मंगलवार 28 दिसंबर 1982 की अव्यक्त मुरली

⁰> ¹28-12-82 ōm śhānti avyakt bāpdādā madhuban

⁰28-12-1982 Avyakt BapDada 28-12-1982

²“ sadā ēk ras , sampūrṇ chamaktā huā sitārā banō ”

¹Become a constant and stable, perfect, sparkling star.

³Paramśhikṣhak , sadgurū , bāp apnē chamaktē huē sitārō̃ , bachchō̃ prati bōlē  : ⁴‘ ‘ bāpdādā sabhī bachchō̃ kō dēkh her|har bachchē K|kē vartamān lagan mē̃ magan rahnē key|kī sthiti , aur bhaviṣhya prāpti kō dēkh harṣhit hō rahē haĩ . ⁵Kyā thē , kyā banē haĩ aur bhaviṣhya mē̃ bhī kyā bannē vālē haĩ .

²BapDada is looking at each child and is pleased to see each child’s present stage of being absorbed in love and in his future attainment. ³What were you, what have you become and what are you going to become in the future?

⁶Harēk bachchā viśhva kē āgē viśhēṣh ātmā hai .

⁴Compared with the world, each child is a special soul.

⁷Har ēk K|kē mastak par bhāgya kā sitārā chamak rahā hai .

⁵The star of fortune is sparkling on each child’s forehead.

⁸Aisā hī abhyās hō , sadā chamaktē huē sitārē kō dēkhtē rahē̃ , isī practice kō sadā baṛhātē chalō .

⁶Let there be the practice of constantly looking at the star of fortune. ⁷Continue to increase this practice.

⁹Jahā̃ dēkhō , jab bhī kiskō dēkhō , aisā natural abhyās hō jō śharīr kō dēkhtē huē na dēkhō .

⁸Wherever you look, whoever you see, let there be the natural practice of seeing the body but not seeing it.

¹⁰Sadā nazar chamaktē huē sitārē key|kī taraph jāyē .

⁹Let your vision always go to the sparkling star.

¹¹Jab aisī rūhānī nazar sadā natural rūp mē̃ hō jāyēgī tab viśhva key|kī nazar āp chamaktē huē dhartī K|kē sitārō̃ par jāyēgī .

¹⁰When your vision is naturally spiritual, then the vision of the world will fall on you sparkling stars of the earth.

¹²Abhī viśhva key|kī ātmāyē̃ ḍhūṇḍh rahī haĩ .

¹¹At present, souls of the world are still searching.

¹³Kōī śhakti kārya kar rahī hai , aisī mahsūstā , aisī touching abhī ānē lagī hai .

¹²They have begun to have the feeling and touching that some power is carrying out the task.

¹⁴Lēkin kahā̃ hai , kaun hai , yah æ ḍhūṇḍhtē huē bhī jān nahī̃ saktē .

¹³However, although they are searching, they don’t know who it is or where it is.

¹⁵Bhārat dvārā hī ādhyātmik light milēgī , yah bhī dhīrē-dhīrē spaṣhṭ hōtā jā rahā hai .

¹⁴It is gradually becoming apparent that it will only be from Bharat that they will receive spiritual light.

¹⁶Is kāraṇ viśhva key|kī chārō̃ taraph sē nazar haṭkar bhārat key|kī taraph hō gaī hai lēkin , bhārat mē̃ kis taraph aur kaun ādhyātmik light dēnē kē nimitt haĩ , abhī yah spaṣhṭ hōnā hai .

¹⁵This is why the vision of the world has moved away from everywhere else and has fallen on Bharat. ¹⁶However, it is yet to become clear where in Bharat and who in Bharat the instrument to give that spiritual light will be.

¹⁷Sabhī K|kē andar abhī yah khōj hai ki bhārat mē̃ anēk ādhyātmik ātmāyē̃ kahlānē vālī haĩ , ākhir bhī inmē̃ dharmātmā kaun aur paramātmā kaun hai  ?

¹⁷Everyone is ultimately trying to discover who in Bharat is the dharamatma soul and who is the Supreme Soul (Paramatma) out of all the so-called spiritual souls there.

¹⁸Yah tō nahī̃ hai , yah tō nahī̃ hai - isī sōch mē̃ lagē huē haĩ .

¹⁸They are engrossed in the thought: “Is it that one? ¹⁹Is it this one?”

¹⁹‘ ‘ yahī hai ' ' isī phaisalē par abhī tak pahũch nahī̃ pāyē haĩ .

²⁰They haven’t yet arrived at the decision that it is this One.

²⁰Aisī bhaṭaktī huī ātmāō̃ kō sahī niśhānā , yathārth ṭhikānā dikhānē vālē kaun  ?

²¹Who will show such wandering souls the right goal and the right destination?

²¹Double vidēśhī samajhtē haĩ ki ham hī vah haĩ .

²²You double foreigners think that you are the ones who will do this.

²²Phir itnā bichārō̃ kō bhaṭkātē kyō̃ hō  ?

²³So, why are you making those poor helpless souls wander around so much?

²³Sadā kē liē aisī sthiti banāō jō sadā chamaktē huē sitārē dēkhē̃ .

²⁴Make your stage so constant that they constantly see a sparkling star.

²⁴Dūr sē hī āpkī chamaktī huī light dikhāī dē .

²⁵Your sparkling light needs to be visible from a distance.

²⁵Abhī tak jō sammukh ātē haĩ , samparka mē̃ ātē haĩ , unhī̃ kō anubhav hōtā hai lēkin dūr-dūr tak yah touching hō , yah vibration phailē̃ - usmē̃ abhī aur bhī abhyās key|kī āvaśhyaktā hai .

²⁶As yet, only the souls who come into contact and relationship with you experience this. ²⁷However, this touching and vibration has to spread far into the distance. ²⁸So, there is a need for this practice.

²⁶Abhī nimantraṇ dēnā paṛtā hai ki āō , ākar anubhav karō .

²⁹At present, you have to invite them to come and experience this.

²⁷Lēkin jab chamaktē huē sitārē - sūrya , chandramā samān , apnī sampūrṇ stage par sthit hōṅgē phir kyā hōgā  ?

³⁰However, what will happen when you sparkling stars remain stable in your perfect stage like the sun and the moon?

²⁸Jaisē sthūl rōśhnī kē ūpar parvānē svataḥ hī ātē haĩ , śhamā bulānē nahī̃ jātī hai lēkin pyāsē parvānē kahā̃ sē bhī pahũch jātē haĩ .

³¹When moths are naturally drawn to a physical lamp, the flame doesn’t go to invite them but the yearning moths go there by themselves from wherever they are.

²⁹Aisē āp chamaktē huē sitārō̃ par bhaṭaktī huī ātmāyē̃ , ḍhūṇḍhnē vālī ātmāyē̃ svataḥ hī pānē kē liē , milnē kē liē aisī fast gati sē āyēṅgē jō āp sabkō second mē̃ bāp dvārā mukti , jīvanmukti kā adhikār dilānē key|kī tīvragati sē sēvā karnī paṛēgī .

³²In the same way, souls who are wandering and searching will automatically come to you sparkling stars at a fast speed, in order to attain something and to meet you. ³³Therefore, all of you will have to do the service of helping those souls receive their right to liberation and liberation-in-life from the Father in a second, at a fast speed.

³⁰Is samay master dātā kā part bajā rahē hō .

³⁴At this time, you are playing the parts of master bestowers.

³¹Master śhikṣhak kā part chal rahā hai .

³⁵The parts of master teachers are being played at this time.

³²Lēkin abhī satgurū K|kē bachchē ban ‘ gati aur sadgati ' K|kē vardātā kā part bajānā hai .

³⁶However, you now have to become the children of the Satguru and play your parts of bestowers of the blessings of liberation and salvation.

³³Master satgurū kā svarūp kaun sā hai , jāntē hō  ?

³⁷Do you know what the form of a master satguru is?

³⁴Abhī tō bāp kā bhī , bāp aur śhikṣhak kā part viśhēṣh rūp mē̃ chal rahā hai isliē bachchō̃ K|kē rūp mē̃ kabhī-kabhī bāp kō bhī nāz aur nakhrē dēkhnē paṛtē haĩ .

³⁸At the moment, the part of the Father and the Teacher is especially being played. ³⁹This is why the Father is sometimes proud of you children, but He also has to watch your mischievous games.

³⁵Śhikṣhak K|kē rūp mē̃ bār-bār ēk hī pāṭh yād karātē rahtē haĩ .

⁴⁰In the form of the Teacher, He constantly reminds you of the one lesson.

³⁶Satgurū K|kē rūp mē̃ ‘ gati-sadgati kā certificate ' , final vardān second mē̃ milēgā . ³⁷Master satgurū kā svarūp arthāt sampūrṇ follow karnē vālē .

⁴¹The final blessing, in the form of the certificate of liberation and salvation, will be given in a second by the form of the Satguru.

³⁸Satgurū K|kē vachan par sadā sampūrṇ rīti chalnē vālē - aisā svarūp ab practical mē̃ bāp kā aur apnā anubhav karēṅgē̃ .

⁴²The form of master satgurus means those who follow completely. ⁴³They are the ones who completely follow every word of the Satguru.

³⁹Satgurū kā svarūp arthāt sampann , samān banākar sāth lē jānē vālē .

⁴⁴You will now experience such a form of the Father and also your own form in a practical way.

⁴⁰Satgurū K|kē svarūp mē̃ master satgurū bhī nazar sē nihāl karnē vālē hai .

⁴⁵The form of the Satguru means the One who makes you perfect and equal to Himself and takes you back home.

⁴¹Mat dī|the aur gati huī . ⁴²Isliē ‘ gurū mantra ' prasiddh hai .

⁴⁶The form of the Satguru and even a master satguru is the one that takes you beyond with a glance.

⁴³Second kā mantra liyā aur samajhtē haĩ , gati hō gaī .

⁴⁷As soon as you give directions, they are liberated.

⁴⁴Mantra arthāt śhrēṣhṭh mat .

⁴⁸This is why a mantra given by a guru is very famous.

⁴⁵Aisī powerful stage sē śhrīmat dēgē jō ātmāyē̃ anubhav karē̃gē ki hamē̃ gati sadgati kā ṭhikānā mil gayā .

⁴⁹When they receive a mantra in a second, they feel that they have attained liberation! ⁵⁰A mantra means elevated directions.

⁴⁶Aisī śhaktiśhālī sthiti kō ab sē apnāō . ⁴⁷Sitārē tō abhī hō lēkin abhī light kyā hōtī hai …  ?

⁵¹You will give shrimat with such a powerful stage that souls will feel that they have found the destination of liberation and salvation.

⁴⁸Sadā ēk ras sampūrṇ chamaktā huā sitārā hō , aisē svayã kō pratyakṣha karō .

⁵²Adopt such a powerful stage now! ⁵³You all are stars, but now, what is the light?

⁴⁹Sunā , kyā karnā hai  ? ⁵⁰Double vidēśhī tīvragati vālē hō nā  ?

⁵⁴You are constantly sparkling perfect starts - reveal yourselves in this way.

⁵¹Yā rūktē hō , chaltē hō  ?

⁵⁵Did you hear what you have to do?

⁵²Kabhī bādalō K|kē bīch chhip tō nahī̃ jātē hō  ? ⁵³- bādal ātē haĩ  ?

⁵⁶You double foreigners are those who move at a fast speed, are you not?

⁵⁴Aisā sampūrṇ svarūp bahut kāl sadā-sadā rahē tab pratyakṣhatā hō .

⁵⁷Or, do you stop and start? ⁵⁸You don’t sometimes hide behind the clouds, do you?

⁵⁵Abhī-abhī chamaktā huā sitārā aur abhī abhī phir bādalō̃ mē̃ chhip jāyē tō viśhva key|kī ātmāyē̃ spaṣhṭ anubhav kar nahī̃ saktī̃ .

⁵⁹Do clouds come? ⁶⁰If such perfect, sparkling stars sometimes hide in the clouds, then the souls of the world would not be able to see them very clearly.

⁵⁶Isliē ēk ras rahnē kā , sadā sūrya samān chamaktē rahnē kā saṅkalp karō .

⁶¹So, , have the thought of remaining constantly stable and constantly shine like the sun.

⁵⁷Achchhā –

⁶²Achcha.

⁵⁸Sabhī double vidēśhī bachchō̃ kō aur chārō̃ ōr K|kē sēvādhārī bachchō̃ kō , sadā bāp samān man , vāṇī aur karma mē̃ follow karnē vālē , sadā bāp K|kē diltakhtanaśhīn , master dilārām , sadā bhaṭaktī huī ātmāō̃ kō rāstā dikhānē vālē light house bachchō̃ kō bāpdādā kā yādpyār aur namastē . ⁵⁹' '

⁶³To all the double-foreign children and all the serviceable children everywhere, to those who are equal to the Father and who constantly follow in thought, word and deed, to the children who are constantly seated on the Father’s heart-throne, to those who are master comforters of hearts and, as lighthouses, constantly show wanderings souls the path, BapDada’s love, remembrance and namaste.

⁶⁰Party kē sāth

⁶⁴BapDada meeting groups:

⁶¹Nērōbī party sē - ‘ ‘ sabhī race mē̃ number one hō nā  ?

⁶⁵Nairobi group: You are all number one in the race, are you not?

⁶²Number one key|kī niśhānī hai - her|har bāt mē̃ win karnē vālē arthāt one number mē̃ ānē vālē . ⁶³Kisī bhī bāt mē̃ hār na hō .

⁶⁶The sign of number one is to win in everything, that is, to claim number one. ⁶⁷Do not be defeated by anything; be constantly victorious.

⁶⁴Sadā vijayī . ⁶⁵Tō nērōbī nivāsī sadā vijayī hō nā  !

⁶⁸So you residents of Nairobi are constantly victorious, are you not?

⁶⁶Kabhī chaltē - chaltē rūktē tō nahī̃ hō .

⁶⁹You don’t sometimes stop whilst moving along, do you?

⁶⁷Rūkanē kā kāraṇ kyā hōtā  ?

⁷⁰What is the reason for stopping?

⁶⁸Jarūr kōī na kōī maryādā vā niyam thōṛā bhī nīchē ūpar hōtā hai tō gāṛī rūk jātī hai .

⁷¹It is definitely when there have been some ups and downs in following a code of conduct or discipline that you stop.

⁶⁹Lēkin yah saṅgamyug hai hī ‘ maryādā purūṣhōttam ' bannē kā yug . ⁷⁰Purūṣh nahī̃ , nārī nahī̃ lēkin ‘ purūṣhōttam ' haĩ , isī smr̥iti mē̃ sadā rahō .

⁷²However, this confluence age is for becoming the most elevated beings who follow the highest code of conduct. ⁷³You are not a man or a woman, but a most elevated being.

⁷¹Purūṣhō̃ mē̃ uttam purūṣh - ‘ prajāpitā brahmā ' kō kahā jātā hai .

⁷⁴Constantly stay in this awareness. ⁷⁵Prajapita Brahma is said to be the most elevated man of all.

⁷²Tō brahmā K|kē bachchē āp sab ‘ brahmākumār-kumāriyā̃ ' bhī purūṣhōttam hō gayē nā .

⁷⁶Therefore, all of you Brahma Kumars and Kumaris, the children of Brahma, have also become the most elevated beings, have you not?

⁷³Is smr̥iti mē̃ rahnē sē sadā uṛtī kalā mē̃ jātē rahē̃gē , nīchē nahī̃ rūkēṅgē .

⁷⁷By staying in this awareness, you will constantly continue to be in the flying stage; you will not stop down below.

⁷⁴Chalnē sē bhī ūpar sadā uṛtē rahē̃gē kyōṅki saṅgamyug uṛtī kalā kā yug hai , aur kōī aisā yug nahī̃ jismē̃ uṛtī kalā hō .

⁷⁸Instead of walking, you will constantly continue to fly up above, because the confluence age is the age of the flying stage. ⁷⁹In no other age is there the flying stage.

⁷⁵Tō smr̥iti mē̃ rakhō ki yah yug uṛtī kalā kā yug hai , brāhmaṇō̃ kā karttavya bhī uṛnā aur uṛānā hai .

⁸⁰So have the awareness that this is the age for the flying stage. ⁸¹The duty of Brahmins is to fly and help others fly.

⁷⁶Vāstavik stage bhī uṛtī kalā hai .

⁸²Your original stage is the flying stage.

⁷⁷Uṛtī kalā vālā second mē̃ sarv samasyāyē̃ pār kar lēgā .

⁸³Those who have the flying stage will overcome all problems in a second.

⁷⁸Aisā pār karēgā jaisē-kuch huā hī nahī̃ .

⁸⁴They will overcome them in such a way that it will be as though nothing happened.

⁷⁹Nīchē key|kī kōī bhī chīj disturb nahī̃ karēgī . ⁸⁰Rūkāvaṭ nahī̃ ḍālēgī .

⁸⁵None of the things down below will disturb them; they will not cause any obstruction.

⁸¹Plain|plane mē̃ jātē haĩ tō himālay kā pahāṛ bhī rūkāvaṭ nahī̃ ḍāltā , pahāṛ kō bhī manōrañjan key|kī rīti sē pār kartē haĩ .

⁸⁶When you fly in a plane, even the Himalayas don’t become an obstruction; you go across the mountains with enjoyment.

⁸²Tō aisē hī uṛtī kalā vālē kē liē baṛē tē baṛī samasyā bhī sahaj hō jātī hai .

⁸⁷In the same way, the biggest problems become very easy for those who are in the flying stage.

⁸³Nērōbī apnā number āgē lē rahī hai nā  !

⁸⁸Nairobi is claiming a number ahead, is it not?

⁸⁴Abhī V|we . I|āī|eye . Ps . key|kī service mē̃ number āgē lēnā hai .

⁸⁹Now claim a number ahead in the service of VIPs.

⁸⁵Saṅkhyā tō achchhī hai , abhī dēkhē̃gē conference mē̃ V|we . I|āī|eye . Ps . kaun kaun lē ātā hai  ?

⁹⁰The number there is good, but we shall now see who brings VIPs here for the conference.

⁸⁶Abhī hai vah number .

⁹¹Now claim a number in this.

⁸⁷Sabsē number one V|we . I|āī|eye . Ps . kaun lātā hai , abhī yah race bāpdādā dēkhē̃gē . ⁸⁸' '

⁹²Now BapDada will see the race of everyone who brings the number one VIPs.

⁸⁹Nayē hall|hāl kē liē chitra banānē vālē chitrakārō̃ prati bāpdādā kā īśhārā - ‘ ‘ chitrakār ban karkē chitra banā rahē hō vā svayã us sthiti mē̃ sthit hō karkē chitra banātē hō  !

⁹³BapDada’s signals for the artists who are to paint the pictures in the new hall of Om Shanti Bhavan: ⁹⁴Do you paint the pictures just as artists or do you stabilise yourselves in that stage whilst painting them?

⁹⁰Kyā kartē hō  ?

⁹⁵What do you do?

⁹¹Kyōṅki aur kahā̃ bhī kōī chitra banātē haĩ tō vah rivājī chitrakār chitra banā dētē haĩ .

⁹⁶When other artists paint pictures, they just make ordinary pictures.

⁹²Yahā̃ chitra banānē kā lakṣhya kyā hai  ?

⁹⁷What is the aim of painting the pictures here?

⁹³Jaisē bāp kā chitra banāyēṅgē tō uskī viśhēṣhtā kyā hōnī chāhiē  ?

⁹⁸When you paint the Father’s painting, what speciality should it have?

⁹⁴Chitra chaitanya kō pratyakṣha karē̃ .

⁹⁹The painting should reveal the life.

⁹⁵Chitra kē āgē jātē hī anubhav karē̃ ki yah chitra nahī̃ dēkh rahā hai , chaitanya kō dēkh rahā hai .

¹⁰⁰As soon as people go in front of the painting they shouldn’t experience it to be a painting but as if they are seeing the living being.

⁹⁶Vaisē bhī chitra key|kī viśhēṣhtā - chitra jaṛ hōtē chaitanya anubhav hō , isī par prize miltī hai .

¹⁰¹In any case, the speciality of a painting is that it is experienced to be real although it is just a painting. ¹⁰²It is on this basis that a prize is received.

⁹⁷Usmē̃ bhī bhāv aur prakār kā hōtā .

¹⁰³With those paintings they have different intentions.

⁹⁸Lēkin rūhānī chitra kā lakṣhya hai - chitra rūhānī rūh kō pratyakṣha kar dē . ⁹⁹Rūhāniyat kā anubhav karāyē .

¹⁰⁴However, the aim of a spiritual painting is that the painting should reveal the living spirit; it should give the experience of spirituality.

¹⁰⁰Aisē alaukik chitrakār , laukik nahī̃ .

¹⁰⁵You are unique artists, not worldly.

¹⁰¹Laukik chitrakār tō laukik bātō̃ kō - nayan , chain kō dēkhē̃gē lēkin yahā̃ rūhāniyat kā anubhav hō - aisā chitra banāō . ¹⁰² ( āśhīrvād chāhiē ) āśhīrvād tō kyā āśhīrvād key|kī khān par pahũch gayē hō , māṅgnē key|kī āvaśhyaktā nahī̃ hai , adhikār lēnē kā sthān hai .

¹⁰⁶Worldly artists will look at the physical things: eyes, features, etc, but here you must make a painting that will give the experience of spirituality. ¹⁰⁷(We want blessings.) ¹⁰⁸Let alone blessings, you have reached the Mine of Blessings!

¹⁰³Jab varsē K|kē rūp mē̃ prāpt hō saktā hai tō thōṛī see|sī|C blessing kyō̃  ?

¹⁰⁹There is no need to ask for them. ¹¹⁰You have reached the place where you can claim your right.

¹⁰⁴Khān par jākar dō muṭṭhī bharkar ānā uskō kyā kahā jāyēgā  ?

¹¹¹Since you can attain them as your inheritance, why settle for just a few blessings?

¹⁰⁵Bāp jaisē svayã sāgar hai tō bachchō̃ kō bhī master sāgar banāyēṅgē nā . ¹⁰⁶Sāgar mē̃ kōī bhī kamī nahī̃ hōtī .

¹¹²What would you say if someone were to go into a mine and come out with only a couple of handfuls?

¹⁰⁷Sadā bharpūr hōtā hai . ¹⁰⁸Achchhā - ' '

¹¹³The Father Himself is the Ocean.

¹⁰⁹Svīḍan party sē  : ’ ’ sadā niśhchaybuddhi vijayī ratna haĩ .

¹¹⁴Therefore He would also make the children master oceans, would He not?

¹¹⁰' ' - isī naśhē mē̃ rahō . ¹¹¹Niśhchay kā foundation sadā pakkā hai  !

¹¹⁵There is nothing lacking in an ocean; it is always full. ¹¹⁶Achcha.

¹¹²Apnē āp mē̃ niśhchay , bāp mē̃ niśhchay aur drama key|kī her|har scene kō dēkhtē huē usmē̃ bhī pūrā niśhchay .

¹¹⁷BapDada meeting a group from Sweden: ¹¹⁸Constantly stay in the intoxication of being a victorious jewel who has faith in the intellect.

¹¹³Sadā isī niśhchay K|kē ādhār par āgē baṛhtē chalō .

¹¹⁹The foundation of faith is constantly strong.

¹¹⁴Apnī jō bhī viśhēṣhatāyē̃ haĩ , unkō sāmnē rakhō , kamzōriyō̃ kō nahī̃ , tō apnē āp mē̃ faith rahēgā .

¹²⁰Have faith in yourself, in the Father and in the drama and continue to move forward, on this basis.

¹¹⁵Kamzōrī key|kī bāt kō jyādā nahī̃ sōchnā tō phir khuśhī mē̃ āgē baṛhtē jāyēṅgē .

¹²¹Keep in front of you all your specialities, not your weaknesses, and you will have faith in yourself.

¹¹⁶Bāp kā hāth liyā tō bāp kā hāth pakaṛnē vālē sadā āgē baṛhtē haĩ , yah niśhchay rakhō .

¹²²Don’t think about your weaknesses too much and you will continue to move forward in happiness.

¹¹⁷Jab bāp sarvśhaktivān hai tō uskā hāth pakaṛnē vālē pār pahũchē ki pahũchē . ¹¹⁸Chāhē khud bhalē kamjōr bhī hō lēkin sāthī tō majbūt hai nā .

¹²³Have the faith that you are holding on to the Father’s hand because those who hold on to His hand continue to move forward constantly.

¹¹⁹Isliē pār hō hī jāyēṅgē . ¹²⁰Sadā niśhchaybuddhi vijayī ratna , isī smr̥iti mē̃ rahō .

¹²⁴Since the Father is the Almighty Authority, those who are holding His hand have almost reached their destination.

¹²¹Bītī sō bītī , bindī lagākar āgē baṛhō . ¹²²' ' ¹²³Mahāvākyō̃ kā sār

¹²⁵Even though you may be weak, your Companion is strong, is He not?

¹²⁴1 . sadā nazar chamaktē huē sitārē key|kī taraph jāē .

¹²⁶This is why you will be able to go across.

¹²⁵Jab aisī rūhānī nazar sadā naturally rūp mē̃ hō jāvēgī tab viśhva key|kī nazar āp chamaktē huē dhartī K|kē sitārō̃ par jāyēgī .

¹²⁷Constantly maintain the awareness of being a constantly victorious jewel with this faith in the intellect. ¹²⁸The past is the past! ¹²⁹Put a full stop to that and move forward! ¹³⁰*** Om Shanti ***