बुधवार 12 दिसंबर 1979 की अव्यक्त मुरली

⁰> ¹12-12-79om shanti avyakt baapdaadaamdhuban ²roohaani alankaar aur unse saji hui moorten ³baap-daada apne sarva bachchon ko aaj vishesh alankaari swaroop mein dekh rahe hain harek ki saji sajaai alankaardhaari ati sundar moorta dekh rahe hain।

⁰> > Avyakt BapDada 12th December 1979

⁴apne-aap ko dekha hai! ⁵kaun-kaun se alankaar dhaaran kiye hue hain।

¹Today BapDada is seeing all of his children in their special decorated form.

⁶apne roohaani alankaaron ki sajaavat ko sada dhaaran kar chale rahe ho?

²The decorated form of each, bearing the various symbols, is a very beautiful sight.

⁷aaj amritbele harek bachche ki saji sajaai hui moorat dekhi। ⁸kya dekha?

³Have you seen yourself in this way? ⁴Which are the symbols that you are carrying?

⁹harek bachcha ati sundar chhatrachhaaya ke neeche baitha hua hai। ¹⁰jis chhatrachhaaya ke neeche hone ke kaaran prakriti aur maaya ke vaar se bache hue the।

⁵Each child was seen seated beneath a very beautiful canopy which was protecting them from being troubled by matter and Maya.

¹¹bahut roohaani safety ke saadhan ke andar the। ¹²jara sa sookshm vibration bhi chhatrachhaaya ke andar pahunch nahin sakta।

⁶Many devices for spiritual protection were visible, so that not even the most subtle vibrations could infiltrate the canopy.

¹³aisi chhatrachhaaya ke andar vishwa-kalyaan ki seva ke zimmevaari ke taajdhaari baithe hue the। ¹⁴double taaj bahut sundar saj raha tha।

⁷First there were those wearing the crown of responsibility in service, those engaged in world benefit.

¹⁵ek sampoorn pyooriti ke hisaab se light ka crown, doosra seva ka taaj। ¹⁶ismen nambarvaar the। ¹⁷kisi-kisi bachche ka pyooriti ki teen stejiz sankalp, bol aur karma ke light ka crown ek to phaila hua jyaada tha। ¹⁸jitni teenon stage ki pyooriti usi anusaar light ka crown, chaaron or apna prakaash phaila raha tha।

⁸Then the crown of light, gained through attaining complete purity.

¹⁹kisi ka jyaada to kisi ka kam tha।

⁹The double crown was very beautiful.

²⁰saath-saath seva ki zimmevaari ke anusaar light ki power mein antar tha। ²¹arthaat percentage mein pharka tha।

¹⁰The crown of light was radiating all around, to the extent in which there was purity in thought word and action.

²²koi 10 power ke to koi hazaar power ke,percent aur phailaav anusaar bhinna-bhinna nambarvaar taazdhaari the। ²³jitne taaj mein number the usi anusaar chhatrachhaaya mein bhi pharka tha, kisi ki chhatrachhaaya itni badi thi jo usi chhatrachhaaya ke andar rah kaarya kar sakte the। ²⁴saare vishwa ka bhraman chhatrachhaaya ke andar kar sakte the, itni behad ki chhatrachhaaya thi aur kisi-kisi ki yatha-shakti nambarvaar had ki thi। ²⁵aisi had ki chhatrachhaaya ke andar baithe hue arthaat apne purooshaartha ke andar sada yaad ke bajaae niyam pramaan, samay pramaan yaad mein rahne vaale।

¹¹In this, all were numberwise.

²⁶4 ghante vaale, 8ghante vaale arthaat yaad ko bhi had mein laane vaale। ²⁷yaad behad ke baap ki hai lekin yaad karne vaalon ne behad ki yaad ko bhi had mein la diya hai।

¹²Similarly with the crown of responsibility, the size and radiance also varied: some had the light of ten powers, whilst others had the light of a thousand.

²⁸sambandh avinaashi hai lekin sambandh nibhaane vaalon ne samay nishchit kar vinaashi kar diya hai। ²⁹kabhi baap se sambandh,kabhi vyakti se sambandh,kabhi vaibhvon se sambandh,kabhi apne hi puraane sanskaar va svabhaav ke saath sambandh। ³⁰lene ke liye to avinaashi adhikaar hai, avinaashi varsa hai।

¹³The variations in the crowns were also apparent in the canopies. in some cases the canopies were so large that all tasks could be carried out under their protection. ¹⁴For some the canopy was so unlimited that they were even able to throughout the world and yet remain under its protection.

³¹lekin dene ke samay vinaashi varse se bhi kinaara kar dete hain। ³²lene mein pharaakhdil hain aur dene mein kahaan-kahaan economy dene (mdinhadasb) karte hain।

¹⁵But for others the canopy was limited in size: those were the ones who had made remembrance into a discipline to be performed at fixed times.

³³economy kaise karte ho,woh jaante ho? ³⁴kai bachche badi hoshiyaari se baap se rooh-roohaan karte hain। ³⁵kya kehte hain?

¹⁶They would have remembrance for four hours or for eight hours, and in this way would transform the remembrance of the unlimited Father into a limited activity.

³⁶phalaani-phalaani baat mein itna to parivartan kar liya hai,baaki thoda-sa hai, woh bhi ho jaayega। ³⁷itna thoda to hoga hi na।

¹⁷They had fixed a set time to experience a relationship which is eternal, and had thus made that relationship into a temporary one.

³⁸lene mein aise nahin kehte ki thoda-thoda de do।

¹⁸They had brought remembrance of the unlimited into limitation.

³⁹agar baap koi mahaarthi ki special khaatiri karen to sankalp uthega ki kyon ham bhi to adhikaari hain।

¹⁹Sometimes there would be a relationship with Baba, and sometimes a relationship with human beings.

⁴⁰lene mein zara bhi nahin chhodenge lekin dene mein thoda-thoda kar khatma kar denge। ⁴¹yeh economy karte hain, chaturaai se baap ko bhi dilaase dete hain।

²⁰Sometimes there would be a relationship with possessions, sometimes with old sanskaras or with the former nature of the self.

⁴²zaroor sampanna ban jaayenge, ho jaayega। ⁴³jab lena - ek second ka adhikaar hai to dene mein bhi itne pharaakhdil bano।

²¹At the time of receiving there was generosity in the heart, but at the time of giving there would sometimes be “economy”.

⁴⁴parivartan karne ki shakti full parsenntez se use karo। ⁴⁵to nirantar yaad ko had laaye hue hain isliye chhatrachhaaya mein bhi number dekhe।

²²At the time of receiving they do not say “just a little for the time being”, but at the time of giving they say “it will happen gradually...”.

⁴⁶nambarvaar hone ke kaaran maaya ke vibration vaayumandal,vyakti-vaibhav,svabhaav-sanskaar vaar karte hain।

²³With great cleverness they raise Baba’s hopes with the words “yes we shall become complete”.

⁴⁷nahin to chhatrachhaaya ke andar sada safe rah sakte hain। ⁴⁸taajdhaari bhi dekhe, chhatradhaari bhi dekhe।

²⁴But if you are claiming the right to receive in one second, you should equally be generous at the time of giving.

⁴⁹saath-saath sabhi taajdhaari takhtansheen bhi dekhe। ⁵⁰takhta ko to jaante ho - baap ke diltakhtansheen। ⁵¹lekin yeh diltakhta itna pure hai jo is takhta par sada baith bhi vahi sakte jo sada pure hain। ⁵²baap takhta se utaarte nahin lekin svayan utar aate hain।

²⁵Those whose remembrance is constantly limited were seen under their canopies, but the effects of the vibrations and atmosphere of Maya, together with the battling with matter, sanskars, and other human beings, were also being experienced.

⁵³baap ki sab bachchon ko sadaakaal ke liye offer hai ki sab bachche sada takhtansheen raho।

²⁶Had their remembrance been unlimited, they would have experienced continual safety under their canopies.

⁵⁴lekin automatic karma ki gati ke chakra pramaan sadaakaal vahi baith sakta hai jo sada follow father karne vaale hain। ⁵⁵sankalp mein bhi apvitrata va amaryaada aa jaati hai to takhtansheen ki bajaae girti kala mein arthaat neeche aa jaate hain। ⁵⁶jaise-jaise karma karte hain usi anusaar usi samay pashchaataap karte hain va mahsoos karte hain ki takhtansheen se girti kala mein aa gaye। ⁵⁷agar koi jyaada ulta karma hota hai to pashchaataap ki sthiti mein aa jaate hain।

²⁷Next, all were seen sitting on their thrones.

⁵⁸agar koi vikarma nahin lekin vyartha karma ho jaata hai to pashchaataap ki sthiti nahin lekin mahsoosta ki stage hoti hai। ⁵⁹baarbaar vyartha sankalp mahsoosta ki stage par laata rahega ki yeh karna nahin chaahiye। ⁶⁰yeh wrong hai, jaise kaante ke samaan chubhta rahega। ⁶¹jahaan pashchaataap ki sthiti va mahsoosta ki stage anubhav hogi vahaan takhtansheen ke nashe ki stage nahin hogi।

²⁸You know which throne: the throne of Baba’s heart.

⁶²first stage hai - takhta nasheen। ⁶³second stage hai - karne ke baad mahsoosta ki stage।

²⁹However the heart throne is such a pure place that only the one who is pure constantly can sit on it eternally.

⁶⁴ismen bhi number hai। ⁶⁵koi karne ke baad mahsoos karte hain। ⁶⁶koi karte samay hi mahsoos karte hain aur koi karma hone ke pahle hi catch karte hain ki kuchh hone vaala hai।

³⁰Baba does not send anyone away from the throne of his heart, but they themselves climb down from it. ³¹It is Baba’s wish that all of his children should be seated on the throne eternally.

⁶⁷koi toofaan aane vaala hai। ⁶⁸aane ke pahle hi mahsoos kar, catch kar samaapta kar dete hain। ⁶⁹to second stage hai mahsoosta ki।

³²But according to the operations of the law of karma, only those children who constantly follow the Father are able to sit on the throne eternally.

⁷⁰teesri stage hai - pashchaataap ki। ⁷¹ismen bhi number hain - koi pashchaataap ke saath parivartan kar lete hain aur kai pashchaataap karte hain lekin parivartan nahin kar paate।

³³If there has been impurity, or disciplines have been broken, even in thought, then they step down from the throne, and experience either realisation or repentance.

⁷²pashchaataap hai lekin parivartan ki shakti nahin hai to uske liye kya karenge। ⁷³aise samay par vishesh svayan ke prati koi-na-koi vrat aur niyam banaana chaahiye।

³⁴If the misdeed is sinful, there will be the stage of repentance; and if the misdeed is wasteful, there will be the stage of realisation.

⁷⁴jaise bhakti maarga mein bhi alpakaal ke kaarya ki siddhi ke liye vishesh niyam aur vrat dhaaran karte hain। ⁷⁵vrat se vritti parivartan hogi।

³⁵The repetition of wasteful thoughts gradually brings realisation that “I should not be allowing these”.

⁷⁶vritti se bhavishya jeevan roopi srishti badal jaayegi kyonki vishesh vrat ke kaaran baar-baar vahi shuddh sankalp, jiske liye vrat rakha hai,woh svatah yaad aata hai। ⁷⁷jaise bhakta log vishesh kisi devi ya devta ka vrat rakhte hain to na chaahte bhi saara din usi devi ya devta ki yaad aati hai aur yaad ke kaaran hi baap usi devi ya devta dvaara yaad ki return mein unki aasha poorn kar dete hain। ⁷⁸to jab bhakton ke vrat ka bhi phal milta hai to gyaani tu aatma adhikaari bachchon ko shuddh sankalp roopi vrat ka va dridh sankalp roopi vrat ka pratyaksha phal zaroor praapta hoga। ⁷⁹to suna,takhtansheen to sab dekhe lekin koi sada kaal ke, utarte chadhte hue dekhe,abhi-abhi takhtansheen, abhi-abhi neeche।

³⁶Then the thought “this is wrong” pricks like a thorn.

⁸⁰chautha alankaar kya dekha? ⁸¹harek ke paas svadarshan chakra dekha।

³⁷Realisation and repentance prevent the soul from enjoying the intoxication of the stage of being seated on the Throne.

⁸²svadarshan chakradhaari bhi sab the lekin koi ka chakra svatah hi chal raha tha aur koi ko chalaana padta tha aur koi phir kabhi-kabhi right taraph chalaane ki bajaae wrong taraph chala lete the।

³⁸The first stage then is to be seated on the Throne. ³⁹The second stage is when, after something has happened, there is the realisation that even the Thrones are “numberwise”.

⁸³jo svadarshan chakra ke bajaae maaya ki chakri mein aa jaate the। ⁸⁴kyonki left side ho gaya na।

⁴⁰Seeing that something is about to happen, that a storm is brewing, some check in advance, and finish that thing off.

⁸⁵svadarshan chakra ke bajaae par-darshan chakra chala lete the, yeh hai left side chalaana। ⁸⁶maayaajeet banne ke bajaae par ke darshan ke uljhan ke chakra mein aa jaate the jisse‘kyon’aur‘kya’ke question ki jaal ban jaati, jo svayan hi rachte aur phir svayan hi phans jaate,to suna kya-kya dekha? ⁸⁷chaaron hi alankaaron se saje-sajaae zaroor the lekin nambarvaar the। ⁸⁸ab kya karenge?

⁴¹Other realise it is happening during the event.

⁸⁹behad ki chhatrachhaaya ke andar aa jaao arthaat kabhi-kabhi ki yaad ka antar mitaakar nirantar yaad ki chhatrachhaaya mein aa jaao। ⁹⁰pyooriti aur seva ke double taaj ko percentage aur prastaav mein bhi behad mein karo arthaat behad phaili hui light ke taajdhaari bano। ⁹¹dene aur lene mein second ke abhyaasi ban sada takhtansheen bano। ⁹²chadhne aur utarne mein thak jaayenge,sada behad ke roohaani aaraam mein takhtansheen raho।

⁴²Others only realise after the event has taken place.

⁹³arthaat nirbandhan aatma ke aaraam ki sthiti mein raho, knowledgeful master ho sada aur svatah svadarshan chakra phiraate raho। ⁹⁴par-darshan chakra kyon kya ke question ki jaal se sada mukta ho jaao to kya hoga। ⁹⁵sada yog-yukta,jeevan mukta chakravarti ban baap ke saath vishwa-kalyaan ki seva mein chakra lagaate rahenge। ⁹⁶vishwa-sevaadhaari chakravarti raaja ban jaayenge।

⁴³So the second stage is that of realisation.

⁹⁷aise sada alankaari, sada svadarshan chakradhaari, maaya ke har swaroop ko master knowledge full stage par sthit ho pahle hi parakhne vaale,anek prakaar ke maaya ke vaar ko samaapta kar maaya ko balihaar banaane vaale, baap ke gale ke haar banne vaale, avinaashi sarva sambandhon ki sada preeti ki reeti nibhaane vaale, aise baap samaan bachchon ko baap-daada ka yaad pyaar aur namaste। ⁹⁸yu.pi. nivaasi aaye hain। ⁹⁹yu.pi. ki visheshta hai jaise bhakti ke teertha sthaan yu.pi. mein bahut hain, vaise gyaan ke sevaakendron ka vistaar bhi achha kar rahe hain। ¹⁰⁰yu.pi. mein bhakta aatmaaen bhi bahut hain to master bhagwan ab bhakton ki pukaar sun aur bhi jaldi-jaldi bhakti ka phal unko do।

⁴⁴The third stage is repentance, and all are “numberwise” in this also.

¹⁰¹de rahe hain, lekin aur bhi speed ko badhaao।

⁴⁵Some repent, but at the time, lack the power to reform.

¹⁰²yu.pi. ki visheshta - anek gareebon ko saahookaar banaane ka bahut achha chance le rahe hai। ¹⁰³merciful ban raham ki bhaavna achhi dikha rahe hain। ¹⁰⁴yu.pi. ka kaurav government ke nakshe mein bhi vistaar hai। ¹⁰⁵area bahut lambi hai aise hi paandav government ke nakshe mein seva ki area sabse number one karke dikhaao।

⁴⁶What should the do?

¹⁰⁶vishesh is varsha mein rahe hue gupta vaarison ko pratyaksha karo। ¹⁰⁷ab tak jo kiya hai woh bahut achha kiya hai, abhi aur bhi chaaron or ki aatmaayen vansa mor (Once More) karen।

⁴⁷There should be a special vow, or discipline observed for the self, so they are able to transform their thought patterns. ⁴⁸Through your thought patterns the future of the entire world will be changed.

¹⁰⁸vaah-vaah ki taali bajaaen। ¹⁰⁹aisa vishesh kaarya bhi yu.pi. vaale karenge।

⁴⁹The special vows which you take will cause the same pure thoughts to emerge repeatedly.

¹¹⁰abhi aur bhi jyaada gyaan-sthaan banaao। ¹¹¹teerthasthaanon se gyaanasthaan banaate jaao।

⁵⁰So some remained seated on their Thrones, but others were seen to step down.

¹¹²achha - baaki jo bhi sab aae hain jaise bhi purooshaartha mein aage badh rahe hain, aage badhne ke liye mubaarak ho। ¹¹³usse bhi adhik high jump dene ke liye sada smriti swaroop bhav। ¹¹⁴party ke saath avyakt baap-daada ki personal mulaakaat ¹¹⁵1. sahaj yaagi ka chitra hai - vishnu ki shesh shaiya:- aap sab sada foundation ke samaan mazboot rahne vaale, sada achal ho na?

⁵¹And what was the fourth symbol to be seen?

¹¹⁶hilne vaale to nahin ho?

⁵²Each one also held a discus.

¹¹⁷angad ka jo ab tak gaayan ho raha hai, woh kin ka gaayan hai? ¹¹⁸apna hi gaayan phir se sun rahe ho।

⁵³For some the discus was spinning freely, while for others, effort was required.

¹¹⁹jo kalpa pahle vijay praapta ki hai us vijay ka nagaada ab bhi sun rahe ho। ¹²⁰woh naksha abhi aapke saamne hai kalpa-kalpa vijayi ho। ¹²¹anek baar ve vijayi ho, isliye sahajyogi kaha jaata hai। ¹²²anek baar kiya hua phir karna to sahaj ho jaata hai na।

⁵⁴For some the discus was spinning in the wrong direction, towards the left: instead of spinning thought of self-realisation, they were spinning thoughts about others, and so they were trapped in the web spun by Maya.

¹²³nai baat nahin kar rahe ho। ¹²⁴bane hue ko bana rahe ho isliye kaha jaata hai banaabna ya-bana rahe hain, bana hua hai lekin phir repeat kar banaaya hai। ¹²⁵pahle bhi padma padam bhaagyashaali bane the ab bhi ban rahe ho।

⁵⁵Instead of conquering Maya, they were trapped in a cycle of confusion, the web of “what” and “why”, created by looking at the behaviour of others.

¹²⁶aise sahayogi ho। ¹²⁷unki nishaani tatha rahan-sahan ka chitra kaun-sa dikhaaya hai?

⁵⁶So many questions, all created by the self, so that eventually the self is trapped.

¹²⁸vishnu ki shesh shaiya arthaat saanp ko bhi shaiya bana diya arthaat woh adheen ho gae woh adhikaari ho gae। ¹²⁹nahin to saanp ko koi haath nahin lagaata,saanpon ko shaiya bana diya arthaat vijayi ho gaye। ¹³⁰vikaaron roopi saanp hi adheen ho gaye arthaat shaiya ban gaye to nishchinta ho gaye na। ¹³¹jo vijayi hote hain woh sada nishchinta vishnu ke samaan sada harshit rehte hain।

⁵⁷Now you have heard what was seen.

¹³²harsha bhi tab hoga jab gyaan ka sumiran karte rahenge। ¹³³to yeh chitra aap ka hi hai na।

⁵⁸All were decorated with the four symbols, yet all were “numberwise”.

¹³⁴jo bhi baap ke bachche bane aur vijayi ho rahe hain,un sab ka yeh chitra hai। ¹³⁵sada saamne dekho ki vikaaron ko adheen kiya hua adhikaari hoon। ¹³⁶aatma sada aaraam sthiti mein rahe। ¹³⁷shareer ko sone ka aaraam nahin, woh to seva mein hi·yaan deni hain lekin aatma ki nishchinta sthiti - yeh hai aaraam?

⁵⁹What will you do now?

¹³⁸kyonki ki ab bhatakne se bach gaye।

⁶⁰Come below the unlimited canopy of constant remembrance.

¹³⁹maataayen sabhi gopikaayen, gopi vallabh ke saath jhoole mein jhoolne vaali ho na?

⁶¹Claim the double crown of purity and service, of unlimited size and radiance.

¹⁴⁰aadha kalpa jad chitron ko bahut pyaar se jhulaaya ab jhulaana khatma hua jhoolna shuru ho gaya।

⁶²Practice giving and taking in one second, and in this way claim the throne constantly.

¹⁴¹kabhi sukh ke jhoole mein,kabhi shanti ke jhoole mein…anek jhoole hain, jismen chaaho jhoolo, neeche nahin aao।

⁶³Climbing on and off the throne tires you, so sit on the throne in constant unlimited spiritual comfort.

¹⁴²maataaon ke jhoola achha lagta hai। ¹⁴³tab to bachchon ko bhi jhoolaati rehti hain।

⁶⁴Remain in the consciousness of a soul liberated from all bondage.

¹⁴⁴bhakti mein bahut jhulaaya ab bhakti ka phal to lengi na? ¹⁴⁵bhakti hai jhulaana aur phal hai jhoolna।

⁶⁵You are master knowledgeful, so let the cycle of self realisation spin constantly and freely.

¹⁴⁶to ab jo phal mil raha hai woh kha rahi ho ya dekh-dekh kar khush ho rahi ho। ¹⁴⁷maataaon mein yeh bhi aadat hoti hai - khaayengi nahin, rakh dengi।

⁶⁶Remain constantly free from the web of questions of why and what, which arise from the cycle of thoughts about others.

¹⁴⁸yeh to jitna khaayenge utna badhega। ¹⁴⁹1second khaayengi to ek samay ka anubhav sadaakaal ka anubhvi bana dega। ¹⁵⁰isliye khoob khaao।

⁶⁷Then you will constantly yog-yukt and jeevanmukt, and together with Baba, Ruler of The Globe, you will continuously circle the world for the service and benefit of all.

¹⁵¹maataaon ko dekh karke baap ko bhi khushi hoti hai।

⁶⁸You will become a world servant, ruler of the globe.

¹⁵²jinhen duniya ne na ummeedvaar banaaya, baap ne unhein hi sir ka taaj bana diya। ¹⁵³unhonne puraani jutti samjha aur baap ne sir ka taaj banaaya to kitni khushi honi chaahiye। ¹⁵⁴paandavon ka bhi sada sahayogi aur sada saath rahne ka gaayan hai। ¹⁵⁵yaadgaar mein dekho gopi vallabh ke saath gvaal-baal dikhaaye hain।

⁶⁹Achca, to such souls who are constantly bearing their symbols; those who remain constantly in the stage of master knowledgful, and so are able to recognise in advance every form of Maya’s spinning; those who end the innumerable forms of warring with Maya; those who force Maya to surrender and become the garland of Baba’s nexk; those who constantly fulfil the responsibility of all the imperishable relationships; to such children who are like Baba, BapDada’s love, remembrance, and namaste.

¹⁵⁶har kaarya mein sahayog aur sada saath rahne vaale ho na? ¹⁵⁷sabhi yaad aur seva donon mein tatpar raho। ¹⁵⁸seva se bhavishya praarabdha banegi aur yaad se vartamaan khushi mein rahenge। ¹⁵⁹koi apraapta vastu hi nahin।

⁷⁰* * * O M S H A N T I * * *

¹⁶⁰sada tripta।