain, woh us samay ghabraane ke kaaran smriti mein nahin aati hain। (4) chautha apne hi svabhaav sanskaar, jo samajhte bhi hain ki nahin hone chaahiye, baar-baar un svabhaav-sanskaar ke vasheebhoot hone se dhokha bhi kha chuke hain, lekin phir bhi rachta kahlaate hue bhi,vasheebhoot ho jaate hain। apne anaadi,aadi sanskaar baar-baar smriti mein nahin laate hain। is kaaran sanskaar svabhaav mitaane ki samarthi nahin aa sakti hain। aise chaaron hi prakaar ke yoddha dekhe। yoddha shabd sunkar hansi aati hai। aur jis samay prekteekal act (Practical Act;vyavhaarik karma) mein aate ho, us samay hansi aati hai?baap-daada ko aisa khel dekhte hue, bachchon par raham aur kalyaan ka sankalp aata hai। ab tak majority vyartha sankalpon ki complain (Complain;shikaayat) bahut karte hain। vyartha sankalp ke kaaran tan aur man donon kamzor ho jaate hain। vyartha sankalp ka kaaran kya? sunaaya tha,apni dincharya ko set karna nahin aata।
amritvele roz ki dincharya, tan ki aur man ko set karo। jaise tan ki dincharya banaate ho ki saare din mein yeh-yeh karma karna hai,vaise apne sthool kaarya ke hisaab se,man ki sthiti ko bhi set karo। jaise amritvele yaad ki yaatra ka samay set hai,to aise suhaavne samay par, jabki samay ka bhi sahayog hai, satopradhaan buddhi ka sahayog hai, aise samay par man ki sthiti bhi sabse powerful stage (Powerful Stage;shaktishaali sthiti) ki chaahiye। powerful stage arthaat baap samaan beejroop sthiti। to yeh amritvele ka jaisa shreshtha samay hai, vaisi shreshtha sthiti honi chaahiye। saadhaaran sthiti mein to,karma karte bhi rah sakte ho,lekin yeh vishesh vardaan ka samay hai। is samay ko yathaartha reeti use (USE;prayog) na karne ka kaaran, saare din ki yaad ki sthiti par prabhaav padta hai। to pahla attention - amritvele ki powerful sthiti ki saiting karo।
doosri baat, jab gyaan ki guhya baaten sunte ho, arthaat regular study (niymit adhyayan) karte ho, us samay jo points nikalti hain,us har point ko sunte hue,anubhvi moortta hokar nahin sunte। gyaani tu aatma har baat ke swaroop ka anubhav karti hain। sunna arthaat us swaroop ke anubhvi bankar sunna। lekin anubhvi moortta banna bahut kam aata hai। sunna achha lagta hai,guhya bhi lagta hai, khush bhi hote hain,bahut achha khajaana mil raha hai, lekin samaana arthaat swaroop banna - iska abhyaas hona chaahiye। main aatma niraakaar hoon - yeh baar-baar sunte ho, lekin niraakaar sthiti ke anubhvi bankar suno। jaisi point,vaisa anubhav। paramdham ki baaten suno to paramdham nivaasi hokar paramdham ki baaten suno। svargavaasi devtaai sthiti ke anubhvi ban,svarga ki baaten suno। isko kaha jaata hai sunna arthaat samaana। samaana arthaat swaroop banna। agar isi reeti se murli suno to shuddh sankalp ka khajaana jama ho jaaega। aur isi khazaane ke anubhav ko baar-baar sumiran karne,saara samay buddhi isi mein hi busy rahegi। vyartha sankalpon se sahaj kinaara ho jaaega। agar anubhvi hokar nahin sunte,to baap ke khazaane ko apna khajaana nahin banaate। iseelie khaali rehte ho। arthaat vyartha sankalpon ko svayan hi jagah dete। aur aage badhkar saari dincharya mein kya-kya kami karte ho,woh phir doosre din sunaayenge। pahle in do baaton ko theek karo। jyaada dose (Dose;khuraak) nahin dete hain। achha।
sada samartha, sada gyaan ke khazaane se sampanna,yaad ki yaatra dvaara sarva shaktiyon ke anubhvi moortta, sada har paristhati ko svasthiti dvaara second mein aur sahaj paar karne vaale,aise baap samaan gun moortta aur shaktimoortta gyaani tu aatmaon ko baap-daada ka yaad-pyaar aur namaste।
deedi ji ke saath:-
aaj vishesh videsh vaalon ka baap ko apni taraph kheenchane ka chal raha hai। yeh sabha dekhte hue bhi baap-daada ko baar-baar saamne videshi nazar aate hain। vishesh yaad ke aakarshan ka bahut fullforce se meethi-meethi baaten karte hain। harek apne man ke umang ka sankalp baap ke aage aise rakh rahe hain, jaise sammukh baaten ki jaati hain,videsh mein rahne vaalon ko itni khushi kyon hai? iska kaaran kya hai?kyonki nai-nai phulvaadi samajhti hain ki ham peechhe aane vaale jab tak koi vishesh kaarya nahin karenge to high jump (oonchi chhalaang) dekar aage kaise badhenge।? unhonko yeh lagan hai ham kuchh vishesh karke dikhaaven। jo na hua hai woh karke dikhaaven। is kaaran is nashe mein raat-din tan-dhan kuchh dikhaai nahin deta hai। lakshya achha rakha hai। harek sthaan yahi soch raha hai ki hamaare desh ka chaaron or naam nikle। is race ke kaaran ek do se aage badh rahe hain। videsh se naam nikalna hai - yeh to theek hai,lekin kis kone se nikalta?kaun sa sthaan nimitta banta?kis sthaan ka vyakti nimitta banta hai? isliye harek apne dhun mein lage hue hain। aur baap-daada ko bhi bachchon ki mehnat aur utsaah achha lagta hai। (daadi ko) aap yahaan baithi ho ya videsh mein?videsh service ke plan chalte hain ki jab plen (Plane) mein chadhengi tab plan chalenge?
mahaarthiyon se ek prashn poochhte hain। baap se to bahut poochhte hain। mahaarthiyon ke liye vishesh hai rooh-roohaan, mahaarthiyon se achhi lagti hai। vijay maala ke jo manke bante hain pahla number va 108vaan number, donon mein antar kya hai?kahlaate to sab vijayi ratna hain। naam hi hai vijaymaala। lekin pahla number vijayi ratna aur jo last ka vijayi ratna hai unmein koi vishesh subject (vishay) par vijay ka aadhaar hai va total number par aadhaar hai। ek hota hai vishesh subject mein। doosra hota hai sab subject ke total marks ka antar। to iski guhyata kya hai arthaat vijay ki guhya gati? ismen bahut kuchh rahasya bhara hua hai। yugal daane ki vishesh subject kaun si hai aur ashta ratnon ki kaun si hai। 100ratnon ki kaun si hai? usmein bhi aage aur peechhe vaalon mein kya antar hai? is guhya gati ko aapas mein manan karna। phir bataayenge। aaj chakkar lagaaya na। yeh to hui moti baat। lekin vishesh mahaarthiyon ke purooshaartha mein kya maheen antar rah jaata hai jisse do number ke baad teesra aata, phir chautha aata? hain mahaarthi, naami-graami lekin doosra teesra number bhi kis aadhaar se banta hai?to aaj mahaarthiyon ke is guhya gati ke purooshaartha ko dekh rahe the। ashta mein bhi pahla number aur aathvaan number mein kya antar hai?poojte to aath hi hain lekin pooja mein bhi antar, vijay mein antar hai। harek ki visheshta bhi vishesh hai aur phir jo kami rah jaati hai woh bhi vishesh hai jiske aadhaar par phir number bante hain। aaj donon hi dekh rahe the to yeh aapas mein vichaar karna। samjha?
dilli party se:-
dilli ko darbaar banaaya hai? dilli darbaar kehte hain to dilli ko apni raajya darbaar banaai hai?raajaai taiyaar ho gai hai? darbaar mein kaun baithenge? darbaar mein pahle to mahaaraaja,mahaaraaniyaan chaahiye। kitne mahaaraaja, mahaaraaniyaan taiyaar hui hain?dilli vaalon ko raajya ka foundation (Foundation;neenv) lagaana hai। raajya ka foundation kaise lagega,uska aadhaar kya? raajya arthaat adhikaar praapta kar lena। pahle svayan ka raajya,phir vishwa ka raajya। to dilli nivaasi svayan par adhikaari bane hain? videsh se to naam niklega, lekin naam pahunchega kahaan? (dilli mein) to dilli vaalon ko naveenta karni chaahiye kyonki seva ka aadi sthaan hai। seva ki beej roop dilli hai। to jaise dilli aadi sthaan hai seva ke hisaab se aur raajya ka sthaan raajasthaan bhi hai, to donon hi hisaab se dilli vaalon ko visheshta karni chaahiye to kya karenge?mela karenge? conference karenge? yeh to puraani baaten ho gayeen। lekin naveenta kya karenge? pahli baat to dilli vaalon ka ek dridh sankalp sangathit roop se hona chaahiye kiham sab dilli ka kila majboot kar saphalta honi hi hai, is sankalp ka vrat ek ho।jaise koi bhi kaarya mein saphalta ke liye vrat rakhte hain na। woh to sthool vrat rakhte hain,lekin yeh mansa ka vrat hai jis vrat se nimitta koi bhi kaarya karenge।
bhala kaarya saadhaaran bhi ho, result naveenta ki ho। maano kaanaphrens karte, baahar ka jaise roop saadhaaran ka hota lekin saphalta naveenta ki ho। jab ek hi samay aur sarva ka ek hi sankalp vrat hoga ki hona hi hai,to dekho dilli kya kamaal karti hai! kamzori ke sankalp na ho - hona hai, nahin hona hai, hoga,nahin hoga,abhi tak to hua nahin - yeh kamzori ke sankalp hain। ek dridh sankalp ki bhatthi ho phir sab dilli ko kaapi karenge। abhi aisi koi naveenta dikhaao। bhaashan kiya, janta aai, suna aur gae। bhaashan karne vaale ne bhaashan kiya aur chale - yeh to hota rehta hai। ab double stage svayan ki aur doosri sthaan ki taiyaar karo। jab double stage ho tab saphalta ho। sthool stage par jhanda lagaana, slogan lagaana, chitra lagaana bahut sahaj hai, lekin har ek chaitanya chitra ho। harek ki buddhi mein vijay ka jhanda laga ho। slogan sabka ek ho - saphalta hamaara janmasiddha adhikaar hai। phir dekho dilli vaale kamaal karenge। dilli vaalon ko vishesh ek lift ki gift bhi hai,woh kaun si hai?dilli vaalon ka, usmein bhi vishesh shakti sena ka vishesh gun kaunsa hai? yagya ki sthaapna ke kaarya mein dilli ki shakti sena ka sudaama misal jo chaaval chapti kaam mein aai hai। woh bahut mahatva ke samay kaam mein aai hai। to mahatva ke samay par agar kaarya mein chaaval chapti bhi lagaate to woh bahut vriddhi ho jaati hai। jaise samay itna phaleebhoot nahin hota। samay par sahayog dene se dilli vaalon ko vishesh gift ki lift mili hai। baap ki or se drama pramaan dilli vaalon ko sada sampanna rahne ka vardaan praapta hai। dilli ki dharni ka foundation achha hai। ekjaampal (Example;misaal) banne vaalon ko vishesh sahayog milta hai। dilli ko nimitta seva,anya seva sthaanon ke nimitta ekjaampal bane। jaise aadi mein visheshta dikhaai, vaise abhi dikhaao। to uska sahayog mil jaaega। dilli vaale foreign (videshi) vaalon se bhi achhe plan bana sakte hain; kyonki yahaan bahut seva ke saadhan hain। yahaan mehnat ki jaroorat nahin sirf kila majboot ki baat hai। achha। jab sabke sankalp ki anguli ikatthi hogi to har kaarya saphal hoga। sabki nazar dilli par hai। jab ek do ke sameep ho haath mein haath milaaenge tab gheraav daal sakenge। haath mein haath milaana arthaat sankalp milaana। sabmen ek jaisa umang utsaah ho,dilaana na pade। achha।
purooshaartha ki guhya gati kya hai? athva shreshtha purooshaartha kaun sa hai? har sankalp, svaans mein svatah baap ki yaad ho। isko kaha jaata hai smriti swaroop। jaise bhakti mein bhi kehte hain - anhad shabd sunaai de,ajpaajap chalta rahe, aisa purooshaartha nirantar ho - isko kaha jaata hai shreshtha purooshaartha। yaad karna nahin,yaad aata hi rahe। mahaarthiyon ka purooshaartha yeh hai - mahaarthi arthaat svatah yaad। mahaarthi har sankalp mahaan hoga। jitnaajitna aage badhte jaayenge saadhaaranta khatma hoti jaayegi, mahaatna aati jaayegi। yeh hai badhne ki nishaani।