रविवार 13 जून 1982 की अव्यक्त मुरली

⁰> ¹13-06-82 om shanti avyakt baapdaada madhuban

⁰> > 13-06-82 Om Shanti Avyakt Bapdada Madhuban

²“mukhya sevaadhaari (teachers bahnon) ke sangathan ke avyakt baapdaada ke madhur mahaavaakya”

¹When you remember the mantra of One, the One will be visible in each one of you. ²(Avyakt BapDada meeting teachers)

³‘‘aaj bachchon ke sangathan aur sneh, sahayog,parivartan ka dridh sankalp,is khushbu ko lene ke liye aaye hain।

³Today, Baba has come to the gathering of the children to take the fragrance of their love, co-operation and determination for transformation.

⁴bachchon ki khushi mein baapdaada ki khushi hai।

⁴BapDada's happiness lies in the happiness of the children.

⁵sada yeh avinaashi khushi aur avinaashi khushbu bachchon ke saath rahe - aisa hi avinaashi sankalp kiya hai na!

⁵You children have had the imperishable thought to have this imperishable happiness and imperishable fragrance constantly with you at all times, have you not?

⁶shuru-shuru mein aadi sthaapna ke samay ek do ko kya likhte the aur kehte the - woh yaad hai?

⁶Do you remember what you used to write and say to one another at the beginning of establishment?

⁷kya shabd bolte the?

⁷What words did you used to write?

⁸- ‘‘priy nij aatma''।

⁸"Dear original soul".

⁹yahi aatma-abhimaani banne aur banaane ka sahaj saadhan raha।

⁹This was the easy way to become and make others become soul conscious.

¹⁰naam, roop nahin dekhte the।

¹⁰You didn't see the name or form.

¹¹yaad hain woh abhyaas ke din!

¹¹Do you remember those days of your practice?

¹²kitna natural roop raha?

¹²That was such a natural form!

¹³mehnat karni padi?

¹³Did you have to make any effort?

¹⁴yahi aadi shabd abhi guhya rahasya sahit practical mein laao to svatah hi smriti swaroop ho jaayenge।

¹⁴Put into practice the words of the beginning period with their deep significance and you will automatically become an embodiment of awareness.

¹⁵‘‘ek'' ka mantra - ek baap, ek ghar,ek mat, ek ras, ek raajya, ek dharma, ek naam, ek aatma, ek roop।

¹⁵The mantra of one is: one Father, one home, one direction, constant (ek ras), one kingdom, one religion, one name, I am a soul, one form.

¹⁶‘‘ek'' ka mantra sada yaad rahe to kya ho jaayega?

¹⁶What will happen when you constantly remember the mantra of one?

¹⁷sarva mein ek dikhaai dega।

¹⁷Others will see the One in each of you.

¹⁸yeh sahaj hai na!

¹⁸This is easy, is it not?

¹⁹jab ek hi dikhaai dega to jo geet gaate ho - mera to ek baap… yeh svatah hi hoga।

¹⁹When only One is visible in you all, then the song that you sing, "Mine is one Father and none other", will become automatic.

²⁰aisa hi sankalp kiya hai na!

²⁰You have had such a thought, have you not?

²¹baapdaada to sirf nain milan karne aaye hain।

²¹BapDada has come to meet you through the eyes.

²²bachchon ne bulaaya aur baap aaye।

²²The children called and the Father came!

²³baap ne bachchen ke sneh ka respond diya।

²³The Father gave the children the response of their love.

²⁴jo kaha woh hua na!

²⁴Whatever you requested has happened, has it not?

²⁵aap logon ne sandesh bheja ki do ghadi ke liye bhi aao।

²⁵You all sent a message to Baba asking Him to come for even a few moments.

²⁶sabka sandesh to pahunch gaya!

²⁶Everyone's message reached Baba.

²⁷aapka sankalp karte hi baapdaada ne sun liya।

²⁷As soon as you had the thought, BapDada heard it.

²⁸vaani mein aane se pahle baapdaada ke paas pahunch jaata hai।

²⁸It reaches BapDada before it comes into sound.

²⁹(jayanti behen ko dekh)videsh se aana kya siddha karta hai?

²⁹(Baba said to Sister Jayanti): What does returning from abroad signify?

³⁰dil door nahin to desh bhi door nahin।

³⁰When the heart is not far away, then even the land is not far away.

³¹dil najdeek hai।

³¹The heart is close.

³²isliye yeh bhi ek do ke sameep hone ka saboot hai।

³²That is why this is also the proof of being close to one another.

³³sada ek do ke saathi hain,yeh practical swaroop dikhaaya।

³³You are showing the practical form of being companions.

³⁴yahi murbi bachchon ki nishaani hai।

³⁴This is a sign of dearly beloved children.

³⁵baapdaada nimitta bane hue, sada umang utsaah badhaane vaali vishesh aatma ko pratyaksha saboot ki mubaarak de rahe hain।

³⁵BapDada is congratulating you special instrument souls who constantly increase zeal and enthusiasm by visible proof.

³⁶ek aap ko nahin dekh rahe hain lekin sabhi bachchon ki dil yahaan hai aur deh vahaan hai।

³⁶Baba is not only telling you, but the hearts of all the children are here.

³⁷aise sarva bachchon ko bhi baapdaada sangathan mein dekh rahe hain।

³⁷Even though their bodies are there, BapDada is seeing all the children in this gathering.

³⁸yaad to vaise bhi unhon ko pahunch jaati hai phir bhi sabhi bachchon ko dekh sneh ke sootra mein bandhe hue sada sameep rahne vaali aatmaon ko vishesh yaadapyaar de rahe hain।

³⁸Their remembrance reached here in any case; nevertheless, Baba is giving special love and remembrance to all the children who are tied with the thread of love and who are constantly close.

³⁹aise to desh mein se bhi jo bachche saakaar mein yahaan nahin hai lekin unhon ki bhi dil yahaan hai।

³⁹In the same way, the hearts of the children in this land who are not here in the physical form are also here.

⁴⁰un bachchon ko bhi baapdaada vishesh yaadapyaar de rahe hain।

⁴⁰BapDada is also giving them special love and remembrance.

⁴¹achha -''

⁴¹Achcha.

⁴²(nirvair bhaai videsh seva par jaane ki chhutti le rahe hain)

⁴²BapDada meeting Brother Nirwair. ⁴³This one is also going abroad.

⁴³yeh bhi ja rahe hain!

⁴⁴You have become ever-ready, have you not?

⁴⁴ever ready ban gaye na!

⁴⁵This is called sweet drama.

⁴⁵isko kaha jaata hai meetha drama। ⁴⁶teenon bindiyon ke tilak ki saugaat ho gai।

⁴⁶You received the gift of the tilak of three dots from the moment you had the thought.

⁴⁷jab se sankalp kiya aur teen bindiyon ka tilak drama anusaar phir se lag gaya। ⁴⁸laga hua hai aur phir se lag gaya।

⁴⁷And, according to the drama, the tilak of the three dots was applied. ⁴⁸This tilak has already been applied and it is being applied once again.

⁴⁹yeh avinaashi tilak sada mastak par laga hua hai na!

⁴⁹This imperishable tilak is constantly applied to your forehead, is it not?

⁵⁰teenon hi bindi saath-saath hain।

⁵⁰All three dots are together.

⁵¹baapdaada ne is tilak se vatan mein svaagat kar liya, theek hai na!

⁵¹BapDada has already welcomed you with this tilak in the subtle region.

⁵²vishesh kaun se swaroop dvaara sandesh dene ja rahe ho?

⁵²Is that OK? ⁵³With what form are you especially going to give the message?

⁵³vishesh paath kya yaad dilaayenge?

⁵⁴Of what lesson will you especially remind everyone?

⁵⁴‘‘sada umang utsaah mein udte chalo''yahi vishesh paath sabhi ko anubhav dvaara padhaana।

⁵⁵"Constantly continue to fly with zeal and enthusiasm!" ⁵⁶Teach everyone this special lesson from your experience.

⁵⁵anubhav dvaara paath padhna yeh avinaashi paath ho jaata hai।

⁵⁷To learn a lesson through experience becomes an imperishable lesson.

⁵⁶to vishesh naveenta yahi ho - anubhav mein rah anubhav karaana।

⁵⁸The special newness should be to stay in that experience and give others the same experience.

⁵⁷mukh ki padhaai to bahut samay chali।

⁵⁹Studying through words has continued for a long time.

⁵⁸abhi sabhi ko isi padhaai ki aavashyakta hai।

⁶⁰Now everyone needs this study.

⁵⁹isi vidhi dvaara sabhi ko udti kala mein le jaana। ⁶⁰kyonki anubhav bade se badi athaarti hai।

⁶¹Take everyone into the flying stage with this method, because experience is the greatest of all authorities.

⁶¹jisko anubhav ki athaarti hai usko aur koi athaarti vaar nahin kar sakti।

⁶²Those who have the authority of experience cannot be attacked by any other authorities.

⁶²maaya ki athaarti chal nahin sakti।

⁶³The authority of Maya cannot work on them.

⁶³to yahi vidhi vishesh dhyaan mein rakhkar chakkar lagaana।

⁶⁴Therefore, as you tour around especially keep this method in your awareness.

⁶⁴to yeh naveenta ho jaayegi na। ⁶⁵kyonki jab bhi koi jaata hai to tabhi sabhi yahi sochte hain ki koi naveenta mile। ⁶⁶bolna aur swaroop bankar swaroop banaana, yeh saath-saath ho।

⁶⁵This will become the newness because whenever someone goes somewhere everyone there expects to receive some newness. ⁶⁶Speaking and making others into embodiments whilst you yourself are an embodiment should both be happening simultaneously.

⁶⁷aapki pasandi bhi yeh hai na!

⁶⁷This is your preference as well, is it not?

⁶⁸drama anusaar abhi samay jo noondha hua hai vahi seva ke liye yogya samjho।

⁶⁸According to the drama, you should consider the time that is fixed now to be the right time for service.

⁶⁹sankalp to samaapta ho gaya na!

⁶⁹Your other thoughts have now finished, have they not?

⁷⁰ever ready ban sab taiyaariyaan bhi second mein ho gai hain na।

⁷⁰You are ever-ready and have made all preparations in a second, have you not?

⁷¹sthool saadhan to vahaan sab hain।

⁷¹All physical facilities are there.

⁷²bane banaaye saadhan hain।

⁷²They are ready-made facilities.

⁷³kuchh rah gaya to bhi koi badi baat nahin।

⁷³If something is left behind, it is not a big thing.

⁷⁴yahaan se to do dress mein bhi chale jaao to harja nahin।

⁷⁴Even if you leave here with just two sets of clothes, it doesn't matter.

⁷⁵vahaan redeemed mil jaata hai।

⁷⁵You can get them ready-made there.

⁷⁶sookshm taiyaari to ho gai hai na!

⁷⁶Your subtle preparations have been made, have they not?

⁷⁷sthool taiyaari badi baat nahin।

⁷⁷Physical preparations are not a big deal.

⁷⁸unhon ko khushkhabri sunaani hai।

⁷⁸Give them good news. ⁷⁹They don’t want destruction to take place.

⁷⁹ve chaahte hain ki vinaash na ho। ⁸⁰is duniya ki sthaapna hi rahe।

⁸⁰They think that there should just be establishment of that world.

⁸¹vinaash se darte kyon hain?

⁸¹Why are they afraid of destruction?

⁸²kyonki samajhte hain hamaari yeh duniya khatma ho jaayegi isliye darte hain।

⁸²It is because they think that their world would be finished that they are afraid.

⁸³lekin duniya to aur hi nai aane vaali hai।

⁸³However, a new world is going to come instead.

⁸⁴unhon ko yeh khushkhabri mil jaae to jo aap sabka sankalp hai ki hamaari yeh duniya sada vriddhi ko paati rahe aur achhe te achhe banti jaae, yeh aapka sankalp vishwa ke rachayita baap ke paas pahunch gaya hai।

⁸⁴They should receive this good news of your thought of your world constantly continuing to grow and becoming even better and better; and this thought has already reached the Father, the Creator of the World.

⁸⁵aur vishwa ka maalik,vishwa mein shanti sthaapna ho - uska kaarya kara rahe hain।

⁸⁵The Master of the World is carrying out the task of establishing peace in the world.

⁸⁶aur jo aap sab ki aash hai ki ek vishwa ho jaae,vishwa mein sneh ho, pyaar ho, ladaai jhagda na ho, yahi aap sab aatmaon ki aash poorn hone ka samay pahunch gaya hai।

⁸⁶The desire that all of you have for there to be one world, where there is love, where there is no fighting, the time has now come for that desire of all of you souls to be fulfilled.

⁸⁷lekin kis vidhi se hoga,us vidhi ko sirf jaano।

⁸⁷However, now just understand in what way that will happen.

⁸⁸vidhi yathaartha hai to siddhi bhi hogi।

⁸⁸When the method is accurate, there will also be success.

⁸⁹siddhi to milni hai lekin kis vidhi dvaara milegi woh nahin jaante hain।

⁸⁹There will be success, but they don’t know what method to use.

⁹⁰conference aadi to karke dekhi hai, lekin sankalp man se nahin nikalta।

⁹⁰You have already seen the result of conferences, but that thought doesn't leave your mind.

⁹¹ladaai-jhagde ka beej hi khatma ho jaae to shastra aadi hote bhi use nahin karna pade। ⁹²kyonki nuksaan koi shastra nahin karte, nuksaan karne vaala ‘krodh'hai, na ki shastra, beej krodh hai।

⁹¹If the seed of fighting and battling were to finish, then, although weapons etc. are available, they would never have to use them, because it is not weapons that cause damage, it is anger that causes damage.

⁹³to usi vidhipoorvak beej ko hi khatma kar den to siddhi hui padi hai।

⁹²The seed is anger. ⁹³Therefore, if the seed is finished in this way, then success is already accomplished.

⁹⁴ladaai-jhagde ka beej hi khatma ho jaae।

⁹⁴The seed of fighting and battling has to finish.

⁹⁵to sarva aatmaon ki aash poorn hone ka samay aa gaya hai।

⁹⁵The time for the desires of all souls to be fulfilled has now come.

⁹⁶samay sabki buddhi ko prer raha hai।

⁹⁶Time is inspiring everyone's intellect.

⁹⁷gupta kaarya jo chal raha hai woh kaarya sabhi ko apni taraph kheench raha hai lekin woh jaan nahin sakte ki yeh sankalp kyon aa raha hai!

⁹⁷The incognito task that is taking place is pulling everyone towards itself, but they don’t know why they have those thoughts.

⁹⁸banaaya bhi khud aur phir use na karen yeh sankalp kyon chal raha hai!

⁹⁸Why do they have thoughts of making those things and then not using them?

⁹⁹to sthaapna ka kaayar prerit kar raha hai lekin woh jaante nahin।

⁹⁹The task of establishment is inspiring them, but they don't understand that.

¹⁰⁰yeh aap svayan samajhte ho ki parivartan mein vinaash ke sivaae sthaapna hogi nahin। ¹⁰¹lekin bhaavna to unhon ki bhi vahi hai na!

¹⁰⁰You yourselves can understand that in the task of transformation, establishment cannot take place without destruction taking place. ¹⁰¹Their desire is this too.

¹⁰²unhon ki bhaavna ko lekar yeh khushkhabri unhon ko sunaao to vidhi yahi sunaayenge ki - ‘shanti ke saagar dvaara hi shanti hogi'।

¹⁰²Regard their feelings and give them this good news. ¹⁰³However, the method you have to tell them is that peace can only be established by the Ocean of Peace.

¹⁰³ham sab ek hain।

¹⁰⁴We are all one.

¹⁰⁴yeh brotherhood ki bhaavna kis aadhaar se ban sakti? ¹⁰⁵jisse yeh sankalp hi na uthe, mehnat nahin karni pade।

¹⁰⁵On what basis will the feeling of brotherhood be created, so that they neither have such thoughts nor do they have to labour?

¹⁰⁶kabhi hathiyaar use karen, kabhi nahin karen। ¹⁰⁷lekin yeh sankalp hi samaapta ho jaae, brotherhood ho jaae, yeh hai vidhi।

¹⁰⁶Even the thoughts of whether they should use the weapons or nor should come to an end and there should be brotherhood.

¹⁰⁸brotherhood aa gaya to baap to hai hi।

¹⁰⁷When it becomes a brotherhood, the Father is there in any case.

¹⁰⁹aise khushkhabri ke roop se unhon ko sunaao।

¹⁰⁸Tell them everything in the form of good news.

¹¹⁰shanti ka paath padhna padega।

¹⁰⁹They will have to learn the lesson of peace.

¹¹¹shanti ki vidhi se ashaanti khatma hogi।

¹¹⁰(Peacelessness will finish with the method of peace.)

¹¹²lekin woh shanti aave kaise?

¹¹¹However, how can that peace come?

¹¹³uske liye phir ‘mantra'dena pade।

¹¹²A mantra has to be given for that.

¹¹⁴shanti ka paath padhaate ho na!

¹¹³You teach the lesson of peace, do you not?

¹¹⁵main bhi shant,ghar bhi shant,baap bhi shanti ka saagar, dharma bhi shant।

¹¹⁴I am peace, the home is peace, the Father is the Ocean of Peace and your religion is peace.

¹¹⁶to aisa paath padhaao।

¹¹⁵Therefore teach them such a lesson.

¹¹⁷shanti hi shanti ka paath।

¹¹⁶The lesson of peace and only peace.

¹¹⁸do ghadi ke liye to anubhav karenge na।

¹¹⁷They should experience this for even a few moments, should they not?

¹¹⁹ek ghadi bhi dead silence ki anubhooti ho jaae to woh baar-baar aapko thanks denge।

¹¹⁸When they have the experience of dead silence for even a few moments, they will thank you over and over again.

¹²⁰aapko hi bhagwan samajhne lag jaayenge। ¹²¹kyonki bahut pareshaan hain na।

¹¹⁹Because they are very distressed they will begin to consider you to be God.

¹²²jitni jyaada badi buddhi hai utni badi pareshaani bhi hai,aisi pareshaan aatmaon ko agar jara bhi anchali mil jaati to vahi unhon ke liye ek jeevan ka vardaan ho jaata।

¹²⁰The more intellectual they are, the more distress they have. ¹²¹When such distressed souls receive even a handful, then that will become a blessing for their life.

¹²³jisko bhi chance mile woh bolte-bolte shanti mein le jaaen।

¹²²Whoever has a chance should take them into silence whilst speaking.

¹²⁴ek second bhi anubhooti mein unhon ko le jaaen to woh bahut-bahut thanks maanenge।

¹²³Take them into that experience for even a second and they will give you many, many thanks.

¹²⁵vaataavran aisa bana do jo sabhi aise anubhav karen jaise koi shanti ki kiran aa gai hai।

¹²⁴Create such an atmosphere that everyone experiences rays of peace to have come.

¹²⁶chaahe ek, aadha second hi anubhav ho kyonki yeh to vaayumandal dvaara hoga na!

¹²⁵When they experience that for even just a second or half a second, it will be through the atmosphere that they will experience it.

¹²⁷jyaada samay nahin rah sakenge।

¹²⁶They will not be able to stay in that for a long time.

¹²⁸ek aadha second bhi vaayumandal aisa halka ban jaae to andar se bahut shukriya maanenge। ¹²⁹kyonki vichaare bahut halchal mein hain।

¹²⁷The atmosphere should become so light, for even one or half a second, that they give many thanks from within, because they are in great upheaval.

¹³⁰unhon ko dekh baapdaada ko to raham aata hai।

¹²⁸BapDada feels a lot of compassion on seeing them.

¹³¹na raat ki neend, na din ki, bhojan bhi khaane ki reeti se nahin khaate।

¹²⁹They can't sleep at night or during the day; they can't eat their meals as they should.

¹³²jaise ki oopar mein bojh pada hua hai।

¹³⁰It is as though they have a burden on them.

¹³³kya hoga, kaise hoga!

¹³¹"What will happen? ¹³²How will it happen?"

¹³⁴to aisi aatmaon ko ek jhalak bhi mil jaae to kya maanenge!

¹³³If such souls receive even a glimpse, what would they consider that to be?

¹³⁵unhon ke liye to samjho soorya neeche utar aaya।

¹³⁴For them it would be as though the sun has come down for them.

¹³⁶ek jhalak hi chaahiye।

¹³⁵They just want one glimpse.

¹³⁷jyaada samay to woh shakti ko dhaaran bhi nahin kar sakenge।

¹³⁶They won't even be able to imbibe that power for a long time.

¹³⁸yeh to thodi ghadi ki baat hai। ¹³⁹jaise lahar aati aur chali jaati hai।

¹³⁷That is just a matter of a few moments, just like waves come and go.

¹⁴⁰itna bhi anubhav hua to unhon ke liye to bahut hai kyonki bahut pareshaan hain।

¹³⁸If they experience even this much, that would be a lot for them because they are very distressed.

¹⁴¹unhon ko thoda tinke ka sahaara bhi bahut hai।

¹³⁹For them the support of even something as little as a straw is a lot.

¹⁴²achha-

¹⁴⁰Achcha.

¹⁴³sankalp poora hua?

¹⁴¹Has your wish been fulfilled?

¹⁴⁴bachchon ki khushi mein baap ki khushi hai।

¹⁴²The Father's happiness lies in the happiness of the children.

¹⁴⁵saphalta moorta ho na!

¹⁴³You are an embodiment of success, are you not?

¹⁴⁶saphalta to saath hai hi।

¹⁴⁴Success is always with you.

¹⁴⁷jab baap saath hai to saphalta kahaan jaayegi!

¹⁴⁵Since the Father is with you, where else would success go?

¹⁴⁸jahaan baap hai vahaan sarva siddhiyaan saath hain।

¹⁴⁶All success is where the Father is.

¹⁴⁹bindi lagaana aata hai va bindi par phir question aa jaata?

¹⁴⁷Do you know how to apply a full-stop or is there a question mark put on top of the full-stop?

¹⁵⁰aajkal ki duniya mein aisa baarood chalaate hain jo itni chhoti bindi se itna bada saamp ban jaata hai।

¹⁴⁸In the world nowadays, they use such explosives that from just a tiny dot a big snake is created (long lasting effect).

¹⁵¹yahaan bhi lagaani chaahiye bindi।

¹⁴⁹The full-stop should also be applied here.

¹⁵²bindi mein sab sama jaata hai।

¹⁵⁰Everything becomes merged in the point.

¹⁵³agar sankalp ki teeli laga dete to phir woh saamp ho jaata। ¹⁵⁴na teeli lagaao,na saamp bane।

¹⁵¹If a matchstick is applied to their thoughts, it becomes a snake.

¹⁵⁵baapdaada bachchon ka yeh khel dekhta rehta hai।

¹⁵²Don't use a matchstick and it won't become a snake!

¹⁵⁶jo hota, sab mein kalyaan bhara hua hai।

¹⁵³BapDada continues to watch the games of the children.

¹⁵⁷aisa kyon va kya? ¹⁵⁸nahin।

¹⁵⁴Benefit is merged in whatever happens.

¹⁵⁹jo kuchh anubhav karna tha woh kiya।

¹⁵⁵There are no questions of "Why?" or "What?"

¹⁶⁰parivartan kiya aur aage badho। ¹⁶¹yeh hai bindi lagaana।

¹⁵⁶You have experienced whatever you had to experience.

¹⁶²sabhi videshiyon ko bhi yeh khel bataana।

¹⁵⁷You have transformed yourself, so now move forward!

¹⁶³unhon ko aisi baaten achhi lagti hai।

¹⁵⁸This is what it means to apply a full-stop.

¹⁶⁴(poona ki hardevi, videsh jaane ki chhutti le rahi thi)

¹⁵⁹Show all the people abroad this game. ¹⁶⁰They like such things!

¹⁶⁵vishesh vidhi kya rahegi? ¹⁶⁶paalna li hai, vahi paalna sabhi ki karna।

¹⁶¹(Dadiji and Dadi Chandermani are sitting next to Baba): This is the beauty of the procession.

¹⁶⁷pyaar aur shanti in do baaton dvaara sabki paalna karna।

¹⁶²This is the special decoration of BapDada.

¹⁶⁸pyaar sabko chaahiye aur shanti sabko chaahiye।

¹⁶³In front of all of you, who is the decoration of the family?

¹⁶⁹yeh do saugaaten sabke liye le jaana।

¹⁶⁴It is these Dadis, is it not?

¹⁷⁰sirf pyaar se drishti di aur do bol bole - woh svatah hi sameep hi sameep aate jaayenge।

¹⁶⁵What thought do all of you especially have in your mind for these special souls? ¹⁶⁶That they may live for ever.

¹⁷¹jaise paalna li hai, paalna ki anubhveemoorta to bahut ho na?

¹⁶⁷They constantly continue to give all of you co-operation by becoming immortal.

¹⁷²to vahi paalna ka anubhav auron ko karaana। ¹⁷³topic par bhaashan bhal nahin karna lekin sabse taap ki cheej hai -‘pyaar aur shanti ki anubhooti'।

¹⁶⁸Even when something happens to only one Dadi, everyone has thoughts about that. ¹⁶⁹This is an instrument canopy of protection in a physical way.

¹⁷⁴to yeh taap ki cheejen de dena jo har aatma anubhav karen ki aisa pyaar to hamko kabhi mila nahin, kabhi dekha hi nahin।

¹⁷⁰In fact, you have the Father's canopy of protection, but these experienced souls are instruments as master canopies of protection.

¹⁷⁵pyaar aisi cheej hai jo pyaar ke anubhav ke peechhe svatah hi khinchate hain। ¹⁷⁶bahut achha hai।

¹⁷¹When the sun is hot or it rains, you go under a canopy. ¹⁷²What do all of you do when you have a problem?

¹⁷⁷aadi mahaaveer ja rahe hain।

¹⁷³You go to them physically.

¹⁷⁸sati aur kunja bhi gai hain na। ¹⁷⁹paalna ke swaroop ja rahe hain, bahut achha hai।

¹⁷⁴You have a heart-to-heart conversation with the Father, but you still write a letter to Madhuban, do you not?

¹⁸⁰inhon dvaara saakaar se sahaj sambandh jut jaayega। ¹⁸¹kyonki inhon ki rag-rag mein baap ki paalna samaai hui hai।

¹⁷⁵You must have seen how, when people go on excursions, every now and then they put up a canopy and have entertainment programmes.

¹⁸²to chaltephirte vahi dikhaai dega jo andar samaaya hua hoga।

¹⁷⁶It is the same here. ¹⁷⁷There are umbrellas everywhere.

¹⁸³aap dvaara baap ke paalna ki anubhooti hogi। ¹⁸⁴bhal khushi se jaao।

¹⁷⁸When there is a programme, entertainment is also provided.

¹⁸⁵baapdaada bhi khush hain bachchon ke jaane mein।

¹⁷⁹In Madhuban, you laugh, dance and sing.

¹⁸⁶kyonki ghoomne phirne vaale to hain nahin। ¹⁸⁷yagya ke haddi sevaadhaari hain।

¹⁸⁰Therefore BapDada is also pleased to see the children enjoying themselves.

¹⁸⁸unhon ke ek- ek kadam mein seva hogi।

¹⁸¹This love attracts everyone towards the Father.

¹⁸⁹isliye baapdaada bhi khush hain bachchon ke chakravarta banne mein (chandramni aur daadi ji baba ke paas mein baithi hain) ¹⁹⁰yeh to baaraat ki shaan hain।

¹⁸²Just as they are instruments, in the same way, all of you should consider yourselves to be the canopy of your place. ¹⁸³Whomsoever you are instruments for should receive a means of safety.

¹⁹¹baapdaada ka vishesh shrringaar yeh hain।

¹⁸⁴They shouldn't be dependent, but do give them support.

¹⁹²aap sabhi ke aage parivaar ke shrringaar kaun hain?

¹⁸⁵To give support and co-operation as an instrument is different.

¹⁹³yahi (daadiyaan) hain na। ¹⁹⁴aaj sabke man mein in vishesh aatmaon prati sada kya sankalp rehta ki yeh sada jeeti rahen।

¹⁸⁶However, don't give them support as a bestower of support. ¹⁸⁷There is a difference between giving support as an instrument and giving it as a bestower of support.

¹⁹⁵yeh sab aap logon ko amar bhav ka sahayog deti rehti। ¹⁹⁶ek daadi ko bhi kuchh hota hai to sabka sankalp chalta hai na!

¹⁸⁸Even if you don't consider yourself to be a support, and yet the other one considers you to be his or her support, then both names would be mentioned, would they not?

¹⁹⁷yeh sthool mein nimitta chhatrachhaaya hain। ¹⁹⁸vaise to baap ki chhatrachhaaya hai lekin nimitta yeh anubhvi aatmaaen master chhatrachhaaya hain।

¹⁸⁹If you give support in the right way by considering it to be service and as an instrument, then that giving support increases their zeal and enthusiasm, and there won't be a report.

¹⁹⁹kabhi dhoop athva kabhi baarish aati hai to chhatrachhaaya mein chale jaate hain na। ²⁰⁰aap log ke paas bhi koi problem aati hai to kya karte ho?

¹⁹⁰However, when others begin to feel that you are their everything or that you are their only support, that is known as giving support by becoming a bestower of support.

²⁰¹saakaar mein inhon ke paas aana padta hai। ²⁰²baap se to rooh-roohaan karenge lekin patra to madhuban mein likhenge na!

¹⁹¹To consider it to be service and to give the co-operation of support as an instrument is a different matter.

²⁰³jaise vahaan dekha hai na jahaan eksakarshan karne jaate hain to beech-beech mein chhatri laga dete hain phir unke beech manoranjan programme karte hain।

¹⁹²Therefore, who are all of you? ¹⁹³At the end, all the actors will come onto the stage together, whether they are servers through their body or through other different bodies.

²⁰⁴yeh bhi aise hain। ²⁰⁵chhatriyaan jahaan-tahaan lagi hui hai। ²⁰⁶jab kuchh hota to manoranjan bhi karte hain।

¹⁹⁴For all actors to come onto the stage together means for there to be cries of victory and completion to take place.

²⁰⁷madhuban mein hansate, naachte,gaate ho na। ²⁰⁸to baapdaada ko bhi khushi hoti hai।

¹⁹⁵Their part is to co-operate in the task of establishment in an incognito way.

²⁰⁹bachche manoranjan mana rahe hain।

¹⁹⁶You are in the visible form.

²¹⁰yahi sneh sabhi ko baap ke sneh taraph aakarshit karta hai।

¹⁹⁷They are playing their part in establishment in an incognito way.

²¹¹jaise yeh nimitta bani hui hain aise hi aap bhi apne ko har sthaan ki chhatri samjho।

¹⁹⁸It won't be revealed now because the time for the curtain to be opened will be when everyone is ever-ready and complete.

²¹²jinke nimitta bante ho unhon ko safety ka saadhan mil jaae।

¹⁹⁹When the curtain is opened, completion will take place.

²¹³jhukaav nahin ho lekin sahaara do।

²⁰⁰Are all of you ready in this way?

²¹⁴nimitta bankar sahaara,sahayog dena doosri baat hai lekin sahaare daata bankar sahaara nahin do।

²⁰¹Are the curtains ready to be opened? ²⁰²Is the rosary of heir-quality souls ready?

²¹⁵nimitta ban sahaara dena aur sahaare daata ban sahaara dena, ismen antar ho jaata hai। ²¹⁶agar aap nahin samajhte ho ki main sahaara hoon parantu doosra aapko samajhta hai to bhi naam to donon ka hoga na! ²¹⁷seva samajh karke nimitta ban umang-utsaah badhaane ka sahaara dena,is vidhi poorvak sahaara de to kabhi bhi report nahin nikle। ²¹⁸sab kuchh unko hi samajhne lag jaate ki yeh mera sahaara hai,isko kaha jaata hai - sahaara daata ban sahaara diya।

²⁰³The 108 are very close to completion.

²¹⁹lekin seva samajh nimitta ban sahayog ka sahaara dena woh doosri baat hai।

²⁰⁴You now have to become completely perfect. ²⁰⁵Even in terms of time you are close to perfection.

²²⁰aap sab kaun ho?

²⁰⁶Do you think so?

²²¹ant mein sab paartadhaari ikatthe stage par aayenge।

²⁰⁷What is the sign of that? ²⁰⁸What is the speciality of the rosary?

²²²chaahe is shareer dvaara sevaadhaari, chaahe bhinna-bhinna shareer dvaara sevaadhaari।

²⁰⁹What special sign is visible when the rosary is complete? ²¹⁰All the beads are joined together one by one.

²²³sab ikatthe paartadhaari stage par aana arthaat jayjaykaar ho samaapti hona kyonki unhon ka hai hi gupta roop mein sthaapna ke sahayogi ka part।

²¹¹This is the sign of a rosary. ²¹²The speciality of your rosary is to be close to one another in your sanskars. ²¹³The beads should be together, next to each other.

²²⁴aap pratyaksha roop mein ho।

²¹⁴Is that preparation made?

²²⁵woh gupta roop mein apna sthaapna ka part baja rahe hain, abhi pratyaksha nahin honge kyonki parda uthne ka samay tab aaye jab sab ever ready ho jaaen।

²¹⁵Whichever bead you see, even if it is the 108th bead, it is still together with the rest. ²¹⁶Are you together in this way?

²²⁶sampanna ho jaaen। ²²⁷parda utha phir to samaapti hogi na।

²¹⁷Everyone should feel that all of you beads are threaded in the rosary.

²²⁸aise sab taiyaar hain? ²²⁹parda uthne ki taiyaari hai? ²³⁰abhi vaaris quality ki maala taiyaar hui hai?

²¹⁸Don't question how you can all come close to one another when you all have various sanskaras.

²³¹108 bhi sampannata ke kaaphi sameep hon,bilkul sampanna ho jaaen।

²¹⁹No. ²²⁰Even whilst having a variety of sanskars, you should be seen to be close.

²³²samay ke hisaab se bhi sampoornata ke najdeek hon। ²³³aise samajhte ho?

²²¹The numbers are being created on the basis of variety, but the beads are still close to one another.

²³⁴uski nishaani kya hogi? ²³⁵maala ki visheshta kya hogi?

²²²A rosary cannot be created unless the beads are touching one another.

²³⁶maala taiyaar hai uski vishesh nishaani kya dikhaai degi?

²²³If even one bead comes out of a rosary, it would be a broken rosary.

²³⁷ek ke saath ek daana mila hua hai। ²³⁸yeh maala ki nishaani hai।

²²⁴It would not be a rosary that is worthy of worship.

²³⁹maala ki visheshta hai - ek do ke sanskaaron ke sameep। ²⁴⁰daane se daana mila hua।

²²⁵If the beads are apart from each other, it would be said that this rosary is not worthy of worship.

²⁴¹woh taiyaari hai? ²⁴²jisko bhi dekhen, chaahe108vaan number ho lekin daana mila hua, to woh bhi hai na!

²²⁶If even the 108th bead is a little distant, it would be said that the rosary isn’t yet ready.

²⁴³aise jude hue hain।

²²⁷Achcha.

²⁴⁴sabhi ko yeh mahsoosta aave ki yeh to maala ke samaan piroye hue manke hain।

²²⁸Blessing: May you be completely pure and realise your original and eternal real form.

²⁴⁵aise nahin - sanskaar sabke variety hain to najdeek kaise honge?

²²⁹The original and eternal form of the soul is purity.

²⁴⁶nahin। ²⁴⁷variety sanskaar hote bhi sameep dikhaai den।

²³⁰Impurity is artificial; it is a gift of shudras.

²⁴⁸variety ke aadhaar par number ho gaye lekin daane to najdeek hain na - ek do ke। ²⁴⁹jab tak ek doosre se na milen tab tak maala ban nahin sakti।

²³¹Brahmins cannot use the things of shudras. ²³²Therefore, simply have the thought that, in your real original and eternal form, you are a pure soul.

²⁵⁰ek bhi daana nikal jaae to maala khandit ho jaae।

²³³Whomsoever you see, see their real form.

²⁵¹poojya maala nahin kahi jaayegi। ²⁵²door bhi rah jaae to bhi kahenge yeh poojyaneey maala nahin।

²³⁴Realise the real form and you will become completely pure and claim a right to a first-class air-conditioned ticket.

²⁵³108vaan number bhi agar thoda door hai to maala ready nahin ho sakti। ²⁵⁴achha-

²³⁵Slogan: When you fill your apron with God’s blessings, Maya cannot even come close to you!

²⁵⁵baapdaada ne sabhi bachchon prati yaadapyaar tape mein bhari- ²⁵⁶sarva lagan mein magan rahne vaale bachchon ko yaadapyaar ke saath baapdaada sabhi bachchon ke umang utsaah dekh sada harshit hote hain। ²⁵⁷sabhi ke yaadapyaar aur purooshaartha ke umang-utsaah ke aur vighna vinaashak banne ke patra baapdaada ke paas aaye hain aur baapdaada sabhi vighna vinaashak bachchon ko yaadapyaar de rahe hain aur sada hi maayaajeet, sada hi master sarvashaktivaan ki smriti ki seat par sthit ho double light ban udte aur udaate chalo। ²⁵⁸to chaaron or ke,sirf videshi nahin lekin sab dil takhtansheen bachchon ko dilaaraam baap ki taraph se bahut-bahut yaad…om shanti।

²³⁶* * * O M S H A N T I* * *