शनिवार 19 मार्च 1988 की अव्यक्त मुरली

⁰> ¹19 - 03 - 88 om shanti avyakt baapdaadaamdhuban

⁰> > 19-03-88 Om Shanti Avyakt Bapdada Madhuban

²‘yaad' mein ramneekta laane ki yuktiyaan

¹Methods to bring about entertainment in remembrance.

³apne shreshtha karmon ki vidhi se vidhaan ka nirmaan karne vaale,sada seva ke umang utsaah mein rahne vaale bachchon ko eeshvareey siddhaanton ka mahattva sunaate hue vidhaata baapdaada bole

²Today, BapDada, the Bestower of the Law, the Bestower of Blessings, is seeing His children who are master bestowers of the law and bestowers of blessings. ³Each child has become a bestower of the law and also a bestower of blessings.

⁴aaj vidhaata, vardaata baapdaada apne master vidhaata, vardaata bachchon ko dekh rahe hain।

⁴And, together with that, BapDada was seeing how great the status of the children is. ⁵The Brahmin life of this confluence age is so important.

⁵har ek bachcha vidhaata bhi bane ho to vardaata bhi bane ho। ⁶saath - saath baapdaada dekh rahe the ki bachchon ka martaba kitna mahaan hai, is sangamayug ke brahman jeevan ka kitna mahatva hai! ⁷vidhaata, vardaata ke saath vidhi - vidhaata bhi aap brahman ho।

⁶Together with the Bestower of the Law and the Bestower of Blessings, you Brahmins are also bestowers of the law, the ones who show the correct systems. ⁷You have already heard how every system of yours now changes for the systems of the golden age, and so the present systems for every action continue into the future.

⁸aapki har vidhi satayug mein kaise parivartit hoti hai - woh pahle sunaaya hai। ⁹is samay ke har karma ki vidhi bhavishya mein chalti hi hai lekin dvaapar ke baad bhi bhaktimaarga mein is samay ke shreshtha karmon ki vidhi bhaktimaarga ki vidhi ban jaati hai।

⁸Even after the copper age, on the path of devotion, the methods of the elevated actions performed at this time become the systems of the path of devotion. ⁹So the laws of this time continue as the elevated laws of your life in the worship­worthy form, and they also continue on the path of worshipping, that is, on the path of devotion.

¹⁰to poojya roop mein bhi is samay ki vidhi jeevan ke shreshtha vidhaata ke roop mein chalti hai aur pujaari maarga arthaat bhaktimaarga mein bhi aapki har vidhi neeti va reeti mein chalti aati hai।

¹⁰On the path of devotion too, your every law continues as a custom and system. ¹¹You are the bestowers of the law, the bestowers of blessings and the ones who also bestow the correct methods.

¹¹to vidhaata, vardaata aur vidhi - vidhaata bhi ho।

¹²Your main principles become the method for attaining total success.

¹²aapke mool siddhaanta siddhi praapta hone ke saadhan ban jaate hain। ¹³jaise mool siddhaanta - ‘‘baap ek hai।

¹³For instance, your main principle is that there is the one Father, that there are many righteous souls, there are many great souls, but there is only the one Supreme Soul.

¹⁴dharma - aatmaayen, mahaan - aatmaayen anek hain lekin param - aatma ek hai''।

¹⁴Through this main principle of yours, you attain the inheritance from the Father as your success for half a cycle.

¹⁵isi mool siddhaanta dvaara aadha kalpa aap shreshtha aatmaon ko ek baap ke dvaara praapta hua varsa siddhi ke roop mein praapta hota hai।

¹⁵To attain the reward means to be an embodiment of success. ¹⁶You understand that there is one Father and that the great souls and the righteous souls are not fathers but that they are your brothers.

¹⁶praalabdha milna arthaat siddhi swaroop banna।

¹⁷The inheritance is received from the Father, not from a brother.

¹⁷kyonki ek baap hai, baaki mahaan - aatmaayen va dharma - aatmaayen hain,baap nahin hai,bhaai - bhaai hain। ¹⁸varsa baap se milta hai, bhaai se nahin milta।

¹⁸From this main principle you attain success for half a cycle, and then, on the path of devotion too, the principle that “God is One” becomes the basis of attaining success.

¹⁹to is mool siddhaanta dvaara aadha kalpa aapko siddhi praapta hoti hai aur bhakti mein bhi ‘god is one' - yahi siddhaanta siddhi praapta karne ka aadhaar banta hai।

¹⁹The first form of devotion is also with the Shiva lingam image of the Father which is called unadulterated devotion. ²⁰So, on the path of devotion too, it is through this one principle, “The Father is One”, that success is attained.

²⁰bhakti ka aadi aadhaar bhi ek baap ke ‘shivaaling'roop se aarambha hota hai jisko kaha jaata hai - ‘avyabhichaari bhakti'।

²¹In this way, through each one of your main principles, you continue to attain success. ²²For instance, the main principle of this life is purity.

²¹to bhaktimaarga mein bhi isi ek siddhaanta dvaara hi siddhi praapta hoti hai ki ‘baap ek hai'।

²³It is through the principle of purity that you souls have obtained for all time the future crown of light as a form of success.

²²aise, jo bhi aapke mool siddhaanta hai,us ek - ek siddhaanta dvaara siddhi praapta hoti rehti hai। ²³jaise is jeevan ka mool siddhaanta ‘pavitrata'hai। ²⁴is pavitrata ke siddhaanta dvaara aap aatmaon ke bhavishya mein siddhi swaroop ke roop mein light ka taaj sada hi praapta hai jiska yaadgaar - roop double taaj dikhaate hain aur bhakti mein bhi jab bhi yathaartha aur dil se bhakti karenge to pavitrata ke siddhaanta ko mool aadhaar samjhenge aur samajhte hain ki sivaae pavitrata ke bhakti ki siddhi praapta nahin ho sakti hai। ²⁵chaahe alpakaal ke liye, jitna samay bhakti karte hain, utna samay hi pavitrata ko apnaayen lekin ‘pavitrata hi siddhi ka saadhan hai' - is siddhaanta ko apnaate avashya hain।

²⁴The memorial of this has been shown as the double crown.

²⁶isi prakaar se har ek gyaan ka siddhaanta va dhaarna ka mool siddhaanta buddhi se soche ki har ek siddhaanta siddhi ka saadhan kaise banta hai?

²⁵In bhakti, whenever they do accurate bhakti from their heart, they consider purity to be their main principle. ²⁶They understand that without purity they cannot attain success in bhakti.

²⁷yeh manan karne ka kaam de rahe hain। ²⁸jaise drishtaanta sunaaya, isi prakaar se sochna।

²⁷Even if only for a temporary period, they adopt purity for the time that they are engaged in devotion.

²⁹to aap vidhi - vidhaata bhi bante ho, siddhi - daata bhi bante ho।

²⁸However, they definitely adopt the principle that “purity is the method for success”.

³⁰isliye aaj tak bhi jin bhakton ko jo - jo siddhi chaahiye,vo bhinna - bhinna devtaaon dvaara bhinna - bhinna siddhi praapta karne ke liye, unheen devtaaon ki pooja karte hain।

²⁹In the same way, with your intellect, think about every principle of knowledge and every main principle of dharna and how every principle becomes the method for success. ³⁰You are being given this homework of churning.

³¹to siddhi - daata baap dvaara aap bhi siddhi - daata bante ho - aisa apne ko samajhte ho na।

³¹Think in the same way as the examples you have been given. ³²You become the bestowers of the law and also the bestowers of success.

³²jinko svayan sarva siddhiyaan praapta hai,wahin auron ko bhi siddhi praapta karaane ke nimitta ban sakte hain। ³³siddhi kharaab cheez nahin hai।

³³This is why, even today, whatever success devotees desire, they go and worship those particular deities from whom they believe they are going to attain that particular success.

³⁴kyonki aapki riddhi - siddhi nahin hai। ³⁵riddhi - siddhi jo hoti hai woh alpakaal ke liye prabhaavshaali hoti hai। ³⁶lekin aapki yathaartha vidhi dvaara siddhi hai।

³⁴Do you consider that, together with the Father, the Bestower of Success, you children also become bestowers of success? ³⁵Only those who have attained all success themselves can become instruments for others to achieve success.

³⁷eeshvareey vidhi dvaara jo siddhi praapta hoti hai, woh siddhi bhi eeshvareey siddhi hai।

³⁶Success (siddhi) is not a bad thing, because your success has nothing to do with occult power (riddhi­siddhi).

³⁸jaise eeshvar avinaashi hai, to eeshvareey vidhi aur siddhi bhi avinaashi hai।

³⁷Occult power is impressive for only a temporary period.

³⁹riddhi - siddhi dikhaane vaale svayan bhi alpagya aatma hain, unhon ki siddhi bhi alpakaal ki hai।

³⁸However, your success is based on the accurate method, because the success that is attained through the Godly method is also Godly success.

⁴⁰lekin aapki siddhi, siddhaanta ki vidhi dvaara siddhi hai।

³⁹Just as God is eternal, so the Godly methods and their success are also eternal.

⁴¹isliye aadhaakalpa svayan siddhisvaroop bante ho aur aadha kalpa aapke siddhaanta dvaara bhakta aatmaayen yatha - shakti, tatha - phal ki praapti va siddhi ki praapti karte aate hain।

⁴⁰Those who show their occult power have limited knowledge and so their success is temporary. ⁴¹However, your success is the success attained with the method of the right principle.

⁴²kyonki bhakti ki shakti bhi samay pramaan kam hoti aati hai।

⁴²This is why you yourselves become embodiments of success for half a cycle.

⁴³satopradhaan bhakti ki shakti,bhakta aatmaon ko siddhi ki anubhooti aajkal ke bhakton se jyaada karaati hai। ⁴⁴is samay ki bhakti tamopradhaan bhakti hone ke kaaran na yathaartha siddhaanta raha hai na siddhi rahi hai।

⁴³And, for the other half cycle, through your principles, the devotee souls continue to attain the fruit according to their capacity and also attain success, because, according to the time, the power of devotion is also decreasing.

⁴⁵to itna nasha rehta hai ki ham kaun hain! ⁴⁶sada is shreshtha svamaan ke sthiti ki seat par set rehte ho? ⁴⁷kitni oonchi seat hai!

⁴⁴The devotee souls (of the copper age) experience greater success through the power of their satopradhan devotion than the devotees of today.

⁴⁸jab is sthiti ki seat par set (sthir) rehte ho to baar - baar upset (asthir) nahin honge। ⁴⁹yeh position hai na।

⁴⁵Because the devotion of the present time is tamopradhan, there are neither the accurate principles nor is there any success.

⁵⁰kitna bada position hai - vidhi - vidhaata,siddhi - daata!

⁴⁶So, do you have that much intoxication of who you are?

⁵¹to jab is position mein sthit honge to maaya opposition nahin karengi।

⁴⁷Do you always remain seated on the seat of your elevated self­respect?

⁵²sada hi safe rahenge।

⁴⁸This seat is so elevated.

⁵³upset hone ka kaaran hi yeh hai ki apni shreshtha sthiti ki seat se saadhaaran sthiti mein aa jaate ho।

⁴⁹When you remain set on the seat of this stage, you will not repeatedly get upset. ⁵⁰This is your position, is it not?

⁵⁴yaad mein rehna va seva karna ek saadhaaran dincharya ban jaati hai।

⁵¹How great your position is: the bestowers of the law, the bestowers of success!

⁵⁵lekin yaad mein bhi baithte ho to apne koi - na - koi shreshtha svamaan ki seat par baitho।

⁵²When you remain stable in this position, Maya will not be able to cause opposition. ⁵³You will constantly remain safe.

⁵⁶sirf aise nahin ki yaad ke sthaan par chaahe yog ke kamre mein, chaahe baap ke kamre mein, bad (bistar) se uthkar va saare din mein jaakar baith gaye lekin jaise shareer ko yogya sthaan dete ho, vaise pahle buddhi ko sthiti ka sthaan do।

⁵⁴The reason for your becoming upset is that you move into a state of ordinary consciousness from your seat of elevated consciousness. ⁵⁵Staying in remembrance or doing service becomes an ordinary routine in your timetable.

⁵⁷pahle yeh chaik karo ki buddhi ko sthaan theek diya? ⁵⁸to eeshvareey nasha seat se svatah hi aata hai।

⁵⁶However, when you sit in remembrance, sit on the seat of one or other form of your elevated self­respect.

⁵⁹aajkal bhi ‘kursi ka nasha' kehte hain na! ⁶⁰aapka to shreshtha sthiti ka aasan hai। ⁶¹kabhi ‘master beejroop' ki sthiti ke sthaan par, seat par set ho, kabhi‘avyakt pharishte' ki seat par set ho,kabhi ‘vishvakal yaankaari sthiti' ki seat par set ho - aise har roj bhinna - bhinna sthiti ke aasan par va seat par set hokar baitho।

⁵⁷It shouldn’t be that you just get out of bed and go and sit where yoga is taking place – whether in the meditation room or in Baba’s room – or that you sit in yoga the whole day, but just as you give your body an appropriate place to sit, so first of all give your intellect the place of a good stage. ⁵⁸First of all check whether you gave your intellect a proper place.

⁶²agar kisi ko bhi seat set nahin hoti hai to halchal karte hain na - kabhi aisa karenge, kabhi vaisa karenge!

⁵⁹With the right seat, you automatically have that Godly intoxication. ⁶⁰Nowadays, people speak of the “intoxication of their chair (position)”.

⁶³to yeh buddhi bhi halchal mein tab aati hai jab seat par set nahin hote। ⁶⁴jaante to sab hain ki ham yeh - yeh hain। ⁶⁵agar abhi ye poochhen ki aap kaun hain,to lambi list achhi nikal aayegi।

⁶¹Your seat is that of an elevated stage. ⁶²Sometimes, set yourself in the seat of the stage of a master seed; sometimes, sit on the seat of an avyakt angel; sometimes, sit on the seat of a world benefactor.

⁶⁶lekin har samay jo jaante ho, woh apne ko maano।

⁶³In this way, sit yourself on the seat of the different stages every day.

⁶⁷sirf jaanon nahi, maano। ⁶⁸kyonki jaanne se sookshm mein khushi to rehti hai - haan, main yeh hoon।

⁶⁴If someone is not seated on his seat properly, he is unstable. ⁶⁵Sometimes, he will move in one direction and sometimes in another direction.

⁶⁹lekin maanne se shakti aati hai aur maankar chalne se nasha rehta hai।

⁶⁶Similarly, the intellect is in upheaval when you are not set on your seat.

⁷⁰jaise koi bhi position vaale jab seat par set hote hain to khushi hogi lekin shakti nahin hogi। ⁷¹to jaante ho lekin maankar chalo aur baar - baar apne se poochho,check karo ki seat par set hoon ya saadhaaran sthiti mein neeche aa gaya? ⁷²jo auron ko siddhi dene vaale hain, woh svayan har sankalp mein,har karma mein siddhi - swaroop avashya honge, daata honge। ⁷³siddhi - daata kabhi yeh soch bhi nahin sakte ki jitna purooshaartha karte hain va mehnat karte hain, itni siddhi nahin dikhaai deti hai va jitna yaad mein abhyaas karte hain, utni siddhi nahin anubhav hoti hai।

⁶⁷You all know that you are this and that.

⁷⁴isse siddha hai ki seat par set hone ki vidhi yathaartha nahin hai।

⁶⁸If you were to be asked now, "Who are you?", a very good long list would emerge.

⁷⁵ramneek gyaan hai। ⁷⁶ramneek anubhav svatah hi susti ko bhaga deta hai।

⁶⁹However, at every moment, consider yourself to be what you know yourself to be.

⁷⁷yeh to kai kehte hain na - vaise neend nahin aayegi lekin yog mein neend avashya aayegi।

⁷⁰Do not just know yourself, but also accept yourself as that, because by knowing yourself you stay in subtle happiness.

⁷⁸yeh kyon hota hai?

⁷¹“Yes, I am this.”

⁷⁹aisi baat nahin ki thakaavat hai lekin ramneek reeti se aur natural roop se buddhi ko seat par set nahin karte ho।

⁷²However, by accepting yourself to be that, you receive power, and, by moving along considering yourself to be that, you also have intoxication.

⁸⁰to sirf ek roop se nahin lekin variety roop se set karo।

⁷³Just as when someone with a position is set on his seat, he has happiness, but not that power.

⁸¹vahi cheez agar variety roop se parivartan kar use karte hain to dil khush hoti hai। ⁸²chaahe badhiya cheez ho lekin agar ek hi cheez baar - baar khaate raho,dekhte raho to kya hoga?

⁷⁴So you too know, but you must also move along considering yourself to be that and repeatedly ask yourself and check: Am I set on my seat or have I come down into an ordinary stage?

⁸³aise, beejroop bano lekin kabhi light - haaoos ke roop mein, kabhi might - haaoos ke roop mein, kabhi vriksha ke oopar beej ke roop mein,kabhi srishti - chakra ke oopar top par khade hokar sabhi ko shakti do। ⁸⁴jo bhinna - bhinna title milte hain, woh roj bhinna - bhinna title anubhav karo। ⁸⁵kabhi noore ratna ban baap ke naynon mein samaaya hoon - is swaroop ki anubhooti karo।

⁷⁵Those who bring about success in others will themselves definitely be embodiments of success in every thought and every action; they will be bestowers. ⁷⁶Bestowers of success would never have the thought that they are not able to see as much success from the effort or the hard work they are doing, that they are not experiencing as much success as their practice of remembrance; that would indicate that their method of sitting on their seat was not accurate.

⁸⁶kabhi mastakamni ban,kabhi takhtansheen ban… bhinna - bhinna svaroopon ka anubhav karo। ⁸⁷variety karo to ramneekta aayegi।

⁷⁷Knowledge is entertaining, and entertaining experiences will automatically chase away laziness.

⁸⁸baapdaada roj murli mein bhinna - bhinna title dete hain, kyon dete hain?

⁷⁸Some say: Normally, sleep wouldn't come, but when I sit in yoga, I feel sleepy. ⁷⁹Why does this happen?

⁸⁹usi seat par set ho jaao aur sirf beech - beech mein check karo। ⁹⁰pahle bhi sunaaya tha ki yeh bhool jaate ho।

⁸⁰It is not that you are tired, but that you don’t set your intellect on its seat in an entertaining and natural way.

⁹¹6ghante, 8ghante beet jaate hain, phir sochte ho।

⁸¹So, don’t just set it in one way, but set it in various ways.

⁹²isliye udaas ho jaate ho ki aadha din to chala gaya!

⁸²If the same thing is used in a variety of ways, by being transformed, your heart is happy.

⁹³natural abhyaas ho jaaye, jab bhi vidhi - vidhaata va siddhi - daata ban vishwa ki aatmaon ka kalyaan kar sakenge। ⁹⁴samjha? ⁹⁵achha!

⁸³No matter how delicious something may be, if you keep eating that same thing again and again, or if you keep looking at the same thing again and again, what would happen?

⁹⁶aaj madhuban vaalon ka din hai। ⁹⁷double videshi apne samay ka chance de rahe hain kyonki madhuban nivaasiyon ko dekhkar khush hote hain। ⁹⁸madhuban vaale kehte hain mahima nahin karo,mahima bahut suni hai।

⁸⁴Similarly, be the seed form but sometimes also experience the form of the lighthouse, sometimes the might­ house, sometimes be the seed on top of the tree, sometimes stand on top of the world cycle and give power to everyone.

⁹⁹mahima sunte hi mahaan ban rahe hain kyonki yeh mahima hi dhaal ban jaati hai।

⁸⁵Experience the different titles that you have received in different ways each day.

¹⁰⁰jaise yuddha mein safety ka saadhan dhaal hoti hai na।

⁸⁶Sometimes, experience the form: I, the jewel of Baba's eyes, am merged in Baba’s eyes.

¹⁰¹to yeh mahima bhi smriti dilaati hai ki ham kitna mahaan hai!

⁸⁷Sometimes, be the jewel on the forehead. ⁸⁸Sometimes, be seated on the heart­throne.

¹⁰²madhuban, sirf madhuban nahin hai lekin madhuban hai vishwa ki stage।

⁸⁹Experience the different forms. ⁹⁰Let there be variety and you will be entertained.

¹⁰³madhuban mein rehna arthaat vishwa ki stage par rehna।

⁹¹BapDada gives you a variety of titles every day in the murli.

¹⁰⁴to jo stage par rehta hai, woh kitna attention se rehta hai!

⁹²Why does He do this? ⁹³So that you can set yourself on those seats.

¹⁰⁵saadhaaran reeti se koi kisi bhi sthaan par rehta hai to itna attention nahin rehta hai lekin jab stage par aayega to har samay, har karma par itna hi attention hoga।

⁹⁴Just simply check this from time to time. ⁹⁵You have heard before how it gets forgotten and how, after six or eight hours have gone by, you then think about it.

¹⁰⁶to madhuban vishwa ki stage hai। ¹⁰⁷chaaron or ki najar madhuban ke oopar hi hai।

⁹⁶That is why you become unhappy that half the day has already gone.

¹⁰⁸vaise bhi sabka attention stage ki taraph jaata hai na! ¹⁰⁹to madhuban nivaasi sada vishwa ki stage par sthit hain। ¹¹⁰saath - saath madhuban ek vichitra gumbaj hai।

⁹⁷Let this become a natural practice for only then will you become bestowers of the law, bestowers of success and be able to benefit all the souls of the world. ⁹⁸Do you understand?

¹¹¹aur gumbaj jo hote hain uska aavaaj apne tak aata hai lekin madhuban aisa vichitra gumbaj hai jo madhuban ka jara - sa aavaaj vishwa tak chala jaata hai। ¹¹²jaise aajkal ke puraane jamaane ke kai aise sthaan nishaani - maatra hain jo ek deevaar ko agar aise haath lagaayenge va aavaaj karenge to das deevaaron mein woh aavaaj aayega aur aise hi sunaai dega jaise is deevaar ko koi hila raha hai ya aavaaj kar raha hai। ¹¹³to madhuban aisa vichitra gumbaj hai jo madhuban ka aavaaj sirf madhuban tak nahin rehta lekin chaaron or phail jaata hai। ¹¹⁴aise phailta hai jo madhuban mein rahne vaalon ko pata bhi nahin hoga।

⁹⁹Achcha.

¹¹⁵lekin vichitrata hai na, isliye baahar pahunch jaata hai।

¹⁰⁰Today is the day for the Madhuban residents.

¹¹⁶isliye aise nahin samjho ki yahaan ki, yahaan dekha ya yahaan bola… lekin vishwa tak aavaaj hava ki raphtaar se pahunch jaata hai।

¹⁰¹It is good that the double foreigners have given you a chance out of their time because they are happy to see the Madhuban residents.

¹¹⁷kyonki sabki najron mein, buddhi mein sada madhuban aur madhuban ka baapdaada hi rehta hai।

¹⁰²The Madhuban residents say: Don't praise us; we have heard a great deal of praise.

¹¹⁸to jab madhuban ka baap najron mein rehta hai to madhuban bhi aayega na!

¹⁰³On hearing your praise, you are becoming great, because that praise then becomes a shield.

¹¹⁹madhuban ka baba hai to madhuban to aayega na aur madhuban mein sirf baba to nahin hai, bachche bhi hain।

¹⁰⁴Just as on a battlefield, a shield is the means of safety, so this praise reminds you of how great you are.

¹²⁰to madhubanvaasi svatah hi sabki najron mein aa jaate hain!

¹⁰⁵Madhuban isn't just Madhuban but Madhuban is the world stage.

¹²¹koi bhi brahman se poochho, chaahe kitna bhi door rehta ho lekin kya yaad rehta hai?

¹⁰⁶To live in Madhuban means to live on the world stage. ¹⁰⁷Those who are on a stage are there with so much attention.

¹²²‘madhuban'aur ‘madhuban ka baba'! ¹²³to itna mahattva hai madhubanvaasiyon ka। ¹²⁴samjha? ¹²⁵achha!

¹⁰⁸In an ordinary way, wherever someone may be staying, they wouldn’t live with such attention.

¹²⁶chaaron or ke sarva seva ke umang - utsaah mein rahne vaale, sada ek baap ke sneh mein samaaye hue,sada har karma mein shreshtha vidhi dvaara siddhi ko anubhav karne vaale,sada svayan ko vishwa ke kalyaankaari anubhav kar har sankalp se, bol se shreshtha kalyaan ki bhaavna aur shreshtha kaamna se seva mein busy rahne vaale, aise baap samaan sada athak sevaadhaari bachchon ko baapdaada ka yaadapyaar aur namaste। ¹²⁷' ¹²⁸madhuban nivaasiyon ke saath vardaan roop mein uchchaare hue mahaavaakya ¹²⁹1. svayan ko karmayogi shreshtha aatma anubhav karte ho?

¹⁰⁹However, when someone comes onto a stage, at all times, in every act, there will be that much attention.

¹³⁰karmayogi aatma sada karma ka pratyaksha phal svatah hi anubhav karti hai।

¹¹⁰Madhuban is the world stage. ¹¹¹The vision of souls of all corners is on Madhuban.

¹³¹pratyakshaphal -‘khushi'aur‘shakti'।

¹¹²In any case, everyone's attention is always focused on the stage.

¹³²to karmayogi aatma arthaat pratyakshaphal‘khushi' aura‘shakti'anubhav karne vaali।

¹¹³So the residents of Madhuban are the ones who are constantly stable on the world stage.

¹³³baap sada bachchon ko pratyakshaphal praapta karaane vaale hain।

¹¹⁴As well as that, Madhuban is also a unique dome. ¹¹⁵The slightest sound made in this dome echoes.

¹³⁴abhi - abhi karma kiya, karma karte khushi aur shakti ka anubhav kiya!

¹¹⁶Madhuban is such a unique dome that the slightest sound in Madhuban reaches the whole world.

¹³⁵to aisi karmayogi aatma hoon - isi smriti se aage badhte raho। ¹³⁶2. behad ki seva karne se behad ki khushi ka svatah hi anubhav hota hai na! ¹³⁷behad ka baap behad ka adhikaari banaate hain।

¹¹⁷Nowadays, they have such memorial places (in name only) where, if you touch one wall or make a sound against one wall, there will be a ripple effect on ten walls, and it will sound like someone tapping on that same wall.

¹³⁸behad seva ka phal behad ka raajya bhaagya svatah hi praapta hota hai। ¹³⁹jab behad ki sthiti mein sthit hokar seva karte ho to jin aatmaon ke nimitta bante ho, unki duaayen svatah aatma mein ‘shakti' aur‘khushi'ki anubhooti karaati hain। ¹⁴⁰ek sthaan par baithe bhi behad seva ka phal mil raha hai - is behad ke nashe se behad ka khaata jama karte aage badhte chalo। ¹⁴¹3. sada har kaarya karte svayan ko saakshi sthiti mein sthit rakh kaarya karaane vaali nyaari aatma hoon - aisa anubhav karte ho?

¹¹⁸So, Madhuban is such a unique dome that its sound not only reaches Madhuban, but it spreads in all directions.

¹⁴²saaksheepan ki sthiti sada har kaarya sahaj saphal karti hai। ¹⁴³saaksheepan ki sthiti kitni pyaari lagti hai!

¹¹⁹It spreads in such a way that those living in Madhuban would not even be aware of it.

¹⁴⁴saakshi ban kaarya karne vaali aatma sada nyaari aur baap ki pyaari hai।

¹²⁰This is its uniqueness, and this is why it spreads everywhere outside.

¹⁴⁵to isi abhyaas se karma karne vaali alaukik aatma hoon, alaukik anubhooti karne vaali, alaukik jeevan, shreshtha jeevan vaali aatma hoon - yeh nasha rehta hai na? ¹⁴⁶karma karte yahi abhyaas badhaate raho। ¹⁴⁷yahi abhyaas karmaateet sthiti ko praapta kara dega।

¹²¹Therefore, never think that whatever has happened here is just here, or that whatever is seen here is seen only here or is spoken only here. ¹²²However, the sound reaches the world at the speed of the wind because everyone’s vision and everyone’s intellect always has Madhuban and BapDada of Madhuban.

¹⁴⁸isi abhyaas ko sada aage badhaate, karma karte nyaare aur baap ke pyaare rehna।

¹²³The Father of Madhuban is in your vision; therefore, Madhuban would also be in your vision, would it not?

¹⁴⁹isko kehte hain - ‘shreshtha aatma'।

¹²⁴If Baba of Madhuban is here, Madhuban must also be here!

¹⁵⁰4. sada shreshtha khazaanon se bharpoor aatma hoon - aisa anubhav karte ho?

¹²⁵There isn’t just Baba in Madhuban, there are also the children.

¹⁵¹jo akhut khazaanon se bharpoor hoga,usko roohaani nasha kitna hoga!

¹²⁶So, the residents of Madhuban are automatically in everyone's vision.

¹⁵²sada sarva khazaanon se bharpoor hoon - is roohaani khushi se aage badhte chalo।

¹²⁷Ask any Brahmin, no matter how far away they are living, what it is they remember.

¹⁵³sarva khazaane va ki aatmaon ko jagaae saathi bana denge।

¹²⁸They remember “Madhuban” and “Baba of Madhuban”.

¹⁵⁴to bharpoor aur shaktishaali aatma ban aage badhte chalo।

¹²⁹The residents of Madhuban have so much importance! ¹³⁰Do you understand? ¹³¹Achcha.

¹⁵⁵5. sada buddhi mein yeh smriti rehti hai na ki baap karaavanhaar kara raha hai,ham nimitta hain। ¹⁵⁶nimitta ban karne vaale sada halke rehte hain kyonki jimmevaar karaavanhaar baap hai। ¹⁵⁷jab ‘main karta hoon' - yeh smriti rehti hai to bhaari ho jaate aur baap kara raha hai - to halke rehte। ¹⁵⁸main nimitta hoon, karaane vaala kara raha,chalaane vaala chala raha hai,isko kehte - bephikar baadshaah।

¹³²To all those everywhere who maintain zeal and enthusiasm for service, to those who constantly remain merged in the love of the one Father, to those who constantly experience success with the elevated method in every action, to those who constantly experience themselves to be world benefactors and who remain busy in service with their elevated good wishes and elevated pure feelings through their every thought and word, to the constantly tireless server children who are like the Father, BapDada's love, remembrance and namaste.

¹⁵⁹to karaavanhaar kara raha hai। ¹⁶⁰isi vidhi se sada aage badhte raho।

¹³³Personal meetings: ¹³⁴Do you experience yourselves to be elevated karma yogi souls?

¹⁶¹6. baap ki chhatrachhaaya mein rahne vaali shreshtha aatma hoon - yahi anubhooti hoti hai।

¹³⁵A karma yogi soul constantly experiences the instant fruit of action in a natural way.

¹⁶²jo abhi chhatrachhaaya mein rehte, vahi chhatradhaari bante hain।

¹³⁶The instant fruit is happiness and power.

¹⁶³to chhatrachhaaya mein rahne vaali bhaagyavaan aatma hoon - yeh khushi rehti hai na।

¹³⁷So, a karma yogi soul means one who experiences the instant fruit of happiness and power.

¹⁶⁴chhatrachhaaya hi safety ka saadhan hai। ¹⁶⁵is chhatrachhaaya ke andar koi aa nahin sakta।

¹³⁸The Father constantly enables you children to attain the instant fruit.

¹⁶⁶baap ki chhatrachhaaya ke andar hoon - yeh chitra sada saamne rakho।

¹³⁹One minute you perform the action and while performing the action, you experience happiness and power.

¹⁶⁷7. sada apna roohaani pharishta swaroop smriti mein rehta?

¹⁴⁰So, constantly continue to move forward with the awareness: I am such a karma yogi soul.

¹⁶⁸brahman so pharishta,pharishta so devta - yeh pahli hal kar li hai na!

¹⁴¹By doing unlimited service, you automatically experience unlimited happiness, do you not?

¹⁶⁹paheliyaan hal karna aata hai!

¹⁴²The unlimited Father gives you all rights to the unlimited.

¹⁷⁰second mein brahman so devta, devta so chakra lagaate brahman,phir devta।

¹⁴³As the fruit of unlimited service, you automatically receive the unlimited fortune of the kingdom.

¹⁷¹to‘ham so,so ham' ki paheli sada buddhi mein rehti hai? ¹⁷²jo paheli hal karte unhein hi prize milti hai। ¹⁷³to prize mili hai na!

¹⁴⁴When you serve while stable in an unlimited stage, the good wishes that you receive from those for whom you become instruments definitely give you the experience of power and happiness.

¹⁷⁴jo abhi mili hai,woh bhavishya mein bhi nahin milegi!

¹⁴⁵While sitting in one place, you receive the fruit of unlimited service.

¹⁷⁵prize mein kya mila hai? ¹⁷⁶svayan baap mil gaya, baap ke ban gaye।

¹⁴⁶With this unlimited intoxication, accumulate in your unlimited account and continue to move forward.

¹⁷⁷bhavishya ki raajaai ke aage yeh praapti kitna oonchi hai! ¹⁷⁸to sada prize lene vaali shreshtha aatma hoon - isi nashe aur khushi se sada aage badhte raho।

¹⁴⁷While carrying out every task, and keeping yourself stable in the stage of a detached observer, do you experience yourself to be a detached soul who is enabling actions to be performed?

¹⁷⁹paheli aur prize donon smriti mein sada rahen to aage svatah badhte rahenge।

¹⁴⁸The stage of a detached observer constantly makes every task easily successful.

¹⁸⁰8. sada‘dridhta saphalta ki chaabi hai' - is vidhi se vriddhi ko praapta karne vaali shreshtha aatma hoon, aisa anubhav hota hai na। ¹⁸¹dridh sankalp ki visheshta kaarya mein sahaj saphal banaae vishesh aatma bana deti hai aur koi bhi kaarya mein jab vishesh aatma bante hain to sabki duaayen svatah hi milti hain। ¹⁸²sthool mein koi duaayen nahin deta lekin yeh sookshm hain jisse aatma mein shakti bharti hai aur sva - unnati mein sahaj saphalta praapta hoti hai। ¹⁸³to sada dridhta ki mahaanta se saphalta ko praapta karne vaali aur sarva ki duaayen lene vaali shreshtha aatma hoon - is smriti se aage badhte chalo।

¹⁴⁹The stage of a detached observer is so lovely.

¹⁸⁴9. baapdaada ke vishesh shringaar ho na! ¹⁸⁵sabse shreshtha shringaar hai - mastakamni।

¹⁵⁰A soul who performs actions as a detached observer is always detached and loving to the Father.

¹⁸⁶mani sada mastak par chamakti hai। ¹⁸⁷to aise mastakamni ban sada baap ke taaj mein chamakne vaale kitne achhe lagenge।

¹⁵¹Do you have the intoxication: I am an alokik soul who performs actions with this practice, one who has alokik experiences, a soul who has an alokik life?

¹⁸⁸mani sada apni chamak dvaara baap ka bhi shringaar banti aur auron ko bhi roshni deti hai।

¹⁵²While performing actions, continue to increase this practice. ¹⁵³This practice will enable you to attain your karmateet stage.

¹⁸⁹to aise mastakamni ban auron ko bhi aise banaane vaale hain - yeh lakshya sada rehta hain?

¹⁵⁴While constantly increasing this practice and while performing actions, remain detached and loving to the Father.

¹⁹⁰sada shubhbhaavna sarva ki bhaavnaaon ko parivartan karne vaali hai।

¹⁵⁵This is called being an elevated soul. ¹⁵⁶Do you experience being a soul who is overflowing with elevated treasures?

¹⁹¹10. sada baap ko follow karne mein turanta daan mahaapunya ki vidhi se aage badh rahe hona।

¹⁵⁷Those who are overflowing with the limitless treasures would have so much spiritual intoxication.

¹⁹²isi vidhi ko sada har kaarya mein lagaane se sada hi baap samaan sthiti ka svatah hi anubhav hota hai।

¹⁵⁸Continue to move forward with the spiritual happiness that you are constantly overflowing with all treasures.

¹⁹³to har kaarya mein follow father karne mein aadi se anubhvi rahe ho,isliye ab bhi is vidhi se samaan banna ati sahaj hai kyonki samaai hui visheshta ko kaarya mein lagaana।

¹⁵⁹If you awaken souls with all the treasures and make them your companions, you will become a powerful soul who is always overflowing and will constantly continue to move forward.

¹⁹⁴baap samaan banne ki vishesh alaukik anubhootiyaan karte rahenge aur auron ko bhi karaate rahenge। ¹⁹⁵is visheshta ka vardaan svatah mila hai।

¹⁶⁰Blessing: May you be an image of support who remains double­light while fulfilling the responsibility of the elevated task of world transformation.

¹⁹⁶to is vardaan ko sada kaarya mein lagaaye aage badhte chalo।

¹⁶¹All the responsibility lies on those who are the images of support.

¹⁹⁷11. sada parivartan shakti ko yathaartha reeti se kaarya mein lagaane vaali shreshtha aatma ho na।

¹⁶²Wherever you step in whatever way, many souls will follow you in the same way, so that is your responsibility.

¹⁹⁸isi parivartan shakti se sarva ki duaayen lene ke paatra ban jaate। ¹⁹⁹jaise ghor andhakaar jab hota hai,us samay koi roshni dikha de to andhakaar vaalon ke dil se duaayen nikalti hain na।

¹⁶³However, this responsibility helps you a great deal in creating your stage because, by doing so, you receive blessings from many souls due to which your responsibility becomes light.

²⁰⁰aise jo yathaartha parivartan shakti ko kaarya mein lagaate hain, unko anek aatmaon dvaara duaayen praapta hoti hain aur sabki duaayen aatma ko sahaj aage badha deti hain। ²⁰¹aise, duaayen lene ka kaarya karne vaali aatma hoon - yeh sada smriti mein rakho to jo bhi kaarya karenge, woh duaayen lene vaala karenge। ²⁰²duaayen milti hi hain shreshtha kaarya karne se। ²⁰³to sada yeh smriti rahe ki ‘sabse duaayen lene vaali aatma hoon' - yahi smriti shreshtha banne ka saadhan hai,yahi smriti anekon ke kalyaan ke nimitta ban jaati hain।

¹⁶⁴This responsibility is such that it finishes tiredness.

²⁰⁴to yaad rakhna ki parivartan shakti dvaara sarva ki duaayen lene vaali aatma hoon। ²⁰⁵achha!

¹⁶⁵Slogan: By doing service while keeping a balance between the head and the heart, you receive success. ¹⁶⁶* * * O M S H A N T I* * *