मंगलवार 25 फ़रवरी 1986 की अव्यक्त मुरली

इस दृश्य में हिंदी पाठ से स्वतः तैयार की गई, बिना विशेष चिह्नों वाली प्रचलित रोमन वर्तनी दिखाई जाती है।

हिंग्लिश कैसे तैयार होती है?

इस साइट पर दीर्घ स्वरों के लिए आम तौर पर aa, ee और oo (शब्द के अंत में a, i और u), तथा ch, chh, sh और ri का प्रयोग होता है। शब्दकोश में पहचाने गए अंग्रेज़ी शब्दों की अंग्रेज़ी वर्तनी रखी जाती है। कुछ अंतर्निहित स्वरों को हटाने के नियम और प्रचलित शब्दों की सूची aatma, shanti, main और hoon जैसी वर्तनियाँ देते हैं।

अनौपचारिक रोमन वर्तनी मानकीकृत नहीं है। ये नियम एकरूपता रखते हैं, पर कुछ वर्तनियाँ आपकी परिचित वर्तनी से अलग हो सकती हैं। «लिप्यंतरित हिंदी» दृश्य में अनुकूलित ISO 15919 के भेद सुरक्षित रहते हैं।

प्रचलित वर्तनी के उदाहरण
हिंदीHinglish
आत्माaatma
शान्तिshanti
मैंmain
हूँhoon

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25-02-86om shanti avyakt baapdaadaamdhuban

madhuban mein 50 videshi bhaai-bahinon ke samarpan samaaroh par avyakt baapdaada ke mahaavaakya

aaj baapdaada vishesh shreshtha din ki, vishesh sneh bhari mubaarak de rahe hain। aaj kaun-sa samaaroh manaaya? baahar ka drishya to sundar tha hi। lekin sabhi ke umang utsaah aur dridh sakanlpa ka, dil ka aavaaj dilaaraam baap ke paas pahuncha। to aaj ke din ko vishesh umang utsaah bhara ‘dridh sankalp samaaroh’ kahenge। jab se baap ke bane tab se sambandh hai aur rahega। lekin yeh vishesh din vishesh roop se manaaya isko kahenge ‘dridh sankalp’kiya? kuchh bhi ho jaae chaahe maaya ke toofaan aayen,chaahe logon ki bhinna-bhinna baaten aayen,chaahe prakriti ka koi bhi halchal ka najaara ho। chaahe laukik va alaukik sambandh mein kisi bhi prakaar ke circumstance ho, man ke sakanlpon ka bahut jor se toofaan bhi ho to bhi - ‘ek baap doosra na koi’। ek bal ek bharosa aisa dridh sankalp kiya va sirf stage par baithe! double stage par baithe the ya single stage par? ek thi yeh sthool stage, doosri thi ‘dridh sankalp’ ki stage, dridhta ki stage। to double stage par baithe the na।! haar bhi bahut sundar pahne। sirf yeh haar pahna va saphalta ka bhi haar pahna! saphalta gale ka haar hai। yeh dridhta hi saphalta ka aadhaar hai। isse sthool haar ke saath saphalta ka haar bhi pada hua tha na! baapdaada double drishya dekhte hain। sirf saakaar roop ka drishya nahin dekhte। lekin saakaar drishya ke saath-saath aatmik stage,man ke dridh sankalp aur saphalta ki shreshtha maala yeh donon dekh rahe the। double maala, double stage dekh rahe the। sabhi ne dridh sankalp kiya। bahut achha। kuchh bhi ho jaae lekin sambandh ko nibhaana hai। parmaatma preeti ki reeti sada nibhaate hue saphalta ko paana hai। nishchit hai - saphalta gale ka haar hai। ‘ek baap doosra na koi’ -yeh hai dridh sankalp। jab ek hai to ekras sthiti svatah aur sahaj hai। sarva sambandhon ki avinaashi taar jodi hai na? agar ek bhi sambandh kam hoga to halchal hogi। isliye sarva sambandhon ki dor baandhi। connection joda। sankalp kiya। sarva sambandh hain ya sirf mukhya3 sambandh hain? sarva sambandh hain to sarva praaptiyaan hain। sarva sambandh nahin to koi na koi praapti ki kami rah jaati hai। sabhi ka samaaroh hua na। dridh sankalp karne se aage purooshaartha mein bhi vishesh roop se lift mil jaati hai। yeh vidhi bhi vishesh umang utsaah badhaati hai। baapdaada bhi sabhi bachchon ko dridh sankalp karne ke samaaroh ki badhaai dete hain। aur vardaan dete - ‘sada avinaashi bhav। amar bhav’।

aaj eshiya ka group baitha hai। eshiya ki visheshta kya hai? videsh seva ka pahla group jaapaan mein gaya, yeh visheshta hui na। saakaar baap ki prerna pramaan vishesh videsh seva ka nimantran aur seva ka aarambha jaapaan se hua। to eshiya ka number sthaapna mein aage hua na। pahla videsh ka nimantran tha। aur dharma vaale nimantran de bulaaven iska aarambha eshiya se hua। to eshiya kitna lucky hai! aur doosri visheshta - sabse bhaarat ke sameep eshiya desh hai। jo sameep hota hai unko sikeeldhe kehte hain। sikeeldhe bachche chhipe hue hain। har sthaan par kitne achhe-achhe ratna nikle hain। quantity bhale kam hai lekin quality hai। mehnat ka phal achha hai। is tarah dheere-dheere ab sankhya badh rahi hai। sab snehi hain। sab lovely hain। har ek-do se jyaada snehi hai। yahi brahman parivaar ki visheshta hai। har ek yeh anubhav karta hai ki mera sabse jyaada sneh hai aur baap ka bhi mere se jyaada sneh hai। mere ko hi baapdaada aage badhaata hai। isliye bhakti maarga vaalon ne bhi bahut achha ek chitra arth se banaaya hai। karke gopi ke saath ‘gopi-vallabh’hai। sirf ek raadhe se va sirf 8patraaniyon ke saath nahin। har ek gopi ke saath gopeevallabh hai। jaise dilvaala mandir mein jaate ho to note karte ho na ki yeh mera chitra hai athva meri kothi hai। to is raas mandal mein bhi aap sabka chitra hai। isko kehte hi hain - ‘mahaaraas’। is mahaaraas ka bahut bada gaayan hai। baapdaada ka har ek se ek do se jyaada pyaar hai। baapdaada harek bachche ke shreshtha bhaagya ko dekh harshit hote hai। koi bhi hai lekin koto mein koi hai। padmaapadma bhaagyavaan hai। duniya ke hisaab se dekho to itne koton mein se koi ho na! jaapaan to kitna bada hai lekin baap ke bachche kitne hain! to koto mein koi hue na। baapdaada har ek ki visheshta,bhaagya dekhte hain। koton mein koi sikeeldhe hain। baap ke liye sabhi vishesh aatmaayen hain। baap kisko saadhaaran,kisko vishesh nahin dekhte। sab vishesh hain। is taraph aur jyaada vriddhi honi hai। kyonki is poore side mein double seva vishesh hai। ek to anek variety dharma ke hain। aur is taraph sindha ki nikli hui aatmaayen bhi bahut hain। unhon ki seva bhi achhi kar sakte ho। unhon ko sameep laaya to unhon ke sahayog se aur dharmon tak bhi sahaj pahunch sakenge। double seva se double vriddhi kar sakte ho। unhon mein kisi na kisi reeti se ulte roop mein chaahe sulte roop mein beej pada hua hai। parichay hone ke kaaran sahaj sambandh mein aa sakte hain। bahut seva kar sakte ho। kyonki sarva aatmaon ka parivaar hai। brahman sabhi dharmon mein bikhar gaye hain। aisa koi dharma nahin jismen brahman na pahunche ho। ab sab dharmon se nikalnikalkar aa rahe hain। aur jo brahman parivaar ke hain unhon se apna-pan lagta hai na! jaise koi hisaab kitaab se gaye aur phir se apne parivaar mein pahunch gaye। kahaan-kahaan se pahunch apna seva ka bhaagya lene ke nimitta ban gaye। yeh koi kam bhaagya nahin। bahut shreshtha bhaagya hai। bade te bade punya aatmaayen ban jaate। mahaadaaniyon,mahaan sevaadhaariyon ki list mein aa jaate। to nimitta banna bhi ek vishesh gift hai। aur double videshiyon ko yeh gift milti hai। thoda hi anubhav kiya aur nimitta ban jaate centre sthaapan karne ke। to yeh bhi last so fast jaane ki vishesh gift hai। seva karne se majority ko yeh smriti mein rehta hai ki jo ham nimitta karenge athva chalenge, hamko dekh aur karenge। to yeh double attention ho jaata hai। double attention hone ke kaaran double lift ho jaati hai। samjha - double videshiyon ko double lift hai। abhi sab taraph dharni achhi ho gai hai। hal chalne ke baad dharni theek ho jaati hai na। aur phir phal bhi achhe aur sahaj nikalte hain। achha - eshiya ke bade mike ka aavaaj bhaarat mein jaldi pahunchega। isliye aise mike taiyaar karo। achha -’’

badi daadiyon se - aap logon ki mahima bhi kya karen - jaise baap ke liye kehte hain na - saagar ki syaahi banaayen, dharni ko kaagaj banaayen…aise hi aap sabhi daadiyon ki mahima hai। agar mahima shuru karen to saari raat-din ek saptaah ka course ho jaayega। achhe hain, sabki raas achhi hai। sabhi ki raas milti hai aur sabhi raas karte bhi achhi hain। haath mein haath milaana arthaat vichaar milaana yahi raas hai। to baapdaada daadiyon ki yahi raas dekhte rehte hain। ashta ratnon ki yahi raas hai।

aap daadiyaan parivaar ka vishesh shrringaar ho। agar shrringaar na ho to shobha nahin hoti hai। to sabhi usi sneh se dekhte hain। (brijaindra daadi se)bachpan se laukik mein, alaukak mein shrringaar karti rahi to shrringaar karte-karte shrringaar ban gai। aise hain na! baapdaada mahaaveer mahaarthi bachchon ko sada hi yaad to kya karte lekin samaaye hue rehte hain। jo samaaya hua hota hai unko yaad karne ki bhi jaroorat nahin। baapdaada sada hi har vishesh ratna ko vishwa ke aage pratyaksha karte hain। to vishwa ke aage pratyaksha hone vaali vishesh ratna ho। extra sabhi ke khushi ki madad hai। aapki khushi ko dekhkar sabko khushi ki khuraak mil jaati hai। isliye aap sabki aayu badh rahi hai। kyonki sabhi ke sneh ki aasheervaad milti rehti hai। abhi to bahut kaarya karna hai। isliye shrringaar ho parivaar ka। sabhi kitne pyaar se dekhte hain। jaise koi ka chhatra utar jaae to maatha kaise lagega। chhatra pahanne vaala agar chhatra na pahnen to kya lagega! to aap sabhi bhi parivaar ke chhatra ho। (nirmalshaanta daadi se)apna yaadgaar sada hi madhuban mein dekhti rehti ho। yaadgaar hote hain yaad karne ke liye। lekin aapki yaad, yaadgaar bana deti hai। chalte-phirte sabhi parivaar ko nimitta bane hue aadhaar moortta yaad aate rehte hain। to aadhaar moortta ho। sthaapna ke kaarya ke aadhaar moortta majboot hone ke kaaran yeh vriddhi ki, unnati ki building kitni majboot ho rahi hai। kaaran?aadhaar majboot hai। achha –