शुक्रवार 23 नवंबर 1979 की अव्यक्त मुरली

ध्यान दें: वाक्यों का संरेखण अक्षरों की संख्या पर आधारित है और पूरी तरह विश्वसनीय नहीं है।

आप पूरी मुरली या उसके किसी भाग का वाक्य संरेखण स्वयं सुधार सकते हैं।

इस दृश्य में हिंदी पाठ से स्वतः तैयार की गई, बिना विशेष चिह्नों वाली प्रचलित रोमन वर्तनी दिखाई जाती है।

हिंग्लिश कैसे तैयार होती है?

इस साइट पर दीर्घ स्वरों के लिए आम तौर पर aa, ee और oo (शब्द के अंत में a, i और u), तथा ch, chh, sh और ri का प्रयोग होता है। शब्दकोश में पहचाने गए अंग्रेज़ी शब्दों की अंग्रेज़ी वर्तनी रखी जाती है। कुछ अंतर्निहित स्वरों को हटाने के नियम और प्रचलित शब्दों की सूची aatma, shanti, main और hoon जैसी वर्तनियाँ देते हैं।

अनौपचारिक रोमन वर्तनी मानकीकृत नहीं है। ये नियम एकरूपता रखते हैं, पर कुछ वर्तनियाँ आपकी परिचित वर्तनी से अलग हो सकती हैं। «लिप्यंतरित हिंदी» दृश्य में अनुकूलित ISO 15919 के भेद सुरक्षित रहते हैं।

प्रचलित वर्तनी के उदाहरण
हिंदीHinglish
आत्माaatma
शान्तिshanti
मैंmain
हूँhoon

0> 123-11-79om shanti avyakt baapdaadaamdhuban

0> > Avyakt BapDada 23rd November 1979

2namrata roopi kavach dvaara sneh aur sahayog ki praapti

1(to Madhuban residents) 2Today there is a group of servants.

3aaj sevaadhaariyon ka group hai।

3To be a resident of Madhuban is to be a servant.

4madhuban vaasi arthaat sevaadhaari। 5jaise brahma baap number one vishwa-sevaadhaari hai vaise hi madhuban nivaasi arthaat behad ke sevaadhaari।

4Brahma Baba, a resident of Madhuban, is the main “World Servant”, and so too the other residents of Madhuban are “servants”.

6behad ke sevaadhaari mein behad ke gun hote hain।

5Unlimited servants must possess unlimited virtue.

7jaise baap ko dekha - dekhna bhi behad ki drishti se, bol bhi behad ke anhad bol sunna aur sunaana। 8sambandh aur samparka mein aana to bhi behad ka sambandh,har sankalp mein bhi ki behad ka kalyaan kaise ho।

6You saw how in Baba, his glance, his vision, was unlimited; his speech, his every word, was unlimited; only hearing and speaking that which was beyond limitation.

9sanskaar mein bhi behad ka tyaag aur behad ki tapasya, do chaar ghante ki tapasya nahin।

7Coming into contact or relationship with others, there were no limitations.

10behad ki tapasya arthaat har second tapasya-swaroop,tapasvi moorta। 11moorta aur soorat se tyaag, tapasya aur seva - sada saakaar roop mein pratyaksha dekha। 12jaise brahma baap madhuban nivaasi jisko ‘madhuban ke baba kehte’aisi dharti par rahne vaale madhuban nivaasi va sevaadhaari ‘follow father’kar rahe hain। 13log madhuban vaasiyon ke gun gaate hain aur madhuban vaasi gun moorta hain - aisi behad ki sthiti mein sthit ho?

8Each thought even was for unlimited benefit.

14allaah avaldeen ke chiraag bankar ke chalte ho?

9In his sanskars there was unlimited renunciation and tapasya.

15allaah avaldeen ka chiraag bahut mashhoor hai। 16jis chiraag dvaara jo dekhna chaahen, jo paana chaahen,woh dekh aur pa sakte hain।

10He was the embodiment, the image, of tapasya, at every second; unlimited tapasya, not the tapasya of two or three hours.

17madhuban nivaasi vishesh allaah avaldeen ke chiraag hain। 18second mein ghar aur raajya dikhaane vaale arthaat mukti, jeevanmukti dene vaale।

11From the face of the corporal father, you always saw renunciation, tapasya, and service, You call Brahma Baba the “Father of Madhuban”.

19mahima to itni mahaan hai lekin aise harek apne ko mahaan samajh karke chalte ho? 20result mein sabse number one madhubanvaasi hone chaahiye ya hain? 21jab tak ‘chaahiye’ shabd hain, ‘hona chaahiye’to vishwa ki sarva chaahnaayen kaise poorn kar sakenge। 22jaise koi power full bomb girne se saari hi dharti ka parivartan ho jaata hai to madhubanvaasiyon ko bhi aisa abhyaas ka powerful bombs madhuban ke underground mein taiyaar karna chaahiye aur uski rehearsal pahle yahaan karni chaahiye।

12Are the other residents of Madhuban following the father?

23jitni jo powerful vastu hoti hai utni ati sookshm hoti hai। 24hoti chhoti-si cheez hai lekin kaarya bahut bada karti hai।

13Others sing the praise of Madhuban residents, and so are you the embodiment of all virtues?

25aisi koi nai baat nikaalo jo vibration chaaron or phailen।

14Is there stability in this unlimited stage of consciousness.

26‘hona chaahiye’ yeh ek hi sankalp to sabhi ka hai lekin phir hota kyon nahin hai - uska kya kaaran hai?

15Alladin’s lamp is very famous because through this all were able to see and obtain as much treasure as they desired.

27practical mein kami kyon ho jaati? 28kaun si aisi deevaar hai jo ‘hona chaahiye’ ke sankalp ko rookaavat daalti hai।

16Madhuban residents are Alladin’s lamps, the ones who, in a second, reveal the home(the soul world) and the kingdom (the golden age).

29ek taraph sankalp uthta hai ki ‘hona chaahiye’ doosri taraph phir yeh bhi sankalp aata ki‘yeh to ant samay hoga। 30abhi to aisa hi chalega,abhi to sabhi ka chalta hai। 31’aise-aise vyartha sankalpon ki eeton ki deevaar khadi ho jaati hai jo purooshaartha ki teevra gati ko rok leti hai। 32isko paar karne ke liye ek dridh sankalp ka high jump lagaao woh kaun sa?

17They are the ones who bestow mukti and jeevanmukti.

33harek samjhe ‘main karke dikhaaoonga।

18So how great your praise is.

34’ ‘chaahiye’ ko‘karke dikhaaoonga’ aisa dridh sankalp ek-ek indeevijual apne saath kare।

19Does each one move in the consciousness of that greatness?

35doosre ka na dekhe na sune। 36to ek-ek mil kar sangathan ban jaayega।

20When a bomb explodes, the entire surroundings are transformed.

37ek do milkar baarah ho jaavenge aisa high jump lagaao, tab hi baap-samaan behad ke sevaadhaari banenge। 38samjha,sevaadhaariyon ka kya mahatva hai?

21Now the residents of Madhuban should make preparations for the explosion of such a powerful “bomb”.

39pahli seva yeh hai। 40alag-alag group banaao। 41jaise shuru mein purushaartheeyon ke group the।

22This should be prepared whilst here, “underground”, in Madhuban .

42ham - shareek purushaartheeyon ke group hon। 43usmein apne saptaah ka plan banaao।

23The more subtle and refined something is, the more power is latent in it.

44amritvele kya sankalp rakhenge, class ke samay visheshta kya lenge, karmana samay kya lakshya rakhenge, shaam ke samay yog mein kya vishesh attention rakhenge, sair karte hue kaun-si mansa seva dvaara vibrations phailaayenge,raat ko kis baat ki checking karenge, aise group bana karke race karo। 45aisa dil ka umang hona chaahiye। 46programme se alpa kaal ke liye hota hai aur man ka sankalp avinaashi hota hai। 47yeh sankalp uthna chaahiye ki karenge aur result nikaalenge tab chaaron or yeh vibrations phailenge।

24The object so tiny, yet the task so immense.

48ek samay mein ek nahin do sevaayen karo madhuban hai hi saare vishwa ke andar ooncha stambha।

25So develop some new means by which vibrations are spread throughout the world.

49kahin se bhi dekho chaahe door se,chaahe nazdeek se lekin stambha to ooncha hi dikhaai deta hai।

26Each one has the thought “it should be like that” but what is the barrier that prevents that thought from becoming practice?

50ooncha stambha hone ke kaaran sabhi ki nazar jaati hai to yeh hai vishesh behad ki seva। 51brahma baap samaan kadam-kadam chalna chaahiye।

27There are waste thoughts “it will only be like that at the end, meanwhile these things will continue because everyone still has weaknesses”.

52jaise brahma baap ko dekha raat jaag karke bhi vibrations phailaane ka manthan karte the।

28These create a brick wall which prevents you from increasing the speed of your efforts.

53to aise sab bachchon ka manthan chalna chaahiye।

29However, with one determined thought, you can high-jump this wall.

54aise nahin ki jaise kahenge programme milega to karenge।

30Let everyone have the feeling that “I must be the one who does this!”.

55nahin। 56is baat mein karo aur karaao - is baat mein jo ote so arjun।

31Change the words from “it should be like that” to “I will do it” and show everyone.

57sab ko dekhne se rah jaavenge।

32Don’t look at others. 33Don’t listen to others.

58isliye jo karega usko sab follow karenge। 59roti banaate,koi bhi seva karte shaktishaali smritisvaroop ho।

34If each one individually had such thoughts, then coming together as a total gathering would be such an experience.

60mansa se vishwa ki seva karo, vishwa-sevaadhaari ek kaam nahin double kaam karte hain। 61sthool mein haath chalte rahen aur mansa se shaktiyon ka daan dete raho। 62sadaiv seva ke samay yeh dhyaan rakho ki gun-moorta hokar seva karen to double jama ho jaavega, sadaiv double seva karo। 63apne ko vishwa-parivartan ke nimitta samjho harek samjhen ki main nimitta hoon।

35Madhuban is the highest tower in the whole world.

64jaise bhaashan mein sunaate ho na ki apne ko badlo to vishwa badal jaayega। 65yeh baat svayan ke liye bhi hai na।

36It is visible from all around, form far and near. 37The vision of all is drawn towards it because it is so elevated.

66doosre ki galti ko dekh svayan galti na karo।

38This is the special unlimited service of Madhuban.

67doosre ki galti dekhne mein aati hai lekin main bhi galti kar rahi hoon woh dikhaai nahin padti। 68samjho ek galat bol raha hai lekin uske sang ke rang mein khud bhi galat bolte hain to sang ke rang ka asar ho gaya na। 69agar koi galti karta hai to ham right mein rahen, uske sang ke prabhaav mein na aaen, prabhaav mein aane ke kaaran albele ho jaate ho। 70to is baat mein paandav aage jaayenge ya shaktiyaan।

39Follow Brahma Baba at every step.

71sirf ek zimmevaari utha lo ki main right ke maarga par hi rahoongi। 72wrong ko dekh kar wrong nahin।

40If you wait to see what others are doing then you will get left behind.

73agar doosra wrong karta hai to us samay samaane ki shakti yuz karo।

41But if you begin something then others will automatically follow.

74agar yahi sankalp harek kar le to vishwa ka parivartan sahaj hi ho jaayega।

42Be the embodiment of remembrance whatever form of service you are doing, even whilst making chapatis.

75kya yeh nahin kar sakte ho?

43Serve the world through the mind.

76matlab koi-nakoi plan banaao। 77naye varsha mein koi naya kaarya karke dikhaana।

44It is not difficult to see the mistakes of others, but it is less easy to see one’s own mistakes.

78ek doosre ko shreshtha bhaavna se sahayog do। 79kisi ki galti ko note na karo।

45Even if another is making mistakes, do not be coloured by their company, but do what is right.

80lekin usko sahayog ka note do arthaat sahayog se bharpoor kar do,shaktivaan bana do। 81isne yeh kiya, yeh aisa karta - yeh dekho hi nahin,suno hi nahin, nahin to albelepan ke sanskaar pakke ho jaayenge। 82doosre ko dekhenge, doosre ki sunenge to svayan albele ho jaayenge। 83samay ke pramaan ab vyartha ke naam-nishaan ko bhi khatma karo।

46Use the power to merge everything within the self.

84na vyartha bol na vyartha karma, na vyartha sang।

47Don’t even listen to, or hear things about others, or carelessness will develop.

85vyartha sang bhi samay aur shakti khatma kar deta hai।

48There should be neither wasteful words, actions, not company.

86to is varsha kaunsa jhanda bulanda karenge?

49Wasteful company erodes both your time and your power.

87koi kitna bhi aapke beech kami dhoondhane ki koshish kare lekin zara bhi sanskaar-svabhaav ka takkar dikhaai na de।

50Even if another is insulting you, at that time you should become a saint. 51If someone is defaming you then garland them with flowers.

88agar aaj sabhi yeh dridh sankalp karke vyartha ke raavan ko jala den to kya ho jaayega?

52If there is the fire of conflict with someone, then pour on the water of love and that fire will be extinguished.

89sachchi deepaavli।

53Don’t pour oil on the fire.

90aisi pratigya karo।

54Humility is your armour.

91agar koi gaali bhi de,insult bhi kare, aap saint (Saint) ban jaao।

55With humility, there will automatically be love and co-operation.

92koi glaani kare,aap phoolon ki varsha karo। 93yeh nahin aisa kaha is liye aisa hua।

56Right up to the end some will have the sanskars of servants, and others the sanskars of rulers.

94usne kuchh bhi kiya, agar wrong bhi kiya to aap right raho।

57Don’t expect others to change their sanskars, but remain beyond their influence.

95maano kisi ne 10bola aur aap ne ek bola to kamal pushpa to nahin hue na।

58Remain the observer, detached like a lotus. 59What harm can others do then?

96boond to pad gai na। 97agar aap se koi takkar leta hai to aap use apne sneh ka paani do, isse agni samaapta ho jaayegi। 98agar kehte - ‘yeh kyon’ ‘aisa kyon’ to us par tel daal dete ho।

60Let them continue to speak, but you don’t have to listen. 61Constantly stay within the guidelines of the Brahmin code of conduct and disciplines, and take any decisions from this platform.

99sadev namrata ki dress padi rahe। 100yeh namrata hain kavach। 101kavach utaar dete ho।

62Become knowledgeful, so that conflict is avoided, even though sanskars remain different.

102jahaan namrata hogi vahaan sneh aur sahayog avashya hoga। 103jahaan sneh aur sahayog hai vahaan tel nahin daalte।

63If someone is doing wrong, consider them to be under external influences, and help to transform them with your own merciful vision.

104to harek kya karenge is varsha?

64Don’t get involved in discussion.

105sanskaar to bhinna-bhinna rahenge hi lekin un sanskaaron ka apne oopar prabhaav na ho।

65Even if you lack the courage to assist others, at least don’t stop at the obstacles yourself.

106sanskaar to ant tak kis ke daasi ke rahenge, kisi ke raaja ke। 107‘sanskaar badal jaaen’ yeh intazaar na karo lekin mere oopar kisi ka prabhaav na ho। 108kyonki ek to harek ke sanskaar bhinna-bhinna hain, doosra koi-na-koi maaya ka roop bankar bhi aate hain। 109yeh to khatma hoga hi nahin lekin usmein svayan saakshi aur kamal pushpa ke samaan safe rahen, yeh to kar sakte ho?

66If you do see others, then only see their specialities.

110bolne vaala bole lekin sunne vaal na sune, yeh to ho sakta hai na!

67Don’t renounce others, but renounce the weaknesses in your own vision.

111maryaada ki lakeer ke andar rahkar koi bhi baat ka phaisla karo।

68Contact with others is unavoidable, and so see only their specialities.

112sanskaar bhinnabhinna hote hue bhi takkar na ho, iske liye naalezphul ho jaao। 113jab kehte ho ham vishwa-kalyaankaari hain to zaroor koi akalyaan vaale bhi hain tab to aap kalyaankaari banenge। 114agar akalyaan vaale hi na hon to kiske kalyaankaari banenge। 115agar koi kuchh wrong kar raha hai to usko parvash samajh kar raham ki drishti se parivartan karo।

69If contact is unnecessary, then see only Baba.

116discuss nahin karo। 117agar koi patthar se rook jaata hai, to apna kaam hai paas karke chale jaana ya usko bhi saathi bana kar paar le jaao।

70Let each one be determined to be the image of tapasya. 71Now the time for correcting others through speech or thoughts has passed.

118agar itni himmat nahin hai to khud to nahin rooko।

72Now the season of co-operation with pure thoughts and good wishes has arrived.

119cross karte hue chalte jaao। 120yeh attention chaahiye।

73Continue to move forward, and help others as well.

121agar dekhna hai to visheshta dekho।

74Achcha, BapDada’s love, remembrance, and namaste.

122chhodna hai to kamiyon ko chhodo। 123samparka mein aana padta hai,dekhna padta hai to visheshta hi dikhaai de,nahin to baap ko dekho। 124harek yahi sankalp le ki humein shanti ki, shakti ki kirne phailaani hain, tapasvi moorta bankar rehna hai, ek doosre ko mansa se va vaani se bhi ab saavdhaan karne ka samay nahin,ab mansa shubh bhaavna se ek doosre ke sahayogi bankar aage badho aur badhaao। 125’’

75* * * O M S H A N T I * * *