बुधवार 20 जनवरी 1982 की अव्यक्त मुरली

⁰> ¹20-01-82 om shanti avyakt baapdaada madhuban

⁰> > 20-01-82 Om Shanti Avyakt Bapdada Madhuban

²"preet ki reet nnnibhaane ka sahaj tareeka"

¹The way to fulfil the responsibility of love is to sing and dance.

³shiv shama apne parvaanon ke prati bole:-

²Today, the Flame has come into the spiritual gathering of His moths.

⁴‘‘aaj shama apne parvaanon ke roohaani mahphil mein aaye hain।

³This spiritual gathering is so alokik and elevated.

⁵yeh roohaani mahphil kitni alaukik aur shreshtha hai। ⁶shama bhi avinaashi hai, parvaane bhi avinaashi hain aur shama-parvaanon ki preeti bhi avinaashi hai।

⁴The Flame is eternal, the moths are eternal and the love between the Flame and the moths is eternal. ⁵No one except the Flame and the moths can know this spiritual love.

⁷is roohaani preeti ko shama aur parvaanon ke sivaae aur koi jaan nahin sakta।

⁶Those who know this love have fulfilled the responsibility of love and have attained everything.

⁸jinhonne jaana unhonne preet nibhaaya aur unhonne hi sab kuchh paaya।

⁷To fulfil the responsibility of love means to attain everything.

⁹preet ki reeti nibhaana arthaat sab kuchh paana। ¹⁰nibhaana nahin aata to paana bhi nahin aata।

⁸Someone who doesn’t know how to fulfil the responsibility of love doesn’t know how to attain anything.

¹¹is preet ke anubhav jaanen ki yeh preet ki reet nibhaana kitna sahaj hai!

⁹Those who have experienced this love know how easy it is to fulfil the responsibility of love.

¹²preet ki reet kya hai, jaante ho na?

¹⁰Do you know what the responsibility of love is?

¹³sirf do baaton ki reet hai।

¹¹It is simply to do two things.

¹⁴aur woh bhi itni saral hai jo sab jaante bhi hain aur sab kar bhi sakte hain।

¹²That too is so easy, and all of you know it and all of you can do it.

¹⁵woh do baaten hain - ‘geet gaana aur naachna'।

¹³Those two things are to sing and to dance.

¹⁶iske sab anubhvi ho na?

¹⁴You are all experienced in this, are you not?

¹⁷gaana aur naachna to sabko pasanda hai na?

¹⁵All of you like to sing and dance, do you not?

¹⁸to yahaan karna hi kya hai?

¹⁶So what else do you have to do here?

¹⁹amritvele se geet gaana shuru karte ho।

¹⁷You start singing songs from amrit vela onwards.

²⁰dincharya mein bhi uthte hi geet se ho।

¹⁸In your daily timetable, you wake up to a song.

²¹to baap ke va apne shreshtha jeevan ki mahima ke geet gaao।

¹⁹Therefore, sing the songs of praise of the Father and your elevated life.

²²gyaan ke geet gaao।

²⁰Sing songs of knowledge.

²³sarva praaptiyon ke geet gaao।

²¹Sing songs of all attainments.

²⁴yeh geet gaana nahin aata?

²²Do you not know how to sing these songs?

²⁵aata hai na?

²³You do know them, do you not?

²⁶to geet gaao aur khushiyon mein naacho।

²⁴Therefore, sing these songs and dance in happiness.

²⁷khushiyon mein naachte-naachte har karma karo।

²⁵Perform every action whilst dancing in happiness.

²⁸jaise sthool dance mein bhi saare shareer ki dance ho jaati hai।

²⁶Physical dancing is performed with the whole body.

²⁹drill ho jaati hai।

²⁷That becomes like drill.

³⁰bhinna-bhinna poj se dance karte ho।

²⁸You dance in different poses.

³¹vaise khushi ke dance mein bhinna-bhinna karmon ke poj karte।

²⁹Similarly, in dancing in happiness you have poses of different actions.

³²kabhi haath se koi karma karte, kabhi paanv se karte ho to yeh kaam nahin karte ho lekin bhinna-bhinna dance ke poj karte ho।

³⁰Sometimes, you perform actions with your hands, sometimes you perform actions with your feet. ³¹Therefore, whilst you are performing actions, you are in fact dancing in different poses.

³³kabhi haath ki dance karte ho, kabhi paanv ko nachaate ho।

³²Sometimes you dance with your hands and sometimes you make your feet dance.

³⁴to karmayogi banna arthaat bhinna-bhinna prakaar ki khushi mein naachte chalo।

³³Therefore, to become a karma yogi means to dance in different types of happiness.

³⁵baapdaada ko va shama ko vahi parvaana pasanda hai jo gaana aur naachna jaanta ho।

³⁴BapDada, the Flame, likes the moths who know how to sing and dance.

³⁶yahi preet ki reet hai।

³⁵This is the responsibility of love.

³⁷to yeh to mushkil nahin hai na?

³⁶So, this is not difficult, is it?

³⁸kya lagta hai - sahaj ya mushkil?

³⁷What do you think? ³⁸Is it easy or difficult?

³⁹abhi madhuban mein to easy-easy kar rahe ho, vahaan jaakar bhi easy-easy kahenge na?

³⁹Now, in Madhuban, you are saying that it is easy. ⁴⁰Later, when you return home, will you say it is easy?

⁴⁰badal to nahin jaayenge vahaan jaakar?

⁴¹You won’t change when you leave, will you?

⁴¹(yahaan easy hain vahaan busy ho jaayenge) lekin isi gaane aur naachne mein hi busy rahenge na?

⁴²(It is easy here and we will be busy when we return home.) ⁴³However, you will remain busy in this singing and dancing, will you not?

⁴²sada kaanon mein yahi meetha saaj sunte rehna। ⁴³kyonki gaane aur naachne ke saath saaj bhi to chaahiye na!

⁴⁴Use your ears constantly to continue to listen to this sweet music, because, together with singing and dancing, you also need music.

⁴⁴kaun-sa saaj sunte rahenge?

⁴⁵To what music will you continue to listen?

⁴⁵(murli) murli ka bhi ‘saar' jo har murli mein baapdaada meethe bachche, laadle bachche, sikeeldhe bachche kahkar yaad-pyaar dete hain।

⁴⁶(Murli). ⁴⁷The essence that BapDada gives in every murli is in the form of love and remembrance when He says, “Sweet children, beloved children, long-lost, now-found children”.

⁴⁶yahi baap ke sneh ka saaj sada kaanon mein sunte rehna।

⁴⁸Constantly continue to listen to this music of the Father’s love with your ears.

⁴⁷to aur baaten sunte bhi samajh mein nahin aayengi, buddhi mein nahin aayengi।

⁴⁹Then, even though you hear other things, you won’t understand them, that is, they won’t enter your intellect.

⁴⁸kyonki ek hi saaj sunne mein busy honge na to doosra sunenge kaise!

⁵⁰Since you’ll be busy in listening to this one music, how would you be able to hear any other music?

⁴⁹aise hi sada geet gaane mein busy honge to aur vyartha baaten mukh se bolne ki phursat hi nahin।

⁵¹In the same way, if you are constantly busy in singing songs, your mouth won’t have time to say anything wasteful.

⁵⁰sada baap ke saath khushi mein naachte rahenge to teesra koi disturb kar nahin sakta।

⁵²If you constantly continue to dance with the Father in happiness then no third person will be able to disturb you. ⁵³No one can come between the two.

⁵¹do ke beech mein koi aa nahin sakta।

⁵⁴You have already become conquerors of Maya, have you not?

⁵²to maayaajeet to ho hi gaye na! ⁵³na sunna,na bolna,na maaya ka aana।

⁵⁵You don’t listen to anything else, you don’t speak anything else, so Maya doesn’t come.

⁵⁴to preet ki reeti kya hui?

⁵⁶Therefore, what is the responsibility of love?

⁵⁵- gaana aur naachna।

⁵⁷To sing and dance.

⁵⁶jab donon se thak jaao to teesri baat hai, so jaana।

⁵⁸When you become tired of these two things, then the third thing is to go to sleep.

⁵⁷yahaan ka sona kya hai?

⁵⁹What does “sleeping” mean here?

⁵⁸sona arthaat karma se detach ho jaana।

⁶⁰To sleep means to become detached from performing actions.

⁵⁹to aap karmendriyon se deetaich ho jaao।

⁶¹Therefore, become detached from your physical senses.

⁶⁰ashareeri banna arthaat so jaana।

⁶²To become bodiless means to go to sleep.

⁶¹yaad hi baapdaada ki godi hai।

⁶³Remembrance is BapDada’s lap.

⁶²to jab thak jaao to ashareeri ban, ashareeri baap ki yaad mein kho jaao arthaat so jaao।

⁶⁴So when you become tired, become bodiless and become lost in the remembrance of the bodiless Father, that is, you go to sleep!

⁶³jaise shareer se bhi bahut gaate aur naachte hain aur thak jaate hain to jaldi hi neend aa jaati hai, aise yeh roohaani geet gaate, khushi mein naachte-naachte soyenge aur kho jaayenge।

⁶⁵When you sing and dance a great deal with your body you become tired, and so are able to go to sleep quickly. ⁶⁶In the same way, by singing these spiritual songs and dancing in happiness, you will go to sleep and become lost in love.

⁶⁴to samjha - saara din kya karna hai?

⁶⁷Therefore, do you understand what you have to do throughout the day?

⁶⁵aur double foreigners to ismen bahut shaukeen hai।

⁶⁸You double foreigners are very interested in these things.

⁶⁶to jis baat ka shauk hai vahi karo, bas।

⁶⁹So, whatever you have a keen interest in, you just do that.

⁶⁷sote bhi shauk se hain।

⁷⁰You even sleep with keen interest!

⁶⁸to teenon hi baaten karne aati hai।

⁷¹Therefore, you know how to do all three things.

⁶⁹to samjha - preet ki reeti nibhaane ka sahaj tareeka kya hai?

⁷²Therefore, do you all understand the easy way to fulfil the responsibility of love?

⁷⁰achha - abhi ek shabd to yahaan double foreigners chhodkar jaana।

⁷³Achcha. ⁷⁴Now you double foreigners have to leave one word behind.

⁷¹kaun-sa? ⁷²(sabhi ne koi na koi baat sunaai- koi ne kaha udaasi, koi ne kaha thakaavat) achha - isse siddha hai ki jo bol rahe ho woh abhi tak hai।

⁷⁵What is that? (everyone suggested something: Unhappiness, tiredness.) ⁷⁶Achcha. ⁷⁷This proves that you still have whatever you are saying.

⁷³achha - bolna maana chhodna।

⁷⁸Achcha! ⁷⁹To speak of it means to renounce it.

⁷⁴to ek shabd - ‘dipreshan-dipreshan'kabhi nahin kehna।

⁸⁰Therefore, never say the one word, “Depression, depression.”

⁷⁵‘realisation na ki dipreshan'।

⁸¹It should be realisation, not depression.

⁷⁶jo baap ko divorce dete hain, woh dipreshan mein aate hai।

⁸²It is those who divorce the Father that become depressed.

⁷⁷aap to baap ke sada companion ho।

⁸³You are constant companions of the Father.

⁷⁸to dipreshan shabd shobhta nahin hai।

⁸⁴So, the word, “Depression” doesn’t suit you.

⁷⁹self realisation ho gaya, realisation ho gaya phir yeh kaise ho sakta!

⁸⁵You have had self-realisation, so how can there be depression? ⁸⁶Do you understand?

⁸⁰samjha - jab dvaapar poora ho jaae, kaliyug shuru ho tab phir bhale hona।

⁸⁷Yes, when the copper age ends and the iron age begins, you may become depressed.

⁸¹itne samay ke liye to talaak de do isko।

⁸⁸Reject it for this length of time. ⁸⁹Achcha.

⁸²achha – ⁸³parivartan bhoomi mein avinaashi parivartan karne vaale, sada preet ki reeti nibhaane vaale,shama ke dilapsanda parvaane, sada roohaani geet gaane vaale, khushi mein naachte rahne vaale, jab chaahen baap ki godi mein so jaane vaale, aise sikeeldhe, laadle bachchon ko baapdaada ka yaadapyaar aur namaste। ⁸⁴''

⁹⁰To those who bring about eternal transformation in the land of transformation; to those who constantly fulfil the responsibility of love; to the moths who are loved by the Flame; to those who constantly sing spiritual songs and who dance in happiness and go to sleep in the Father’s lap whenever they want; to such long-lost, and now-found beloved children, BapDada’s love, remembrance and namaste. ⁹¹Avyakt BapDada meeting teachers from abroad:

⁸⁵teachers ke saath-avyakt baapdaada ki mulaakaat ⁸⁶(double videshi teachers)

⁹²All of you have given the proof of service, according to your capacity, and will continue to give it.

⁸⁷sabhi ne seva ka saboot apne-apne shakti pramaan diya hai aur dete rahenge?

⁹³To be a server means to be someone who plays a part on the world stage at every second, in every breath and with every thought.

⁸⁸sevaadhaari arthaat har second, har shvaans, har sankalp mein vishwa ki stage par part bajaane vaale।

⁹⁴Therefore, constantly continue to move along whilst considering yourselves to be elevated souls who are playing a hero part on the world stage. ⁹⁵You have received this chance in the drama.

⁸⁹to sada svayan ko vishwa ki stage par hero part bajaane vaali shreshtha aatmaayen hain, yeh samajhkar chalte raho।

⁹⁶When you become instrumental for others, you automatically also have to pay attention to those things. ⁹⁷Therefore, constantly consider yourselves to be BapDada’s companions who are present on service.

⁹⁰yeh bhi drama mein chance mila hai।

⁹⁸Continue to perform every action whilst maintaining this awareness.

⁹¹to doosre ke nimitta banne se svayan svatah hi usi baaton ke attention mein rehte।

⁹⁹You will then constantly continue to make progress and also enable others to make progress. ¹⁰⁰You have kept your courage very well.

⁹²isliye sada apne ko baapdaada ke saathi hain,seva par upasthit hain,is smriti mein rahkar har kaarya karte rehna।

¹⁰¹You are also receiving the Father’s help and will continue to receive it. ¹⁰²To become an instrument teacher and a spiritual server means to follow the father.

⁹³sada aage badhte chalenge aur badhaate chalenge।

¹⁰³This is why you are equal to the Father and the long-lost and now-found beloved children of the Father.

⁹⁴himmat achhi rakhi hai, madad bhi baap ki mil rahi hai aur milti rahegi।

¹⁰⁴BapDada is pleased to see the servers. ¹⁰⁵All of you constantly move along in humility whilst considering yourselves to be instruments.

⁹⁵nimitta shikshak banna va roohaani sevaadhaari banna arthaat father ko follow karna।

¹⁰⁶The more humility you have, the more you consider yourself to be an instrument, the more service will grow.

⁹⁶isliye baap samaan baap ke sikeeldhe।

¹⁰⁷Never have such ego as, “I did this! ¹⁰⁸I am a teacher!”

⁹⁷baapdaada bhi sevaadhaariyon ko dekh khush hote hain।

¹⁰⁹Instead of serving, this is called the basis of the stage of stopping service.

⁹⁸sabhi sada apne ko nimitta samajhkar chalna aur namrachitta hokar chalna।

¹¹⁰Whilst you are moving along, sometimes service decreases or becomes slack.

⁹⁹jitna nimitta aur namrachitta hokar chalenge utni seva mein sahaj vriddhi hogi।

¹¹¹The main reason for this is that instead of being an instrument there is the consciousness of “I”.

¹⁰⁰kabhi bhi mainne kiya,main teacher hoon, yeh ‘‘main'' ka bhaav nahin rakhna।

¹¹²Service becomes slack because of this. ¹¹³Then your happiness and intoxication is lost.

¹⁰¹isko kaha jaata hai service karne ke bajaae service me rookti kala aane ka aadhaar।

¹¹⁴Therefore, never allow yourself to become distant from this awareness and do not deprive others from receiving their inheritance from the Father.

¹⁰²chalte-chalte kabhi service kam ho jaati hai ya dheeli hoti hai, uska kaaran vishesh yahi hota hai jo nimitta ke bajaae main-pan aa jaata hai aur iske kaaran hi service dheeli ho jaati hai,phir apni khushi aur apna nasha hi gum ho jaata hai।

¹¹⁵Secondly, always remember the slogan: You have to transform a soul from any family with self-transformation, and also transform the world. ¹¹⁶There should be special attention paid to self-transformation, then service will grow automatically. ¹¹⁷You now understand the reason for service decreasing and the reason for service growing.

¹⁰³to kabhi bhi na svayan is smriti se door hona,na auron ko baap se varsa lene se vanchit karna।

¹¹⁸Therefore, you will constantly continue to progress in happiness and also bring others into this happiness. ¹¹⁹Do you understand?

¹⁰⁴doosri baat ki sada yeh slogan yaad rakhna - ki sva parivartan se kisi bhi parivaar ki aatma ko bhi badalna hai aur vishwa ko bhi badalna hai।

¹²⁰Then you will come into the line of the foremost worthy teachers and foremost servers. ¹²¹So, all of you double foreigners are number-one teachers, are you not? ¹²²You work very hard and you also have deep love.

¹⁰⁵sva parivartan ke oopar vishesh attention।

¹²³You have also brought the proof of that.

¹⁰⁶to seva svatah hi vriddhi ko paayegi।

¹²⁴Each one of you children is a server, you are a teacher.

¹⁰⁷ghatne ka kaaran bhi samjha aur badhaane ka aadhaar bhi samjha। ¹⁰⁸to sada khushi mein aage badhte jaayenge aur auron ko bhi khushi mein laate rahenge।

¹²⁵Whether you are living at a centre or anywhere else, you are servers, because the occupation of Brahmins is to serve. ¹²⁶Some of you have received one part in service, others have received another part in service.

¹⁰⁹samjha! ¹¹⁰to number one yogya teacher va number one sevaadhaariyon ki line mein aa jaayenge।

¹²⁷Some have to do the service of bringing souls here, some have to do the service of relating knowledge; some of preparing bhog and others of offering bhog.

¹¹¹to double videshi sabhi number one teacher ho na!

¹²⁸All of you are servers. ¹²⁹BapDada considers all of you to be servers.

¹¹²mehnat achhi kar rahe ho aur muhabbat bhi achhi hai।

¹³⁰BapDada was told about the plans that had been made for the International Conference.

¹¹³saboot bhi laaya hai। ¹¹⁴harek bachcha sevaadhaari arthaat teacher hai।

¹³¹Congratulations for the hard work you have put in preparing those plans!

¹¹⁵chaahen sevaakendra par rahe, chaahen jahaan bhi rahe lekin sevaadhaari hain।

¹³²You have used your intellect and have thus accumulated an income. ¹³³So, you didn’t have a meeting but accumulated an income.

¹¹⁶kyonki braahmanon ka occupation hi hai - ‘sevaadhaari'।

¹³⁴Constantly remain free from obstacles, destroyers of obstacles, content and make others content!

¹¹⁷kisko seva ka kya part mila hai,kisko kya… koi ko laane ki seva karni hai, koi ko sunaane ki,koi ko bhog banaane ki to koi ko bhog lagaane ki… sab sevaadhaari hain।

¹³⁵Constantly continue to claim this certificate. ¹³⁶To claim this certificate means to be seated on the heart-throne. ¹³⁷Always have the aim of being content and making others content. ¹³⁸Keep a balance of both.

¹¹⁸baapdaada sabhi ko sevaadhaari hi samajhte hain।

¹³⁹Achcha. ¹⁴⁰Put into practice all the plans you have made.

¹¹⁹(83ke conference ke liye sabhi ne naye-naye plan banaaye hain, woh baapdaada ko suna rahe hain)

¹⁴¹Come back with a gathering of VIPs. ¹⁴²Blessing: Remain double-light, and by having the awareness of being an instrument may you close the gate to Maya.

¹²⁰plan banaane mein mehnat ki hai uske liye mubaarak।

¹⁴³Those who move along whilst constantly considering themselves to be an instrument, automatically experience the double-light stage.

¹²¹yeh bhi buddhi chalaai arthaat apni kamaai jama ki। ¹²²to meeting nahin ki lekin jama kiya।

¹⁴⁴By remaining aware that Karankaravanhar is making you do everything and that you are just an instrument, there is success.

¹²³sada nirvighna, sada vighna-vinaashak aur sada santushta rehna tatha sarva ko santushta karna।

¹⁴⁵To have the consciousness of “I” means to open the gate to Maya. ¹⁴⁶To consider yourself to be an instrument means to close the gate to Maya.

¹²⁴yahi certificate sada lete rehna। ¹²⁵yahi certificate lena arthaat takhtansheen hona।

¹⁴⁷Therefore, by considering yourself to be an instrument, you become a conqueror of Maya and you also become double-light.

¹²⁶santushta rahne ka aur sarva ko santushta karne ka lakshya rakho।

¹⁴⁸Together with this, you definitely do receive success. ¹⁴⁹This awareness becomes the basis of claiming number one.

¹²⁷donon ka balance rakho। ¹²⁸achha - jo plan banaaye hain - woh sab practical mein laana।

¹⁵⁰Slogan: Tie the safety strap of determination thoughts and you will never become upset with your seat.

¹²⁹vi. aai. Ps ka sangathan lekar aana।

¹⁵¹* * * O M S H A N T I* * *