रविवार 8 नवंबर 1981 की अव्यक्त मुरली
सहेजा जा रहा है…
अब आप यह मुरली बिना इंटरनेट पढ़ सकते हैं।
आप यह मुरली बिना इंटरनेट पढ़ सकते हैं।
बिना इंटरनेट पढ़ने के लिए ।
ध्यान दें: वाक्यों का संरेखण अक्षरों की संख्या पर आधारित है और पूरी तरह विश्वसनीय नहीं है।
आप पूरी मुरली या उसके किसी भाग का वाक्य संरेखण स्वयं सुधार सकते हैं।
हिंदी को ISO 15919 पर आधारित अनुकूलित लिप्यंतरण के साथ रोमन अक्षरों में भी दिखाया जाता है।
लिप्यंतरण कैसे पढ़ें
यह साइट ISO 15919 पर आधारित लिप्यंतरण का प्रयोग करती है। पढ़ना आसान बनाने के लिए c, ś और ṣ के बाद h तथा स्वर r̥ के बाद i जोड़ा जाता है। इन बदलावों से यह भारत में प्रयुक्त हंटरियन प्रणाली के करीब आता है, जबकि ISO 15919 के विशिष्ट चिह्न बने रहते हैं।
| ISO 15919 | इस साइट पर |
|---|---|
| c | ch |
| ś | śh |
| ṣ | ṣh |
| r̥ | r̥i |
पढ़ने के कुछ संकेत:
- ā, ī, ū: अक्षर के ऊपर की रेखा दीर्घ स्वर दर्शाती है।
- ṭ, ḍ, ṇ: नीचे का बिंदु मूर्धन्य व्यंजनों को t, d, n से अलग करता है।
- स्वर के ऊपर टिल्ड चिह्न अनुनासिक उच्चारण दर्शाता है।
0> 108-11-81 ōm śhānti avyakt bāpdādā madhuban
0> > 08-11-81 Om Shanti Avyakt Bapdada Madhuban
2" antar sampann karnē kā sādhan - turant dān mahāpuṇya " 3Guṇō̃ K|kē sāgar avyakt bāpdādā bōlē :
1The method to end any difference is 2“Give a donation instantly and thereby perform the greatest charity.”
4' ' āj bāpdādā savērē prātaḥkāl key|kī vatan key|kī , bāpdādā dōnō̃ K|kē rūh-rūhān key|kī chitrō̃ sahit kahānī sunātē haĩ .
3Today, BapDada will tell you a story with illustrations about the conversation that took place between Bap and Dada early in the morning.
5Kahānī sunnē mē̃ sabkō rūchi hōtī hai nā !
4Everyone is very interested in listening to stories.
6Tō āj key|kī kahānī kyā thī ?
5So, what is today’s story?
7Brahmā bāp vatan K|kē bagīchē mē̃ sair kar rahē thē .
6Brahma Baba was walking around the subtle region garden.
8Sair kartē huē sāmnē kaun thē ?
7Whilst walking around, who appeared in front of him?
9Bāp K|kē sāmnē sadā kaun rahtē haĩ ?
8Who is constantly in front of the Father?
10Yah tō sabhī achchhī tarah sē jāntē hō nā ?
9All of you know this very well, do you not?
11Bāp bachchō̃ key|kī mālā smaraṇ kartē .
10The Father turns the beads of the rosary of the children.
12Kaun-sī mālā ?
11Which rosary?
13Guṇ mālā .
12The rosary of virtues.
14Tō brahmā bāp guṇ mālā smaraṇ kar rahē thē .
13So Brahma Baba was turning the beads of the rosary of virtues.
15Śhiv bāp nē brahmā sē pūchhā - kyā smaraṇ kar rahē hō ?
14Father Shiva asked Brahma: “What are you thinking about?”
16' ' brahmā bāp bōlē - jō āpkā kām sō mērā kām ' ' bachchō̃ K|kē guṇ-mālāō̃ kō dēkh rahē thē .
15Brahma Baba replied: “Whatever is Your work is also my work.” 16I was looking at the rosary of the children’s virtues.
17Śhiv bāp pūchhē - kyā-kyā dēkhā ?
17Father Shiva asked: What did you see?
18' ' kyā dēkhā hōgā ?
18What would he have seen?
19Kōī bachchō̃ key|kī sirph naikalēs K|kē māphik mālā thī aur kōī bachchō̃ key|kī pāṅw tak lambī mālā thī .
19Some children had a rosary that was just like a necklace. 20The rosary of some children was so long that it reached their feet.
20Kōī bachchō̃ key|kī kaī laṛiyō̃ key|kī mālā thī .
21Some children had rosaries of many rows of beads.
21Kōī bachchē itnī mālāō̃ sē sajē huē thē jaisē mālāyē̃ unkī dress ban gaī thī .
22Some children were adorned with so many rosaries, it was as though the rosaries had become their dress.
22Brahmā bāp variety guṇ-mālāō̃ sē sajē huē bachchō̃ kō dēkh-dēkh harṣhit hō rahē thē .
23On seeing the children who were adorned with the rosaries of various virtues, Brahma Baba become very pleased.
23Āp harēk apnī guṇ-mālā kō jāntē hō ?
24Do you all know the rosary of your own virtues?
24Kitnē sajē huē hō , yah apnā chitra dēkhtē hō ?
25To what extent are you adorned? 26Do you look at this portrait of yours?
25Brahmā bāp citr-rēkhā ban chitra khīñch rahē thē .
27Brahma Baba was drawing their portraits as an artist who does linedrawing sketches draws.
26Arthāt chitra mē̃ takdīr key|kī rēkhāyē̃ khīñch rahē thē .
28He was drawing the lines of fortune on your portraits.
27Āp svayã bhī svayã kā chitra arthāt takdīr key|kī taṣhwīr khīñch saktē hō nā ?
29You too can draw your own portrait. 30You can draw a picture of your own fortune, can you not?
28Phōṭō khīñch saktē hō nā ?
31You can take a photograph, can you not?
29Phōṭō nikālnē ātā hai ?
32Do you know how to take a photograph?
30Apnā vā dūsrē kā ?
33Yours? 34Or, that of others?
31Apnā phōṭō khīñchnē ātā hai ?
35Do you know how to take your own photograph?
32Tō āj sabkā phōṭō vatan mē̃ thā .
36So, today, everyone’s photograph was taken in the subtle region.
33Kitnā baṛā camera hōgā !
37It must be such a huge camera.
34Sirph āp lōgō̃ kā nahī̃ , sabhī brāhmaṇō̃ kā phōṭō thā .
38It wasn’t only the photos of all of you who are sitting here, but it was a photograph of all Brahmins.
35Mālāō̃ kā śhrr̥iṅgār dēkhtē kōī-kōī bachchō̃ key|kī viśhēṣhtā kyā dēkhī - her|har guṇ hīrō̃ K|kē rūp mē̃ variety rūp rēkhā aur raṅg vālē thē .
39When Baba saw all of you adorned with your rosaries, what special speciality did Baba see in many of the children? 40Each virtue was like a diamond of various forms and colours.
36Viśhēṣh chār prakār K|kē raṅg thē .
41There were four particular types of colour.
37Jismē̃ mukhya chār sabjēkṭas K|kē chār raṅg thē .
42The four colours of the four main subjects were portrayed.
38Subject tō jāntē hō nā ?
43You know the subjects, do you not?
39Jñān-yōg-dhāraṇā aur sēvā .
44Gyan, yoga, dharna and seva (service).
40Gyān svarūp key|kī niśhānī kaun-sā raṅg hōgā ?
45What is the colour of someone who is an embodiment of knowledge?
41Gyān svarūp key|kī niśhānī - golden colour jō halkā-sā gold colour hōnē K|kē kāraṇ us ēk hī hīrē sē sarv raṅg dikhāī dētē thē .
46The colour of someone who is an embodiment of knowledge is golden. 47Because the diamond had a light golden colour, all the other colours were visible within it.
42Ēk hī hīrē sē bhinn-bhinn raṅgō̃ key|kī kiraṇō̃ K|kē māphik chamak dikhāī dētī thī .
48All the many rays of different colours were visibly sparkling as they emerged from just the one diamond.
43Dūr sē aisē anubhav karē̃gē jaisē chamak rahā hai .
49It seemed as though the sun was shining from a distance.
44Aur yah ussē bhī sundar sūrya . 45Kyōṅki sarv raṅgō key|kī kiraṇē̃ dūr sē hī spaṣhṭ dikhāī dētī thī̃ .
50This was even more beautiful because of all the colourful rays that were very clearly visible from a distance.
46Chitra sāmnē ā rahā hai nā ! 47Kaisē chamak rahā hai hīrā ?
51Is the picture of how the diamonds were sparkling emerging in your mind?
48Yād kī niśhānī - yah tō sahaj hai nā ?
52The symbol of remembrance: This is easy, is it not?
49Yād mē̃ yahā̃ bhī baiṭhtē hō tō kyā kartē hō ? 50Lāl raṅg .
53What do you do when you sit here in remembrance? 54You have a red coloured light.
51Lēkin is lāl raṅg mē̃ bhī golden raṅg mix thā , isliē āpkī is duniyā mē̃ vah raṅg nahī̃ hai .
55However, there was also a golden colour mixed with this red colour. 56This particular colour does not exist in your world.
52Kahnē mē̃ tō lāl raṅg āyēgā .
57It would only be said in name to be red in colour.
53Dhārṇā key|kī niśhānī saphēd raṅg . 54Lēkin saphēdī mē̃ bhī jaisē chandramā key|kī light K|kē bīch sunahrī raṅg mix karō yā cā̃danī K|kē raṅg mē̃ halkā-sā pīlā raṅg add karō tō dikhāī cāndanī jaisā dēgā lēkin halkā sā sunahrī hōnē K|kē kāraṇ uskī chamak aur hī sundar hō jātī hai .
58The symbol for dharna (inculcation of divine virtues): White colour. 59However, within that white colour, there is a beautiful sparkling colour similar to that in the centre of a moon. 60Or, when a light yellow colour is added to the colour of moonlight, then it would be visible like moonlight, but because it has a sparkling colour, its sparkle becomes even more beautiful.
55Yahā̃ vah raṅg banā nahī̃ sakē̃gē . 56Kyōṅki vē|way chamaknē vālē raṅg haĩ .
61You would not be able to create that colour here, because this is sparkling colour.
57Kitnī bhī trial karō lēkin vatan K|kē raṅg yahā̃ kahā̃ sē āyēṅgē ?
62No matter how much you try, how could the colours that exist in the subtle region be created here?
58Sēvā key|kī niśhānī harā raṅg .
63The symbol for service: a green colour.
59Sēvā mē̃ chārō̃ ōr hariyālī kar dētē hō nā !
64By serving you create greenery everywhere (you make everything flourish).
60Kāṇṭō K|kē jaṅgal kō phūlō̃ kā bagīchā banā dētē hō .
65You change the forest of thorns into a garden of flowers.
61Tō abhī sunā chār raṅg kaun sē haĩ ?
66So, did you hear what the four colours represent?
62In chār raṅgō K|kē hīrō̃ sē sajī huī mālāyē̃ sabkē galē mē̃ thī̃ .
67Everyone was adorned with diamond rosaries of these four colours. 68You all had this rosary around your neck.
63Ismē̃ bhinn-bhinn size aur chamak mē̃ antar thā .
69However, there was a difference in the size and sparkle of each rosary.
64Kōī key|kī gyān svarūp key|kī mālā baṛī thī tō kōī key|kī yād svarūp key|kī mālā baṛī thī .
70Some had a large rosary of an embodiment of knowledge. 71Some had a long rosary of an embodiment of remembrance.
65Aur kōī-kōī key|kī chār hī mālāyē̃ thōṛē sē antar mē̃ thī .
72Some had all four rosaries; each a little different.
66Jinhō̃ key|kī chār hī raṅgō̃ key|kī anēk mālāyē̃ thī̃ - vah kitnē sundar lagtē hōṅgē ?
73Those who had many rows of all four colours appeared to be so beautiful!
67Tō bāpdādā sabkī result mālāō̃ K|kē rūp mē̃ dēkh rahē thē .
74So, BapDada was looking at all of your results that were seen in the form of your rosaries.
68Dūr sē hīrē aisē chamak rahē thē jaisē chhōṭē-chhōṭē balbō̃ key|kī lāin-yah thā chitra .
75Seen from a distance, the diamonds were sparkling like a line of small lights. 76That was the picture.
69Ab is chitrō̃ dvārā result dēkh brahmā bāp bōlē - samay key|kī raphtār pramāṇ sarv bachchō̃ kā śhrr̥iṅgār sampann huā hai ?
77Then, having seen the results from this picture, Brahma Baba asked: has the adornment of all the children been completed according to the speed of time?
70' ' kyōṅki result mē̃ tō antar thā .
78A difference was visible in the results.
71Tō is antar kō sampann kaisē karē̃ ?
79So, how will this difference be ended?
72Brahmā bāp bōlē - bachchē mēhnat tō bahut kartē haĩ !
80Brahma Baba replied: Children are making a lot of effort for this.
73Mēhnat kē sāth sabkī ichchhā bhī hai , saṅkalp bhī kartē haĩ ' ' .
81Together with making effort, they also desire this. 82They even have the thought to do this.
74Bākī kyā rah gayā ?
83Therefore, what else remains?
75Jāntē tō sab hō nā !
84All of you know this, do you not?
76Knowledgeful tō ban gayē hō .
85You have all become knowledgefull.
77Tō batāō kyā antar rah jātā hai , jissē kōī key|kī naikalēs , kōī key|kī pāṅw tak lambī mālāyē̃ , vah bhī anēk mālāyē̃ ?
86So, tell Baba what difference still remains to be finished so that the necklace of some, the other rosaries that reach to the feet and the may rows of rosaries of others all become completely equal.?
78Suntē bhī ēk hō , sunātē bhī ēk hō , vidhi bhī sabkī ēk hai aur vidhātā bhī ēk hai , vidhān bhī ēk hai , bākī kyā antar rah jātā hai ?
87You all listen to the same teachings. 88You all tell others the same teachings. 89The method you all use is the same. 90The Bestower too is only One.
79Saṅkalp bhī ēk hai , saṅsār bhī ēk hai ?
91The rules are also the same for all of you.
80Phir antar kyō̃ ?
92So, what is the difference that still remains?
81Brahmā bāp kō āj bachchō̃ par bahut-bahut snēh ā rahā thā .
93Why is there a difference? 94Brahma Baba was feeling a lot of love for the children.
82Sabhī chitrō̃ kō sampann banānē kē liē tīvr umaṅg ā rahā thā ki abhī kā abhī hī sabkō mālāō̃ sē sajā dē̃ .
95He had a lot of enthusiasm for all the pictures to be completed. 96He felt that all the children should be adorned with rosaries right now.
83Bāp tō sajā bhī dē̃ lēkin dhāraṇ karnē key|kī samarthā bhī chāhiē !
97Baba can adorn you with a rosary, but you also need power to wear that rosary.
84Sambhālnē key|kī samarthā bhī chāhiē .
98You also need power to take care of it.
85Tō brahmā nē śhiv bāp sē pūchhā - kyā bāt hai ?
99Therefore, Brahma asked Father Shiva: What is the matter?
86Bachchē sāth chalnē kē liē sampūrṇ sajtē kyō̃ nahī̃ haĩ ?
100Why aren’t the children becoming fully adorned so that everyone can return home together?
87Sāth mē̃ tō sajē sajāyē hī jāyēṅgē . 88Kāraṇ kyā nikalā ?
101Only those who are fully adorned will go with him.
89Śhiv bāp bōlē - antar tō chhōṭā-sā hai .
102What was the cause of this that Baba showed.
90Sōchtē sab haĩ , kartē bhī sab haĩ lēkin kōī - kōī haĩ jō sōchtē aur kartē ēk hī samay par haĩ .
103Father Shiva said: The difference is very tiny. 104Everyone thinks about it and everyone does it.
91Arthāt sōchnā aur karnā sāth-sāth hai , vah sampann ban jātē haĩ aur kōī-kōī haĩ jō sōchtē haĩ aur kartē bhī haĩ lēkin sōchnē aur karnē K|kē bīch mē̃ margin rah jātī hai .
105However, some think and do at the same time, that is, their thinking and doing are simultaneous. 106Therefore, they are becoming complete. 107Others things and also do, but there is a gap between their thinking and their doing.
92Sōchtē bahut achchhā haĩ lēkin kartē kuchh samay kē bād haĩ .
108They all think about it very well, but they do it after some time.
93Usī samay nahī̃ kartē haĩ .
109They do not do it at that same time.
94Isliē saṅkalp mē jō us samay key|kī tīvratā , umaṅg-ullās-utsāh hōtā hai vah samay paṛnē sē percentage kam hō jātī hai .
110This is why, after some time, the intensity and enthusiasm they have in their thoughts at that time reduces by a percentage.
95Jaisē garm vā tājī chīz kā anubhav aur ṭhaṇḍī vā rakhī huī chīz kā anubhav mē̃ antar ā jātā hai nā !
111It is similar to the difference between eating something hot and fresh and eating something cold and stale.
96Tājī chīz key|kī śhakti aur rakhī huī chīz key|kī śhakti mē̃ antar paṛ jātā hai nā !
112There is a difference in the strength you receive from eating something fresh and something stale.
97Chīz kitnī bhī baṛhiyā hō lēkin rakhī huī tō uskī result vahī nahī̃ nikal saktī .
113No matter how delicious something is, when it is kept for some time, it does not give the same result as it would if eaten fresh.
98Aisē saṅkalp jō kartē haĩ vah usī samay practical mē̃ karanā-usakī result , aur sōchnā āj , karnā kab , uskī result mē̃ antar paṛ jātā hai .
114There is a difference between the results of those who think and do something at the same time, and those who think about something today and do it tomorrow.
99Bīch mē̃ samay key|kī margin hōnē K|kē kāraṇ , ēk tō sunāyā ki percentage sab key|kī kam hō jātī hai .
115Because of the gap in time, first, as you were told, the percentage is reduced.
100Jaisē tājī chīz K|kē viṭāminsa mē̃ phark paṛ jātā hai .
116There is a difference in the vitamins of something fresh and something stale.
101Dūsrā - margin hōnē K|kē kāraṇ samasyāō̃ rūpī vighna bhī ā jātē haĩ .
117Second, because of the gap in time, problems come in the form of obstacles.
102Isliē sōchnā aur karnā sāth-sāth hō .
118Therefore, your thinking and doing should be simultaneous.
103Iskō kahā jātā hai - turant dān mahāpuṇya .
119This is known as donating instantly and performing great charity.
104' ' nahī̃ tō mahāpuṇya kē bajāē puṇya hō jātā hai .
120Otherwise, instead of it being great charity, it becomes just charity.
105Tō antar hō gayā nā ?
121So, there is a difference, is there not?
106Mahāpuṇya key|kī prāpti aur puṇya key|kī prāpti mē̃ antar hō jātā hai .
122There is a difference between the attainment one receives from great charity and just charity.
107Samjhā kāraṇ kyā hai ?
123Do you understand what the cause is?
108Chhōṭā sā kāraṇ hai .
124It is a small cause. 125You do do everything.
109Kartē bhī hō sirph ab ' kē bajāē kab ' kartē hō isliē mēhnat jyādā karnī paṛtī hai .
126It is just that instead of doing it “now” (ab), you do it after “some time” (kab). 127This is the cause of your having to labour.
110Tō brahmā bāp bachchō̃ sē bōlē - ab is kāraṇ kā nivāraṇ karō .
128Therefore, Brahma Baba says to you children: Now, find an answer to this cause.
111' ' sunā āj key|kī kahānī ! 112Dōnō̃ bāp K|kē bīch key|kī kahānī .
129Did you listen to today’s story, the story told between the two fathers?
113Ab kyā karē̃gē ?
130What will you do now?
114Nivāraṇ karō .
131Find a solution to the cause.
115Nivāraṇ karnā hī nimārkaṇ karnā hō jāyēgā .
132To find the solution means constructing something.
116Tō sva mē̃ bhī nav-nimārkaṇ aur viśhva mē̃ bhī nav-nirvāṇ .
133Then, there will be new construction within yourself and also the world.
117Achchhā !
134Achcha.
118Aisē sadā sajē-sajāyē , sōchnā aur karnā samān banānē vālē , sadā bāp samān turant dānī mahāpuṇy-ātmāyē̃ , dōnō̃ bāp K|kē śhubh ichchhā kō pūrṇ karnē vālē , aisē sampann ātmāō̃ kō bāpdādā kā yādpyār aur namastē . 119
135To those who remain constantly fully adorned; to those who make their thinking and their doing equal; to those who are constantly equal to the Father and who instantly donate and perform great charity; to those who fulfil the pure desires of both fathers; to such complete souls, BapDada’s love, remembrance and namaste.
120Teachers K|kē sāth-sēvādhārī amr̥itvēlē sē lēkar rāt tak sēvā key|kī stage par hō ?
136You servers remain on the stage of service from amrit vela until night.
121Agar ārām bhī kartē hō tō bhī stage par hō , stage par bhī sōnē kā part bajātē haĩ nā !
137Even whilst you are resting, you are on the stage. 138Even whilst sleeping, you are on the stage playing your part.
122Sabkī najar hōtī hai ki kaisē sōyē huē haĩ .
139Everyone’s vision is on how you sleep.
123Is rīti sēvādhārī arthāt 24 ghaṇṭē stage par part bajānē vālē .
140Therefore, to be a server means to be one who performs every act on stage.
124Tō her|har kadam , her|har second sārī viśhva kē āgē haĩ .
141You are in front of the world at every step and every second.
125Sēvādhārī sadā hero part-dhārī samajh karkē chalē̃ , centre par nahī̃ baiṭhē hō lēkin stage par baiṭhē hō , viśhva key|kī stage par .
142You servers must constantly consider yourselves to be hero actors. 143You are not just sitting at your centre, but on the stage – on the world stage.
126Tō itnā attention rahnē sē her|har saṅkalp aur karma svataḥ hī śhrēṣhṭh hōṅgē nā !
144When you pay this much attention, every thought you have and every action you perform will be elevated.
127Natural attention hōgā .
145You will naturally pay attention.
128Attention dēnā nahī̃ paṛēgā lēkin rahēgā hī kyōṅki stage par hō nā !
146You won’t have to pay special attention, but because you are on the stage, there would be attention paid naturally.
129Aur sadā apnē kō pūjya ātmā samjhō tō pūjya ātmā arthāt pāvan ātmā .
147Constantly consider yourself to be a worthytobeworshipped soul, that is, a pure soul.
130Kalp-kalp pūjya haĩ .
148You are worthy of being worshipped every cycle.
131Pūjya samajhnē sē saṅkalp aur svapn bhī sadā pāvan hōṅgē .
149By considering yourself to be worthy of being worshipped, your thoughts and dreams will remain pure.
132Tō aisā naśhā rahtā hai ?
150Do you have this much intoxication?
133Vaisē bhī sēvādhārī majority kumāriyā̃ haĩ .
151In any case, the majority of servers are kumaris.
134Kumāriyā̃ double kumāriyā̃ hō gaī , brahmākumārī bhī aur kumārī bhī .
152You kumaris have become double kumaris: A Brahma Kumari and a kumari.
135Tō kitnī mahān hō gaī .
153Therefore, you are so elevated!
136Kumārī key|kī , ab 84 vē̃ antim janm mē̃ bhī , charaṇō̃ key|kī pūjā hōtī hai .
154Even now, in your final birth, your eightyfourth birth, the feet of you kumaris are worshipped.
137Tō itnī pāvan banī hō tab itnī pūjā hō rahī hai .
155It is because you became so pure that you are worshipped.
138Kumāriyō̃ kō kabhī bhī jhuknē nahī̃ dēgē .
156Kumaris are never allowed to bow down. 157Everyone else bows at the feet of kumaris.
139Kumāriyō̃ K|kē charaṇō̃ mē̃ sab jhuktē haĩ .
158They wash the feet of kumaris and drink that water. 159So which kumaris are they?
140Charaṇ dhōkar pītē haĩ .
160They are the Brahma Kumaris.
141Tō vah kaun see|sī|C kumāriyā̃ haĩ ?
161So you servers are such elevated souls!
142Brahmākumāriyā̃ haĩ nā !
162Who is being worshipped? 163It is all of you.
143Tō sēvādhārī aisī śhrēṣhṭh ātmāyē̃ hō .
164There is also a song that goes, “This worship takes place in every home….”
144Kiskī pūjā hō rahī hai ? 145Āp lōgō̃ key|kī .
165This is why it can be said that you are being worshipped.
146Gīt bhī hai nā - pūjā hōtī hai ghar-ghar mē̃ … . 147Isliē bōlō - jamārī pūjā hōtī hai .
166Look, even BapDada says, “Namaste”, to you. 167It is because you are so worthy of being worshipped that even BapDada says “Namaste” to you.
148Bāpdādā bhī dēkhō namastē kartē haĩ nā ! 149Tō itnī pūjya hō tab tō bāp bhī namastē kartē haĩ .
168By remaining an embodiment of this awareness, you will continue to make progress – progress for yourself and also for service.
150Isī smr̥iti svarūp mē̃ rahnē sē sadā vr̥iddhi hōtī rahēgī .
169All obstacles will then stop. 170All specialities are contained within this awareness.
151Apnī bhī aur sēvā key|kī bhī .
171Achcha. 172BapDada meeting groups:
152Sab vighna khatm hō jāyēṅgē . 153Isī smr̥iti mē̃ sab viśhēṣhatāyē̃ bharī haĩ .
173The solution to the many problems in life is to have the awareness of the pilgrimage place.
154Achchhā 155Party sē avyakt bāpdādā key|kī mulākāt :
174It is a great fortune to reach the land of the Bestower of Fortune.
1561 . jīvan key|kī anēk samasyāō̃ kā hal-tīrtha sthān key|kī smr̥iti - bhāgya vidhātā key|kī bhūmi par pahuñchnā yah bhī bahut baṛā bhāgya hai .
175This place is not an empty place, but a great pilgrimage place. 176People on the path of bhakti believe that when they visit a pilgrimage place, all of their sins are absolved.
157Yah kōī khālī sthān nahī̃ hai , mahān tīrthasthān hai .
177However they don’t know when and how this happens.
158Vaisē bhī bhakti mārg mē̃ māntē haĩ ki tīrtha sthān par jānē sē pāp khatm hō jātē haĩ , lēkin kab hōtē haĩ , kaisē hōtē haĩ , yah jāntē nahī̃ haĩ .
178You children experience that by coming to this pilgrimage place at this time, you become charitable souls. 179The awareness of this pilgrimage place takes you beyond all problems in life.
159Is samay tum bachchē anubhav kartē hō ki is mahān tīrthasthān par ānē sē puṇya ātmā ban jātē haĩ .
180This awareness works like a talisman (lucky charm). 181Whenever you remember this place, then the peace and happiness of this place emerges in your life.
160Yah tīrthasthān key|kī smr̥iti jīvan key|kī anēk samasyāō̃ sē pār lē jāyēgī .
182Therefore, you have become fortunate charitable souls, have you not? 183Even to visit this land is a sign of fortune.
161Yah smr̥iti bhī ēk tāvīj kā kām karēgī .
184This is why you are very, very fortunate.
162Jab bhī yād karēṅgā tō yahā̃ K|kē vātāvaraṇ key|kī śhānti aur sukh āpkē jīvan mē̃ emerge hō jāyēgā .
185You have become fortunate. 186However, to become one hundred times fortunate or even multimillion times fortunate is in your own hands.
163Tō puṇya ātmā hō gayē nā ! 164Is dharnī par ānā bhī bhāgya key|kī niśhānī hai .
187The Father has made you fortunate, and it is this fortune that can help you from time to time.
165Isliē bahut-bahut bhāgyaśhālī hō .
188Whenever anything happens, then just use your intellect to come to Madhuban.
166Ab bhāgyaśhālī tō ban gayē lēkin saubhāgyaśhālī bannā vā padmāpadma bhāgyaśhālī bannā yah āpkē hāth mē̃ hai .
189Then you will experience yourself swinging in the swing of peace and happiness. 190A spinner of the discus of selfrealisation is to be an embodiment of success.
167Bāp nē bhāgyaśhālī banā diyā , yahī bhāgya samay prati samay sahyōg dētā rahēgā .
191Do all of you consider yourselves to be spinners of the discus of selfrealisation? 192Have you become embodiments of whatever praise the Father has?
168Kōī bhī bāt hō tō madhuvan mē̃ buddhi sē pahũch jānā .
193Just as every act the Father performed is even now praised as a divine act so, too, is every act you perform like a divine act?
169Phir sukh aur śhānti K|kē jhūlē mē̃ jhūlnē kā anubhav karē̃gē .
194Have you become those who perform such divine acts? 195Do you ever perform ordinary acts?
170Achchhā ! 1712 . svadarśhan chakradhārī key|kī niśhānī hai - saphaltā svarūp .
196Those who have become spinners of the discus of selfrealisation like the Father would never perform ordinary acts.
172Sabhī apnē kō svadarśhan chakradhārī samajhtē hō , bāp key|kī jitnī mahimā hai , usī mahimā svarūp banē hō ?
197Whatever acts you perform would have success merged within them. 198There would be no question as to whether they will be successful or not.
173Jaisē bāp K|kē her|har karma charitra K|kē rūp mē̃ abhī bhī gāyē jātē haĩ aisē āpkē bhī her|har karma charitra samān hō rahē haĩ ?
199You would have the faith that success is guaranteed. 200Those who are the spinners of the discus of selfrealisation would also be conquerors of Maya.
174Aisē charitravān banē hō , kabhī sādhāraṇ karma tō nahī̃ hōtē haĩ ?
201Because they are conquerors of Maya, they would be embodiments of success.
175Jō bāp K|kē samān svadarśhan chakradhārī banē haĩ unsē kabhī bhī sādhāraṇ karma hō nahī̃ saktē .
202Those who are embodiments of success would constantly be multimillion times fortunate at every step.
176Jō bhī kārya karē̃gē usmē̃ saphaltā samāī huī hōgī .
203Do you experience yourselves to be multimillions times fortunate in this way?
177Saphaltā hōgī yā nahī̃ hōgī , yah saṅkalp bhī nahī̃ uṭh saktā .
204Have you accumulated such an income that will last you for twenty one births?
178Niśhchay hōgā ki saphaltā huī paṛī hai . 179Svadarśhan chakradhārī māyājīt hōṅgē .
205To be part of the sun dynasty means to accumulate enough for twentyone births.
180Māyājīt hōnē K|kē kāraṇ saphalatāmūrtta hōṅgē .
206Therefore, constantly continue to accumulate at every second.
181Aur jō saphalatāmūrtta hōṅgē vah sadā her|har kadam mē̃ padmāpadmapati hōṅgē .
207Achcha. 208Do you constantly consider yourselves to be the ignited lamps?
182Aisē padmāpadmapati anubhav kartē hō ? 183Itnī kamāī jamā kar lī hai jō 21 janmō̃ tak chaltī rahē .
209You lamps of the world are the eternal lamps of the world in whose memory even today, Deepmala is celebrated.
184Sūryavanśhī arthāt 21 janmō̃ kē liē jamā karnē vālē .
210So, do you have the faith and intoxication that you are the lamps of the Deepmala?
185Tō sadā her|har second mē̃ jamā kartē rahō .
211Even today, people turn the beads of your rosary so much!
186Achchhā .
212Why do they do this?
1873 . chaitanya chīpamālā K|kē dīpakō̃ kā karttavya hai-andhakār mē̃ rōśhnī karnā . 188Apnē kō sadā jagē huē dīpak samajhtē hō ?
213Because you have become those who brought light where there was darkness. 214Constantly experience yourselves to be ignited lamps, not the lamps who are flickering.
189Āp viśhva K|kē dīpak avināśhī dīpak hō jiskā yādgār abhī bhī dīpmālā manāī jātī hai .
215No matter how many storms there are, you lamps are constant and eternal lights. 216Even the world bows down to you lamps.
190Tō yah niśhchay aur naśhā rahtā hai ki ham dīpmālā K|kē dīpak haĩ ?
217You are even staying with such lamps. 218You are not staying with flickering lamps.
191Abhī tak āpkī mālā kitnī simraṇ kartē rahtē haĩ ? 192Kyō̃ simraṇ kartē haĩ ?
219Just as the Father is a constantly ignited light, an eternal light and an immortal light, in the same way, children are also immortal lights.
193Kyōṅki andhkār kō rōśhan karnē vālē banē hō .
220Your memorial also exists in the form of the immortal lamps.
194Svayã kō aisē sadā jagē huē dīpak anubhav karō .
221Even whilst you sit in your living form, you are able to see all your nonliving memorials.
195Ṭimaṭimānē vālē nahī̃ .
222You have become such elevated souls!
196Kitnē bhī tūphān āyē̃ lēkin sadā ēkras , akhaṇḍ jyōti K|kē samān jagē huē dīpak .
223Achcha. 224Blessing: May you be a destroyer of attachment who finishes the stage of being pulled by the suffering of karma.
197Aisē dīpakō̃ kō viśhva bhī naman kartī hai aur bāp bhī aisē dīpakō̃ kē sāth rahtē haĩ .
225Even now, the situations created by nature still pull our stage to some extent. 226The suffering of your karmic accounts of the body pulls you the most.
198Ṭimaṭimātē dīpakō̃ kē sāth nahī̃ rahtē .
227When even this pull ends you will have become a complete destroyer of attachment.
199Bāp jaisē sadā jāgtī jyōti hai , akhaṇḍ jyōti hai , amar jyōti hai , aisē bachchē bhī sadā amar jyōti ' ! 200Amar jyōti K|kē rūp mē̃ bhī āpkā yādgār hai .
228When no situation of your body or the bodily world is able to shake your stage you will have attained your perfect stage. 229When you reach such a stage, you will stabilise in your form of a master almighty authority in a second.
201Chaitanya mē̃ baiṭhē apnē sabhī jaṛ yādgārō̃ kō dēkh rahē hō .
230Slogan: Remain in the company of the Father and you will never become disheartened.
202Aisī śhrēṣhṭh ātmāyē̃ hō . 203Achchhā !
231* * * O M S H A N T I* * *