गुरुवार 9 दिसंबर 1993 की अव्यक्त मुरली

ध्यान दें: वाक्यों का संरेखण अक्षरों की संख्या पर आधारित है और पूरी तरह विश्वसनीय नहीं है।

आप पूरी मुरली या उसके किसी भाग का वाक्य संरेखण स्वयं सुधार सकते हैं।

इस दृश्य में हिंदी पाठ से स्वतः तैयार की गई, बिना विशेष चिह्नों वाली प्रचलित रोमन वर्तनी दिखाई जाती है।

हिंग्लिश कैसे तैयार होती है?

इस साइट पर दीर्घ स्वरों के लिए आम तौर पर aa, ee और oo (शब्द के अंत में a, i और u), तथा ch, chh, sh और ri का प्रयोग होता है। शब्दकोश में पहचाने गए अंग्रेज़ी शब्दों की अंग्रेज़ी वर्तनी रखी जाती है। कुछ अंतर्निहित स्वरों को हटाने के नियम और प्रचलित शब्दों की सूची aatma, shanti, main और hoon जैसी वर्तनियाँ देते हैं।

अनौपचारिक रोमन वर्तनी मानकीकृत नहीं है। ये नियम एकरूपता रखते हैं, पर कुछ वर्तनियाँ आपकी परिचित वर्तनी से अलग हो सकती हैं। «लिप्यंतरित हिंदी» दृश्य में अनुकूलित ISO 15919 के भेद सुरक्षित रहते हैं।

प्रचलित वर्तनी के उदाहरण
हिंदीHinglish
आत्माaatma
शान्तिshanti
मैंmain
हूँhoon

0> 109-12-93 om shanti avyakt baapdaadaamdhuban

0> > 09-12-93 Om Shanti Avyakt Bapdada Madhuban

2ekaagrata ki shakti se dridhta dvaara sahaj saphalta ki praapti 3sahaj saphalta ki vidhi bataane vaale vishwa parivartak baapdaada apne jimmevaar bachchon prati bole - 4aaj brahman sansaar ke rachta apne chaaron or ke brahman parivaar ko dekhharshit ho rahe hain। 5ye chhota-sa nyaara aur ati pyaara alaukik brahman sansaar hai।

1With the power of concentration, attain success easily through determination.

6saare drama mein ati shreshtha sansaar hai। 7kyonki brahman sansaar ki har gati-vidhi nyaari aur vishesh hai।

2Today, the Creator of the Brahmin world is happy seeing His Brahmin family everywhere.

8is brahman sansaar mein brahman aatmaayen bhi vishwa mein se vishesh aatmaayen hain। 9isliye hi ye vishesh aatmaon ka sansaar hai। 10har brahman aatma ki shreshtha vritti, shreshtha drishti aur shreshtha kriti vishwa ki sarva aatmaon ke liye shreshtha banaane ke nimitta hai। 11har aatma ke oopar ye vishesh jimmevaari hai to har ek apne is jimmevaari ko anubhav karte ho?

3This alokik Brahmin world is small, lovely and unique.

12kitni badi jimmevaari hai! 13saare vishwa ka parivartan! 14na sirf aatmaon ka parivartan karte ho lekin prakriti ka bhi parivartan karte ho। 15ye smriti sada rahe-ismen nambarvaar hain।

4It is the most elevated world in the entire drama, because the destination and the methods of the Brahmin world are unique and special.

16sabhi brahman aatmaon ke andar sankalp sada rehta hai ki ham vishesh aatma number one banen lekin sankalp aur karma mein antar pad jaata hai। 17iska kaaran? 18karma ke samay sada apni smriti ko anubhvi sthiti mein nahin laate। 19sunna, jaanna, ye donon yaad rehta hai lekin svayan ko us sthiti mein maankar chalna, ismen majority kabhi anubhvi aur kabhi sirf maanne aur jaanne vaale ban jaate hain।

5Brahmin souls are special in the Brahmin world and also in this world.

20is anubhav ko badhaane ke liye do baaton ke vishesh mahatva ko jaano-ek svayan ke mahatva ko, doosra samay ke mahatva ko। 21svayan ke prati bahut jaante ho। 22agar kisi se bhi poochhenge ki aap kaun-si aatma ho? 23va apne se bhi poochhenge ki main kaun?

6This is why this is the world of special souls.

24to kitni baaten smriti mein aayengi? 25ek minute ke andar apne kitne svamaan yaad aa jaate hain? 26ek minute mein kitne yaad aate hain? 27bahut yaad aate hain na।

7The elevated attitude, elevated drishti and elevated actions of every Brahmin soul are instrumental in making every soul of the world into an elevated soul.

28kitni lambi list hai-svayan ke mahatva ki! 29to jaanne mein to bahut hoshiyaar ho। 30sabhi hoshiyaar ho na?

8Each soul has this special responsibility.

31phir anubhav karne mein antar kyon pad jaata hai? 32kyonki samay par us sthiti ke seat par set nahin hote ho। 33agar seat par set hai to koi bhi, chaahe kamzor sanskaar, chaahe koi aatmaayen, chaahe prakriti, chaahe kisi bhi prakaar ki royal maaya upset nahin kar sakti। 34jaise shareer ke roop mein bhi bahut aatmaon ko ek seat par va sthaan par ekaagra hokar baithne ka abhyaas nahin hota to woh kya karega?

9So, does each one of you experience this to be your responsibility?

35hilta rahega na। 36aise man aur buddhi ko kisi bhi anubhav ke seat par set hona nahin aata to abhi-abhi set hoga, abhi-abhi upset।

10It is such a huge responsibility: the transformation of the entire world; not just the transformation of souls, but you even transform matter.

37shareer ko bithaane ke liye sthool sthaan hota hai aur man-buddhi ko bithaane ke liye shreshtha sthitiyon ka sthaan hai। 38to baapdaada bachchon ka yeh khel dekhte rehte hain-abhi-abhi achhi sthiti ke anubhav mein sthit hote hain aur abhi-abhi apne sthiti se halchal mein aa jaate hain। 39jaise chhote bachche chanchal hote hain to ek sthaan par jyaada samay tik nahin sakte। 40to kai bachche yeh bachpan ke khel bahut karte hain।

11You are numberwise in constantly having this awareness.

41abhi-abhi dekhenge bahut ekaagra aur abhi-abhi ekaagrata ke bajaay bhinna-bhinna sthitiyon mein bhatakte rahenge। 42to is samay vishesh attention chaahiye-man aur buddhi sada ekaagra rahe।

12All Brahmin souls constantly have the thought within them that they should become number one special souls, but there is a difference created between their thoughts and their actions.

43ekaagrata ki shakti sahaj nirvighna bana deti hai। 44mehnat karne ki aavashyakta hi nahin hai। 45ekaagrata ki shakti svatah ‘ek baap doosra na koi’ ye anubhooti sada karaati hai।

13The reason for this is that at the time of performing actions you do not stabilise your consciousness in your stage of being experienced.

46ekaagrata ki shakti sahaj ekras sthiti banaati hai। 47ekaagrata ki shakti sada sarva prati ek hi kalyaan ki vritti sahaj banaati hai। 48ekaagrata ki shakti sarva prati bhaai-bhaai ki drishti svatah bana deti hai। 49ekaagrata ki shakti har aatma ke sambandh mein sneh, sammaan, svamaan ke karma sahaj anubhav karaati hai।

14You remember whatever you have heard and whatever you know, but to accept yourself in that stage and to move along according to that: the majority of you sometimes become experienced in this and sometimes you become those who only listen and accept.

50to abhi kya karna hai? 51kya attention dena hai? 52‘ekaagrata’।

15In order to increase this experience, you must understand the special importance of two things.

53sthit hote ho, anubhav bhi karte ho lekin ekaagra anubhvi nahin hote। 54kabhi shreshtha anubhav mein, kabhi madhyam, kabhi saadhaaran, teenon mein chakkar lagaate rehte ho। 55itna samartha bano jo man-buddhi sada aapke order anusaar chale। 56svapna mein bhi second maatra bhi halchal mein nahin aaye।

16One is the importance of the self and the other is the importance of the time.

57man, maalik ko parvash nahin banaaye। 58parvash aatma ki nishaani hai - us aatma ko utna samay sukh, chain, aananda ki anubhooti chaahte hue bhi nahin hogi। 59brahman aatma kabhi kisi ke parvash nahin ho sakti, apne kamzor svabhaav aur sanskaar ke vash bhi nahin। 60vaastav mein ‘svabhaav’ shabd ka arth hai ‘sva ka bhaav’।

17You know a great deal about the self.

61sva ka bhaav to achha hota hai, kharaab nahin hota। 62‘sva’ kahne se kya yaad aata hai? 63aatmik swaroop yaad aata hai na।

18If any of you were to be asked what type of soul you are, or even if you ask yourself who you are, how many things would come into your awareness?

64to sva-bhaav arthaat sva prati va sarva prati aatmik bhaav ho।

19How many points of your stage of self­respect do you remember in a minute?

65jab bhi kamzori vash sochte ho ki mera svabhaav va mera sanskaar hi aisa hai, kya karoon, hai hi aisa… yeh kaun-si aatma bolti hai? 66yeh shabd va sankalp parvash aatma ke hain। 67to jab bhi yeh sankalp aaye ki svabhaav aisa hai, to shreshtha arth mein tik jaao। 68sanskaar saamne aaye ki mera sanskaar…, to socho kya mujh vishesh aatma ke yeh sanskaar hain, jisko mera sanskaar kah rahe ho?

20How many of these points do you remember?

69mera kehte ho to kamzor sanskaar bhi meraapan ke kaaran chhodte nahin hain। 70kyonki yeh niyam hai jahaan meraapan hota hai vahaan apnaapan hota hai aur jahaan apnaapan hota hai vahaan adhikaar haaeta hai। 71to kamzor sanskaar ko mera bana liya to vo apna adhikaar chhodte nahin hain। 72isliye parvash hokar baap ke aage arja daalte rehte ho ki chhudaao-chhudaao।

21You remember many points, do you not?

73‘sanskaar’ shabd kehte yaad karo ki anaadi sanskaar, aadi sanskaar hi mera sanskaar hai। 74ye maaya ke sanskaar hain, mere nahin। 75to ekaagrata ki shakti se parvash sthiti ko parivartan kar maalikpan ki sthiti ki seat par set ho jaao। 76yog mein bhi baithte hain, baithte to sabhi roochi se hain lekin jitna samay, jis sthiti mein sthiti hona chaahte hain, utna samay ekaagra sthiti rahe, uski aavashyakta hai।

22The list of the importance of the self is such a long list.

77to kya karna hai? 78kis baat ko underline karenge?

23So, all of you are very clever in knowing this.

79(ekaagrata) ekaagrata mein hi dridhta hoti hai aur jahaan dridhta hai vahaan saphalta gale ka haar hai। 80achha! 81chaaron or ke alaukik brahman sansaar ki vishesh aatmaon ko, sada shreshtha sthiti ke anubhav ki seat par set rahne vaali aatmaon ko, sada svayan ke mahatva ko anubhav karne vaale, sada ekaagrata ki shakti se man-buddhi ko ekaagra karne vaale, sada ekaagrata ke shakti se hi dridhta dvaara sahaj saphalta praapta karne vaale sarvashreshtha, sarva vishesh, sarva snehi aatmaon ko baapdaada ka yaad-pyaar aur namaste। 82avyakt baapdaada ki personal mulaakaat

24All of you are clever, are you not?

83group.nan. 1 84udti kala mein jaane ke liye double light bano, koi bhi aakarshanaaakarshit na kare

25Then, why is there a difference in having this experience?

85sabhi apne ko vartamaan samay ke pramaan teevra gati se udne vaale anubhav karte ho?

26Because you are not stable on the seat of that stage at the right time.

86samay ki gati teevra hai va aatmaon ke purooshaartha ki gati teevra hai? 87samay aapke peechhe-peechhe hai ya aap samay ke pramaan chal rahe ho?

27If you are set on your seat, no weak sanskars, no souls, no matter or any type of royal Maya is able to upset you.

88samay ke intajaar mein to nahin ho na ki ant mein sab theek ho jaayega। 89sampoorn ho jaayenge, baap samaan ho jaayenge? 90aise to nahin hai na!

28Even physically, in terms of the body, many souls do not have the practice of sitting still in one seat or one place.

91kyonki drama ke hisaab se vartamaan samay bahut teevra gati se ja raha hai, ati mein ja raha hai। 92jo kal tha usse aaj aur ati mein ja raha hai। 93yeh to jaante ho na? 94jaise samay ati mein ja raha hai, aise aap shreshtha aatmaayen bhi purooshaartha mein ati teevra arthaat fast gati se ja rahe ho?

29So, what do they do?

95ki kabhi dheele, kabhi tej?

30What would they do?

96aise nahin ki neeche aakar phir oopar jaao। 97neeche-oopar hone vaale ki gati kabhi ekras fast nahin ho sakti। 98to sada sarva baaton mein shreshtha va teevra gati se udne vaale ho। 99vaise gaayan hai ‘chadhti kala sarva ka bhala’ lekin abhi kya kahenge?

31They would keep on moving about.

100‘udti kala, sarva ka bhala’। 101abhi chadhti kala ka samay bhi samaapta hua, abhi udti kala ka samay hai। 102to udti kala ke samay koi chadhti kala se pahunchna chaahe to pahunch sakega? 103nahin।

32In the same way, when the mind and intellect do not know how to set themselves on the seat of any one experience, then, one moment they will be set, and the next moment they will be upset.

104to sada udti kala ho। 105udti kala ki nishaani hai sada double light। 106double light nahin to udti kala ho nahin sakti। 107thoda bhi bojh neeche le aata hai।

33The seat for the body is a physical place and the seat for the mind and intellect is the elevated stage.

108jaise plen mein jaate hain, udte hain to agar machinery mein ya petrol mein jara bhi kachra aa gaya to kya haalat hoti hai? 109udti kala se girti kala mein aa jaata hai। 110to yahaan bhi agar kisi bhi prakaar ka bojh hai, chaahe apne sanskaaron ka, chaahe vaayumandal ka, chaahe kisi aatma ke sambandh-samparka ka, koi bhi bojh hai to udti kala se halchal mein aa jaata hai। 111kahenge vaise to main theek hoon lekin ye kaaran hai na iseeliye ye sanskaar ka, vyakti ka, vaayumandal ka bandhan hai।

34So, BapDada continues to watch this game of the children.

112lekin kaaran kaisa bhi ho, kya bhi ho, teevrapurushaarthi sabhi baaton ko aise cross karte hain jaise kuchh hai hi nahin। 113mehnat nahin, manoranjan anubhav karenge।

35One minute, you stabilise yourself in the experience of a good stage, and the next minute, you fluctuate in your stage.

114to aisi sthiti ko kaha jaata hai udti kala। 115to udti kala hai ya kabhi-kabhi neeche aane ka, chakkar lagaane ka dil ho jaata hai।

36Little children who are very mischievous are not able to remain stable in one place for long.

116kahin bhi lagaav nahin ho। 117jara bhi koi aakarshan aakarshitanheen kare।

37Some children play these childhood games a great deal.

118rocket bhi tab ud sakta hai, jab dharti ki aakarshan se pare ho jaaye। 119nahin to oopar ud nahin sakta। 120na chaahte bhi neeche aa jaayega। 121to koi bhi aakarshan oopar nahin le ja sakti।

38If you look at them, one minute they are very concentrated, and the next minute instead of being concentrated, they will be wandering through many different stages.

122sampoorn banne nahin degi। 123to check karo sankalp mein bhi koi aakarshanaaakarshit nahin kare। 124sivaae baap ke aur koi aakarshan nahin ho। 125paandav kya samajhte hain?

39Therefore, at this time, you need to pay special attention so that the mind and intellect remain constantly concentrated.

126aise teevra purushaartheebno। 127banna to hai hi na। 128kitne baar aise bane ho? 129anek baar bane ho।

40The power of concentration easily frees you from obstacles so that there is no need to labour.

130aap hi bane ho ya doosre bane hain? 131aap hi bane ho। 132to nambarvaar mein to nahin aana hai na, number one mein aana hai। 133maataayen kya karengi?

41The power of concentration constantly gives you the experience of belonging to one Father and none other.

134number one ya nambarvaar bhi chalega? 135108 number bhi chalega? 136108 number banenge ki pahla number banenge?

42The power of concentration easily enables you to create a constant stage.

137agar baap ke bane hain, adhikaari bane hain to poora varsa lena hai ya thoda kam? 138phir to number one banenge na।

43The power of concentration easily enables you to have the constant attitude of benevolence for all.

139daata full de raha hai aur lene vaala kam le to kya kahenge? 140isliye number one banna hai।

44The power of concentration naturally creates the vision of brotherhood towards all.

141number one chaahe ek hi ho lekin number one divijan to bahut hain na। 142to second mein nahin aana hai। 143lena hai to poora lena hai। 144adhoora lene vaale to peechhe-peechhe bahut aayenge।

45The power of concentration makes you easily experience love, regard and respectful behaviour in your relations with every soul.

145lekin aapko poora lena hai। 146sabhi poora lene vaale ho ya thode mein raaji hone vaale ho? 147jab khula bhandaar hai aur akhut hai to kam kyon len? 148behad hai na, had ho ki 8 hajaar isko milna hai, 10 hajaar isko milna hai to kahenge bhaagya mein itna hi hai, lekin baap ka khula bhandaar hai, akhut hai, jitna lena chaahe le sakte hain phir bhi akhut hai।

46So, what do you wish to do now?

149akhut khazaane ke maalik ho।

47What attention must you maintain?

150baalak so maalik ho। 151to sabhi sada khush rahne vaale ho na ki thoda-thoda kabhi duhkh ki lahraaati hai? 152duhkh ki lahar svapna mein bhi nahin aa sakti। 153sankalp to chhodo lekin svapna mein bhi nahin aa sakti।

48Concentration.

154isko kaha jaata hai number one। 155to kya kamaal karke dikhaayenge? 156sabhi number one aakar dikhaayenge na?

49You become stable and you have that experience, but you are not concentrated on your experience.

157vaise bhi dilli ko dil kehte hain। 158to jaisa dil hoga vaisa shareer chalega। 159aadhaar to dil hota hai na। 160dil hai dilaaraam ki dil।

50You constantly tour around in three stages: sometimes your experience is elevated, sometimes of the middle level, and sometimes of the ordinary level.

161to dil ki gaddi yathaartha chaahiye na, neeche-oopar nahin chaahiye। 162to nasha hai na ki ham dilaaraam ka dil hain।

51Become so powerful that your mind and intellect remain constantly under your orders, so they do not fluctuate for a second even in your dreams.

163to abhi apne shreshtha sankalpon se svayan ko aur vishwa ko parivartan karo। 164sankalp kiya aur karma hua। 165aise nahin, socha to bahut tha, sochte to bahut hain, lekin hota bahut kam hai, ve teevrapurushaarthi nahin hain। 166teevra purushaartheearthaat sankalp aur karma samaan ho tab hi baap samaan kahenge।

52The mind should not bring its master under the influence of others.

167khush hain aur sada khush rahenge। 168yeh pakka nishchay hai na। 169khush rahne vaale hi khushanseeb hain। 170yeh pakka hai ya thoda-thoda kachcha ho jaata hai?

53The sign of a soul under another influence is that such a soul will not be able to experience happiness, comfort or bliss even when he wants to for that period of time.

171kachcheecheez achhi lagti hai? 172pakke ko pasanda kiya jaata hai। 173to poora hi pakka rehna hai। 174roj amritvele yeh paath pakka karo ki kuchh bhi ho jaaye khush rehna hai, khush karna hai।

54Brahmin souls should never come under the influence of another; not even under the influence of their own sanskars or weak nature.

175achha aur koi khel nahin dikhaana। 176yahi khel dikhaana, aur-aur khel nahin karna। 177achha! 178group.nan. 2

55In fact, the meaning of one's nature (swabhav) is feelings (bhav) for the self (swa).

179apkaari par bhi upkaar karna - yahi gyaani tu aatma ka kartavya hai 180vishwa kalyaan ke kaarya arth nimitta aatma hoon, aise nimitta samajh har kaarya main karte ho? 181jo vishwa kalyaan ke nimitta aatma hain vo svayan-svayan ke prati akalyaankaari sankalp bhi nahin kar sakte। 182kyonki vishwa ki jimmevaar aap nimitta aatmaon ki vritti se vaayumandal parivartan hona hai।

56The feelings for the self are always good, not bad.

183to jaisa sankalp hoga vaisi vritti zaroor hoti hai।

57What do you remember when you say ‘swa’ (the self)?

184kabhi bhi kisi ke prati va apne prati koi bhi vyartha sankalp hai to vritti mein kya hoga? 185vahi bhaav vritti mein hoga aur vahi karma svatah hi hoga। 186to ek second bhi vritti vyartha nahin bana sakte। 187ek second bhi vyartha sankalp nahin kar sakte kyonki aapke peechhe vishwa ki jimmevaari hai।

58You remember your form of the soul, do you not?

188aise samajhte ho? 189ki ye baap keejimmevaari hai aapki nahin?

59So swabhav (nature) means to have soul­conscious feelings for the self and for everyone else.

190aisa samajhte ho ya sochte ho ki ham to chhote hain to chhoti jimmevaari hai। 191nahin, badi jimmevaari uthaai hai। 192to vishwa kalyaankaari। 193jaise baap, vaise bachche।

60Whenever you think of your nature or your sanskars while under the influence of your weaknesses ­ such as that your sanskars and your nature are like that, "What can I do?

194kaisi bhi paristhiti ho, koi bhi vyakti ho lekin sva ki bhaavna, sva ki vritti kaun si hai?

61My nature is like that," ­ then what type of a soul is saying this?

195vishwa kalyaankaari। 196itna yaad rehta hai ya albele bhi ho jaate ho?

62These are the words and thoughts of a soul under an external influence.

197to albele nahin hona। 198vishwa kalyaankaari vishwa ke raajya adhikaari ban sakte ho।

63So whenever you think that your nature is like that, stabilise yourself in the elevated meaning of the word.

199agar vishwa kalyaan ki bhaavna nahin to vishwa raajya ka bhi adhikaar nahin। 200sambandh hai na। 201to sada sarva prati shubh bhaavna, shubh kaamna ho। 202ho sakti hai?

64If your sanskars come in front of you, then ask yourself: Are these the sanskars of me, a special soul, that I am saying that these are my sanskars?

203aapki koi glaani kare to bhi shubh kaamna rakh sakte ho? 204koi gaali de to bhi shubh bhaavna rakhenge? 205ki thoda-sa man mein aayega?

65Because you call them your sanskars, because of having the consciousness of ‘mine’ you do not let go of even weak sanskars.

206thoda-sa to aayega na ki ye kya karta hai, ye kya karti hai? 207koi aapka kalyaan kare aur koi aapka akalyaan kare to donon samaan lagega? 208thoda to pharka hoga na?

66It is a law that where there is the consciousness of ‘mine’, there is the feeling of belonging, and where there is the feeling of belonging, there is a right.

209koi roj aapki glaani kare, ek saal tak kare aur ek saal tak bhi nahin badle to aap kalyaan karenge? 210vo akalyaan kare, aap kalyaan karenge? 211aise karte hain ya thoda-sa munh aise (kinaara) ho jaata hai? 212chalo, ghrina bhaav nahin ho lekin man se kinaara karenge ki yeh theek nahin hai ya usko theek karenge?

67So you have made weak sanskars your own, and so they do not let go of their right.

213kya karenge? 214theek karenge? 215karenge - yeh kehna to sahaj hai lekin karte ho? 216apkaari par bhi upkaar।

68Therefore, while being under another influence you keep requesting the Father to set you free.

217yahi gyaani tu aatma ka kartavya hai। 218baap ne aapka akalyaan dekha? 219kitne janma baap ko gaali di? 22063 janma di।

69When you use the word ‘sanskar’, remember that your sanskars are the original and eternal sanskars.

221phir baap ne glaani ko bhi kalyaankaari drishti se dekha। 222to follow father hai na। 223upkaari par upkaar to duniya vaale bhi karte hain, bhakta aatma bhi karte hain। 224lekin gyaani tu aatma unse shreshtha hai।

70Those are the sanskars of Maya, not your own.

225to aap kaun ho? 226gyaani tu aatma ho ya gyaani tu aatma ban rahe ho? 227sabhi hain ki aadha bhakta, aadhaagyaani? 228poore gyaani tu aatma ho ya thoda-thoda bhakta bhi ho?

71So, with the power of concentration, transform the stage of being under another influence and become set on the seat of the stage of a master.

229nahin, gyaani tu aatma। 230to gyaani tu aatma ka arth hi hai sarva ke prati kalyaan ki bhaavna। 231akalyaan sankalp maatra bhi nahin ho।

72When you sit in yoga, all of you sit with interest, but there is a need to have the stage of concentrating in a particular stage for as long as you want.

232vishwa kalyaankaari hain to maalik ho gaye na। 233maalik ke aage sabhi jaise bachche hue na। 234to baap bachchon ke oopar kalyaan ki, raham ki bhaavna rakhega। 235kaisa bhi bachcha hoga lekin baap ka pharja kya hai?

73So, what do you have to do now?

236raham aur kalyaan ki bhaavna। 237iseeliye baap ki mahima mein merciful vishesh gaaya hua hai। 238chaahe desh mein, chaahe videsh mein baap ke aage jaayenge to raham dil, merciful kahenge। 239kisi bhi church mein jaayenge, kahin bhi jaayenge to merciful kehte hain na।

74What aspect will you underline?

240to aap sabhi bhi merciful ho na। 241to jo merciful hoga vahi kalyaan kar sakta hai। 242aur baap ko sabmen saagar kehte hain। 243kshama ka saagar, raham ka saagar…।

75(Concentration).

244saagar ka arth kya hai? 245athaah, behad। 246to itna athaah yaani behad ka raham hai? 247sabhi merciful ho ya ghrinaadil bhi hai?

76Within concentration there is determination and where there is determination success will become the garland around the neck.

248nahin।

249knowledgeful aatma arthaat gyaani tu aatma sadaiv har ek ke prati master sneh ka saagar hai। 250bina sneh ke uske paas aur kuchh hai nahin। 251koi bhi aayega to use sneh hi to denge na। 252aur aapke paas kya hai!

77Achcha.

253sachcha sneh hai aur aajkal sampatti se bhi jyaada sneh ki aavashyakta hai। 254to sneh ka khazaana jama hoga tabhi to doosre ko denge na। 255agar apne jitna hi hoga to doosre ko kya denge! 256iseeliye sabmen master ho।

78To the special souls of the alokik Brahmin world everywhere, to the souls who constantly remain set on the seat of the experience of an elevated stage, to the souls who constantly experience the importance of the self, to those who constantly make the mind and intellect stable with the power of concentration, to those with the power of concentration who attain success easily with determination, to the most elevated, the most special and most loved souls, love, remembrance and namaste from BapDada.

257sneh mein bhi master sneh ke saagar। 258to itna sneh jama hai ya kam hai?

79Personal meeting with Avyakt BapDada:

259daata ke bachche ho na। 260to daata ke bachche kya karte hain? 261dete hain। 262le karke dena vo dena nahin hua।

80In order to go into the flying stage, become double­light.

263liya aur diya to vo business ho gaya। 264business mein pahle lete hain phir dete hain।

81No form of attraction should attract you.

265to aap daata ke bachche ho na। 266lekarke dena, to dene ka mahatva nahin hai। 267usko daata nahin kahenge। 268koi de to ham deven, yeh nahin।

82According to the present time, do all of you experience yourselves to be flying at a fast speed?

269daata ke bachche dete jaao। 270koi bhi khaali nahin jaaye। 271athaahakhzaana hai na। 272jisko jo chaahiye dete jaao।

83Is the speed of time fast or is the speed of the effort of souls fast?

273kisi ko shanti chaahiye, kisi ko khushi chaahiye, kisi ko sneh chaahiye, dete jaao। 274aise hai ki hisaab rakhte ho, isne kitna diya, mainne kitna diya? 275hisaab to nahin rakhte na? 276khula khaata hai, hisaab kitaab ka khaata nahin hai।

84Is time behind you or are you moving along according to the time?

277daata ke bachche ho ya thodi-thodi kanjoosi karte ho? 278achha, kanjoos nahin to hisaab-kitaab rakhne vaale ho? 279isne ye kiya tab hi mainne yeh kiya, yeh bhi hisaab ka khaata hua na। 280daata ke darbaar mein is samay sab khula hai।

85You are not waiting for time, thinking that everything will be fine by the end, that you will become complete then and that you will become equal to the Father then, are you?

281is samay hisaab-kitaab nahin hai, jitna chaahiye lo, jitna chaahiye do। 282dharmaraajpuri mein hisaab kitaab hai, abhi nahin। 283to yaad rakhna ki daata ke bachche hain, dena hai। 284vahaan jaakar hisaab ka chaupda shuru nahin kar dena।

86You do not think that, do you?

285achha, ye variety group hai। 286jahaan se bhi aaye ho lekin ek baap ke hain, ek parivaar hai।

87According to the drama, the present time is moving very fast.

287double videshi kya samajhte hain?

88It is going into the extreme.

288ek parivaar hai na? 289ya double videshi alag hain aur desh vaale alag hain? 290nahin। 291sabhi ek hain।

89Whatever it was yesterday, today it is even more extreme than that.

292chaahe double videshi hain, chaahe desh vaale hain lekin sabhi kahenge ham brahma kumaar aur brahmaakumaari hain। 293videsh mein aur koi naam to nahin kehte na। 294ek hi hain brahmaakumaar aur brahmaakumaari। 295to ek hi parivaar ho gaya na।

90You know this, do you not?

296aur ek hi parivaar mein kitni khushi hai। 297itna bada parivaar saare kalpa mein nahin milta hai। 298satayug mein itna bada parivaar hoga? 299teen laakh, chaar laakh ka hoga।

91Just as time is going into its extreme, in the same way, are you elevated souls also going so intensely, that is, at such a fast speed in your efforts?

300vahaan honge hi do bachche aur maa baap aur yahaan dekho kitna bada parivaar hai। 301behad ka parivaar dekh khushi hoti hai na। 302dekho videsh se bhi bhaag-bhaagkar kyon aate hain? 303baap se aur parivaar se milne।

92Or, are you sometimes slack and sometimes fast?

304to sab khush ho? 305koi naaraazto nahin? 306naaraazakyon hote hain? 307raazanheen jaante hain to naaraazhote hain।

93It should not be that you come down and then you go up.

308koi naaraazho to samjho koi raazko nahin samjha। 309raazko jaanne vaale naaraazanheen hote। 310achha! 311group.nan. 3

94Those who keep going up and down cannot have a fast and steady speed.

312apni shreshtha sthiti banaane ke liye amritvele teen bindiyon ka tilak lagaao 313sada amritvele svayan ko teen bindiyon ka tilak dete ho?

95So, you are those who always fly in every situation at an elevated and fast speed.

314tilak ka arth kya hai? 315smriti ka tilak। 316to tilak ka bahut mahatva hota hai। 317tilak raajya ki bhi nishaani hai।

96It is remembered: There is benefit for everyone due to the stage of ascent.

318jab raajya dete hain to raaj tilak kaha jaata hai aur bhakti mein bhi tilak ki nishaani zaroor rakhenge aur suhaag aur bhaagya ki nishaani bhi tilak hai। 319to tilak ka mahatva hai। 320kyonki tilak smriti ki nishaani hai। 321to gyaan maarga mein bhi smriti ka hi mahatva hai na।

97However, what would you say now?

322jaisi smriti vaisi sthiti hoti hai।

98There is benefit for everyone due to the flying stage.

323agar smriti shreshtha hai to sthiti bhi shreshtha hogi। 324agar smriti vyartha hai to sthiti bhi samartha ki bajaay vyartha ho jaati hai। 325to baap ne teen bindiyon ka tilak arthaat teen smritiyon ka tilak diya hai। 326kyonki teenon hi smriti aavashyak hain aur teenon hi bindi sahaj hain।

99The time for the stage of ascent has also now finished.

327chhote bachche ko bhi kaho ki bindi lagaao to laga dega na। 328to main aatma hoon, yeh sva ki smriti phir baap ki smriti aur phir shreshtha karma ke liye drama ki smriti। 329drama chalta rehta hai, beet jaata hai। 330jo abhi present hai vo second mein past ho jaata hai।

100It is now the time for the flying stage.

331to beet jaata hai iseeliye beeti so beeti, fullstop (.)। 332to bindi ho gai na। 333to yeh teenon smriti sada hain to sthiti bhi shreshtha hai।

101If, at the time of the flying stage, someone wants to reach somewhere with the stage of ascent, would he be able to reach there?

334sirf aatma ki smriti nahin। 335aatma ke saath baap ki smriti hai hi hai aur baap ke saath drama ki smriti bhi ati aavashyak hai। 336agar drama ka gyaan nahin hai to bhi karma mein neeche-oopar honge। 337jo bhi bhinna-bhinna paristhitiyaan aati hain, usmein drama ka gyaan ati aavashyak hai।

102No.

338anubhvi ho na। 339kya smriti rehti hai? 340hona hi hai,nothing new।

103So, let there always be the flying stage.

341pahle se hi jaante hain ki yeh hona hai to vichlit nahin honge। 342jab knowledge hai ki hona hi hai to khel samajhkar dekhenge। 343toofaan nahin lekin khel hai। 344naatak mein bhi toofaan, baadh sab dekhte hain na, lekin vichlit hote hain kya?

104The sign of the flying stage is to be always double­light.

345kyonki samajhte hain ki yeh drama hai। 346to achal ho ya thoda-thoda hilte ho? 347kyon, kya hota hai? 348kya hoga, kaise hoga … yeh aata hai?

105If you are not double­light, you cannot have the flying stage.

349jab drama ka gyaan hai to achal-adol hain। 350drama ka gyaan nahin to halchal hai। 351to sabhi sada achal ho? 352abhi nahin lekin sada।

106The slightest burden will bring you down.

353‘sada’ shabd nahin bhoolna। 354sada maana avinaashi। 355sadaakaal vaale ya kabhi-kabhi vaale? 356maataaon ko kabhi thoda-thoda moh nahin aata?

107When travelling by plane, if there is the slightest bit of rubbish in the machinery or in the petrol, what would be its condition?

357thoda-thoda meraapan nahin aata? 358jahaan meraapan hoga vahaan halchal hogi। 359had ka mera nahin। 360behad ka mera, woh hai mera baba।

108The plane would come down from the flying stage into the falling stage.

361had ka mera-mera bahut hai। 362to had ka meraapan nahin hai? 363paandav kya samajhte hain? 364meri rachna, meri dukaan, mera paisa, mera ghar, kuchh nahin aata?

109So, here, too, if there is any type of burden, whether of your sanskars, of any type of atmosphere or of any relationship or connection with any soul, then, from the flying stage, you would come into upheaval.

365sab tera kar diya ki thoda kinaare rakha hai? 366agar thoda bhi kinaare rakha to jo manzil ka kinaara hai woh nahin milega। 367to mera-mera samaapta।

110You would say, “I am fine, but because of this reason, there is the bondage of this sanskar, person, atmosphere.

368sada smriti ke tilakdhaari aatmaayen। 369to jahaan smriti hai vahaan samartheehai। 370smriti nahin tosmarthi bhi nahin। 371to sabhi santushta ho ya koi asantushtata hai?

111No matter what the reason may be, intense effort­makers would cross all situations in such a way as though it is nothing.

372anek janma asantushta rahe, ab bhi asantushta rahe to kya kahenge?

112They would not experience it to be labour, but entertainment.

373isliye sada santushta। 374achha! 375group.nan. 4

113Such a stage is called the flying stage.

376khushiyon ke saagar ke bachche ho isliye duhkhadhaam ko sada ke liye vidaai de do 377sada ye nasha rehta hai ki ham bhaagya vidhaata ke bachche hain? 378bhaagya vidhaata baap C ban gaya aur kya chaahiye? 379sab chaahnaayen poori ho gai ki aur rahi hui hain?

114So, do you have the flying stage?

380nasha sada badhta jaata hai ya kabhi kam hota hai, kabhi badhta hai? 381jab maaya aati hai tab phir kya karte hain?

115Or, do you sometimes desire to come down and tour around?

382phir kam hota hai? 383maaya to ant tak aani hi hai।

116There should not be attachment to anything.

384kyonki maaya nahin aaye to maayaajeet kaise kahlaayenge? 385to maaya ka aana, ye to hona hi hai lekin aapka kaam hai maayaajeet banna। 386maayaajeet ho ya kabhi haar, kabhi jeet? 387abhi bahutkaal se maayaajeet banne ka samay hai।

117No attraction should attract you even slightly.

388kabhi haar, kabhi jeet nahin, sada maaya jeet। 389abhi tak hindi nahin samajhte ho!

118A rocket is able to fly high when it goes beyond the pull of the gravity of Earth.

390kyonki satayug mein jaana hai, vahaan aapki yeh bhaasha nahin hogi। 391aap sabki aadi bhaasha hindi hai na। 392to bolna nahin bhi aave to samajhna to aave na। 393to kaun hindi samajhta hai haath uthaao।

119Otherwise, it is not able to fly high.

394samajhne ke liye purooshaartha karo। 395kyonki baap jis bhaasha mein bolte hain woh bhaasha to samajhni chaahiye na। 396vaise bhi dekho agar english bolne vaale maa-baap honge to bachche bhi kya seekhenge? 397to baap ki bhaasha to samajhni chaahiye।

120It would come down even when it doesn’t want to.

398achha! 399sada khush rahne vaale to ho hi।

121Any form of attraction will not allow you to go up.

400khush rahne vaali aatmaayen baap ko bhi pyaari hain। 401kyonki baap sada khush rahne vaale hain, khushi ke saagar hain to bachche bhi khush rehte hain to baap ko bhi khushi hoti hai। 402to duhkh ko sada ke liye vidaai de di na। 403ya kabhi-kabhi nimantran de dete ho?

122It will not allow you to become perfect.

404duhkh ki duniya se nikal chuke। 405duhkhadhaam mein rehte ho kya? 406kahaan rehte ho? 407sangamayug par, duhkhadhaam mein nahin।

123So check: No attraction should attract you even in your thoughts.

408duniya vaale duhkhadhaam mein hain lekin aap sangamayug, khushiyon ka yug, maujon ka yug, usmein ho। 409aise hai?

124Apart from the Father, there should be no other attraction.

410kabhi galti se duhkhadhaam mein to nahin chale jaate? 411kabhi thodi-thodi dil hoti hai? 412to nasha rehta hai ki ham sangamayugi shreshtha brahman aatmaayen hain? 413isliye braahmanon ko sada hi oonchi choti dikhaate hain।

125What do the Pandavas think?

414to jaise oonche se oonche gaaye hue ho vaise sada oonchi sthiti bhi ho। 415saadhaaran sthiti nahin, sada oonchi sthiti। 416kabhi saadhaaran sthiti mein to nahin aa jaate? 417baap mila sab kuchh mila-yahi smriti sada ooncha bana deti hai।

126Become such intense effort­makers.

418ye yaad rehta hai na। 419ye automatic geet bajta hi rehta hai।

127You have to become that, do you not?

420to kitna sahaj aur sarva praapti kar li।

128How many times have you become that?

421mehnat karni padi? 422thodi-thodi mehnat lagti hai?

129You have become that countless times.

423title hi hai sahajyogi। 424koi apne ko kehta hai main mushkil yogi hoon।

130Have you become that or has someone else become that?

425duniya vaale kehte hain ki kashta ke bina paramatma nahin mil sakta aur aap kya kehte ho? 426ghar baithe baap mil gaya। 427baap ke ghar mein to peechhe aate ho, pahle to ghar baithe baap mila। 428itna sahaj socha nahin tha lekin mil gaya।

131You have become that.

429to sada yahi yaad rakhna ki ham bhaagya vidhaata ke bachche hain।

132You are not going to be numberwise, are you?

430sada apna bhaagya yaad aane se khush rahenge aur khushiyaan baantenge। 431group.nan. 5

133You are going to claim number one, are you not?

432chintaaon se free sada nishchint va befrik baadshaah rahne ke liye nishchaybuddhi bano 433sada apne ko kalpa-kalpa ki adhikaari aatma anubhav karte ho? 434anek baar yeh adhikaar praapta kiya hai aur aage ke liye bhi nishchit hai ki kalpa-kalpa karte hi rahenge। 435yeh pakka nishchay hai na।

134What will the mothers do?

436kyonki nishchay hai is brahman jeevan ka foundation।

135Will you claim number one or will numberwise be all right?

437agar nishchay ka foundation pakka hai to kabhi bhi hilenge nahin। 438chaahe kitne bhi toofaan aa jaaye, chaahe kitne bhi bhookampa ho jaayen lekin hilenge nahin। 439kyonki foundation pakka hai। 440abhi bhi dekho, prakriti ka bhookampa aata hai to kaun si building girti hai?

136Will the 108th number be all right?

441jo kachchi hoti hai। 442pakke foundation vaali nahin giregi।

137Will you become the 108th number or number one?

443to aapka foundation kitna pakka hai? 444hilne vaala hai kya? 445hilegi nahin lekin thodi daraar aa jaayegi? 446thodi bhi nahin।

138Now that you belong to the Father and have claimed a right, are you going to claim the full inheritance or a little less?

447kyonki koi to gir jaate hain koi girte nahin lekin thodi daraar aa jaati hai। 448to aap unse bhi pakke ho। 449to nishchay ki nishaani hai-har kaarya mein mansa mein bhi, vaani mein bhi, karma mein bhi, sambandh-samparka mein bhi har baat mein sahaj vijay ho। 450mehnat karke vijayi bane, woh vijay nahin hai।

139Then you will become number one, will you not?

451sahaj vijayi। 452to nishaani dikhaai deti hai ya vijay praapta karne mein mehnat lagti hai? 453kabhi sahaj, kabhi mehnat?

140When the Bestower is giving fully but those who are receiving take a little less, what would you say?

454lekin nishchay ki nishaani hai sahaj vijay। 455agar mehnat lagti hai to samjho kuchh mix hai। 456sanshay nahin bhi ho lekin kuchh vyartha mix hai isliye sahaj vijay nahin hoti। 457nahin to vijay nishchaybuddhi aatmaon ke liye to sada ever ready hai।

141This is why you have to become number one.

458uska sthaan hi woh hai। 459jahaan nishchay hai, vahaan vijay hogi। 460nishchay vaalon ke paas hi jaayegi na। 461to nishchay sab baaton mein chaahiye।

142Even if there is only one who is number one, there are many in the number one division.

462sirf baap mein nishchay nahin। 463lekin apne aapmen bhi nishchay, brahman parivaar mein bhi nishchay, drama ke har drishya mein bhi nishchay। 464tabhi kahenge ki sampoorn nishchaybuddhi। 465agar baap mein nishchay hai lekin apne mein nahin hai, chalte-chalte apne se dilshikasta hote hain to nishchay nahin hai tab to hote hain।

143So, you mustn’t come in the second number.

466to woh bhi adhoora nishchay hua। 467baap mein bhi hai, apne aapmen bhi hai lekin parivaar mein nahin hai।

144If you are going to claim something, claim it fully.

468parivaar ke kaaran dagmag hote hain। 469to bhi adhoora nishchay kahenge। 470drama mein bhi full nishchay ho।

145Many who do not claim fully will follow later.

471jo hua so achha hua। 472isko kehte hain drama mein nishchay।

146However, you are going to claim fully.

473aise sampoorn nishchaybuddhi hain? 474kabhi to full hai, kabhi aadha hai।

147Are all of you those who will claim fully?

475jab anek baar ka nasha hai to anek baar vijayi bane ho, ab repeat kar rahe ho। 476koi nai baat nahin kar rahe ho, repeat kar rahe ho। 477to repeat karna to sahaj hota hai na। 478to nishchaybuddhi vijayi-sada yeh smriti mein rahe।

148Or will you be happy by receiving just a little?

479nishchay bhi hai aur vijay bhi hai। 480ye nasha ho ki hamaari vijay nahin hogi to kiski hogi।

149Since the treasure­store is open and it is limitless, why should you take any less?

481vijay hai aur sada hogi। 482to atal nishchay ho।

150It is unlimited, is it not?

483talne vaala nahin ho, thodi si baat hui aur nishchay atal nahin rahe, aisa nishchay nahin ho। 484atal nishchay to atal vijay hogi। 485vijay ki bhaavi tal nahin sakti। 486atal hai।

151If it were limited and someone were to receive 8,000 and another was to receive 10,000, then it would be said that that is all they have in their fortune.

487to aise nishchaybuddhi sada harshit rahenge, nishchint rahenge। 488kyonki chinta khushi ko khatma karti hai। 489aur nishchinta hain to khushi sada rahegi।

152However, the Father’s treasure­store is open and limitless; you can take as much as you want.

490to nishchaybuddhi ki doosri nishaani hai nishchinta। 491nahin to thodi baat bhi hogi to chinta hogi ki ye kya hua, ye aisa hua। 492is kyon kya se bhi nishchinta। 493kya, kyon, kaise-ye chinta ki lahar hai।

153Even then, it is infinite.

494abhi badi chinta nahin hogi, is roop mein hogi। 495hona nahin chahiye tha, ho gaya, aisa, vaisa, kyon, kya, kaisa, ye shabd badal jaate hain। 496to aisa hai ki kabhi-kabhi question mark hota hai? 497kai kehte hain na ki mere paas hi ye kyon hota hai?

154You are the masters of the infinite treasure.

498mere se hi kyon hota hai? 499mere peechhe ye bandhan kyon hai, mere peechhe maaya kyon aati hai, mera hi hisaab kitaab kada hai kyon? 500to ‘kyon’ aana maana chinta ki lahar hai। 501to is chintaaon se bhi pare-isko kaha jaata hai nishchinta।

155You are the children who are the masters.

502to kaun ho? 503nishchinta ho ya thodi-thodi kyon, kya hai?

156So, all of you are those who will always remain happy, are you not?

504nishchinta aatma ka sada salogan hai achha hua, achha hai aur achha hi hona hai। 505buraai mein bhi achchhaai anubhav karenge। 506buraai se bhi apna paath padh lenge। 507buraai ko buraai ke roop mein nahin dekhenge।

157Or do waves of sorrow come sometimes?

508isko kaha jaata hai nishchaybuddhi, nishchinta। 509‘chinta’ shabd se bhi avidyaaho।

158Waves of sorrow cannot come to you even in your dreams.

510jaise gaayan hai na ichchha maatramaavidya। 511aise chinta ki bhi avidyaaho। 512chinta kya hoti hai-yeh anubhav nahin ho।

159Let alone in your thoughts, they cannot come even in your dreams.

513to aisi avastha isko kaha jaata hai nishchinta। 514koi bhi baat aaye to ‘kya hoga’ nahin aayega, phauran hi yeh aayega ‘achha hoga’, beet gaya achha hua। 515jahaan achha hai vahaan sada befikrabaadshaah hain। 516to nishchaybuddhi ka arth hai befikrabaadshaah।

160This is known as being number one.

517to aise hote hain। 518to bhi adhoora nishchay kahenge।

161So, what wonders will you show?

519drama mein bhi full nishchay ho। 520jo hua so achha hua। 521isko kehte hain drama mein nishchay। 522aise sampoorn nishchaybuddhi hain?

162All of you will definitely claim number one, will you not?

523kabhi to full hai, kabhi aadha hai। 524jab anek baar ka nasha hai to anek baar vijayi bane ho, ab repeat kar rahe ho। 525koi nai baat nahin kar rahe ho, repeat kar rahe ho। 526to repeat karna to sahaj hota hai na।

163Delhi is said to be the heart.

527to nishchaybuddhi vijayi - sada yeh smriti mein rahe। 528nishchay bhi hai aur vijay bhi hai।

164The body functions according to how the heart is.

529ye nasha ho ki hamaari vijay nahin hogi to kiski hogi। 530vijay hai aur sada hogi। 531to atal nishchay ho। 532talne vaala nahin ho, thodi si baat hui aur nishchay atal nahin rahe, aisa nishchay nahin ho।

165The basis is the heart, is it not?

533atal nishchay to atal vijay hogi। 534vijay ki bhaavi tal nahin sakti। 535atal hai।

166The heart is the heart of the Comforter of Hearts.

536to aise nishchaybuddhi sada harshit rahenge, nishchint rahenge। 537kyonki chinta khushi ko khatma karti hai।

167The seat of the heart has to be accurate; it cannot fluctuate.

538aur nishchinta hain to khushi sada rahegi। 539to nishchaybuddhi ki doosri nishaani hai nishchinta। 540nahin to thodi baat bhi hogi to chinta hogi ki ye kya hua, ye aisa hua।

168You have the intoxication of being the heart of the Comforter of Hearts, do you not?

541is kyon kya se bhi nishchinta। 542kya, kyon, kaise-ye chinta ki lahar hai।

169So now, transform the self and the world with your elevated thoughts.

543abhi badi chinta nahin hogi, is roop mein hogi। 544hona nahin chahiye tha, ho gaya, aisa, vaisa, kyon, kya, kaisa, ye shabd badal jaate hain। 545to aisa hai ki kabhi-kabhi question mark hota hai? 546kai kehte hain na ki mere paas hi ye kyon hota hai?

170As soon as you have a thought, you put it into action.

547mere se hi kyon hota hai? 548mere peechhe ye bandhan kyon hai, mere peechhe maaya kyon aati hai, mera hi hisaab kitaab kada hai kyon? 549to ‘kyon’ aana maana chinta ki lahar hai। 550to is chintaaon se bhi pare-isko kaha jaata hai nishchinta।

171It should not be that you think a lot.

551to kaun ho? 552nishchinta ho ya thodi-thodi kyon, kya hai?

172You say that you think a lot, but very little actually happens.

553nishchinta aatma ka sada salogan hai achha hua, achha hai aur achha hi hona hai। 554buraai mein bhi achchhaai anubhav karenge। 555buraai se bhi apna paath padh lenge। 556buraai ko buraai ke roop mein nahin dekhenge।

173Such souls are not intense effort­makers.

557isko kaha jaata hai nishchaybuddhi, nishchinta। 558‘chinta’ shabd se bhi avidyaaho।

174An intense effort­maker means that your thoughts and actions are the same.

559jaise gaayan hai na ichchha maatramaavidya। 560aise chinta ki bhi avidyaaho।

175Only then would you be said to be equal to the Father.

561chinta kya hoti hai - yeh anubhav nahin ho। 562to aisi avastha isko kaha jaata hai nishchinta।

176You are happy and you will always remain happy.

563koi bhi baat aaye to ‘kya hoga’ nahin aayega, phauran hi yeh aayega ‘achha hoga’, beet gaya achha hua। 564jahaan achha hai vahaan sada befikrabaadshaah hain। 565to nishchaybuddhi ka arth hai befikrabaadshaah। 566to aise hai ya thoda-thoda fikra kabhi aa jaata hai?

177You have this firm faith, do you not?

567to befikra baadshaah hi baap samaan hai। 568baap ko fikra hai ka?

178Only those who remain happy are fortunate.

569itna bada parivaar hote bhi fikra hai ka? 570sab kuchh jaante hue, dekhte hue befikra । 571aise befikra ho? 572maataayen befikra ho ya pravritti mein jaakar thoda fikra ho jaata hai?

179Is this firm?

573vaayumandal mein jaakar thoda prabhaav pad jaata hai? 574vaayumandal ka prabhaav nahin padta? 575apna prabhaav vaayumandal par daalo, vaayumandal ka prabhaav aapke oopar nahin pade। 576kyonki vaayumandal rachna hai, aap master rachta ho।

180Or do you become a little weak in this?

577vaayumandal banaane vaala kaun? 578manushyaatma । 579to rachta ho gaya na।

181Do you like something that is unripe?

580to rachta ke oopar rachna ka prabhaav nahin ho, lekin rachta ka rachna ke oopar prabhaav ho। 581to koi bhi baat aaye to yeh yaad karo ki main vijayi aatma hoon। 582achha, ye mahaaraashtra aur gulbarga hai। 583(arth quake aata rehta hai) isliye sunaaya ki nishchaybuddhi raho, hona hi hai।

182You like something that is ripe, so remain very firm.

584aage chalkar ati hona hai ya kam hona hai? 585to ati kaaaahvaan kar rahe ho ya ghabraate ho? 586ghabraane ki koi baat nahin। 587agar shareer jaayega to bhi guarantee hai aur rahega to seva karni hai।

183Every day at amrit vela, make this lesson firm: No matter what happens, you will remain happy and make others happy.

588donon mein achha hai। 589teen pair prithvi to milni hai। 590befikraho na।

184OK, do not show any other games.

591knowledge hai na isliye befrikhain। 592saari sabha befikrabaadshaahon ki baithi hai na।

185Just show this game; do not play other games.

593jaane vaale kahaan bhi honge to jaayenge, chaahe bhookampa mein jaayen, chaahe kis sthiti mein bhi jaayen, achhe-achhe chalte chalte bhi chale jaayenge। 594jaane vaale ko koi rok nahin sakta। 595jaane vaale chale gaye lekinbefikra aapko dekar kyon jaaye? 596fikra bhi saath mein lekar chale jaaye na।

186Achcha.

597gyaan ki shakti hai na। 598achha। 599hone vaala hona hi hai। 600aap sabhi to befikra baadshaah ho।

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