मंगलवार 28 दिसंबर 1982 की अव्यक्त मुरली

⁰> ¹28-12-82 om shanti avyakt baapdaada madhuban

⁰28-12-1982 Avyakt BapDada 28-12-1982

²“sada ek ras, sampoorn chamakta hua sitaara bano”

¹Become a constant and stable, perfect, sparkling star.

³paramshikshak, sadguru,baap apne chamakte hue sitaaron, bachchon prati bole :- ⁴‘‘baapdaada sabhi bachchon ko dekh har bachche ke vartamaan lagan mein magan rahne ki sthiti, aur bhavishya praapti ko dekh harshit ho rahe hain। ⁵kya the, kya bane hain aur bhavishya mein bhi kya banne vaale hain।

²BapDada is looking at each child and is pleased to see each child’s present stage of being absorbed in love and in his future attainment. ³What were you, what have you become and what are you going to become in the future?

⁶harek bachcha vishwa ke aage vishesh aatma hai।

⁴Compared with the world, each child is a special soul.

⁷har ek ke mastak par bhaagya ka sitaara chamak raha hai।

⁵The star of fortune is sparkling on each child’s forehead.

⁸aisa hi abhyaas ho, sada chamakte hue sitaare ko dekhte rahen,isi practice ko sada badhaate chalo।

⁶Let there be the practice of constantly looking at the star of fortune. ⁷Continue to increase this practice.

⁹jahaan dekho,jab bhi kisko dekho, aisa natural abhyaas ho jo shareer ko dekhte hue na dekho।

⁸Wherever you look, whoever you see, let there be the natural practice of seeing the body but not seeing it.

¹⁰sada nazar chamakte hue sitaare ki taraph jaaye।

⁹Let your vision always go to the sparkling star.

¹¹jab aisi roohaani nazar sada natural roop mein ho jaayegi tab vishwa ki nazar aap chamakte hue dharti ke sitaaron par jaayegi।

¹⁰When your vision is naturally spiritual, then the vision of the world will fall on you sparkling stars of the earth.

¹²abhi vishwa ki aatmaayen dhoondh rahi hain।

¹¹At present, souls of the world are still searching.

¹³koi shakti kaarya kar rahi hai, aisi mahsoosta, aisi touching abhi aane lagi hai।

¹²They have begun to have the feeling and touching that some power is carrying out the task.

¹⁴lekin kahaan hai,kaun hai,yehædhoondhate hue bhi jaan nahin sakte।

¹³However, although they are searching, they don’t know who it is or where it is.

¹⁵bhaarat dvaara hi aadhyaatmik light milegi,yeh bhi dheere-dheere spashta hota ja raha hai।

¹⁴It is gradually becoming apparent that it will only be from Bharat that they will receive spiritual light.

¹⁶is kaaran vishwa ki chaaron taraph se nazar hatkar bhaarat ki taraph ho gai hai lekin, bhaarat mein kis taraph aur kaun aadhyaatmik light dene ke nimitta hain,abhi yeh spashta hona hai।

¹⁵This is why the vision of the world has moved away from everywhere else and has fallen on Bharat. ¹⁶However, it is yet to become clear where in Bharat and who in Bharat the instrument to give that spiritual light will be.

¹⁷sabhi ke andar abhi yeh khoj hai ki bhaarat mein anek aadhyaatmik aatmaayen kahlaane vaali hain, aakhir bhi inmen dharmaatma kaun aur paramatma kaun hai?

¹⁷Everyone is ultimately trying to discover who in Bharat is the dharamatma soul and who is the Supreme Soul (Paramatma) out of all the so-called spiritual souls there.

¹⁸yeh to nahin hai,yeh to nahin hai - isi soch mein lage hue hain।

¹⁸They are engrossed in the thought: “Is it that one? ¹⁹Is it this one?”

¹⁹‘‘yahi hai'' isi phaisle par abhi tak pahunch nahin paaye hain।

²⁰They haven’t yet arrived at the decision that it is this One.

²⁰aisi bhatakti hui aatmaon ko sahi nishaana,yathaartha thikaana dikhaane vaale kaun?

²¹Who will show such wandering souls the right goal and the right destination?

²¹double videshi samajhte hain ki ham hi woh hain।

²²You double foreigners think that you are the ones who will do this.

²²phir itna bichaaron ko bhatkaate kyon ho?

²³So, why are you making those poor helpless souls wander around so much?

²³sada ke liye aisi sthiti banaao jo sada chamakte hue sitaare dekhen।

²⁴Make your stage so constant that they constantly see a sparkling star.

²⁴door se hi aapki chamakti hui light dikhaai de।

²⁵Your sparkling light needs to be visible from a distance.

²⁵abhi tak jo sammukh aate hain, samparka mein aate hain,unheen ko anubhav hota hai lekin door-door tak yeh touching ho, yeh vibration phailen - usmein abhi aur bhi abhyaas ki aavashyakta hai।

²⁶As yet, only the souls who come into contact and relationship with you experience this. ²⁷However, this touching and vibration has to spread far into the distance. ²⁸So, there is a need for this practice.

²⁶abhi nimantran dena padta hai ki aao, aakar anubhav karo।

²⁹At present, you have to invite them to come and experience this.

²⁷lekin jab chamakte hue sitaare - soorya, chandrama samaan, apni sampoorn stage par sthit honge phir kya hoga?

³⁰However, what will happen when you sparkling stars remain stable in your perfect stage like the sun and the moon?

²⁸jaise sthool roshni ke oopar parvaane svatah hi aate hain,shama bulaane nahin jaati hai lekin pyaase parvaane kahaan se bhi pahunch jaate hain।

³¹When moths are naturally drawn to a physical lamp, the flame doesn’t go to invite them but the yearning moths go there by themselves from wherever they are.

²⁹aise aap chamakte hue sitaaron par bhatakti hui aatmaayen, dhoondhane vaali aatmaayen svatah hi paane ke liye, milne ke liye aisi fast gati se aayenge jo aap sabko second mein baap dvaara mukti, jeevanmukti ka adhikaar dilaane ki teevragti se seva karni padegi।

³²In the same way, souls who are wandering and searching will automatically come to you sparkling stars at a fast speed, in order to attain something and to meet you. ³³Therefore, all of you will have to do the service of helping those souls receive their right to liberation and liberation-in-life from the Father in a second, at a fast speed.

³⁰is samay master daata ka part baja rahe ho।

³⁴At this time, you are playing the parts of master bestowers.

³¹master shikshak ka part chal raha hai।

³⁵The parts of master teachers are being played at this time.

³²lekin abhi satguru ke bachche ban ‘gati aur sadgati' ke vardaata ka part bajaana hai।

³⁶However, you now have to become the children of the Satguru and play your parts of bestowers of the blessings of liberation and salvation.

³³master satguru ka swaroop kaun sa hai, jaante ho?

³⁷Do you know what the form of a master satguru is?

³⁴abhi to baap ka bhi, baap aur shikshak ka part vishesh roop mein chal raha hai isliye bachchon ke roop mein kabhi-kabhi baap ko bhi naaz aur nakhre dekhne padte hain।

³⁸At the moment, the part of the Father and the Teacher is especially being played. ³⁹This is why the Father is sometimes proud of you children, but He also has to watch your mischievous games.

³⁵shikshak ke roop mein baar-baar ek hi paath yaad karaate rehte hain।

⁴⁰In the form of the Teacher, He constantly reminds you of the one lesson.

³⁶satguru ke roop mein ‘gati-sadgati ka certificate',final vardaan second mein milega। ³⁷master satguru ka swaroop arthaat sampoorn follow karne vaale।

⁴¹The final blessing, in the form of the certificate of liberation and salvation, will be given in a second by the form of the Satguru.

³⁸satguru ke vachan par sada sampoorn reeti chalne vaale - aisa swaroop ab practical mein baap ka aur apna anubhav karengen।

⁴²The form of master satgurus means those who follow completely. ⁴³They are the ones who completely follow every word of the Satguru.

³⁹satguru ka swaroop arthaat sampanna, samaan banaakar saath le jaane vaale।

⁴⁴You will now experience such a form of the Father and also your own form in a practical way.

⁴⁰satguru ke swaroop mein master satguru bhi nazar se nihaal karne vaale hai।

⁴⁵The form of the Satguru means the One who makes you perfect and equal to Himself and takes you back home.

⁴¹mat di aur gati hui। ⁴²isliye ‘guru mantra' prasiddha hai।

⁴⁶The form of the Satguru and even a master satguru is the one that takes you beyond with a glance.

⁴³second ka mantra liya aur samajhte hain, gati ho gai।

⁴⁷As soon as you give directions, they are liberated.

⁴⁴mantra arthaat shreshtha mat।

⁴⁸This is why a mantra given by a guru is very famous.

⁴⁵aisi powerful stage se shreemat denge jo aatmaayen anubhav karenge ki humein gati sadgati ka thikaana mil gaya।

⁴⁹When they receive a mantra in a second, they feel that they have attained liberation! ⁵⁰A mantra means elevated directions.

⁴⁶aisi shaktishaali sthiti ko ab se apnaao। ⁴⁷sitaare to abhi ho lekin abhi light kya hoti hai…?

⁵¹You will give shrimat with such a powerful stage that souls will feel that they have found the destination of liberation and salvation.

⁴⁸sada ek ras sampoorn chamakta hua sitaara ho, aise svayan ko pratyaksha karo।

⁵²Adopt such a powerful stage now! ⁵³You all are stars, but now, what is the light?

⁴⁹suna, kya karna hai? ⁵⁰double videshi teevragti vaale ho na?

⁵⁴You are constantly sparkling perfect starts - reveal yourselves in this way.

⁵¹ya rookte ho,chalte ho?

⁵⁵Did you hear what you have to do?

⁵²kabhi baadlo ke beech chhip to nahin jaate ho? ⁵³- baadal aate hain?

⁵⁶You double foreigners are those who move at a fast speed, are you not?

⁵⁴aisa sampoorn swaroop bahut kaal sada-sada rahe tab pratyakshata ho।

⁵⁷Or, do you stop and start? ⁵⁸You don’t sometimes hide behind the clouds, do you?

⁵⁵abhi-abhi chamakta hua sitaara aur abhi abhi phir baadlon mein chhip jaaye to vishwa ki aatmaayen spashta anubhav kar nahin sakteen।

⁵⁹Do clouds come? ⁶⁰If such perfect, sparkling stars sometimes hide in the clouds, then the souls of the world would not be able to see them very clearly.

⁵⁶isliye ek ras rahne ka,sada soorya samaan chamakte rahne ka sankalp karo।

⁶¹So, , have the thought of remaining constantly stable and constantly shine like the sun.

⁵⁷achha –

⁶²Achcha.

⁵⁸sabhi double videshi bachchon ko aur chaaron or ke sevaadhaari bachchon ko, sada baap samaan man,vaani aur karma mein follow karne vaale, sada baap ke diltakhtansheen,master dilaaraam, sada bhatakti hui aatmaon ko raasta dikhaane vaale light house bachchon ko baapdaada ka yaadapyaar aur namaste। ⁵⁹''

⁶³To all the double-foreign children and all the serviceable children everywhere, to those who are equal to the Father and who constantly follow in thought, word and deed, to the children who are constantly seated on the Father’s heart-throne, to those who are master comforters of hearts and, as lighthouses, constantly show wanderings souls the path, BapDada’s love, remembrance and namaste.

⁶⁰party ke saath

⁶⁴BapDada meeting groups:

⁶¹nerobi party se - ‘‘sabhi race mein number one ho na?

⁶⁵Nairobi group: You are all number one in the race, are you not?

⁶²number one ki nishaani hai -har baat mein win karne vaale arthaat one number mein aane vaale। ⁶³kisi bhi baat mein haar na ho।

⁶⁶The sign of number one is to win in everything, that is, to claim number one. ⁶⁷Do not be defeated by anything; be constantly victorious.

⁶⁴sada vijayi। ⁶⁵to nerobi nivaasi sada vijayi ho na!

⁶⁸So you residents of Nairobi are constantly victorious, are you not?

⁶⁶kabhi chalte- chalte rookte to nahin ho।

⁶⁹You don’t sometimes stop whilst moving along, do you?

⁶⁷rookne ka kaaran kya hota?

⁷⁰What is the reason for stopping?

⁶⁸zaroor koi na koi maryaada va niyam thoda bhi neeche oopar hota hai to gaadi rook jaati hai।

⁷¹It is definitely when there have been some ups and downs in following a code of conduct or discipline that you stop.

⁶⁹lekin yeh sangamayug hai hi ‘maryaada purooshottam'banne ka yug। ⁷⁰puroosh nahin, naari nahin lekin ‘purooshottam'hain, isi smriti mein sada raho।

⁷²However, this confluence age is for becoming the most elevated beings who follow the highest code of conduct. ⁷³You are not a man or a woman, but a most elevated being.

⁷¹purooshon mein uttam puroosh - ‘prajaapita brahma'ko kaha jaata hai।

⁷⁴Constantly stay in this awareness. ⁷⁵Prajapita Brahma is said to be the most elevated man of all.

⁷²to brahma ke bachche aap sab ‘brahmaakumaar-kumaariyaan'bhi purooshottam ho gaye na।

⁷⁶Therefore, all of you Brahma Kumars and Kumaris, the children of Brahma, have also become the most elevated beings, have you not?

⁷³is smriti mein rahne se sada udti kala mein jaate rahenge,neeche nahin rookenge।

⁷⁷By staying in this awareness, you will constantly continue to be in the flying stage; you will not stop down below.

⁷⁴chalne se bhi oopar sada udte rahenge kyonki sangamayug udti kala ka yug hai,aur koi aisa yug nahin jismen udti kala ho।

⁷⁸Instead of walking, you will constantly continue to fly up above, because the confluence age is the age of the flying stage. ⁷⁹In no other age is there the flying stage.

⁷⁵to smriti mein rakho ki yeh yug udti kala ka yug hai, braahmanon ka karttavya bhi udna aur udaana hai।

⁸⁰So have the awareness that this is the age for the flying stage. ⁸¹The duty of Brahmins is to fly and help others fly.

⁷⁶vaastavik stage bhi udti kala hai।

⁸²Your original stage is the flying stage.

⁷⁷udti kala vaala second mein sarva samasyaayen paar kar lega।

⁸³Those who have the flying stage will overcome all problems in a second.

⁷⁸aisa paar karega jaise-kuchh hua hi nahin।

⁸⁴They will overcome them in such a way that it will be as though nothing happened.

⁷⁹neeche ki koi bhi cheej disturb nahin karegi। ⁸⁰rookaavat nahin daalegi।

⁸⁵None of the things down below will disturb them; they will not cause any obstruction.

⁸¹plen mein jaate hain to himaalay ka pahaad bhi rookaavat nahin daalta, pahaad ko bhi manoranjan ki reeti se paar karte hain।

⁸⁶When you fly in a plane, even the Himalayas don’t become an obstruction; you go across the mountains with enjoyment.

⁸²to aise hi udti kala vaale ke liye bade te badi samasya bhi sahaj ho jaati hai।

⁸⁷In the same way, the biggest problems become very easy for those who are in the flying stage.

⁸³nerobi apna number aage le rahi hai na!

⁸⁸Nairobi is claiming a number ahead, is it not?

⁸⁴abhi vi.aai.Ps. ki service mein number aage lena hai।

⁸⁹Now claim a number ahead in the service of VIPs.

⁸⁵sankhya to achhi hai, abhi dekhenge conference mein vi.aai.Ps. kaun kaun le aata hai?

⁹⁰The number there is good, but we shall now see who brings VIPs here for the conference.

⁸⁶abhi hai woh number।

⁹¹Now claim a number in this.

⁸⁷sabse number one vi.aai.Ps. kaun laata hai, abhi yeh race baapdaada dekhenge। ⁸⁸''

⁹²Now BapDada will see the race of everyone who brings the number one VIPs.

⁸⁹naye haal ke liye chitra banaane vaale chitrakaaron prati baapdaada ka eeshaara - ‘‘chitrakaar ban karke chitra bana rahe ho va svayan us sthiti mein sthit ho karke chitra banaate ho!

⁹³BapDada’s signals for the artists who are to paint the pictures in the new hall of Om Shanti Bhavan: ⁹⁴Do you paint the pictures just as artists or do you stabilise yourselves in that stage whilst painting them?

⁹⁰kya karte ho?

⁹⁵What do you do?

⁹¹kyonki aur kahaan bhi koi chitra banaate hain to woh rivaaji chitrakaar chitra bana dete hain।

⁹⁶When other artists paint pictures, they just make ordinary pictures.

⁹²yahaan chitra banaane ka lakshya kya hai?

⁹⁷What is the aim of painting the pictures here?

⁹³jaise baap ka chitra banaayenge to uski visheshta kya honi chaahiye?

⁹⁸When you paint the Father’s painting, what speciality should it have?

⁹⁴chitra chaitanya ko pratyaksha karen।

⁹⁹The painting should reveal the life.

⁹⁵chitra ke aage jaate hi anubhav karen ki yeh chitra nahin dekh raha hai, chaitanya ko dekh raha hai।

¹⁰⁰As soon as people go in front of the painting they shouldn’t experience it to be a painting but as if they are seeing the living being.

⁹⁶vaise bhi chitra ki visheshta - chitra jad hote chaitanya anubhav ho, isi par prize milti hai।

¹⁰¹In any case, the speciality of a painting is that it is experienced to be real although it is just a painting. ¹⁰²It is on this basis that a prize is received.

⁹⁷usmein bhi bhaav aur prakaar ka hota।

¹⁰³With those paintings they have different intentions.

⁹⁸lekin roohaani chitra ka lakshya hai - chitra roohaani rooh ko pratyaksha kar de। ⁹⁹roohaaniyat ka anubhav karaaye।

¹⁰⁴However, the aim of a spiritual painting is that the painting should reveal the living spirit; it should give the experience of spirituality.

¹⁰⁰aise alaukik chitrakaar, laukik nahin।

¹⁰⁵You are unique artists, not worldly.

¹⁰¹laukik chitrakaar to laukik baaton ko - nayan, chain ko dekhenge lekin yahaan roohaaniyat ka anubhav ho - aisa chitra banaao। ¹⁰²(aasheervaad chaahiye) aasheervaad to kya aasheervaad ki khaan par pahunch gaye ho, maangane ki aavashyakta nahin hai, adhikaar lene ka sthaan hai।

¹⁰⁶Worldly artists will look at the physical things: eyes, features, etc, but here you must make a painting that will give the experience of spirituality. ¹⁰⁷(We want blessings.) ¹⁰⁸Let alone blessings, you have reached the Mine of Blessings!

¹⁰³jab varse ke roop mein praapta ho sakta hai to thodi si blessing kyon?

¹⁰⁹There is no need to ask for them. ¹¹⁰You have reached the place where you can claim your right.

¹⁰⁴khaan par jaakar do mutthi bharkar aana usko kya kaha jaayega?

¹¹¹Since you can attain them as your inheritance, why settle for just a few blessings?

¹⁰⁵baap jaise svayan saagar hai to bachchon ko bhi master saagar banaayenge na। ¹⁰⁶saagar mein koi bhi kami nahin hoti।

¹¹²What would you say if someone were to go into a mine and come out with only a couple of handfuls?

¹⁰⁷sada bharpoor hota hai। ¹⁰⁸achha -''

¹¹³The Father Himself is the Ocean.

¹⁰⁹sveedan party se :-’’sada nishchaybuddhi vijayi ratna hain।

¹¹⁴Therefore He would also make the children master oceans, would He not?

¹¹⁰'' - isi nashe mein raho। ¹¹¹nishchay ka foundation sada pakka hai!

¹¹⁵There is nothing lacking in an ocean; it is always full. ¹¹⁶Achcha.

¹¹²apne aap mein nishchay, baap mein nishchay aur drama ki har scene ko dekhte hue usmein bhi poora nishchay।

¹¹⁷BapDada meeting a group from Sweden: ¹¹⁸Constantly stay in the intoxication of being a victorious jewel who has faith in the intellect.

¹¹³sada isi nishchay ke aadhaar par aage badhte chalo।

¹¹⁹The foundation of faith is constantly strong.

¹¹⁴apni jo bhi visheshtaayen hain, unko saamne rakho, kamzoriyon ko nahin, to apne aap mein faith rahega।

¹²⁰Have faith in yourself, in the Father and in the drama and continue to move forward, on this basis.

¹¹⁵kamzori ki baat ko jyaada nahin sochna to phir khushi mein aage badhte jaayenge।

¹²¹Keep in front of you all your specialities, not your weaknesses, and you will have faith in yourself.

¹¹⁶baap ka haath liya to baap ka haath pakadne vaale sada aage badhte hain, yeh nishchay rakho।

¹²²Don’t think about your weaknesses too much and you will continue to move forward in happiness.

¹¹⁷jab baap sarvashaktivaan hai to uska haath pakadne vaale paar pahunche ki pahunche। ¹¹⁸chaahe khud bhale kamjor bhi ho lekin saathi to majboot hai na।

¹²³Have the faith that you are holding on to the Father’s hand because those who hold on to His hand continue to move forward constantly.

¹¹⁹isliye paar ho hi jaayenge। ¹²⁰sada nishchaybuddhi vijayi ratna,isi smriti mein raho।

¹²⁴Since the Father is the Almighty Authority, those who are holding His hand have almost reached their destination.

¹²¹beeti so beeti, bindi lagaakar aage badho। ¹²²'' ¹²³mahaavaakyon ka saar

¹²⁵Even though you may be weak, your Companion is strong, is He not?

¹²⁴1. sada nazar chamakte hue sitaare ki taraph jaae।

¹²⁶This is why you will be able to go across.

¹²⁵jab aisi roohaani nazar sada naturally roop mein ho jaavegi tab vishwa ki nazar aap chamakte hue dharti ke sitaaron par jaayegi।

¹²⁷Constantly maintain the awareness of being a constantly victorious jewel with this faith in the intellect. ¹²⁸The past is the past! ¹²⁹Put a full stop to that and move forward! ¹³⁰*** Om Shanti ***