शुक्रवार 23 जनवरी 1987 की अव्यक्त मुरली

ध्यान दें: वाक्यों का संरेखण अक्षरों की संख्या पर आधारित है और पूरी तरह विश्वसनीय नहीं है।

आप पूरी मुरली या उसके किसी भाग का वाक्य संरेखण स्वयं सुधार सकते हैं।

हिंदी को ISO 15919 पर आधारित अनुकूलित लिप्यंतरण के साथ रोमन अक्षरों में भी दिखाया जाता है।

लिप्यंतरण कैसे पढ़ें

यह साइट ISO 15919 पर आधारित लिप्यंतरण का प्रयोग करती है। पढ़ना आसान बनाने के लिए c, ś और ṣ के बाद h तथा स्वर r̥ के बाद i जोड़ा जाता है। इन बदलावों से यह भारत में प्रयुक्त हंटरियन प्रणाली के करीब आता है, जबकि ISO 15919 के विशिष्ट चिह्न बने रहते हैं।

इस साइट पर किए गए बदलाव
ISO 15919इस साइट पर
cch
śśh
ṣṣh
r̥r̥i

पढ़ने के कुछ संकेत:

  • ā, ī, ū: अक्षर के ऊपर की रेखा दीर्घ स्वर दर्शाती है।
  • ṭ, ḍ, ṇ: नीचे का बिंदु मूर्धन्य व्यंजनों को t, d, n से अलग करता है।
  • स्वर के ऊपर टिल्ड चिह्न अनुनासिक उच्चारण दर्शाता है।

0> 123-01-87 ōm śhānti avyakt bāpadādāmadhuban

0> > 23-01-87 Om Shanti Avyakt Bapdada Madhuban

2Saphaltā K|kē sitārē key|kī viśēṣatāē̃

1The specialities of the stars of success.

3Gyānsūrya , jñān-candramā bāpdādā apnē nayē-sō-kalpa purānē bachchō̃ K|kē sammukh paramātmā tārāmaṇḍal kā hall|hāl sunātē huē bōlē

2Today, the Sun of Knowledge and the moon of knowledge are seeing their sparkling galaxy. 3Those are the stars of the sky and these are the stars of the earth.

4Āj gyān-sūrya , jñān-cadramā apnē chamaktē huē tārāmaṇḍal kō dēkh rahē haĩ . 5Vah ākāśh K|kē sitārē haĩ aur yah dhartī K|kē sitārē haĩ .

4Those stars are part of nature and these are Godly stars, spiritual stars. 5Those stars emerge at night and these spiritual stars, the stars of knowledge, the sparkling stars, emerge in the night of Brahma.

6Vah prakr̥iti key|kī sattā hai , yah paramātm-sitārē haĩ , rūhānī sitārē haĩ .

6Those stars do not change night into day; it is just the sun that changes night into day.

7Vah sitārē bhī rāt kō hī pragaṭ hōtē haĩ , yah rūhānī sitārē , jñān-sitārē , chamaktē huē sitārē bhī brahmā kī rāt mē̃ hī pragaṭ hōtē haĩ . 8Vah sitārē rāt kō din nahī̃ banātē , sirph sūrya rāt kō din banātā hai . 9Lēkin āp sitārē gyān-sūrya , jñān-candramā kē sāth sāthī ban rāt kō din banātē hō . 10Jaisē prakr̥iti K|kē tārāmaṇḍal mē̃ anēk prakār K|kē sitārē chamaktē huē dikhāī dētē haĩ , vaisē paramātm-tārāmaṇḍal mē̃ bhī bhinn-bhinn prakār K|kē sitārē chamaktē huē dikhāī dē rahē haĩ .

7However, you stars become companions of the Sun of Knowledge and the moon of knowledge and change night into day.

11Kōī samīp K|kē sitārē haĩ aur kōī dūr K|kē sitārē bhī haĩ . 12Kōī saphaltā K|kē sitārē haĩ tō kōī ummīdvār sitārē haĩ .

8Just as you can see many types of star sparkling in the physical galaxy, similarly, many different types of star are visible, sparkling in God's galaxy.

13Kōī ēk sthiti vālē haĩ aur kōī sthiti badalnē vālē haĩ .

9Some are close stars and others are stars that are far away.

14Vah sthān badaltē , yahā̃ sthiti badaltē .

10Some are stars of success and others are stars of hope.

15Jaisē prakr̥iti K|kē tārāmaṇḍal mē̃ pucchal tārē bhī haĩ .

11Some have one stage and others have a stage that keeps changing.

16Arthāt her|har bāt mē̃ , her|har kārya mē̃ ‘ ‘ yah kyō̃ ' ' , ‘ ‘ yah kyā ' ' - yah pūchhnē key|kī pū̃chh vālē arthāt question rmā karnē vālē pucchal tārē haĩ .

12Those stars change their position whereas here they change their stage. 13Just as in a physical galaxy you have comets, similarly, here too, you have stars who have a tail of question marks in every task: "Why this?

17Jaisē prakr̥iti K|kē pucchal tārē kā prabhāv pr̥ithvī par bhārī mānā jātā hai , aisē bār-bār pūchhnē vālē is brāhmaṇ parivār mē̃ vāyumaṇḍal bhārī kar dētē haĩ . 18Sabhī anubhavī hō . 19Jab svayã kē prati bhī saṅkalp mē̃ ‘ kyā ' aur ‘ kyō̃ ' kā pū̃chh lag jātā hai tō man aur buddhi key|kī sthiti svayã prati bhārī ban jātī hai . 20Sāth-sāth agar kisī bhī saṅgaṭhan bīch vā sēvā K|kē kārya prati ‘ kyō̃ ' , ‘ kyā ' , ‘ aisā ' , ‘ kaisā ' , … - yah question rmā key|kī queue kā pū̃chh lag jātā hai tō saṅgaṭhan kā vātāvaraṇ vā sēvā kṣhētra kā vātāvaraṇ phauran bhārī ban jātā hai .

14What is this?"

21Tō svayã prati , saṅgaṭhan vā sēvā prati prabhāv paṛ jātā hai nā . 22Sāth-sāth kaī prakr̥iti K|kē sitārē ūpar sē nīchē girtē bhī haĩ , tō kyā ban jātē haĩ  ?

15Just as comets are said to have a heavy influence on the earth, in the same way, those who constantly ask the same questions also make the atmosphere in the Brahmin family heavy.

23Patthar . 24Paramātm-sitārō̃ mē̃ bhī jab niśhchay , sambandh vā sv-dhāraṇā key|kī ūñchī sthiti sē nīchē ā jātē haĩ tō patthar buddhi ban jātē haĩ . 25Kaisē patthar buddhi ban jātē  ?

16All of you are experienced in this. 17When there is a tail in your thoughts of the self as to "Why?" or "What?" the stage of the mind and intellect of the self becomes heavy.

26Jaisē patthar kō kitnā bhī pānī ḍālō lēkin patthar pighalēgā nahī̃ , rūp badal jātā hai lēkin pighalēgā nahī̃ .

18Together with that, even if there is the tail of question marks such as "Why? what?

27Patthar kō kuchh bhī dhāraṇ nahī̃ hōtā hai . 28Aisē mē̃ jab patthar buddhi ban jātē tō us samay kitnā bhī , kōī bhī achchhī bāt mahsūs karāō tō mahsūs nahī̃ kartē .

19Not like that, but like this," in a gathering or in any task of service, then the atmosphere of the gathering or the field of service immediately becomes heavy.

29Kitnā bhī gyān kā pānī ḍālō lēkin badalē̃gē nahī̃ .

20So, that immediately affects the self, the gathering and the service.

30Bātē̃ badaltē rahē̃gē lēkin svayã nahī̃ badalē̃gē .

21Some stars of the sky fall down from the sky, and what do they then become? 22Stones.

31Iskō kahtē haĩ patthar buddhi ban jātē haĩ . 32Tō apnē āp sē pūchhō - is paramātm-tārāmaṇḍal K|kē sitārō̃ bīch , maĩ kaun-sā sitārā hū̃  ?

23In the Godly stars too, when they come down from the elevated stage of their faith, relationships and personal dharna, they become those with a stone intellect.

33Sabsē śhrēṣhṭh sitārā hai saphaltā kā sitārā . 34Saphaltā kā sitārā arthāt jō sadā svayã key|kī pragati mē̃ saphaltā kō anubhav kartā rahē arthāt apnē purūṣhārth key|kī vidhi mē̃ sadaiv sahaj saphaltā anubhav kartā rahē . 35Saphaltā K|kē sitārē saṅkalp mē̃ bhī svayã K|kē purūṣhārth prati bhī kabhī ‘ patā nahī̃ yah hōgā yā nahī̃ hōgā ' , ‘ kar sakē̃gē yā nahī̃ kar sakē̃gē ' - yah asaphaltā kā anśh-mātra nahī̃ hōgā . 36Jaisē slōgan hai - saphaltā janma-siddh adhikār hai , aisē vah svayã prati sadā saphaltā adhikār K|kē rūp mē̃ anubhav karē̃gē .

24How do they become those with a stone intellect?

37Adhikār key|kī paribhāṣhā hī hai binā mēhnat , binā māṅgnē sē prāpt hō . 38Sahaj aur svataḥ prāpt hō - iskō kahtē haĩ adhikār .

25No matter how much water is poured on a stone, the stone will not melt; it will change its form, but it will not melt.

39Aisē hī ēk - svayã prati saphaltā , dūsrā - apnē sambandh-sampark mē̃ ātē huē , chāhē brāhmaṇ ātmāō̃ K|kē , chāhē laukik parivār vā laukik kārya K|kē sambandh mē̃ , sarv sambandh-sampark mē̃ , sambandh mē̃ ātē , samparka mē̃ ātē kitnī bhī muśhkil bāt kō saphaltā K|kē adhikār K|kē ādhār sē sahaj anubhav karē̃gē arthāt saphaltā key|kī pragati mē̃ āgē baṛhtē jāyēṅgē . 40Hā̃ , samay lag saktā hai lēkin saphaltā kā adhikār prāpt hōkar hī rahēgā . 41Aisē , sthūl kārya vā alaukik sēvā kā kārya arthāt dōnō̃ kṣhētra K|kē karma mē̃ saphaltā K|kē niśhchaybuddhi vijayī rahē̃gē . 42Kahā̃-kahā̃ paristhiti kā sāmnā bhī karnā paṛēgā , vyaktiyō̃ dvārā sahan bhī karnā paṛēgā lēkin vah sahan karnā unnati kā rāstā ban jāyēgā .

26A stone is not able to imbibe anything.

43Paristhiti kō sāmnā kartē , paristhiti , svasthiti K|kē uṛtī kalā kā sādhan ban jāyēgī , arthāt her|har bāt mē̃ saphaltā svataḥ , sahaj aur avaśhya prāpt hōgī .

27In the same way, when they become those with a stone intellect, then, no matter how hard you try to make them realise something good, they will not be able to realise it.

44Saphaltā kā sitārā , uskī viśhēṣh niśhānī hai - kabhī bhī sva key|kī saphaltā kā abhimān nahī̃ hōgā , varṇan nahī̃ karēgā , apnē gīt nahī̃ gāyēgā lēkin jitnī saphaltā utnā namrachit , nirmān , nirmal svabhāv hōgā . 45Aur ( dūsrē ) uskē gīt gāyēṅgē lēkin vah svayã sadā bāp K|kē guṇ gāyēgā . 46Saphaltā kā sitārā kabhī bhī question rmā nahī̃ karēgā . 47Sadā bindī rūp mē̃ sthit rah her|har kārya mē̃ aurō̃ kō bhī ‘ drama key|kī bindī ' smr̥iti mē̃ dilāyē , vighnavināśak banāyē , samarth banāyē saphaltā key|kī mañjal K|kē samīp lātā rahēgā .

28No matter how much water of knowledge you pour into them, they will not change.

48Saphaltā kā sitārā kabhī bhī had key|kī saphaltā K|kē prāpti kō dēkh prāpti key|kī sthiti mē̃ bahut khuśhī aur paristhiti I|āī|eye vā prāpti kuchh kam huī tō khuśhī bhī kam hō jāyē - aisī sthiti parivartan karnē vālē nahī̃ hōṅgē . 49Sadā bēhad K|kē saphaltāmūrt hōṅgē . 50Ēkras , ēk śhrēṣhṭh sthiti par sthit hōṅgē . 51Chāhē bāhar key|kī paristhiti vā kārya mē̃ bāhar K|kē rūp sē aurō̃ kō asaphaltā anubhav hō lēkin saphaltā kā sitārā , asaphaltā key|kī sthiti K|kē prabhāv mē̃ na āyē , saphaltā K|kē svasthiti sē asaphaltā kō bhī parivartan kar lēgā .

29The situations will keep changing, but they themselves will not change.

52Yah hai saphaltā K|kē sitārē key|kī viśhēṣhatāyē̃ .

30This is known as becoming one with a stone intellect.

53Abhī apnē sē pūchhō - maĩ kaun hū̃  ? 54Sirph ummīdvār hū̃ vā saphaltā svarūp hū̃  ?

31So ask yourself: What type of star am I in this Godly galaxy?

55' ummīdvār bannā bhī achchhā hai , lēkin sirph ummīdvār ban chalnā , pratyakṣha saphaltā kā anubhav na karnā , ismē̃ kabhī śhaktiśhālī , kabhī dilśhikasta … yah nīchē-ūpar hōnē kā jyādā anubhav kartē haĩ . 56Jaisē kōī bhī bāt mē̃ agar jyādā nīchē-ūpar hōtā rahē tō thakāvaṭ hō jātī hai nā . 57Tō ismē̃ bhī chaltē-chaltē thakāvaṭ kā anubhav dilśhikasta banā dētā hai . 58Tō nāummīdavār sē ummīdvār achchhā hai , lēkin saphaltā svarūp kā anubhav karnē vālā sadā śhrēṣhṭh hai .

32The most elevated star is a star of success.

59Achchhā . 60Sunā tārāmaṇḍal key|kī kahānī  ? 61Sirph madhuban kā hall|hāl tārāmaṇḍal nahī̃ hai , bēhad brāhmaṇ saṅsār tārāmaṇḍal hai . 62Achchhā .

33A star of success means one who continues to experience success in progress of the self, that is, one who always experiences success easily in his method of effort.

63Sabhī ānē vālē nayē bachchē , nayē bhī haĩ aur purānē bhī bahut haĩ . 64Kyōṅki anēk kalp K|kē hō , tō ati purānē bhī hō . 65Tō nayē bachchō̃ kā nayā umaṅg-utsāh milan manānē kā drama key|kī nūndh pramāṇ pūrā huā .

34Those who are stars of success will never have thoughts about their own efforts such as, "I don't know whether this will happen or not", "Will I be able to do this or not?" 35They will not have the slightest lack of success.

66Bahut umaṅg rahā nā . 67Jāyē̃-jāyē̃ … itnā umaṅg rahā jō direction bhī nahī̃ sunā . 68Milan key|kī mastī mē̃ mast thē nā  !

36Just as there is the slogan "Success is your birthright", so too, they will always experience success as a right for themselves.

69Kitnā kahā - cum|kam āō , cum|kam āō , tō kōī nē sunā  ? 70Bāpdādā drama K|kē her|har dr̥iśhya kō dēkh harṣhit hōtē haĩ ki itnē sab bachchō̃ kō ānā hī thā , isliē ā gayē haĩ .

37The definition of a right is that you attain it without having to labour and without asking for it. 38When you attain something easily and automatically it is a known as a right.

71Sab sahaj mil rahā hai nā  ? 72Muśhkil tō nahī̃ hai nā  ? 73Yah bhī drama anusār , samay pramāṇ rehearsal hō rahī hai .

39In the same way, one is success for the self, and the other is success when coming into relationship and connection with others.

74Sabhī khuśh hō nā  ? 75Muśhkil kō sahaj banānē vālē hō nā  ? 76Her|har kārya mē̃ sahyōg dēnā , jō direction miltē haĩ usmē̃ sahyōgī bannā arthāt sahaj banānā . 77Agar sahyōgī bantē haĩ tō 5000 bhī samā jātē haĩ aur sahyōgī nahī̃ bantē arthāt vidhipūrvak nahī̃ chaltē tō 500 bhī samānā muśhkil hai .

40Whether they are Brahmin souls or from your lokik family or in connection with you in your lokik work, in all your relationships and connections, when you come into relationship or connection, on the basis of a right to success, no matter how difficult something may be, you will experience it to be easy, that is, you will continue to make progress in your success.

78Isliē , dādiyō̃ kō aisā apnā record dikhākar jānā jō sabkē dil sē yahī nikalē ki 5000 , pañch sau K|kē barābar samāē huē thē . 79Iskō kahtē haĩ ‘ muśhkil kō sahaj karnā ' . 80Tō sabnē apnā record baṛhiyā bharā hai nā  ?

41Yes, it can take time, but you will definitely attain a right to success. 42In the same way, in physical tasks or tasks of alokik service, in both fields they will have faith in their intellect of having success in their actions.

81Sārṭiphakēṭ ( pramāṇ-patra ) achchhā mil rahā hai . 82Aisē hī sadā khuśh rahnā aur khuśh karnā , tō sadā hī tāliyā̃ bajātē rahē̃gē .

43Sometimes they may have to face situations, they may even have to tolerate people, but that tolerance becomes a way for their progress.

83Achchhā record hai , isliē dēkhō , drama anusār dō bār milnā huā hai  ! 84Yah nayō̃ key|kī khātirī drama anusār hō gaī hai . 85Achchhā .

44By facing the situations, the situation becomes a means for their stage to go into the flying stage, that is, they will definitely attain success easily and automatically in everything.

86Sadā rūhānī saphaltā K|kē śhrēṣhṭh sitārō̃ kō , sadā ēkras sthiti dvārā viśhva kō rōśhan karnē vālē , gyān-sūrya , jñān-candramā K|kē sadā sāth rahnē vālē , sadā adhikār K|kē niśhchay sē naśhē aur namrachit sthiti mē̃ rahnē vālē , aisē paramātm-tārāmaṇḍal K|kē sarv chamaktē huē sitārō̃ kō gyān-sūrya , jñān-candramā bāpdādā key|kī rūhānī snēh sampann yādpyār aur namastē . 87Party sē mulākāl 88 ( 1 ) apnē kō sadā nirvighna , vijayī ratna samajhtē hō  ? 89Vighna ānā , yah tō achchhī bāt hai lēkin vighna hār na khilāyē̃ .

45The special sign of the stars of success is that they never have any arrogance of success of the self.

90Vighnō̃ kā ānā arthāt sadā kē liē majbūt banānā . 91Vighna kō bhī ēk manōrañjan kā khēl samajh pār karnā - iskō kahtē haĩ ‘ nirvighna vijayī ' .

46They do not speak about it, they do not sing their own praise, but to the extent that they have success, so they are humble, creative and have a pure and gentle nature.

92Tō vighnō̃ sē ghabrātē tō nahī̃  ? 93Jab bāp kā sāth hai tō ghabrānē key|kī kōī bāt hī nahī̃ .

47Others sing their praise, but they themselves always sing praise of the Father.

94Akēlā kōī hōtā hai tō ghabrātā hai .

48Stars of success never have any questions.

95Lēkin agar kōī sāth hōtā hai tō ghabrātē nahī̃ , bahādur ban jātē haĩ .

49They always remain stable in the form of a point, and in every task remind others of the point of the drama.

96Tō jahā̃ bāp kā sāth hai , vahā̃ vighna ghabrāyēgā yā āp ghabrāyēṅgē  ? 97Sarvśhaktivān kē āgē vighna kyā hai  ?

50They make them destroyers of obstacles and give them power and continue to take them close to the destination of their success.

98Kuchh bhī nahī̃ . 99Isliē vighna khēl lagtā , muśhkil nahī̃ lagtā . 100Vighna anubhavī aur śhaktiśhālī banā dētā hai . 101Jō sadā bāp kī yād aur sēvā mē̃ lagē huē haĩ , busy haĩ , vah nirvighna rahtē haĩ .

51Seeing the attainment of limited success, stars of success neither become very happy in the face of attainment nor does their happiness decrease if any other situation arises or if there is lack of attainment; they will not have a stage that keeps changing.

102Agar buddhi busy nahī̃ rahtī tō vighna vā māyā ātī hai .

52They always remain an image of success in an unlimited way.

103Agar busy rahī tō māyā bhī kinārā kar lēgī .

53They remain constant and stable in one elevated stage.

104Āyēgī nahī̃ , chalī jāyēgī . 105Māyā bhī jāntī hai ki yah mērā sāthī nahī̃ hai , abhī paramātmā kā sāthī hai . 106Tō kinārā kar lēgī . 107Anginat bār vijayī banē hō , isliē vijay prāpt karnā baṛī bāt nahī̃ hai .

54In external situations or tasks, others may experience there to be failure in an external way, but stars of success are not influenced by the failure, but, with their original stage of being successful, will transform failure into success.

108Jō kām anēk bār kiyā huā hōtā hai , vah sahaj lagtā hai .

55These are the specialities of the stars of success.

109Tō anēk bār K|kē vijayī .

56Now, ask yourself: Who am I?

110Sadā rājī rahnē vālē hō nā  ? 111Mātāyē̃ sadā khuśh rahtī hō  ? 112Kabhī rōtī tō nahī̃  ?

57Am I simply a star of hope or am I an embodiment of success?

113Kabhī kōī paristhiti aisī ā jāyē tō rōyēṅgī  ? 114Bahādur hō . 115Pāṇḍav man mē̃ tō nahī̃ rōtē  ? 116Yah ‘ kyō̃ huā ' , ‘ kyā huā ' - aisā rōnā tō nahī̃ rōtē  ?

58It is good to have hope, but simply to move along as one who has hope and not to experience success in a practical way makes you sometimes powerful and sometimes disheartened.

117Bāp kā bankar bhī agar sadā khuśh nahī̃ rahē̃gē tō kab rahē̃gē  ?

59You experience this fluctuation a lot.

118Bāp kā bannā mānā sadā khuśhī mē̃ rahnā . 119Na duḥkh hai , na duḥkh mē̃ rōyēṅgē .

60In any situation, where there is a lot of fluctuation then there is tiredness.

120Sab duḥkh dūr hō gayē . 121Tō apnē is vardān kō sadā yād rakhnā . 122Achchhā .

61So here, too, while walking and moving along, the experience of tiredness makes you disheartened.

123 ( 2 ) apnē kō is rūhānī bagīchē K|kē rūhānī rūhē gulāb samajhtē hō  ? 124Jaisē sabhī phūlō̃ mē̃ gulāb kā puṣhp khuśhbū K|kē kāraṇ pyārā lagtā hai .

62So, instead of having no hope it is good to have hope, but someone who experiences being an embodiment of success is always elevated. 63Achcha. 64Did you hear the story of the galaxy?

125Tō vah hai gulāb aur āp sabhī haĩ rūhē gulāb . 126Rūhē gulāb arthāt jismē̃ sadā rūhānī khuśhbū hō .

65It isn't just the hall of Madhuban that is the galaxy, but the unlimited Brahmin world is the galaxy.

127Rūhānī khuśhbū vālē jahā̃ bhī dēkhē̃gē , jiskō bhī dēkhē̃gē tō rūh kō dēkhē̃gē , śharīr kō nahī̃ dēkhē̃gē .

66Achcha. 67All those who have come are new children; you are new as well as very old because you are those from many cycles, and so you are very old.

128Svayã bhī sadā rūhānī sthiti mē̃ rahē̃gē aur dūsrō̃ key|kī bhī rūh kō dēkhē̃gē . 129Iskō kahtē haĩ - ‘ rūhānī gulāb ' .

68So, the new zeal and enthusiasm of the new children to celebrate a meeting that was fixed in the drama has now been fulfilled.

130Yah bāp kā bagīchā hai .

69You had a lot of enthusiasm.

131Jaisē bāp ũcē-tē-ū̃cā hai , aisē bagīchā bhī ū̃cē-tē-ū̃cā hai jis bagīchē kā viśhēṣh śr̥ṅgār rūhē gulāb āp sabhī hō .

70I want to go, I want to go… you had so much enthusiasm that you didn’t even listen to directions.

132Aur yah rūhānī khuśhbū anēk ātmāō̃ kā kalyāṇ karnē vālī hai .

71You were totally lost in the intoxication of a meeting.

133Āj viśhva mē̃ jō bhī muśhkilātē̃ haĩ , uskā kāraṇ hī hai ki ēk-dō kō rūh nahī̃ dēkhtē .

72You were told so much that few people should come, that only a few should come; but did anyone listen?

134Dēh-abhimān K|kē kāraṇ sab samasyāyē̃ haĩ . 135Dēhī-abhimānī ban jāyē̃ tō sab samasyāyē̃ samāpt hō jāyē̃ .

73BapDada is pleased to see every scene of the drama, that so many children had to come and this is why they came.

136Tō āp rūhānī gulāb viśhva par rūhānī khuśhbū phailānē kē nimitt hō , aisē sadā naśhā rahtā hai  ? 137Kabhī ēk , kabhī dūsrā nahī̃ .

74All of you have received everything easily, have you not? 75It is not difficult, is it? 76This too is a rehearsal that is taking place according to the drama.

138Sadā ēkras sthiti mē̃ śhakti hōtī hai .

77All of you are happy, are you not?

139Sthiti badalnē sē śhakti kam hō jātī hai .

78You are those who make anything difficult easy, are you not?

140Sadā bāp kī yād mē̃ rah jahā̃ bhī sēvā kā sādhan hai , cā̃s lēkar āgē baṛhtē jāō .

79To give co­ operation in every task and to co­operate in any direction you are given, means to make it easy.

141Paramātm-bagīcē K|kē rūhānī gulāb samajh rūhānī khuśhbū phailātē rahō . 142Kitnī mīṭhī rūhānī khuśhbū hai jis khuśhbū kō sab chāhtē haĩ  ! 143Yah rūhānī khuśhbū anēk ātmāō̃ K|kē sāth-sāth apnā bhī kalyāṇ kar lētī hai . 144Bāpdādā dēkhtē haĩ ki kitnī rūhānī khuśhbū kahā̃-kahā̃ tak phailātē rahtē haĩ  ?

80If you become co­operative, then even 5000 can be accommodated in this hall, whereas if you are not co­operative, that is, if you do not follow the systems, it would be difficult to accommodate even 500. Therefore, show the Dadis your record before you go, that it emerges from everyone's heart that the 5000 were accommodated as though there were just 500. This is known as making what is difficult become easy.

145Jarā bhī kahā̃ dēh-abhimān mix huā tō rūhānī khuśhbū original nahī̃ hōgī .

81So, all of you have made a good record of yourself, have you not? 82You are receiving a good certificate.

146Sadā is rūhānī khuśhbū sē aurō̃ kō bhī khuśhbūdār banātē chalō . 147Sadā achal hō  ?

83Always remain happy in this way and make others happy, and you will constantly continue to applaud.

148Kōī bhī halchal hilātī tō nahī̃  ?

84Your record is good.

149Kuchh bhī hōtā hai , suntē , dēkhtē thōṛā bhī halchal mē̃ tō nahī̃ ā jātē  ?

85Therefore, look, according to the drama, you had a chance to meet twice.

150Jab ‘ nothing new ' hai tō halchal mē̃ kyō̃ āyē̃  ? 151Kōī naī bāt hō tō halchal hō .

86This is hospitality for the new ones, according to the drama. 87Achcha.

152Yah ‘ kyā ' , ‘ kyō̃ ' anēk kalp huī hai - iskō kahtē haĩ ‘ drama kē ūpar niśhchaybuddhi ' . 153Sarvśhaktivān K|kē sāthī haĩ , isliē bēparvāh bādśhāh haĩ . 154Sab phikar bāp kō dē diyē tō svayã sadā bēphikar bādśhāh . 155Sadā rūhānī khuśhbū phailātē rahō tō sab vighna khatm hō jāyēṅgē .

88To the constant spiritual, elevated stars of success, to those who make the world shine through their constantly stable stage, to those who always remain with the Sun of Knowledge and the moon of knowledge, to those who always have the intoxication of faith and who remain humble, to all such sparkling stars of the Godly galaxy, spiritual love, remembrance and namaste from BapDada, the Sun of Knowledge and the moon of knowledge.

156 ( 3 ) her|har karma kartē ‘ karmayōgī ātmā ' anubhav kartē hō  ? 157Karma aur yōg sadā sāth-sāth rahtā hai  ?

89BapDada meeting groups: 90Do you always consider yourselves to be free from obstacles and victorious jewels?

158Karmayōgī her|har karma mē̃ svataḥ hī saphaltā kō prāpt kartā hai .

91It is good for obstacles to come, but the obstacles should not defeat you.

159Karmayōgī ātmā karma kā pratyakṣhaphal usī samay bhī anubhav kartā aur bhaviṣhya bhī jamā kartā , tō double phāydā hō gayā nā . 160Aisē double phal lēnē vālī ātmāyē̃ hō .

92The obstacles become the means to make you strong for all time. 93Consider the obstacles to be an entertaining game and pass through them.

161Karmayōgī ātmā kabhī karma K|kē bandhan mē̃ nahī̃ phansē̃gī .

94This is known as being free from obstacles and becoming victorious.

162Sadā nyārē aur sadā bāp K|kē pyārē .

95So, you are not afraid of obstacles, are you?

163Karma K|kē bandhan sē mukt - iskō hī ‘ karmātīt ' kahtē haĩ .

96When you have the Father's company, there is no question of being afraid.

164Karmātīt kā arth|earth yah nahī̃ hai ki karma sē atīt hō jāō .

97When someone is alone, he is afraid.

165Karma sē nyārē nahī̃ , karma K|kē bandhan mē̃ phansnē sē nyārē , iskō kahtē haĩ - karmātīt .

98However, when you have someone with you, you are not afraid; you become brave at that time.

166Karmayōgī sthiti karmātīt sthiti kā anubhav karātī hai . 167Tō kisī bandhan mē̃ bandhnē vālē tō nahī̃ hō nā  ?

99So, when you have the Father's company, will the obstacle be afraid or will you be afraid?

168Aurō̃ kō bhī bandhan sē chhuṛānē vālē .

100What are the obstacles in front of the Almighty Authority?

169Jaisē bāp nē chhuṛāyā , aisē bachchō̃ kā bhī kām hai chhuṛānā , svayã kaisē bandhan mē̃ bandhēṅgē  ?

101Nothing at all! 102This is why the obstacles seem like a game; they are nothing difficult.

170Karmayōgī sthiti ati pyārī aur nyārī hai .

103Obstacles make you experienced and powerful.

171Issē kōī kitnā bhī baṛā kārya hō lēkin aisē lagēgā jaisē kām nahī̃ kar rahē haĩ lēkin khēl kar rahē haĩ .

104Those who are constantly engaged in remembrance of the Father and service and are busy remain free from obstacles.

172Chāhē kitnā bhī mēhnat kā , sakht khēl hō , phir bhī khēl mē̃ majā āyēgā nā .

105If the intellect is not busy, then obstacles and Maya come. 106If you remain busy, then Maya steps aside.

173Jab mallyuddh kartē haĩ tō kitnī mēhnat kartē haĩ .

107She will not come, she will go away.

174Lēkin jab khēl samajhkar kartē haĩ tō hanstē-hanstē kartē haĩ .

108Maya too knows that you are not her companion, and that you are now God's companion.

175Mēhnat nahī̃ lagtī , manōrañjan lagtā hai .

109So, she then steps aside.

176Tō karmayōgī kē liē kaisā bhī kārya hō lēkin manōrañjan hai , saṅkalp mē̃ bhī muśhkil kā anubhav nahī̃ hōgā .

110You have been victorious countless times, and it is therefore not a big thing for you to gain victory. 111You find whatever task you have done many times easy.

177Tō karmayōgī group apnē karma sē anēkō̃ kā karma śhrēṣhṭh banānē vālē , isī mē̃ busy rahō .

112So, you are victorious many times over. 113You are those who always remain happy, are you not?

178Karma aur yād combined , alag hō nahī̃ saktē .

114Mothers, do you always remain happy? 115Do you ever cry?

179 ( 4 ) sadā bāp key|kī ati snēhī , sahyōgī ātmāyē̃ anubhav kartē hō  ?

116If you were faced with any such situation, would you cry?

180Snēhī key|kī niśhānī kyā hōtī hai  ?

117You are courageous.

181Jissē snēh hōtā hai uskē her|har kārya mē̃ sahyōgī jarūr hōṅgē .

118Pandavas, you do not cry in your mind, do you? 119"Why did this happen?

182Ati snēhī ātmā key|kī niśhānī sadā bāp K|kē śhrēṣhṭh kārya mē̃ sahyōgī hōgī . 183Jitnā-jitnā sahyōgī , utnā sahaj yōgī kyōṅki bāp K|kē sahyōgī haĩ nā . 184Din-rāt yahī lagna rahē - bābā aur sēvā , iskē sivāē kuchh hai hī nahī̃ . 185Agar laukik kārya bhī kartē hō tō bāp key|kī śhrīmat pramāṇ kartē hō , isliē vah bhī bāp kā kārya hai .

120What happened?"

186Laukik mē̃ bhī alaukiktā hī anubhav karē̃gē , kabhī laukik kārya samajh na thakē̃gē , na phansē̃gē , nyārē rahē̃gē .

121You don't cry in this way, do you? 122If, after belonging to the Father, you don’t always remain happy, then when will you be happy?

187Tō aisē snēhī aur sahyōgī ātmāyē̃ hō .

123To belong to the Father means to remain constantly happy.

188Nyārē hōkar karma karē̃gē tō bahut achchhā karma hōgā .

124You neither have any sorrow nor do you cry in sorrow.

189Karma mē̃ phanskar karnē sē achchhā nahī̃ hōtā , saphaltā bhī nahī̃ hōtī , mēhnat bhī bahut aur prāpti bhī nahī̃ . 190Isliē sadā bāp K|kē snēh mē̃ samāī huī sahyōgī ātmāyē̃ haĩ . 191Sahyōgī ātmā kabhī bhī māyā key|kī yōgī hō nahī̃ saktī , uskā māyā sē kinārā hō jāyēgā . 192Her|har saṅkalp mē̃ ‘ bābā ' aur ‘ sēvā ' , tō jō nīnd bhī karē̃gē , usmē̃ bhī baṛā ārām milēgā , śhānti milēgī , śhakti milēgī .

125All your sorrow has been removed.

193Nīnd , nīnd nahī̃ hōgī , jaisē kamāī karkē khuśhī mē̃ lēṭē haĩ .

126So, always remember this blessing of yours. 127Achcha.

194Itnā parivartan hō jātā hai  ! 195‘ bābā-bābā ' kartē rahō .

128Do you consider yourselves to be spiritual roses of this spiritual garden?

196Bābā kahā aur kārya saphal huā paṛā hai . 197Kyōṅki bāp sarvśhaktivān hai .

129Out of all the flowers, roses are loved the most because of their fragrance.

198Sarvśhaktivān bāp kī yād svataḥ hī her|har kārya kō śhaktiśhālī banā dētī hai .

130So, those are roses and all of you are spiritual roses.

199 ( 5 ) apnē kō rājr̥iṣhi , śhrēṣhṭh ātmāyē̃ anubhav kartē hō  ?

131A spiritual rose means one that always has spiritual fragrance.

200Rājr̥iṣhi arthāt rājya hōtē huē bhī r̥iṣhi arthāt sadā bēhad K|kē vairāgī . 201Sthūl dēśh kā rājya nahī̃ hai lēkin sva kā rājya hai .

132Wherever you spiritual roses look, whosoever you see, you only see the spirit, you don't even look at the body.

202Sva-rājya kartē huē bēhad K|kē vairāgī bhī hō , tapasvī bhī hō kyōṅki jāntē hō purānī duniyā mē̃ hai hī kyā .

133You yourself will always remain in a spiritual stage and you will always look at the spirit (soul) of others.

203Is duniyā kō kahtē hī hō asār saṅsār , kōī sār nahī̃ .

134This is known as a spiritual rose. 135This is the Father's garden.

204Jitnā hī banānē key|kī kōśhiśh kartē haĩ , utnā hī bigaṛtā hai . 205Tō asār huā nā . 206Tō asār saṅsār sē svataḥ hī vairāg ā jātā hai kyōṅki asār saṅsār sē brāhmaṇō̃ kā śhrēṣhṭh saṅsār mil gayā .

136Just as the Father is the Highest on High, so the garden too is the highest on high, and the special decoration of this garden are all of you spiritual roses. 137This spiritual fragrance will benefit many souls.

207Śhrēṣhṭh saṅsār mil gayā tō asār sē vairāg svataḥ hō jāyēgā . 208Vairāg arthāt lagāv na hō .

138The reason for all the difficulties in the world today is that they don't see one another as spirits (souls).

209Agar lagāv hōtā hai tō buddhi kā jhukāv hōtā hai .

139All the problems are because of body consciousness.

210Jis taraph lagāv hōgā , buddhi usī taraph jāyēgī .

140If they became soul conscious, then all the problems would end.

211Isliē rājr̥iṣhi hō , rājē bhī hō aur sāth-sāth bēhad K|kē vairāgī bhī hō .

141You spiritual roses are instruments to spread spiritual fragrance in the world.

212R̥iṣhi tapasvī hōtē haĩ .

142Do you always have this intoxication?

213Kisī bhī ākarṣhaṇ mē̃ ākarṣhit nahī̃ hōnē vālē .

143Not one thing one moment and something else the next.

214Sva-rājya kē āgē yah had key|kī ākarṣhaṇ kyā hai  ? 215Kuchh bhī nahī̃ .

144There is power in having a constantly stable stage.

216Tō apnē kō kyā samajhtē hō  ? 217Rājr̥iṣhi .

145When your stage keeps changing, power is reduced.

218Kisī bhī prakār kā lagāv r̥iṣhi bannē nahī̃ dēgā , tapasvī ban nahī̃ sakē̃gē . 219Tapasyā mē̃ ‘ lagāv ' hī vighn-rūp ban kar ātā hai .

146Always stay in remembrance of the Father and wherever there are any means of service, take that chance and continue to move forward.

220Tapasyā bhaṅg hō jātī hai . 221Isliē , māyā key|kī ākarṣhaṇ sē sadā parē rahō . 222Kōī bhī sambandh mē̃ lagāv na hō .

147Consider yourselves to be spiritual roses of God's garden and continue to spread spiritual fragrance.

223Mātāō̃ kō pōtrē-dhōtrē achchhē lagtē haĩ , isliē thōṛā lagāv hō jātā hai .

148It is such a sweet spiritual fragrance, which everyone wants.

224Pāṇḍavō̃ kā phir kissē lagāv hōtā hai  ?

149This spiritual fragrance benefits many souls as well as the self.

225Kamānē mē̃ , paisā ikaṭṭhā karnē mē̃ . 226Jēb mē̃ paisā tō hōnā chāhiē nā  !

150BapDada continues to see how much and how far you continue to spread this spiritual fragrance.

227Lēkin jō bāp key|kī lagna mē̃ rahtē haĩ , vah lagāv mē̃ nahī̃ rahtē , uskō sab sahaj prāpt hōtā hai .

151If the slightest body consciousness becomes mixed, then there won't be that original spiritual fragrance.

228Brāhmaṇ jīvan mē̃ 10 rūpayā bhī 100 ban jātā hai .

152With this spiritual fragrance, always continue to make others fragrant.

229Itnā dhan mē̃ vr̥iddhi hō jātī hai  !

153Are you always unshakeable? 154No upheaval makes you fluctuate, does it?

230Pragati paṛnē sē 10 , 100 kā kām kartā hai , vahā̃ 100 , 10 kā kām karēgā .

155When something happens, and you hear or see something, you don't come into upheaval, do you?

231Kyōṅki abhī economy K|kē avatār hō gayē nā .

156When it is nothing new why should you fluctuate?

232Vyarth bach gayā aur samarth paisā , tākat vālā paisā hai .

157There would be fluctuation if it were something new.

233Kālā paisā nahī̃ hai , saphēd hai , isliē śhakti hai . 234Tō rājr̥iṣhi ātmāyē̃ haĩ - is vardān kō sadā yād rakhnā .

158All of this "why? what?" has happened over many cycles, and this is called having faith in the intellect that it is fixed in the drama.

235Kahā̃ lagāv mē̃ nahī̃ phans jānā . 236Na phansō , na nikalnē key|kī mēhnat karō .

159You are companions of the Almighty Authority, and you are therefore carefree emperors.

237 ( 6 ) apnē kō sadā harṣhit rahnē vālī śhrēṣhṭh ātmā anubhav kartē hō  ? 238Harṣhitmukh , harṣitacitta .

160You have given all your worries to the Father, and so you yourself have become a carefree emperor for all time.

239Iskī yādgār āpkē yādgār chitrō̃ mē̃ bhī dikhātē haĩ .

161Always continue to spread spiritual fragrance and all obstacles will end.

240Kōī bhī dēvī yā dēvtā key|kī mūrti banāyēṅgē tō usmē̃ chēhrā jō dikhātē haĩ , vah sadā harṣhit dikhātē haĩ .

162Achcha. 163Blessing: May you be an image that grants visions and take the devotees beyond with a glance by being a light of the world.

241Agar kōī serious ( gambhīr ) chēhrā hōgā tō dēvtā kā chitra nahī̃ mānē̃gē .

164The whole world is waiting to take drishti from your eyes, the lights of the world.

242Tō harṣhitmukh rahnē kā is samay kā guṇ āpkē yādgār chitrō̃ mē̃ bhī hai . 243Harṣhitmukh arthāt sadā sarv prāptiyō̃ sē bharpūr .

165When you lights of the world reach your stage of perfection, that is, when you open your eye of perfection, world transformation will take place in a second.

244Jō bharpūr hōtā hai vahī harṣhit rah saktā hai . 245Agar kōī bhī aprāpti hōgī tō harṣhit nahī̃ rahē̃gē .

166Then you souls, who are images that grant visions, will be able to take the devotees beyond with a glance.

246Kitnī bhī harṣhit rahnē key|kī kōśhiśh karē̃ , bāhar sē hãsēṅgē lēkin dil sē nahī̃ .

167There is a big queue of souls who want to go beyond with a glimpse of a second.

247Kōī bāhar sē hanstē haĩ tō mālūm paṛ jātā hai - yah dikhāvē kā hãsnā hai , sacca nahī̃ . 248Tō āp sab dil sē sadā muskārātē rahō . 249Kabhī chēhrē par duḥkh key|kī lahar na āyē .

168Therefore, let your eye of perfection remain open. 169Stop rubbing your eyes, and choking on your thoughts and falling asleep for only then will you be able to become an image that grants visions.

250Kisī bhī paristhiti mē̃ duḥkh key|kī lahar nahī̃ ānī chāhiē kyōṅki duḥkh key|kī duniyā chhōṛ dī , saṅgam key|kī duniyā mē̃ ā gayē . 251Achchhā .

170Slogan: A pure and gentle nature is a sign of humility. 171Become pure and gentle and you will receive success. 172* * * O M S H A N T I* * *