शुक्रवार 23 नवंबर 1979 की अव्यक्त मुरली

इस दृश्य में हिंदी पाठ से स्वतः तैयार की गई, बिना विशेष चिह्नों वाली प्रचलित रोमन वर्तनी दिखाई जाती है।

हिंग्लिश कैसे तैयार होती है?

इस साइट पर दीर्घ स्वरों के लिए आम तौर पर aa, ee और oo (शब्द के अंत में a, i और u), तथा ch, chh, sh और ri का प्रयोग होता है। शब्दकोश में पहचाने गए अंग्रेज़ी शब्दों की अंग्रेज़ी वर्तनी रखी जाती है। कुछ अंतर्निहित स्वरों को हटाने के नियम और प्रचलित शब्दों की सूची aatma, shanti, main और hoon जैसी वर्तनियाँ देते हैं।

अनौपचारिक रोमन वर्तनी मानकीकृत नहीं है। ये नियम एकरूपता रखते हैं, पर कुछ वर्तनियाँ आपकी परिचित वर्तनी से अलग हो सकती हैं। «लिप्यंतरित हिंदी» दृश्य में अनुकूलित ISO 15919 के भेद सुरक्षित रहते हैं।

प्रचलित वर्तनी के उदाहरण
हिंदीHinglish
आत्माaatma
शान्तिshanti
मैंmain
हूँhoon

>

23-11-79om shanti avyakt baapdaadaamdhuban

namrata roopi kavach dvaara sneh aur sahayog ki praapti

aaj sevaadhaariyon ka group hai। madhuban vaasi arthaat sevaadhaari। jaise brahma baap number one vishwa-sevaadhaari hai vaise hi madhuban nivaasi arthaat behad ke sevaadhaari। behad ke sevaadhaari mein behad ke gun hote hain। jaise baap ko dekha - dekhna bhi behad ki drishti se, bol bhi behad ke anhad bol sunna aur sunaana। sambandh aur samparka mein aana to bhi behad ka sambandh,har sankalp mein bhi ki behad ka kalyaan kaise ho। sanskaar mein bhi behad ka tyaag aur behad ki tapasya, do chaar ghante ki tapasya nahin। behad ki tapasya arthaat har second tapasya-swaroop,tapasvi moorta। moorta aur soorat se tyaag, tapasya aur seva - sada saakaar roop mein pratyaksha dekha। jaise brahma baap madhuban nivaasi jisko ‘madhuban ke baba kehte’aisi dharti par rahne vaale madhuban nivaasi va sevaadhaari ‘follow father’kar rahe hain। log madhuban vaasiyon ke gun gaate hain aur madhuban vaasi gun moorta hain - aisi behad ki sthiti mein sthit ho? allaah avaldeen ke chiraag bankar ke chalte ho? allaah avaldeen ka chiraag bahut mashhoor hai। jis chiraag dvaara jo dekhna chaahen, jo paana chaahen,woh dekh aur pa sakte hain। madhuban nivaasi vishesh allaah avaldeen ke chiraag hain। second mein ghar aur raajya dikhaane vaale arthaat mukti, jeevanmukti dene vaale। mahima to itni mahaan hai lekin aise harek apne ko mahaan samajh karke chalte ho?result mein sabse number one madhubanvaasi hone chaahiye ya hain? jab tak ‘chaahiye’ shabd hain, ‘hona chaahiye’to vishwa ki sarva chaahnaayen kaise poorn kar sakenge। jaise koi power full bomb girne se saari hi dharti ka parivartan ho jaata hai to madhubanvaasiyon ko bhi aisa abhyaas ka powerful bombs madhuban ke underground mein taiyaar karna chaahiye aur uski rehearsal pahle yahaan karni chaahiye। jitni jo powerful vastu hoti hai utni ati sookshm hoti hai। hoti chhoti-si cheez hai lekin kaarya bahut bada karti hai। aisi koi nai baat nikaalo jo vibration chaaron or phailen। ‘hona chaahiye’ yeh ek hi sankalp to sabhi ka hai lekin phir hota kyon nahin hai - uska kya kaaran hai?practical mein kami kyon ho jaati? kaun si aisi deevaar hai jo ‘hona chaahiye’ ke sankalp ko rookaavat daalti hai। ek taraph sankalp uthta hai ki ‘hona chaahiye’ doosri taraph phir yeh bhi sankalp aata ki‘yeh to ant samay hoga। abhi to aisa hi chalega,abhi to sabhi ka chalta hai।’aise-aise vyartha sankalpon ki eeton ki deevaar khadi ho jaati hai jo purooshaartha ki teevra gati ko rok leti hai। isko paar karne ke liye ek dridh sankalp ka high jump lagaao woh kaun sa? harek samjhe ‘main karke dikhaaoonga।’ ‘chaahiye’ ko‘karke dikhaaoonga’ aisa dridh sankalp ek-ek indeevijual apne saath kare। doosre ka na dekhe na sune। to ek-ek mil kar sangathan ban jaayega।

ek do milkar baarah ho jaavenge aisa high jump lagaao, tab hi baap-samaan behad ke sevaadhaari banenge। samjha,sevaadhaariyon ka kya mahatva hai? pahli seva yeh hai।

alag-alag group banaao। jaise shuru mein purushaartheeyon ke group the। ham - shareek purushaartheeyon ke group hon। usmein apne saptaah ka plan banaao। amritvele kya sankalp rakhenge, class ke samay visheshta kya lenge, karmana samay kya lakshya rakhenge, shaam ke samay yog mein kya vishesh attention rakhenge, sair karte hue kaun-si mansa seva dvaara vibrations phailaayenge,raat ko kis baat ki checking karenge, aise group bana karke race karo। aisa dil ka umang hona chaahiye। programme se alpa kaal ke liye hota hai aur man ka sankalp avinaashi hota hai। yeh sankalp uthna chaahiye ki karenge aur result nikaalenge tab chaaron or yeh vibrations phailenge। ek samay mein ek nahin do sevaayen karo madhuban hai hi saare vishwa ke andar ooncha stambha। kahin se bhi dekho chaahe door se,chaahe nazdeek se lekin stambha to ooncha hi dikhaai deta hai। ooncha stambha hone ke kaaran sabhi ki nazar jaati hai to yeh hai vishesh behad ki seva। brahma baap samaan kadam-kadam chalna chaahiye। jaise brahma baap ko dekha raat jaag karke bhi vibrations phailaane ka manthan karte the। to aise sab bachchon ka manthan chalna chaahiye। aise nahin ki jaise kahenge programme milega to karenge। nahin। is baat mein karo aur karaao - is baat mein jo ote so arjun। sab ko dekhne se rah jaavenge। isliye jo karega usko sab follow karenge। roti banaate,koi bhi seva karte shaktishaali smritisvaroop ho। mansa se vishwa ki seva karo, vishwa-sevaadhaari ek kaam nahin double kaam karte hain। sthool mein haath chalte rahen aur mansa se shaktiyon ka daan dete raho। sadaiv seva ke samay yeh dhyaan rakho ki gun-moorta hokar seva karen to double jama ho jaavega, sadaiv double seva karo।

apne ko vishwa-parivartan ke nimitta samjho harek samjhen ki main nimitta hoon। jaise bhaashan mein sunaate ho na ki apne ko badlo to vishwa badal jaayega। yeh baat svayan ke liye bhi hai na। doosre ki galti ko dekh svayan galti na karo। doosre ki galti dekhne mein aati hai lekin main bhi galti kar rahi hoon woh dikhaai nahin padti। samjho ek galat bol raha hai lekin uske sang ke rang mein khud bhi galat bolte hain to sang ke rang ka asar ho gaya na। agar koi galti karta hai to ham right mein rahen, uske sang ke prabhaav mein na aaen, prabhaav mein aane ke kaaran albele ho jaate ho। to is baat mein paandav aage jaayenge ya shaktiyaan। sirf ek zimmevaari utha lo ki main right ke maarga par hi rahoongi। wrong ko dekh kar wrong nahin। agar doosra wrong karta hai to us samay samaane ki shakti yuz karo। agar yahi sankalp harek kar le to vishwa ka parivartan sahaj hi ho jaayega। kya yeh nahin kar sakte ho? matlab koi-nakoi plan banaao। naye varsha mein koi naya kaarya karke dikhaana। ek doosre ko shreshtha bhaavna se sahayog do। kisi ki galti ko note na karo। lekin usko sahayog ka note do arthaat sahayog se bharpoor kar do,shaktivaan bana do। isne yeh kiya, yeh aisa karta - yeh dekho hi nahin,suno hi nahin, nahin to albelepan ke sanskaar pakke ho jaayenge। doosre ko dekhenge, doosre ki sunenge to svayan albele ho jaayenge।

samay ke pramaan ab vyartha ke naam-nishaan ko bhi khatma karo। na vyartha bol na vyartha karma, na vyartha sang। vyartha sang bhi samay aur shakti khatma kar deta hai। to is varsha kaunsa jhanda bulanda karenge? koi kitna bhi aapke beech kami dhoondhane ki koshish kare lekin zara bhi sanskaar-svabhaav ka takkar dikhaai na de। agar aaj sabhi yeh dridh sankalp karke vyartha ke raavan ko jala den to kya ho jaayega? sachchi deepaavli। aisi pratigya karo। agar koi gaali bhi de,insult bhi kare, aap saint (Saint) ban jaao। koi glaani kare,aap phoolon ki varsha karo। yeh nahin aisa kaha is liye aisa hua। usne kuchh bhi kiya, agar wrong bhi kiya to aap right raho। maano kisi ne 10bola aur aap ne ek bola to kamal pushpa to nahin hue na। boond to pad gai na। agar aap se koi takkar leta hai to aap use apne sneh ka paani do, isse agni samaapta ho jaayegi। agar kehte - ‘yeh kyon’ ‘aisa kyon’ to us par tel daal dete ho। sadev namrata ki dress padi rahe। yeh namrata hain kavach। kavach utaar dete ho। jahaan namrata hogi vahaan sneh aur sahayog avashya hoga। jahaan sneh aur sahayog hai vahaan tel nahin daalte। to harek kya karenge is varsha?

sanskaar to bhinna-bhinna rahenge hi lekin un sanskaaron ka apne oopar prabhaav na ho। sanskaar to ant tak kis ke daasi ke rahenge, kisi ke raaja ke। ‘sanskaar badal jaaen’ yeh intazaar na karo lekin mere oopar kisi ka prabhaav na ho। kyonki ek to harek ke sanskaar bhinna-bhinna hain, doosra koi-na-koi maaya ka roop bankar bhi aate hain। yeh to khatma hoga hi nahin lekin usmein svayan saakshi aur kamal pushpa ke samaan safe rahen, yeh to kar sakte ho?bolne vaala bole lekin sunne vaal na sune, yeh to ho sakta hai na! maryaada ki lakeer ke andar rahkar koi bhi baat ka phaisla karo। sanskaar bhinnabhinna hote hue bhi takkar na ho, iske liye naalezphul ho jaao। jab kehte ho ham vishwa-kalyaankaari hain to zaroor koi akalyaan vaale bhi hain tab to aap kalyaankaari banenge। agar akalyaan vaale hi na hon to kiske kalyaankaari banenge। agar koi kuchh wrong kar raha hai to usko parvash samajh kar raham ki drishti se parivartan karo। discuss nahin karo। agar koi patthar se rook jaata hai, to apna kaam hai paas karke chale jaana ya usko bhi saathi bana kar paar le jaao। agar itni himmat nahin hai to khud to nahin rooko। cross karte hue chalte jaao। yeh attention chaahiye। agar dekhna hai to visheshta dekho। chhodna hai to kamiyon ko chhodo। samparka mein aana padta hai,dekhna padta hai to visheshta hi dikhaai de,nahin to baap ko dekho।

harek yahi sankalp le ki humein shanti ki, shakti ki kirne phailaani hain, tapasvi moorta bankar rehna hai, ek doosre ko mansa se va vaani se bhi ab saavdhaan karne ka samay nahin,ab mansa shubh bhaavna se ek doosre ke sahayogi bankar aage badho aur badhaao।’’